With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

“Cause you know sometimes words have two meanings” July 31, 2017

Filed under: Trivia — justwilliam1959 @ 9:58 pm
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By all accounts Frank Zappa was not a great fan of rock groups, well maybe not much of a fan of anyone else’s music some would say. He was often disparaging of rock behemoths like Led Zeppelin and referred to lead singer Robert Plant as Robert Planet and Robert Plant-It. It was also Zappa he first raised the story of the mud-shark and the groupie incident, but that is another story altogether.

However maybe he did secretly like Led Zeppelin. In rehearsals for his 1988 tour he tried a few covers; “Shapes Of Things” by the Yardbirds and “Paperback Writer” by the Beatles. But most of these were never played live, particularly “Stairway To Heaven” a song which Frank claimed never to have heard from start to finish. But he recognised that a Zappa cover of the song, including sound effects, might actually blow the minds of his audience. I have listened to a few live recordings of Zappa doing “Stairway To Heaven” and it is both faithful and fanciful, a truly mental take on a true rock classic. Apparently the song took a slightly different road each night of that tour, even taking on some reggae vibes occasionally. Personally I love Zappa does Zep. What do you think? Here are a few takes from Zappa and the Led Zeppelin original.

 

“Somebody better put you back into your place” July 30, 2017

Filed under: Trivia — justwilliam1959 @ 2:53 pm
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When Queen recorded “We Will Rock You” back in 1977 at Wessex Sound Studios in Highbury North London they and Producer Roy Thomas- Baker wanted to get a full and powerful stomp to back it up. Everyone in the studio was rounded up to provide that now familiar stomping and clapping refrain, essentially everyone stamped their feet twice and clapped their hands on the offbeat. Now not only was everyone in the studio involved but so was Betty the Tea Lady. No one remembers much about her other than her name was Betty, she made the tea at Wessex Sound Studios and that she lived next door to the studio.

So in my opinion Betty is one of the many unsung and uncredited people in rock’s grand history. Now I know it’s a long shot but if Betty or one of here friends or relatives is reading this I would love to talk to you to get a bigger profile on line for Betty! Yes I know it’s 40 years ago, but I really would love to pull this off!

 

Stanley Clarke – Brudenell Social Club, Leeds – Tuesday 25th July 2017 July 29, 2017

Filed under: Review — justwilliam1959 @ 11:33 pm
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My first exposure to the mega talented Stanley Clarke was via his 1981 collaboration with George Duke on the “Sweet Baby” single. My music taste has always been eclectic and I was very much into Jazz funk in the late 70s and early 80s in addition to my love of punk, reggae and many other forms of this wonderful thing called music. I had listened to Stanley Clarke on and off since then and watched a few live videos of him on YouTube and I honestly hadn’t thought about going to see him play. But then I chanced upon a flyer for the gig at the Brudenell Social Club in Leeds.

Once I had booked my ticket I started to get a tad excited about seeing the jazzmeister and he did not disappoint. There was an issue at the venue which meant the show started late, but that dampened no one’s enthusiasm. The band around Mr. Clarke consists of two keyboard players; Cameron Graves, aged 30, Beka Gochiashvili aged 21 and a powerfully talented drummer called Mike Mitchell also aged 21 and who I believe is known by the nickname Blaque Dynamite. I think that having a young band around him really seems to inspire Clarke. He was generous in his praise of the band throughout the show.
Admittedly I was surprised that there was neither guitarist nor brass in the lineup and I thought that might diminish the overall sound but it didn’t. Stanley plays the bass like no one else I have ever seen. He brings out melodies and tunes from an instrument that for many bands is just a sometimes perfunctory part of the rhythm section. He is a clearly a true genius and on top of that the crowd love him. In fact this is perhaps the biggest crowd that I have been a part of at this fabulous venue too. Stanley is as adept on the electric bass as he is on the double bass, the latter of which he plays by hand or with a bow. Given the array of guitars and bass guitars that many musicians carry with them Clarke used the same bass guitar throughout, well obviously apart from the double bass excursions.

I am not a true jazz aficionado so I can’t really tell you much about the set list. However one stand out moment for me was the beautiful arrangement of the Charlie Mingus jazz standard “Goodbye Pork Pie Hat”. I would definitely see Stanley Clarke play live again after this, I left the venue on a proper high with a smile on my face that stayed with me until I fell asleep that night and maybe even it remained during said sleep, who knows?

Public service announcement, all the pictures were sourced via Google and all the videos discovered on YouTube. I am happy to provide credit to the posters

 

Latitude Festival 2017 July 20, 2017


So after such a great first Latitude for me last year I was back for another one with what could well be the last gang in town. Yes that tent corral of ours was and is the business. Festivals are often good when you’re on your own but that enjoyment is blown to 3D Imax level when you’re with a bunch of great people as I was in Suffolk!

Owing to some prior family commitments the wonderful Catwoman and I had to leave early on Sunday, but we crammed a lot in during the rest of our stay. The excitement even included someone trying to break into our very modest (ok that might not be true) tent. But that is a story for another day. Proceedings kicked off for us on the evening of Thursday 13th July when we attended a pop up comedy event in the Faraway Forest ( does that sound like something out of Enid Blyton to you? It does to me. But trust me it definitely was not Blyton. The title was Brexit: The Game Show. It wasn’t exactly the kind of light entertainment TV game show we are used to in the UK, but it was a chance to rip apart a number of Tory arseholes such as Boris, Gove, Hunt, IDS and on top of that, the wonderful Mr Dacre of the Daily Heil. I was actually chosen to be a contestant and I would love to tell you that I performed really well, only that would be a lie, I was a bit crap. But for me the show was very funny at first and tailed off towards the end.

For or first full day at the festival on Saturday 14th July I aimed to cram in as much music as I possibly could which was around 18 different acts, but obviously that did not include a full set from all of them. First up I was lucky enough to catch a one song sound check on the Lake Stage from Bessie Turner. Oh boy does this lady have talent and a magnificent voice. After that chance encounter it was off to the BBC Music Stage for Julia Jacklin. She has a collection of smart, catchy and sassy songs that evoke the spirit of Roseanne Cash but with more of a rock feel to them. Her “Cold Caller” has the making of a bluesy laid back classic. After a few songs from Julia it was time to dash over to the Obelisk Arena. Have you ever dabbled in ‘what if’ scenarios? Well what if Siouxse Sioux had fronted early Roxy Music and that band had been influenced by Kate Bush and great dance music? Well in my opinion that would give you the stunning band that is Pumarosa. I was mesmerised by them and stayed for their whole set which for me reached its zenith with the towering “Priestess”. How do you follow that? Not very easily, but the Coral did a great job next. They are old hands at this and they have grown into the perfect band to grace any festival afternoon.

After some early 2000s reminiscing with the Coral I wandered over to the BBC Music Stage for Japanese House. Now this band are purveyors of the finest kind of electro pop. A splendid band indeed. A short hop to the Lake Stage followed this where I was lucky enough to witness a full set from Essex band Superglu. They are a refreshingly talented and somewhat brilliant pop punk outfit. They were clearly having a lot of fun on stage and so were us lucky lot in the audience. Their riff laden, hook heavy songs will stay in your head for ages after hearing them. In fact “Diving Bell” is still with me! Can anyone tell me whether Billy Bragg was at Latitude? If he wasn’t then the bloke taking a pee next to me looked remarkably like him, but for me there is a certain line of etiquette which means I wouldn’t strike up a conversation with a stranger at the urinals, even if said stranger might have actually been William Bloke a.k.a. the Bard of Barking. Back to the BBC Music Stage now for the Radio Dept who give you classy, chilled rock music with a message and this is all underlayed with a powerful dance feel. These Swedes will go far and if you like New Order I reckon that you will love the Radio Dept.

Back to the Lake Stage next for the Dead Pretties which is a name that I love. But they are neither dead and sorry guys but nor are they pretty. However this London band hit you with a powerful assault of punky garage rock. I caught the final few songs from the Mystery Jets at the Obelisk Arena and that was enough for me to confirm that they are still bloody good. I stayed at the Obelisk Arena a.k.a the Main Stage for the stupendous, pulsating and infectious rhythms of Tinariwen who take world music to a truly stellar level. I kept pretty fit by dashing from stage to stage and next I found myself back at the BBC Music Stage for Beth Orton who drew the biggest crowd of the day to that stage at that point in proceedings. Beth’s die-hard fans were clearly pleased with her performance but for me it lacked a degree of personality. My first visit to the BBC Introducing Stage gave me a chance to see Be Good from Oxford. They hit us with some light, bright and funky tunes which the audience lapped up. I think I detected a bit of Foster The People in their party vibe too. I graced the Lake Stage with another visit next for Shame and I must say that there is no Shame with this band whose songs are heavy, punky rock from London with some very clever lyrics. They also claim to have topped the charts in Bosnia. Not many artists can truly carry off the ‘gimme your hands’ crucifixion pose but Shame’s lead singer pulls it off in style. I hope that there is a slot for them at Reading/ Leeds, they would totally smash it!

I decided to calm things down next by meeting my beautiful wife Catherine (a.k.a Catwoman) at the Speakeasy stage which is effectively a combined literature and poetry stage. Who was the bozo who decided to replace the Poetry Stage with a Carlsberg bar that looked to me like the Ikea staff canteen? But mini rant over I was at the Speakeasy to see Lol Tolhurst off of the Cure interviewed by Pete Paphides. Lol has recently published his memoirs entitled Cured. Lol is an excellent raconteur and frankly he might have done just as well without Pete Paphides who I felt had a bit of an off day. Obviously I bought the book and queued to get it signed, but disappointingly when I got home I spotted that Lol had dedicated it to Phil! Lol that is not my name, so I guess that I might have to doctor it a little. Incidentally John Robb did exactly the same a few years ago at the Harrogate Festival! The next attraction on the Lake Stage were the band that it is impossible to pigeonhole. the mighty, eclectic Cabbage. When I saw them at the Leeds Festival last year they were beautifully shambolic. They have come such a long way since then and I reckon they will headline a major festival within the next three years, what do you think? They might not necessarily look punk, but they ooze punk attitude and swagger. Before heading back to our aforementioned very modest tent I managed to catch the first few songs from Obelisk Arena headliners the 1975. They truly are a brilliant band who are totally sure of themselves and very deserving of a headline slot. Did I overdo it with all that dashing from stage to stage? Well yes I probably did!

When I woke up on Saturday morning I kind of knew that maybe I had overdone things the previous day and later that morning I was close to passing out, but I soldiered on as long as I could. The act of the day for me was at the Sunrise Stage at at midday on Saturday and it was one that I had bean looking forward to for a long while. It was the wonderful chap that is Beans On Toast. He is a mate of Frank Turner’s and is far more political than Frank. But I loved his set, just Beans and his acoustic, great songs, smart lyrics and an incredible rapport with the audience. You want love songs? You want protest songs? Beans On Toast has them both in abundance. He is a wonderful storyteller and raconteur. next I was off to the BBC Music stage for some fine Scandinavian songs which have the power to move mind, body and soul. The artist is Skott a Scandinavian singer songwriter who grew up in a forest commune. I stayed in the BBC tent for Karen Elson, multi talented supermodel and singer songwriter. Her folkily styled songs supported by a fabulous sprinkling of harp are like nectar for the ears. I was keen to dash over to the Obelisk Stage to catch at least some of the charming and talented Lucy Rose’s set. It feels like she has been with us forever and I do mean that in a good way. She has a mind for great melodies and lyrics and she has the voice of an angel. What more could you want?

After that I wandered across the site for my first and only visit of the day to the Speakeasy for Global Pillage hosted by Deborah Frances-White and guests. It is a new comedy panel show which has been available as a podcast for a while. It takes a look at our strange human customs and idioms from across the globe. Personally I found it a bit too try hard and nowhere near as funny as I had hoped. I managed to catch some of the Idles set on the Lake Stage. If you like nerve shredding punk that has the power to make your ears bleed then you will love them. I certainly did. After the Idles I needed a bit of a come down and on the same stage I found that with the spectacularly chilled Saint Sister. There may not be a finer way to wind down and chill right now than this band. Dreamy harmonies and hooks with a great nod to the 1960s. I also caught some of the Lemon Twigs set in the BBC Music tent. It is pretty damned hard to believe that these two are still teenagers. Incredibly talented and clearly fans of harmonic rock and pop. That was the last act I saw at Latitude 2017 as unfortunately prior commitments meant that we had to head home on Sunday morning. But the acoustics at the campsite were so good that I was able to hear most of Leon Bridges amazing set and that made me wish that I had stayed in the arena. I also heard the whole Mumford and Sons set and I remain not a big fan of them, I find them somewhat bland. Although the stuff that they have done with Baaba Maal is bloody good. Anyway I would love to hear of your hits and misses from Latitude. I can certainly promise that I will be back here next year too!

 

 

Billie Marten, Epilogues, Laura Kindelan – The Basement, City Screen, York – Tuesday 11th July 2017 July 12, 2017


This wonderful, intimate venue was home to a wonderful and intimate gig on Tuesday night courtesy of the talented Mr Simon Pattinson of Northern Radar. Mr P always puts together some excellent packages and I would like to congratulate him on his first sell out gig, may there be many more! Incidentally if you spot any gig promoted by Northern Radar give it a shot, Simon has never let me down in all the years I have known him.

Anyway tonight was a really chilled acoustic gathering kicked off by Laura Kindelan from York. For me Laura evokes what might have been had Jeff Buckley been female. This girl has so much soul in her voice and also a magnificently chilled and carefree style. She also has some great songs, “Sweet Tooth” is achingly, stunningly beautiful and I love it.

I first saw tonights second act, Epilogues back at this same venue in September last year when Mikey was supporting Jordan Mackampa. I liked him then and I still do. He said that he was nervous at the start of his set, but it really didn’t show. He has a great vocal range which is suggestive of both Thom Yorke in his softer moments and David Bowie circa 1969. The name Epilogues suggests closure but this fella has so much to offer that maybe he should become Prologues.

Billie Marten was the headliner tonight although she did say that she was blown away by the support. But whilst everyone tonight put in great performances for me Billie definitely shaded it. How many “Internet Sensations” (Billie came to prominence via her own YouTube channel as a young girl and then on a local YouTube channel called Ont’ Sofa) have true talent? I would wager that not many do, but Billie Marten has talent in spades. Her performance evokes a slight spirit of Joni Mitchell but she is also very much her own woman. “Cartoon People” belies the fact that Billie is only eighteen, it is a powerful song about Donald Trump and his daughter. It is a great song that would win over anyone in possession of a brain and a heart. This young lady will go far and she deserves to. She also shared some of her home baked cake with us and I can tell you that it was damned fine too.

 

“God is an American, God is an American” July 4, 2017


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I would like to wish a very happy 4th of July to all my American readers. Stay strong people you only have another three and a half years of President Agent Orange. But if you wish to come back to the Empire just let me know, we used to own you after all 😉

But let me also thank you for making the UK government look less stupid than yours!

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As I have said many times, this is a music blog so here are a few USA related songs, which in my opinion are bloody good!

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