With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

“Well, early in the mornin’ I’m a givin’ you a warnin’ don’t you step on my blue suede shoes” March 19, 2017

Filed under: Obituary — justwilliam1959 @ 12:15 am
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It is with great sadness that I report the death of rock ‘n’ roll pioneer Chuck Berry, he was 90 years old so that certainly is a life lived. Sure Chuck had issues and he paid his debt for those. But he was truly a pioneer, would rock ‘n’ roll have been the same without Chuck Berry? Somehow I doubt it. Given his legacy it’s a shame that his biggest hit was “My Ding-A -Ling” in 1972 which went to number one in the US, the UK and Canada. he did have a few US R & B number ones though. But you know what we need to consider whether the Beatles and the Stones would have existed without Charles Edward Anderson Berry, as his parents knew him. My thoughts are with his friends, family and all his fans across the world.

 

“Everybody hazy shell-shocked and crazy screaming for the face at the window” November 16, 2016


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Mick Jones was also a big Mott fan

Guy Steven’s is seen by many as some kind of rock evangelist. he had an incredibly broad R& B record collection and he was also the man who ran Chuck Berry’s UK fan club. He was also a bit of a bad boy who served eight months in Wormwood Scrubs for drug possession. It was during his incarceration that he formed the idea for his next master-plan. He had a vision of a band who could mix the Rolling Stones raunchiness with Bob Dylan’s electric folk take on life with a hint of the wild path taken by Jerry Lee Lewis. While he was in the infamous ‘The Scrubs’ he even thought of a name for this up to now mythical band. It would be called Mott The Hoople after the Willard Manus novel about a ‘Hoople’  (effectively an eccentric loser) called Norman Mott. On his release he met various future Mott members and the rest my friends is history!

Mott The Hoople

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“The trial was a pig circus, he never had a chance” February 3, 2016


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The other day I decided to take a quick count of all the artists in my album collection where I have at least 10 albums by a single artist. I included CDs, LPs and cassettes (although the only non compilation cassettes that I have are David Bowie bootlegs). Oh and while I’m on bootleg recordings obviously I have included them whether they are live, studio outtakes or simply unreleased stuff. I have not included digital recordings. I was surprised to find that there are 4o artists where I have at least ten releases by them. The list is below, (artist followed by the number of albums) there are no real surprises for me, are you surprised at any on this list? Have you ever done anything similar? I have also added a song from each of the top ten artists 🙂

David Bowie 141
Bob Dylan 30
Johnny Nash 26
Bruce Springsteen 26
Beatles 25
Neil Young 25
Elton John 19
Bob Marley 19
U2 19
Rod Stewart 18
Pink Floyd 17
REM 17
Elvis Costello 15
The Eels 15
Prince 15
Paul Weller 15
Ryan Adams 14
Led Zeppelin 14
Madonna 14
The Clash 13
Elvis Presley 13
Radiohead 13
Kate Bush 12
Oasis 12
Lou Reed 12
Stevie Wonder 12
Morrissey 11
Tom Waits 11
ZZ Top 11
Jeff Buckley 10
Julian Cope 10
Johnny Cash 10
Michael Jackson 10
John Lennon 10
Manic Street Preachers 10
Kylie Minogue 10
Iggy Pop 10
Rolling Stones 10
Frank Turner 10
The Who 10

 

“Sweet Cousin Cocaine, lay your cool cool hand on my head” July 7, 2015


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We are all familiar with the Andy Warhol designed cover for the Rolling Stones 1971 album ‘Sticky Fingers‘ I presume? If you bought the album in Spain when it originally came out then you might not be too familiar with the good old zipper cover. The original cover was censored by the Franco regime, presumably as it depicted the groin area. The track listing was also deemed inappropriate on the Spanish release of the album on which “Sister Morphine” was replaced by a live version of Chuck Berry’s “Let It Rock”. That was originally available on the B-Side of the classic Stones single “Brown Sugar“.

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The zipper cover for which Andy Warhol was allegedly paid £15,000 was replaced in Spain by the one above which shows some sticky fingers rising from a tin of Fowlers West India Treacle. Is it just me or is that likely to just as offensive to anyone offended by the original album cover?

 

Apollo Festival York 2015 – Saturday 27th June 2015 July 2, 2015


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Sadly I missed the first Apollo Festival back in 2013 and then last year I had to leave early so I missed the headliner. However this year I was there for the day and what a bloody good day it was! With something like 50 acts across 5 stages I was never going to be able to see everyone but I did see a fair few acts. I was there with my wonderful wife Catherine ak.a. Catwoman and our great friends John and Caron who brought their daughter and our Odd Daughter (that’s another story) Amelia with them. Amelia proved beyond doubt that she is indeed a 5-year-old dancing dynamo of perpetual motion. Anyway enough of us, who did I see?

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First up it was 4 Pint Milk in the Rick Witter tent. They are from Huntington School and seemed all of 16 (apologies if you’re older than that lads!). But they rock like they’re much older. The part of their set that John and I saw was cover versions, but damned good cover versions. Jake Bugg’s “Green Man”, the Smiths’ “This Charming Man”, Stone Roses “I Am The Resurrection” and my particular favourite, “Brianstorm” originally done by the Arctic Monkeys. I hope these boys succeed, they play really well and they have an excellent dour and dry northern wit.

Back at the main stage I only caught Fat Spatula’s last song. On the evidence of that I thought they sounded pretty good and I wished I could have heard more of them. I should add that Catwoman didn’t like them at all. Next on the main stage was the winner of this years Ainsty’s Got Talent contest, Beth Bryers. She undoubtedly has a great operatic style voice which she used over a number of dancey beats including Bastille. I get the appeal to some, however for me Beth is an acquired taste that I unfortunately didn’t acquire.

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Rime Suspex though were something else, absolutely brilliant in my opinion. A relatively simple set up of a guitarist, singer and rapper. They were also accompanied by a number of samples I think. Imagine if South Africa’s Die Antwoord came from Blackburn and had better rhymes, well that is Rime Suspex in my view.My particular favourites from their set were “Money” and “Sick And Tired”. Given the lyrical content I almost certainly support their sentiments and politics. They didn’t hit the spot for my friend John, but he has never been a fan of white rappers. But I’ll work on him! Anyway I would definitely pay to see Rime Suspex again.

Our first visit to the Access Music stage brought us Matt Philpot. For me he was a pretty average singer songwriter singing 70s with a mostly laid back 70s vibe. The highlight of his set was a reggaefied arrangement of Aha’s “Take On Me” which I enjoyed. Next we saw the Rusty Pegs who are a bit alt. country and come across like a slightly more Nashville version of Fairground Attraction. I quite liked them.

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On our return to the main stage the Happy Daggers were on. I missed the first part of their set but what I did see showed me that these fellows  are funkin’ good and I want more! Rupert Stroud was on next, he and his band were very tight and well rehearsed. He is a rock influenced singer songwriter and he is bloody good. Imagine James Blunt with bigger balls, well that is Rupert Stroud.

After that it was a quick hop across to the Access Music stage for the magnificent Barcode Zebra. I saw them play at last year’s Apollo Festival and they were very good then. This year they were even better. Soul, funk, rock, jazz all in a musical blender supported by a really skilful band and an immensely powerful vocalist. I certainly hope to see more of them.

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Now it was time for the wonderful Crybabycry on the main stage. They had been caught in traffic on their way, but believe me it was worth the wait. I saw them earlier this year in a tiny venue during Live In Leeds. On their performance then and at the Apollo Festival I will stick my neck out and say that I believe that they are one of the finest bands in the UK at the moment. Along with my other favourite UK bands; Avalanche Party, Colour Me Wednesday and the Tuts. Powerful three-piece Crybabycry deserve to be on bigger stages and if you don’t like them then I suggest that you pop out and get your hearing examined. Can we have them at Reading and Leeds please?

Awesome covers band the Mothers followed Crybabycry onto the main stage and they rocked their socks off. I danced near the stage for their whole set which included storming versions of songs by the Beatles, Rolling Stones, songs from the Stax back catalogue among many others. They were fucking brilliant and I might try to book them for my 60th birthday party, although that isn’t until January 2019. After that I paid a final visit to the Access Music Stage where Catwoman and I saw Armonia. They played some really chilled and laid back acoustic songs including a wonderful cover of Lordes’ “Royals”

Classic 90s scouse indie pop band Space were next on the main stage and they were blooming amazing. I had forgotten how many great songs they have recorded. Favourites like “Neighbourhood” and “Female Of The Species” were there along with some new songs and stuff that I have never heard before. There wasn’t a duff song in their set. My favourite is one that I hadn’t heard before, the rather fabulous “Boy In A Body Bag” which is a bloody fantastic tune.

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Finally it was time for the head-liners the supremely talented Inspiral Carpets. I had seen them many years ago and they were always a band whose new release I would always check out. No other band of their generation rocks the Farsifa like these blokes do. The have some excellent songs in their canon including “Dragging Me Down”, “This Is How It Feels”, “Spitfire” and one of my all time favourite songs from any band or singer “Saturn Five”. Quite an appropriate song for the Apollo Festival don’t you think? The Inspiral Carpets used to refer to themselves as ‘cool as fuck’ and in my opinion they remain so. If you get a chance to see them you would be foolish not to.

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Finally let me say a big, big thank you to the organisers of the Apollo Festival especially Mr Apollo himself Stuart Kelly. Also a big shout out to my good friend Simon Pattinson who is on the organising team. Everything was brilliant folks, including the weather. If you change anything for next year then I suggest that you increase the food outlets and vary them a bit. Can I also offer to volunteer to help with organising Apollo 2016?

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This really is the final finally! If you haven’t done so already please click here to vote for the Apollo Festival in the Yorkshire Gig Guide Grass Roots Awards. I have!

Well given the weather it seemed somewhat appropriate :-)

Well given the weather it seemed somewhat appropriate 🙂

Public service announcement – none of the media contained in this post was filmed or photographed by me.

 

 

“Leave the rent with the gent up in the penthouse” March 3, 2015

Filed under: Trivia — justwilliam1959 @ 11:16 pm
Tags: , , , , ,

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The life of the late great Ian McLagan of Small Faces, Faces and Rolling Stones fame might have turned out very differently if he had followed in his father’s footsteps. Ian’s Dad was crowned British Roller Skating Champion in 1928!

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So now enjoy a couple of Mac’s finest moments while you lace up your roller skates. “Miss You” by the Rolling Stones on which McLagan played some excellent piano and keyboards along with the Faces’ “Cindy Incidentally” which he co-wrote with Rod Stewart.

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“She used to be a girl of simple pleasures, a breath of spring to chase your blues away” Blog Advent Calendar Day 14 December 14, 2014


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Ladies and gentlemen and those that aren’t quite sure it is now December 14th and that means that my Christmas advent blog posts for 2014 have reached Day 14 which in turn means that we are at the letter ‘N’. With that in mind I have decided to pick a band from Scotland for todays ABC of British bands entry. Please allow me to welcome the mighty Nazareth to this post.

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The band formed in 1968 and the original members were Manny Charlton (guitar), Pete Agnew (bass), Darrell Sweet (drums) and Dan McCafferty (tonsil-shredding vocals). The band still tours although Pete Agnew is the only one of the original members still with the band. There are no middle east or biblical overtones to the band’s name. They are named after a town that is mentioned in the classic song “The Weight” from the Band. That town is Nazareth, Pennsylvania. The line is “I pulled in to Nazareth, I was feeling about half past dead”

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The band was probably at its commercial peak in the early 70s when they had three UK top 20 albums from 1973 to 1974. I used to own two of those on vinyl; ‘Razamanaz’ and ‘Loud ‘N’ Proud‘. They also reached the top 20 of the album charts in Norway six times between 1980 and 1989. Their latest album ‘Rock ‘N’ Roll Telephone’ has charted in four countries this year; Germany, Switzerland, Sweden and Austria. This is probably the last Nazareth album to feature McCafferty’s vocals as he retired due to ill-health last year.

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Their biggest success in the UK singles chart was with “Broken Down Angel” which peaked at number 9 in 1973. Their cover of Joni Mitchell‘s “This Flight Tonight” made it to number one in Germany that same year. In 1975 they released a cover version of the classic ballad “Love Hurts” it made it to the top of the charts in Canada and South Africa. Dan McCafferty has released a few solo recordings over the years and his cover of the Rolling Stones “Out Of Time” almost made the UK top 40 in 1975, stalling at number 41, I used to have a vinyl copy of that too. In 1994 Guns ‘N’ Roses covered Nazareth’s “Hair Of The Dog” on their covers album ‘The Spaghetti Incident’. Supposedly Nazareth had previously turned down an invite to play at Axl Rose‘s wedding. They might not have entertained guests at Mr Rose’s wedding, but you can enjoy Nazareth now.

 

 
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