With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

“I use the N.M.E. I use anarchy” – NME RIP March 11, 2018


It is time to pay a sad, but perhaps inevitable, farewell to a music magazine that has been a part of my life since I first became interested in music; the NME. I bought my first copy sometime in 1970 and I began buying it regularly in around 1972. I really only missed two or three copies per year and in the 1970s I avidly read it from cover to cover. I became a subscriber in 2010 and continued as one until shortly after it became a free publication in 2015. Is there room for a weekly print music magazine any more? probably not. Could the NME have become a monthly publication? I doubt it, the competition from Q, Mojo, Uncut, Vive Le Rock and others is pretty fierce.

The NME, or the New Musical Express as it was then known,¬† published the first ever UK singles chart in its first issue in November 1952. If you’re interested Al Martino was number one with “Here In My Heart”. I lived through some of the greatest British music journalism that there has ever been during its heyday; Charles Shaar Murray, Danny Baker, Nick Kent, Julie Burchill, Paul Morley, Andrew Collins and Tony Parsons to name but a few. Who can forget Danny Baker’s fabulous essays on Michael Jackson and his take on American male soul groups which if memory serves me well was called something like ‘In Praise Of Crimpeline Flares’. In the 60s the NME Poll winners shows included the likes of the Beatles and the Stones playing live. They were among the first to talk about and champion punk in the late 70s. This was a time when the paper became openly political and often published well written and venomous anti Thatcher articles, which I loved.

It came close to folding in the 1980s as it seemed to struggle to find its place in that musical era. But ultimately it survived and pulled through.By the 1990s the paper was very much a supporter of what came to us under the frankly ridiculous banner of BritPop. My favourite cover of this period recorded where the NME brought Brett Anderson and Suede and the Dame himself, David Bowie together. They also led the somewhat ridiculous battle of the bands between Oasis and Blur in 1995. Then of course there were the sometimes infamous Brat Awards as a left field alternative to the Brits. Even as recently as this week it has continued to publish some excellent pieces; Leonie Cooper’s column in support of International Women’s Day was bloody good. and take a look at the NME’s election coverage in 2017. I have seen many posts on-line recently since the announcement of the death of the NME many of them stating somewhat callously that the NME was no longer relevant and hadn’t been for many years. I disagree with this. NME was not the bands and not the music but it brought those bands and their music to our attention when everything wasn’t instantly available on-line. It gave a voice to protest when the ‘adult’ right wing press were not interested. I would argue that the need for that kind of protest and that kind of music reporting is still relevant, but it really doesn’t exist. There are many wonderful things about the age of the internet but compared to the days of paper publication it is often bland, corporate, washed out and washed up. We take our media in so many ways now and in the past the NME and some of its competitors were our vehicle for ‘sticking it to the man’. Now ‘the man’ is the industry, we lost the battle, ‘the man’ has largely taken over and we are happily drip fed Saturday night garbage like the X Factor and the Voice because they sell soulless, lifeless dross to the masses.

There are still bands out there that mean something and I am sure that all of you will be able to name at least one. In my opinion that includes the Tuts, Colour Me Wednesday and Avalanche Party. But ultimately the world has changed and that new world deems that the likes of the NME is no longer required. I disagree and I believe that there is a place for a publication that is passionate about new music, trends, fashion and politics. However it will almost certainly need to live on-line. Can nme.com deliver in those areas? Given the need for corporate advertising to survive, possibly not, so maybe now is time for a new underground movement. Who wants to join me at the vanguard of that? Or shall we just roll over and bow to ‘the man’? RIP NME.

 

The final NME Cover.

 

“But what the heck, they’re not too bad, they talk to God” January 24, 2018


I am truly saddened by the death of Mark E Smith of the Fall. He was one of the alternative music scenes greatest talents. He passed away at home and according to his manager more details will follow in the next few days. He was hospitalised with significant respiratory issues on the Fall’s US tour last year and back in the UK he completed some dates in a wheelchair. At this stage there is no way of knowing whether any of this was connected with his demise. Mark formed the Fall after seeing the now infamous Sex Pistols gig at the Manchester Free Trade Hall in 1976, they became a fixture in British music following the release of their debut EP ‘The Bingo-Masters Break Out’ in 1978. The band released 32 studio albums from ‘Live At The Witch Trials’ in 1979 to last year’s ‘New Facts Emerge’. They issued a similar number of live albums and more than 40 compilations. Smith was the only constant member of the Fall, around 60 different people played in the band over the years. He was an influence on many, many artists including Brett Anderson of Suede, Tim Burgess of the Charlatans and Billy Bragg. John Peel was a great champion and fan of the Fall, he once said “They are always different, they are always the same”, that strikes me as a very fitting epitaph. RIP Mark E Smith, you will be sadly missed. My thoughts go to Mark’s family, friends and fans.

 

“But you always really knew, I just wanna be with you” January 15, 2018

Filed under: Obituary — justwilliam1959 @ 11:57 pm
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I am sure by now that you have learned the sad news of Dolores O’Riordan’s death at just 46 years old. She was born in Ballybricken, County Limerick in Ireland and in 1990 she auditioned as a singer for a band call the Cranberry Saw Us who as you probably guessed went on to change their name to the Cranberries. From 1993 to 2002 the band released six albums including a greatest hits package in 2002. The band took a break in 2003 and then got back together with a tour in 2009. The band’s second and third albums ‘No Need To Argue’ (1994) and ‘To The Faithful Departed’ (1996) went top 5 in almost every country they were released in. My favourite Cranberries song is “Linger” and that broke the band in the USA hitting number 8 in 1993. Meanwhille in 1994 another magnificent single, “Zombie” went to number one in Australia, France and Germany.

I was lucky enough to see the Cranberries play live on at least four occasions. In London in 1993 and again in 1994 and then a couple of times at festivals after that. They were an incredible band and Dolores was an amazing singer and front woman. She will be missed by many. My thoughts go to her family, friends and fans across the world. RIP Dolores O’Riordan.

 

“Life is much too beautiful to live it all alone” November 23, 2017

Filed under: Obituary — justwilliam1959 @ 12:12 am
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I was saddened to hear of the death of David Cassidy aged just 67. He was perhaps the true definition of a teen idol in his heyday during the early 70s. Obviously back then us boys would never be a fan. But all the girls at my school were either fans of David Cassidy or Donny Osmond, with a few more rebellious girls opting for David Essex. Back in the days when the pop charts really meant something these three were top 20 regulars in the UK.

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Cassidy found fame in the American TV series the Partridge Family where he played Keith Partridge. It was a musical show and his first success came with the recordings he did under the Partridge Family name. His mother in the show whose character was called Shirley Partridge was in fact his stepmother Shirley Jones. Before the Partridge Family David had made the odd appearance in shows that included; Bonanza, Marcus Welby MD and Ironside.

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David Cassidy had two number one singles in the UK, “How Can I Be Sure” in 1972 and “Daydreaming/ The Puppy Song” in 1973. On top of that he had a further thirteen UK top 20 hits if you ad in the Partridge family singles. His album ‘Dreams Are Nothin’ More Than Wishes’ made it to the top of the UK album charts in 1973. Whether or not you were a big Cassidy fan there is no denying that he left a significant mark on pop history. David Cassidy RIP.

 

“You sigh, the song begins, you speak and I hear violins” November 21, 2017


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Today I heard of the death of American jazz, pop, gospel (and many other genres) singer  and actress Della Reese. She was 86 years old and I have been a fan for many years. The reason I became a Della Reese fan is down to my sadly departed father who as it turns out was born just three months after Della. Anyway during his years in the Royal Navy, a submariner no less, my Dad collected quite a few records mostly Elvis Presley, Brenda Lee and Della Reese. I no longer have any of the original vinyl that he had but in recent years I have managed to get hold of a few rather excellent Della Reese vinyl albums.

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At 13 she became a backing singer for legendary gospel singer Mahalia Jackson and her first tour was with Nat King Cole. She worked with many jazz legends including Ella Fitzgerald, Miles Davis and Duke Ellington. She made a staggering 17 appearances on the Ed Sullivan Show, her first was in 1957. She had her own American TV show ‘Della’ which aired from 1969 to 1970. As an actress she starred in US TV series ‘Touched By An Angel’, she also made an appearance in the Eddie Murphy film ‘Harlem Nights’. In the 1980s she became an ordained minister. She will, I am sure be very sadly missed. My thoughts are with Della’s family, friends and fans. Della Reese RIP.

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“And the guitar man got famous” November 20, 2017

Filed under: Obituary — justwilliam1959 @ 11:40 pm
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I am sure that by now you are all aware of the death of one of the founding members of AC DC, Malcolm Young. After he retired from the band in 2014 at the onset of dementia I guess it was inevitable that he may not stayed with us for too much longer. But at 64, well that is a young death in the first world these days.

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There have been many, many tributes on-line and in print to Malcolm over the past 48 hours. He was the heart of the band to many and I tend to agree with that. His younger brother Angus clearly took a more prominent position but without Malcolm I doubt that AC DC would have scaled the heights that they did. Were AC DC a punk band? No not in the sense of them being a part of the punk ‘movement’ but they sure as hell had punk swagger and attitude.

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My thoughts are with Malcolm’s family, friends and legions of fans across the globe. Malcolm Young RIP you rocked our world and we salute you!

 

“Well I know what’s right, I got just one life” October 3, 2017


Most of you probably know that we lost one of the greats yesterday with the passing of Tom Petty. I only saw him play live once and that was at the Rainbow in London back in 1977. I can’t remember much about that gig (probably due to the chemical intake, most likely speed given the year) but I will never forget the power and brilliance of “American Girl” that night. I had the offer of a ticket from three sources for his Hyde Park gig this summer and I didn’t take any of them. Hindsight is a wonderful thing! Speaking of wonderful Tom Petty left and amazing collection of classic rock songs to be remembered by including all the stuff with the Heartbreakers, solo and then of course the Travelling Wilburys. I love that Petty’s interest in rock ‘n’ roll was sparked when he met Elvis Presley in 1961. Tom was aged 10 and his uncle was working on an Elvis film set; “Follow That Dream”. He will be sadly missed and my thoughts are with his family, friends and his many fans across the globe. RIP Thomas Earl Petty.

 

 
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