With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

“Take me away from this big bad world and agree to marry me” January 4, 2014


ArticleImage-51385Blur, who have been a little inactive on the new music front recently launched some new merchandise which you can buy on-line. Is it branded trainers, hoodies, t-shirts, baseball caps and the like? No, it’s a tea set, beer mats and flat caps. Better hurry up if you want a Blur tea set though, apparently only 300 were made. Click here to get yours. Blimey next they’ll be selling whippets named after the band members and maybe branded pipes and slippers. What other random merchandising can we expect? Cup cakes from Ozzy Osbourne, BingoWings.com on-line bingo from Madonna, X-Factor ear plugs made from Matt Cardle’s ear wax, Robbie Williams and One Direction toilet paper, Olly Murs manure? All your suggestions would be very gratefully received.

 

“Spike heels make a hole in a life boat, drifting away when I’m talking and laughing as we float” – Advent day 16 December 16, 2013


16It’s December 16th and therefore day 16 of the With Just A Hint Of Mayhem advent posts. I’m enjoying the music in these advent posts and I hope that you are too.  So on to two songs with the number sixteen in their title.

tennesseeeerniefordThe first song for today is from Ernest Jennings Ford who was better known as Tennessee Ernie Ford. The song is about working in a coal mine and it is called “Sixteen Tons” it reached number 1 in the US charts in 1955. The song has been recorded by many artists; including Stevie Wonder, the Redskins, Tom Jones, Johnny Cash, Bo Diddley, Robbie Williams, Dandy Warhols, Tom Morello and the Eels. Whilst Elvis Presley never recorded the song he did play it live when touring the US in 1955. The Clash had the Ford version of the song played just before they came on stage during their ‘Sixteen Tons’ US tour in 1980.

Jack White took over the cover of the May 2012 issue of Interview magazine-815282The second for today features an artist that appeared as part of one of his earlier bands on day 7 of my advent posts. It’s Jack White with a track taken from his first solo album, ‘Blunderbuss’ released in 2012. White says that the inspiration for the song came from his daughter. When Jack asked her what she would like as a snack she said sixteen saltine crackers, he said she could have three. The singles B Side was a cover of U2’s “Love Is Blindness“. The single was sadly largely ignored in the UK reaching only number 129 in the UK singles chart. The album went to number one in the UK though and also reached the top in Belgium, Canada, Switzerland and the USA.

 

“It’s not my problem, it’s not my problem” – Advent post day 2 December 2, 2013


G7497_thumbpacksIt’s now just over three weeks until the big day when the bearded weirdo arrives at your house and drops down your chimney. Are you excited yet? If not then I hope that the two tunes with numbers in their titles that I have selected for day 2 get you at least a little bit revved up. So behind the colourful little cardboard flap today we have a couple of classics for singing along to when drunk.

Pull the udder one Damon

Pull the udder one Damon

First it’s Blur with an excellent if rather unimaginatively titled song; yes it’s “Song 2” from 1997. It came from an album which also didn’t need much creative juice when it came to choosing a title; it was simply called ‘Blur’. However forget the issue I have with those titles for me it remains one of the band’s finest albums. Sadly it only made it to number 2 in the UK charts, but it did hit the top spot in Canada. It has been covered by a wide range of artists, including; Avril Lavigne, Scooter, Robbie Williams and Vampire Weekend. It was also sampled by Pink on her song “Slut Like You”. “Song 2” has featured in episodes of Torchwood, the Simpsons and South Park. It is said that the US military wanted to use the song at the launch of a new Stealth Bomber, but Damon Albarn refused them permission. Rightly so in my opinion.

5032556118026The second song from day 2 is the wonderful “Two Pints Of Lager And A Packet Of Crisps Please” from Splodgenessabounds. The song was released in 1980 when it made it to number 7 in the UK charts. The B side was the rather excellently titled song “Michael Booth’s Talking Bum”. In a throwback to the early days of punk many of the band members gave themselves some rather clever stage names; including vocalist Max Splodge, guitarist Pat Thetic Noble and Miles Flat also a guitarist. The band still tours, often with Bad Manners and appeared at the Rebellion Festival for the 19th time earlier this year.

Indeed!

Indeed!

 

“Don’t you know, you fool, you never can win?” November 24, 2013


SongsforswinginloversFifty seven years ago in 1956 Frank Sinatra had the honour of becoming the first artist to have a UK number one album with ‘Songs For Swingin Lovers‘. Since then there have now been 1,000 number ones; sadly the thousandth is Robbie Williams‘ second swing album, ‘Swings Both Ways’. It’s such a shame that it couldn’t have been Jake Bugg with his new album, ‘Shangri La’. But I suppose it might have been worse given that Lady Gaga’s ‘ARTPOP‘ was 999th.

SwingsbothwaysI thought I’d check out which rock ‘n’ roll gods had the 666th UK number one album and it wasn’t any kind of god or devil just Nickleback with ‘Silver Side Up’

Robbie has now had eleven solo number one albums, equalling Elvis Presley. If you count his number ones with Take That it’s fifteen which is the same number as the Beatles. However Robbie is way behind on the weeks spent at number one in the UK albums chart list. The Beatles top that at 174 weeks with Robbie languishing in sixth place with just 31 weeks. The acts between him and the Beatles are Elvis Presley (63 weeks), Abba (57), Rolling Stones (45) and Simon and Garfunkel (40). I suspect Gary Barlow will have the 1,001st number one next week with his new album, which from what I have heard might rate as the dullest UK number one album for some time! Click here to read more about Robbie on the BBC.

 

The Brit Awards 2013 (February 20th) February 20, 2013


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It’s Brits time again and I will be typing live ready to publish later in the evening. It is opened spectacularly by Muse with an incredibly large orchestra and pyrotechnics. Although they were a long way from being Catwoman’s favourite I thought they were superb. It appears that James Corden is over the worst of the tonsilitis and back to present the Brits for the fourth time.

Damien Hirst has designed this years trophies. The first one presented this evening is for the best British female solo artist. It was given by Taylor Swift to the delightful Scot Emilie Sande. A very gracious speech too. Sadly we then switched to an at table interview of One Direction by Mr Corden. I really don’t like Boy Bands. Then to make matters worse Robbie Williams was the next live act. Regular readers will know how little I like him. Whilst “Candy” is not a bad song I dislike Robbie immensely. But the monochrome set and costumes of the dancers was very effective.

Next up it’s Best British group presented by Simon Pegg and a Bond Girl.The winners unsurprisingly were Mumford and Sons. At least it wasn’t One Direction. Some great British pride from the Mumfords too. It was the Best British Breakthrough prize next presented by Grimmy. I was expecting this to go to Jake Bugg Does anyone agree with me that James Corden is not particularly funny? A world exclusive by none other than Justin Timberlake was next to appear. It’s an ok song and whilst he wasn’t bringing sexy back his jacket was bringing shiny back!

Ed Sheerhan presented the best British male award to Ben Howard. Why no nomination for Jake Bugg when that Muppet Olly Murs was in the nominees? Now it’s time for the critics choice award and it goes to Tom O’Dell. Dermot O’Leary and Sharon Osbourne were introduced as man and wife (what a horrible thought) to give the Best International female statuette to Lana Del Ray. One Direction are on stage, will someone please kill me. How flat were some of those notes? A dreadful performance. Do this lot have any personality and stage presence? On this showing I think not. Bring back Blondie.

Coldplay won the Best British live act, strangely they are a band that I’ve not seen live, well not yet anyway. That is their 8th Brit award since they began. Tom Daley and Jonathan Ross (what a strange combination) gave out the best single prize to Adele for “Skyfall”. Sadly she wasn’t there as she is rehearsing for the Oscars. Thank god James Arthur or Olly Murs didn’t win!

Taylor Swift dressed as a wedding cake to perform between two braziers. Unlike Wand Erection though she can really sing. Losing that dress for the hot pants was a good move. Best International group was presented by a true rock god Dave Grohl. The award went to the fabulous Black Keys who sadly weren’t there, very worthy winners in my opinion. After winning two prizes so far Ben Howard was on stage to perform “It’s Only Love” which let’s be fair is a beautiful if somewhat sleep inducing song.

A brief interview with Mercury Prize winners Alt J by Mr Corden came up next. Now we have the best International male. Frank Ocean won it, what a damned good choice! The War Child charity won a new special recognition award. This is truly a great charity, a well deserved prize. Collected by Ben Knowles from Warchild and Damon Albarn. Mumford took to the stage for “I Will Wait” I saw them at the Reading Festival in 2011. They were bloody good, but I feel they peaked very early and that their second album was nowhere near as good as the first. I’m sure I won’t be the first to say that Mumford have become a bit dull will I?

None other than Byron Ferrari was on hand to present the Best British album gong to Emilie Sande for ‘Our Version Of Events’. Personally I love her voice, but I imagine she is a bit Marmite in that you either love her or hate her. Yet another Global Success Award was presented by Robbie Williams to One Direction; oh joy, two of my least favourite acts ever! What the fuck? Was this award invented just so that Wand Erection didn’t sob all over their school books? I bet that arsehole Simon Cowell was behind that! Emilie Sande closed the show  and yes she was good. But that Global Success award to One Direction has left a bad taste in my mouth. In fact it has turned a relatively dull Brits into something quite shit! Can we have some proper rock n roll edgeiness back next year please? Preferably a bit more edgy than Sharon Osbourne mentioning Harry Styles’ willy!

 

“And all those conversations are the secrets that I keep” November 20, 2012


WTF is this box with string on?

The chart topping double was always seen as a great achievement when I was a teenager. I seem to recall Rod Stewart taking it a step further by having the number one single and album in both the UK and the USA at one point. Has that ever been done since? I’m not sure. Anyway the singles and album chart double is back with a bang in the UK. Last week Robbie Williams hit the top of the singles chart with a song that reluctantly I have to admit to liking; “Candy”. He then doubled up by sitting on the album chart peak with his new album ‘Take The Crown‘.

Robbie when he was still on the throne

He may have taken the crown but his time on the throne was short-lived, the single is down to number six and the album to number five. But a new pretender has taken the throne, sadly it’s One Direction or Wand erection as an acquaintance of mine called them. Are the charts as important now after 60 years of existence. I think they are and I am bloody disappointed that this band of five pop muppets has achieved this feat. Particularly as it seems to me that  only one of them has a halfway decent voice. That’ll be you Harry Styles.

Their album is called ‘Take Me Home’ and I do wish that someone would. The single is called “Little Things” and on another sad note it’s an insipid cover of an Ed Sheeran song. But I guess Ed has to pay the bills. A previous One Direction single “Live While We’re Young” is still in the top 30 at number 26. While their first album ‘Up All Night’ continues to hang around the album chart at number 25. The pensioners are still hanging in there in the album charts though. Rod Stewart is at number two and the Rolling Stones are at number three, albeit with a Christmas album and yet another hits compilation respectively.

Middle finger? Which one is the middle one?

 

“I want the world to know I’m happy as can be” November 15, 2012


This month, November 2012, marks the 60th anniversary of the UK singles chart which began in the NME in 1952. We’ve come a long way from crooner Al Martino‘s “Here In My Heart” all those years ago to the current resident of the number one spot in the UK singles chart; Robbie Williams with “Candy”. Maybe we haven’t come too far though as Robbie does fancy himself as a crooner doesn’t he. I must confess that Robbie’s current number 1 is one of the few songs of his that I like.

The chart now includes downloads which have helped to boost sales of singles considerably. Apparently there have been 3.7 billion singles sold in that 60 year period in all formats. But the peak for the physical format was the 80s which recorded 640 million singles sales.  The biggest selling UK single ever was Elton John’sCandle In The Wind ’97” which was the singers dedication to Princess Diana. It sold 4.9 million copies and therefore raised millions for charity. Personally I prefer the original version. Does anyone ever play the Diana version these days? Incidentally do you know what the biggest selling single never to top the charts is? It’s Wham! with “Last Christmas/ Everything She Wants” which lost out to Band Aid’s “Do They Know It’s Christmas” which is the second best-selling single ever back in 1984.

There have been more than 1,200 number ones in the chart’s history. The artists with most number one singles in the UK are;

Elvis Presley (21)

Beatles (17)

Cliff Richard (14)

Westlife (14)

Madonna (13)

How tragic is it that Westlife are in there?

Hopefully it really will be their last ever tour

As a teenager I can still recall lining up my cassette recorder microphone near the transistor radio to record my favourite songs from the Radio 1 chart rundown back in the 70s. How many of you did the same? I know of at least one fellow blogger who did. You can check out his excellent post on this chart milestone on his Every Record tells A Story blog by clicking here. You’ll even be able to see him on the chart history documentary on the Beeb! Recording the charts now seems almost pointless given the availability of music on-line, which I think is a real shame. But hey that’s progress right? Talking of progress, the first ever UK number one single based on download sales alone was as far back as 2006. It was the excellent “Crazy” from Gnarls Barkley.

There are also a number of chart records an artist probably wouldn’t want though, like;

Most Top 75 hits (97 of them) without a number one. That one is the honour of the Glee Cast. I hope they keep that one forever

Most Top 40 hits without a number one is easily won by Depeche Mode with 40 of them.

But perhaps the one you really should feel sorry for is Sash! A record of five number 2 singles and no number 1.

But let me finish on a better note. The first single I ever bought was a classic UK number one in my opinion. It was “Sugar Sugar” by the Archies and stayed at the top for 8 weeks at the tail end of 1969. Personally I fell that the charts will stay with us for many years yet, albeit very much adapted from the old days of purely physical sales. I would love to hear your thoughts on this fabulous UK Charts anniversary.

Even the charts are younger than Cliff

 

“You made me feel alive, but something died I fear” October 1, 2012


Curses! Tin foiled again!

The Official Charts Company have released details of the biggest selling CDs in the UK since the format was included in album sales. The list probably holds no real surprises, but clearly has a few disappointing entries in my opinion. The fact that James Blunt, Dido, Leona Lewis and David Gray are in the top 10 shows how bland the UK’s music tastes have become in my opinion. Is this a result of many people buying their CDs from large supermarkets these days? Who knows, but surely that plays a part. Anyway here is the top 10;

1- Gold Greatest Hits – Abba: 4m

2 – 21 – Adele: 3.5m

3 – What’s the Story Morning Glory – Oasis: 3.4m

4 – Back to Black – Amy Winehouse: 3.225m

5 – Back to Bedlam – James Blunt: 3.209m

6 – No Angel – Dido: 3.031m

7 – Come on Over – Shania Twain: 3.02m

8 – Spirit – Leona Lewis:2.95m

9 – Urban Hymns – The Verve: 2.9m

10 – White Ladder – David Gray 2.8m

There are clearly some classic albums in the list from Oasis, the Verve and Amy Winehouse. But the current top-selling UK CD is Abba Gold, probably soon to be overtaken by Adele’s ’21’. One thing that surprised me was that Dire Straits’ ‘Brothers In Arms’ , the first million selling CD was not in the top 10 or even the top 30. Dido has one more album in the list at number 11. Robbie Williams and Coldplay have three albums each in the top 30. The Beatles’ compilation ‘1’ is at number 12 and there is no entry for Queen in the top 30 either.

 

“Got no self-esteem and vertigo” September 21, 2012

Filed under: News — justwilliam1959 @ 11:15 pm
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Robbie is in the news a lot lately isn’t he? Many of you know that I really don’t have much time for Mr Williams from Stoke. That will probably always stay true. However I would like to congratulate him on becoming a Dad and to wish him, his wife and little Theodora all the best. I am also really concerned that I really like his new song “Candy” which he co-wrote with Gary Barlow. I think I must be getting ill, there is no other explanation about why I would like this Robbie song surely. It is a bit of an earworm though.

But to counter all that Robbie has been doing the promo rounds for the new single and forthcoming album. On one breakfast TV appearance in the UK he apparently suggested that he would like a knighthood. I can only assume that this desire follows Gary Barlow’s recent royal award and promotion to national treasure. Will Robbie ever get that knighthood? probably! Will he ever be a proper national treasure? With Gary Barlow and Cheryl Cole are already in the role I seriously doubt it! What do you think?

And finally for the record I haven’t mellowed too much because I still believe that “Angels” ranks among one of the worst songs ever released!

 

London 2012 – The Olympics Closing Ceremony August 13, 2012


So the London 2012 Olympics is over, at least until the Paralympics anyway. I truly believe that this has been an amazing Olympics and for me usurps England winning the 1966 football world cup as our greatest sporting achievement. What do you think? OK I know the Scots won’t agree with that in the first place, but I would still like to hear your thoughts.

I realise that this post comes some 24 hours after the closing ceremony, but given the musical nature of that ceremony I felt I had to post something. The Olympic stadium was once again amazing; decked out to show a London skyline that included the London Eye, Big Ben and the Gherkin to name but a few. It all kicked off with the delicious voice of Emilie Sande accompanied only by a pianist, who was playing a piano covered in newspaper. After that the tempo really took off with forty members of the cast of Stomp dancing, drumming and percussing (is that a word?) on the recreated mini London Eye in the stadium. On top of all this there was a choir singing Beatles songs.

Next up was cellist and Churchill appearing out of the top of Big Ben and reciting words from Shakespeare’s ‘The Tempest’ which was a great link back to the superb Opening ceremony. Obviously it wasn’t really Churchill, it was Timothy Spall. This was followed by newspaper clad crowds depicting the hubbub of London. The whole thing then slowed a little for the arrival of the VIPs; Jacques Rogge (President of the IOC) who seems to make even the dullest accountant I have ever met seem exciting and prince Harry representing the Royal family. Clearly he was never going to match his grandmother’s arrival at the opening ceremony! Obviously this was followed by our rather uninspiring, in my opinion, national anthem.

The whole show was a celebration of Britain and the next vignette was real class. It was the 5, 4, 3, 2, 1 countdown by Michael Caine from the ‘Italian Job’ and then the iconic three-wheeled van of Trotter’s Independent Trading blew apart and out jumped, yes you guessed it, Del Boy and Rodney in their Batman and Robin costumes. A sublime moment and a nod to one of Britain’s greatest ever comedy shows; Only Fools And Horses.

The mood then turned very much to party as madness were driven around the arena playing “Our House” from the back of a truck. This tempo was kept up by the Massed Guards Bands with a wonderful rendition of Blur’s “Parklife”. Just when you thought it couldn’t get better the stadium was filled with cyclists wearing the most amazing geometric and fluorescent hats. Two of them on tricycles which had Neil Tennant and Chris Lowe as passengers. So we were treated to a fabulous version of “West Ends Girls” on bicycles and tricycles. Could this happen anywhere but the UK? I doubt it!

One Direction were next, like Madness they were on the back of a truck, which sadly wasn’t headed to the tip. OK I have to begrudgingly admit they were at least in tune, but I still don’t like them. Interestingly they were one of just a few acts whose name was flashed onto the screen when they appeared. After that it was back to another great number from the cast of Stomp. That percussion sounded like “Spice Up Your Life” to me. was that deliberate? Who knows? An incredibly talented dance troupe who I think were called Spelbound were next to take the stage. They performed a great routine to the Beatles Sergeant Pepper classic “A Day In The Life”

To keep up the 60s vibe Kinksmeister Ray Davies came on to sing his timeless and classic love song to London; “Waterloo Sunset”. eliciting some great ‘sha la la-ing’ from the audience in the process. Emilie Sande made a return next, minus the newspaper piano and sang over a film montage of some of London 2012’s most tearful moments. The three hundred or so flag bearers entered the arena after that, including super sailor Ben Ainslie fo Britain. Elbow soundtracked this whole piece with a great little set that included the beautiful “Open Arms”.  The athletes followed the arrival of the flag bearers and they were corralled into the sections of the union jack which formed the floor of the stadium. Apparently this version of the flag was designed by Damien Hirst. Indian drummers then accompanied the construction of a large structure made up of more than three hundred white boxes. One to represent each Olympic event. The backing track to this was Kate Bush’s “Running Up That Hill”. I had momentary butterflies while wishing and hoping that Kate might actually appear herself. But alas she didn’t.

Apparently one of the traditions of the closing ceremony is that it contains the last medal presentation. It is for the Mens Marathon which took place earlier in the day and was won by Stephen Kiprotich of Uganda.  This was followed by a thank you and recognition for all the volunteers, or Games makers as they were known from all the athletes. This was followed by a spectacular light show to the unmistakable sound of Queen’s mighty “Bohemian Rhapsody” followed by a children’s signing choir singing John Lennon’s “Imagine”. This segued into a film clip of Lennon singing the song himself. Apparently Yoko Ono commissioned a special remaster of the song for the ceremony. At the same time a 3D image of John Lennon’s face was built on stage. This was a prelude to the main musical events.

George Michael took to the stage for his first live performance since his life threatening illness he sang “Freedom 90”  his new single “White Light” which is in fact all about his brush with death. He seemed fit and well and on really good form. I’m not sure I like the new facial hair style though, perhaps it will grow on me! Ricky off of the Kaiser Chiefs was driven to the stage as a scooter pillion passenger singing “Pinball Wizard”. I have gone off the Kaisers of late, by I must admit they did a storming version of the Who’s classic. The next part had me positively tingling with anticipation; A series of short film and audio clips of David Bowie. Would he actually appear? Surely not? And surely he didn’t. But his 1980 hit “Fashion” was used as a backdrop to a showcase of British fashion which included a weird march around the stadium from a series of models including Naomi Campbell and Kate Moss.

George couldn’t master Mo Farah’s Mobot so he invented the Georgebot

A huge skeleton of what might have been a viking boat was pulled on stage and the hidden figurehead was none other than Annie Lennox. She performed “Little Bird” which was used on the soundtrack of Coppola’s film version of Bram Stoker’s classic story Dracula. The much rumoured Pink Floyd appearance turned out to be nothing more than Ed Sheerhan, Nick Mason and Mike Rutherford doing the Floyd’s “Wish You Were Here” accompanied by a tightrope walker who recreated the Floyd album cover with the flaming man.

Russell Brand arrived on stage in what looked like the Scooby Doo van and he was singing, he’s not a bad singer either. He got out of the van to perform the Beatles’ “I Am The Walrus”. The van begat a giant inflatable octopus from which Fatboy Slim did a brief DJ set featuring his own hits “Right Here Right Now” and “Rockerfeller Skank”. Jessie J then sang “Price Tag” in an open top car she was joined by Tinie Tempah then Taio Cruz with “Dynamite”. All in open top cars. Then all three of them took the stage for a creditable performance of the Bee Gees disco classic “You Should Be Dancing”. As they were performing in front of a drum kit marked up with the name of Beady Eye it was obvious who was going to be on later!

A group of London Black cabs entered stadium and performed a kind of synchronised dance. Then five of them moved to the centre of the arena and were lit up with some spectacular lighting arrays. This wasn’t the best kept secret of the show, but guess who the passengers in these five cabs were? Yes it was Scary, Sporty, Baby, Ginger and Pouty…. oops sorry I mean Posh. It was the return of the Spice Girl. They kicked off with possibly one of the greatest pop singles of the 90s (OK that doesn’t mean you have to like it); “Wannabe”. They followed this with the samba rhythmed “Spice Up Your Life” which they performed while being driven around the stadium atop the cabs that brought them in. As expected after seeing their drum kit earlier Beady Eye were next. Thankfully they didn’t play any of their own stuff, just a cover of “Wonderwall” which seemed to go down really well as a sing along with the crowd. Liam seemed quite nervous to me and is his voice a little rough these days?

ELO’s “Mr Blue Sky” was played as a backdrop for a section pioneering flight. This included flying bikes and a failed human cannonball who just happened to be Monty Python star Eric Idle who led the audience in a marvellous sing-alonga-python version of “Always look On The Bright Side Of Life”. he even made a great comedic attempt to join in with some Bollywood style dancing. This whole piece was perhaps the equivalent of the Mr Bean set in the opening ceremony. It ended with the real and successful firing of a human cannonball.

Matt Bellamy and the boys from Muse were the next to appear and they performed their song “Survival” which was commissioned for the Olympics. It’s good and their performance was excellent as usual but this is a long way from being my favourite Muse song. Interestingly, as some have likened Muse to Queen they were followed by a film clip of Freddie Mercury performing some improv jazz scat and despite being dead for more than twenty years the audience were enraptured and joined in the whole Freddie call and response thing. This proved to be the overture to Brian May’s appearance and it’s fair to say that he’s quite a good guitarist isn’t he? 😉 As the unmistakable riff to “We Will Rock You” began and Brian was joined by Roger Taylor I was briefly worried that Adam Lambert or someone similar might step onto the stage. Thankfully it was Jessie J, and inspired choice in my opinion. She did a great vocal on the song which never tried to emulate the late, great Mr Mercury.

It was then time to return to the formal activities which meant the Greek national anthem followed by a Welsh Male Choir version of the Olympic Anthem. This was sealed with the Brazilian national anthem and a formal handing over of the Olympic flag from London’s Mayor Boris Johnson to the Mayor of Rio De Janeiro via Jacques Rogge. The Brazilians then put on a samba fuelled show to let the world know what to expect in 2016. This culminated in an appearance by one of their greatest sports ambassadors; Pele. Then we had more formal stuff with speeches from Seb Coe and Jacques Rogge. Seb was quite inspiring Jacque was once again the definition of dull in my opinion. The remaining action was the extinguishing of the flame. This began with Take That (thankfully without Robbie) performing the appropriate “Rule The World”. It continued with Darcy Bussell flying in as a Phoenix to join two hundred other ballet dances for an exciting modern ballet.

The petals of the cauldron where the Olympic flame burned were then lowered and were slowly extinguished and at this point I thought that was the end. However there was more to come in the shape of the Who. They were on top form and for a pensioner Roger Daltrey’s vocal power is still damned good. They closed with a rousing version of “My Generation” accompanied by yet another magnificent firework display.

I fell a little deflated after such a brilliant two weeks but so very proud to be British. I truly believe that we really showed the world what we are capable of as a country. Not just in the Olympic events but by how we put on such a brilliant event in itself. In spite of the little hiccups before the start (G4S etc) we really delivered this in style and won a whole treasure box of medals too. So let me take this opportunity to congratulate and thank everyone in Team GB, the organisers, all the other competitors, the BBC, the volunteers/  Games Makers and anyone else who was involved in this remarkable event.

Was this the best Olympics ever? I believe it as. Rio follow that!

Most of the film clips from the ceremony are IOC copyright and therefore difficult to show. So here are two songs that sum things up in a simple way.

 

 
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