With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

2023 a trilogy by The Justified Ancients of Mu Mu October 4, 2017


Ever since the hey days of those magnificent art terrorists Jim Cauty and Bill Drummond when they went under the various guises of the KLF, the Jamms, the Justified Ancients of Mu Mu and the Timelords to name but a few I have been a fan. When they made the statement that the KLF had left the building in the early 90s they pretty much stood by it. Apart from the odd release “Fuck the Millennium” was one we never really heard from them. I can’t say that I loved everything Cauty and Drummond did, with the exception of everything released by the KLF of course. But burning a million quid? Seriously what did that achieve?

Anyway the boys are back with a novel which was launched with a three day ‘happening’ in Liverpool back in August. The book is ‘2023 – A Trilogy by the Justified Ancients Of Mu Mu’. The blurb on the back cover describes the tale as “a utopian costume drama , set in the near future, written in the recent past”. It is clearly fiction and includes appearances from many people that you know, although not necessarily in the way they are portrayed in the story; John and Yoko, Banksy, Jonathan King, Extreme Noise Terror, Vladimir Putin, Michelle Obama, David Hockney, Tammy Wynette, George Jones, Alan Moore, Aloysius Parker (off of Thunderbirds), Lady Gaga (or M’Lady Gaga), Azealia Banks, Will Gompertz, George Orwell, Lord Saatchi, Sam & Dave and of course Jim Cauty and Bill Drummond.

It is probably one of the weirdest books that I have ever read and I have read some weird stuff! There are some thought provoking moments and some proper laugh out loud elements. But it works and for me it works bloody well. Is it set in a parallel universe, an alternative future? Well yes and possibly. Was it worth the wait? Damned right it was. If I say much more about this book I will probably have to add some massive spoiler alerts. Is it the last we will here of Cauty and Drummond for another 23 years? I bloody hope not. Now go out and buy the book and listen to some classic KLF tracks.

 

“God is an American, God is an American” July 4, 2017


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I would like to wish a very happy 4th of July to all my American readers. Stay strong people you only have another three and a half years of President Agent Orange. But if you wish to come back to the Empire just let me know, we used to own you after all ūüėČ

But let me also thank you for making the UK government look less stupid than yours!

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As I have said many times, this is a music blog so here are a few USA related songs, which in my opinion are bloody good!

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The Damned – Fibbers, York – Wednesday 3rd August 2016 August 4, 2016

Filed under: Review — justwilliam1959 @ 5:11 pm
Tags: , , , , , , ,

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Wow, two Fibbers gigs in eight days. Not bad for an old bloke, well two old blokes actually as I was joined by my good friend Simon Hernaman for Ash (supported by Tax The Heat) last week and the Damned (supported by Dohnut) this week. Let me start with tonight’s very different and majestically magnificent support band Dohnut (formerly known as Eating Disorder). What can I say? Well if you like a bit of politics and a bit of an edge to your music then look no further. This band are¬†true performers who seem to enjoy themselves immensely on stage. I’m not familiar enough to name all their songs but I have bought their album ‘Eat More Cake’ and on first listen that sounds bloody good, so much so that I am now really looking forward to their new album ‘I Scream You Scream’ due out in October. I also bought myself a Dohnut tea towel, how many bands have that in their merchandise collection eh? “We Are Dohnut” is a fabulous song with a resonance similar to Devo’s “We Are Devo”. It is a reworking of a Die Antwoord song and it works incredibly well. At times they reminded me of one of my favourite bands of all time, the KLF. You really ought to check Dohnut out.

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So on to the main event, the Damned, long running UK punk stalwarts. I first saw them in 1977 and last saw them in 1978. That was so long ago that I was still in my teens. For all the gigs that I have seen in my life I don’t believe that I have ever seen so many middle-aged men in a mosh circle. Incidentally that didn’t include me; not because I’m not middle-aged, just because I’m not sure I could take such a beating anymore! The personnel have changed since I last saw them. The only original members are Dave Vanian and Captain Sensible. Brian James and Rat Scabies left some time ago. But this really doesn’t diminish their power. They are a band who knows how to play really well and perhaps more importantly they know how to work their largely fanatical audience.

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All the old favourites were played, I especially enjoyed the early set rendition of “Love Song“. Then we had “New Rose” and “Neat, Neat, Neat” obviously, because how can they not play those two? Both songs have retained their power and freshness for¬†around forty years. Their 1986 hit cover of Paul and Barry Ryan’s sixties classic “Eloise” is a phenomenal live attraction. Part of their encore was another sixties cover, this time “Alone Again Or” by the sublime Love, Arthur Lee’s little combo. The Damned make the song very much their own on the night. This is a band that in the case of the Captain and Dave Vanian have known each other a lifetime and that is very much apparent by their humorous on stage banter. But more recent members Monty Oxymoron on keyboards, Bass player Stu West and Pinch on the drums fit in perfectly and make them a really tight and well rehearsed unit. They took the Fibbers roof off with a stunning version of “Smash It Up” to close the show. It is clear that the Damned still have it and it was a great night for everyone there, even the woman who was a dead ringer for Theresa May. Except for a woman behind us who was disappointed with the show. Really? Personally I think there must be something wrong with her!

 

“You wanted the best and you got the best” Blog Advent Calendar Day 21 December 21, 2014


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The 21st December you say? really? Blimey where did the time go? Anyway I just knew that something good was going to happen now that it is Day 21 in this years Advent calendar blog post series. regular readers will know that the theme this festive period is the ABC of British bands. Some of you may already have guessed who todays band is as I incorporated a clue earlier in this paragraph. Today is the turn of the Utah Saints who despite their name actually come from Leeds.

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The band played live often between 1991 and 2001 although their appearances since then are largely as DJs. Although they are still writing and recording and are supposedly working on their next album at the moment. Jez Willis and Tim Garbutt are the Utah Saints core and they really pioneered the use of sampling in pop music. they met when they were both music promoters and DJs for the Mix nightclub in Harrogate. In his inimitable style Bill Drummond off of the KLF described the Utah Saints as¬† “the first true stadium house band”. I’m not entirely sure what that means but it sounds good doesn’t it? They also built their own recording studio on the outskirts of Leeds which opened in 2008.

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The band’s first three singles all made the UK top ten from 1991 to 1993. Those releases were; “What Can You Do For Me” (1991), “Something Good” (1992) and “Believe In Me” (1993). Willis and Garbutt described these songs as their vocal sample trilogy. The songs sampled Gwen Guthrie, Eurythmics (“What Can You Do For Me”), Kate Bush (“Something Good”) and the Human League, Crown Heights Affair, Sylvester (“Believe In Me”). Despite persistent press stories these samples were all legally cleared. Kate Bush also let the band use clips from her video for “Cloudbusting” which is where the sample for “Something Good” comes from.

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“Something Good” is their biggest hit to date. It peaked at number 4 in the UK singles chart and made the top 10 in Australia and Ireland. Interestingly it also made it to number seven in both the US Dance Charts and the US Modern Rock charts. does this make them truly genre-defying? I’d like to think so. They have released two albums so far (not including a mix album). The first was ‘Utah Saints’ which reached number 10 in the UK album charts in 1992. The follow-up was rather unimaginatively called ‘Two’. Sadly that one failed to chart when it came out in 2000. Now you can enjoy some of the Utah Saints finest beats and I hope that you enjoy them.

 

 

“If you criticize them I’ll know that you can see” Blog Advent Calendar Day 20 December 20, 2014


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Here we are in December’s 20’s already, it’s December 20th and Day 20 of this years advent calendar blog posts. Regular readers will know that this years theme is the ABC of British bands. The 20th letter of the alphabet as I hope all of you know is ‘T’. As a big fan of a certain fellow called Julian I have chosen the Teardrop Explodes for this post.

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Wikipedia describes the Teardrop Explodes as post-punk/ neo-psychedelic; what the fuck does that mean when it’s at home? Can a band not just be a good band or great band? I am guilty of slotting music into genres on occasions, but¬†post-punk/ neo-psychedelic? That is more pretentious than a thousand Nigel Farage clones.

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Head Teardrop was Julian Cope, an artist who I really love. Dave Balfe was in the band, he went on to set up Food Records. Troy Tate who later produced the Smiths was also a Teardrop. The band formed in the rather incestuous music scene in Liverpool in 1978. The band signed to Zoo Records which was run by Dave Balfe and future KLF man Bill Drummond. Part of the appeal of the Teardrop Explodes for me was the eccentricity and fragility of Julian Cope. He once said “”I was goaded into becoming a rock star by Bill Drummond and the pseudo-intellectual side of me thought it would be quite charming.”

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They were always more of a cult band given their limited chart success. Although their single “Reward” is a mainstay of many 80s compilation albums. It was also the bands highest charting single, reaching number 6 in the UK charts in 1981. Their first album, released in 1980 was ‘Kilimanjaro’ from which they eventually released five singles. Aside from compilations they released another two albums; ‘Wilder’ in 1981 and after the band came together again briefly in the late 80s ‘Everybody Wants To Shag The Teardrop Explodes’ in 1990.

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The band took their name from a frame in a Marvel comic. Daredevil #¬†77 to be precise. Will the band ever get back together? Probably not, when Julian Cope was asked that question some years ago he replied; “Would you ever return to having your mother wipe your asshole?”. The Freshies featuring Chris Sievey who went on to become Frank Sidebottom released a single in 1981 called “I Can’t Get ‘Bouncing Babies’ By The Teardrop Explodes”.

 

 

“Move to the flow of the pyramid blaster” – Advent post day 3 December 3, 2013


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Are you ready to open the next box on the advent calendar? What delightful chocolate¬†awaits us? well none actually because this is the With Just A Hint Of Mayhem Advent Calendar blog post for 3rd December so instead of chocolate you’ll get two songs. Incidentally what advent calendar do you have at home? Does it contain sweets or chocolate? Mine is a Spiderman one and Catwoman, my lovely wife, has a Maltesers calendar.

Is Mr Richie wearing a Christmas jumper?

Is Mr Richie wearing a Christmas jumper?

The first of todays number themed songs is the Commodores smash hit from 1978, “Three Times A Lady”. The song which was written by Lionel Richie¬†was a number one in the UK and the US. It comes from their album ‘Natural High’. Personally I preferred their more funky efforts¬†and this song for me saw the band and indeed Mr Richie¬†plunge into some bland identikit¬†ballad territory. Songs such as “Still” and “Hello” just didn’t do it for me. I do love a good ballad though and the Commodores have some that are far better than “Three Times A Lady”. In particular “Just To Be Close To You”. “Three Times A Lady” has been covered¬†by artists as diverse as Cobra Starship, Kenny Rogers, Conway Twitty and Bill Bailey. Bill included a German translation of the song in his Part Troll live show. I first saw the Commodores when they supported the Jackson 5 in 1972. Yes I really am that old!

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The second song on todays posts comes from one of my favourite acts of all time; the Kopyright¬†Liberation Front, better known as the KLF and sometimes the Justified Ancients of Mu Mu or the JAMMs. This sadly short-lived¬†band was the brainchild of Bill Drummond and Jim Cauty. Drummond co-founded Zoo Records¬†and was also manager of Echo and the Bunnymen and the Teardrop Explodes. In addition to the music the KLF were also infamous for acts of art terrorism which included burning a million pounds on a remote Scottish island. The song I have chosen is the bands only UK number one as the KLF “3 a.m. Eternal (Live At The S.S.L)” from 1990. They also hit the UK number one spot in 1988 as the Timelords¬†with “Doctorin’ The Tardis“. This was apparently achieved by following the¬†rules set out in their book; ‘The Manual (How To Have A Number One The Easy Way)’. Remaining true to their words Cauty¬†and Drummond by withdrawing their back catalogue from sale. This remains the case for most of the world, although some copies of their output are produced via Arista in the USA.

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“What else is in the teaches of peaches?” August 2, 2013


This is a public service announcement; if you are easily offended by the word FUCK then please read no further. You have been fucking warned ok!

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I usually listen to my iPod in shuffle mode when I walk from the car to the office every morning. It gives me a good ten minute blast of tunes before I start the day. This morning up popped Eamon with his UK number one from 2004 “Fuck It (I Don’t Want You Back)” I believe that is the first UK number one to feature the F Word in its title. It even generated an answer song in response from Frankee. That was called “FURB (Fuck You Right Back)”. It got me thinking a few things first that FUCK is a rather good word when used in the right context isn’t it?

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The word has featured in plenty of songs; “Working Class Hero” from John Lennon and the MC5 introduced their storming live version of “Kick Out The Jams” with the line ‘kick out the jams motherfuckers!’ The word has perhaps been a little overused by rappers too. But secondly it got me thinking what are my favourite songs with the word fuck in the title. Here are my top choices (plus Eamon and Frankee’s efforts) what are yours?

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