With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

Richard Hawley – Museum Gardens York – Saturday 5th July 2025 July 6, 2025


It was great to catch up with friends old and new at another mega gig in the Museum Gardens in York. Headliner for this one was Richard Hawley, a man who was once a member of Longpigs (1993-2000) and a touring member of Pulp (1998–2002, 2011–2012). He released his first solo album ‘Late Night Final’ in 2001. But enough of him for now, because the bill included some fine support acts. First on stage was Hamish Hawk. This is a man who produces classic Scottish pop rock that in my opinion could only be made in Britain. Imagine, if you will, Edwyn Collins travelling back in time to the Middle Ages and coming back as Hamish Hawk. While the wonderfully frantic punk funk of “Caterpillar” closed the show it was “The Mauritian Badminton Doubles Champion, 1973” that was the highlight of the set for me.

Next it was the turn of BC Camplight a Manchester-based American songwriter and multi-instrumentalist (a.k.a. Brian James Christinzio). He released his first album, ‘Hide Run Away’ in 2005 and his latest, ‘A Sober Conversation’ earlier this year. The band were tight and at times sounded like a much rockier early Elton John. The backing vocals occasionally showed great prowess for some doo-wop style vamping. BC Camplight and his band are a fucking awesome unit, how the hell have I never seen them live before? There were way to many high points to mention all of them, but I loved “I Only Drink When I’m Drunk” and “Two Legged Dog”.

Photo from Museum Gardens social media. If you look carefully you can see me and my mate Simon P!

The penultimate band was last year’s Mercury Music prize winners English Teacher. If Indie was a genre (it isn’t) then I am sure some people might suggest English Teacher as a part of the genre definition. But they are so much more than what many see as Indie. The band has some wonderfully deep rock depths overlaid with sometimes intriguing but always gorgeous lyrics. They played a new song, “Tooth Pick” and that has some delightful prog rock overtones. Every song in their set was perfect but “R & B” and “Albert Road” were mountainous. I have been listening to that debut album ‘This Could Be Texas’ again while I have been writing up this review. I can see English Teacher being a force in British music for years.

Photo from Museum Gardens social media

Finally it was time for Richard Willis Hawley to grace the Museum Gardens stage. Including the main man himself there were ten people on stage, the string quartet added some beautiful almost cinematic soundscapes to Hawley’s magnificent songs. While he didn’t play my favourite, “Tonight The Streets Are Ours”, the seventeen song set was so majestic I didn’t really notice it hadn’t been played until I was on my journey home. But he did play the soon to be 20 years old ‘Coles Corner’ album in full and what a delight it was. “The Ocean” actually had me welling up a little. Then when Richard remained on stage to play the traditional lullaby, “Who’s Gonna Shoe Your Pretty Little Feet?”, accompanied just by his acoustic guitar it made me think of my now adult children when they were very young. Hawley’s interaction with his audience was funny, self-deprecating and at times very emotional. He explained the reason that many of the band were wearing was to show support for Dioga Jota, the Liverpool footballer, who died recently. That got a well deserved warm reaction from the crowd. His skit about giving up smoking 40 cigs a day and now saving £15,000 a year as a result was very funny and featured his ace blunt Yorkshire dry humour. It was good to hear “Galley Girl” again, that song was always one of my favourites from his ninth album ‘Further’ (2019). The band closed out on a slightly psych wig out of a rock fest with a towering “Heart Of Oak”. This ranks as one of the best sets I have ever seen. The last time that I saw Richard Hawley was at the V Festival in 2006. I promise not to leave it as long next time!

Big shout out to Futuresounds for pulling together such a great run of shows in the magnificent setting that is the Museum Gardens in York. I am already excited for next year, are you?

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Latitude Festival 2022- Day 2 – Saturday 23rd July July 31, 2022


I don’t think that there was a better way to open the Obelisk Arean Stage on Saturday than with York’s finest musical sons, Shed Seven. The band, formed in 1990 and named after a railway shed was the perfect choice for an early afternoon Latitude appearance. They are battle-hardened Brit Pop survivors who know their stuff and are still recording with a new album due out soon. The set was a definite 10/10, which is not bad for a band described on Twitter (by one David Callow) as a “shitty little band”. Segueing “Going For Gold” into “Suspicious Minds” worked very well. Note for Mr. Witter, the Elvis tune was released in 1969. The Sheds saved the sublime and magnificent, York City adopted terrace anthem, “Chasing Rainbows” until the end, closing a brilliant show! Rick Witter also gave his maracas as gifts to a couple of people, including a little kid that he had conversed with during the set. Next, it was back to the BBC Sounds Stage for relatively local lass Bessie Turner. She does soulful, folky pop and does it really well. It was a fresh, fun performance for a sunny afternoon. Apparently, her old teacher was in the crowd, I would have been proud had she been one of my pupils!

Shed Seven
Hamish Hawk

Now it was time for a quick dash to the Alcove stage for Scottish singer Hamish Hawk. The band is also called Hamish Hawk. This was an electrifying performance, a bit like early Ultravox but using more “organic” instruments, lots more emotion, and oodles of fun. There were some great songs, including one about ecclesiastical architecture. The closing track, “Caterpillar” gave the band the opportunity to completely wig out and they did it with aplomb and attitude. Hamish is an animated and passionate performer. His dancing style is totally original and feels like a Thunderbirds puppet after too many energy drinks. This is a great band, check them out now if you haven’t already. next it was back to the BBC Sounds Stage for Curtis Harding an extraordinarily talented soul singer which seems to display every emotion from ecstasy to deep pain. The band is superb and the set has the feel of a full-on Blues Brothers-style soul revue. Curtis is a great performer who works the crowd into a frenzy. He has a rich, soulful voice that comes across as a 21st Century Curtis Mayfield or Sly Stone. He and his band know how to party too!

Katy J Pearson

The Obelisk Arena was my next destination for the wonderfully named Los Bitchos. They supply Latin-tinged indie instrumentals, many of which could add something as a soundtrack to TV shows like ‘Breaking Bad’. Their sound reminded me at times of Colour Me Wednesday with added South American percussion and obviously no Jennifer Doveton on vocals. Los Bitchos are a very good band, but I felt vocals would have helped carry the tunes better. That said, a particular highlight for me was “Lindsay Goes To Mykonos” which is apparently about Lindsay Lohan. Katy J Pearson was next on the BBC Sounds Stage. I last saw her just over a year ago at the Crescent in York. Her music is rather special and she has a style that is quite difficult to compare with other artists. Although there were times when she sounded a little like Linda Ronstadt. If you like US West Coast country rock from the early 70s, or Americana and alt. country you will almost certainly love Katy J Pearson. The band has a great brass section and Katy’s voice was immaculate. “Beautiful Soul” was a highlight for me. I returned to the Obelisk Arena for Foals, a band I saw quite a few years ago when they sounded like a good Kasabian crossed with Kings Of Leon. Since then they have become perhaps one of the best bands in the UK, particularly in a live setting. The more dance-oriented material is perfect for bringing a festival to life and Foals most certainly applied a fully cranked musical defibrillator to Latitude. Foals didn’t just bring the crowd alive they took us to musical Valhalla. The light show and screen display were clever, powerful, and sublime. I especially loved the kaleidoscopic, Rorschachy style moving and evolving ink blots. The confetti explosion added an eeriness to proceedings as the confetti just hung in the air, maybe because of the heat of the day or the heat of the crowd. This was a stonking set from a magnificent band.

All the photos, apart from the poster, were taken using my cheap Chinese android phone. The videos were all found on YouTube. If one of them is yours and you would like me to credit you or take it down please let me know.

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