With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

Rolling Back The Years With Mayhem – 1959 March 18, 2024


This is the first in what I hope will be a very long-running series. I have decided to look at the most popular songs from every year I have existed. There will be some artistic licence on my part as I will always seek to include at least a few of my favourites from each year. The format will be a top ten for each year and will cover the music and songs I grew up with, came of age with, and achieved my greatest success alongside music that comforted me in bad times. The first top ten goes back to the year of my birth, 1959, yes I really am that old! Obviously, I don’t remember actually hearing these songs in that first year, but I have heard them all many times over the years. One little snippet I can give you is that “It’s Only Make Believe” by Conway Twitty was number one on January 1st, 1959, the day I was born. I have focused on the UK charts, so that year’s US best seller doesn’t feature in my list, but for all you fact fans, it was “The Battle Of New Orleans” by Johnny Horton. So here is the first Rolling Back The Years With Mayhem Chart, for 1959. It has quite a few good tunes I reckon. Please enter the Time Tunnel now! If you are too scared to enter the tunnel, then just click here for the playlist! The chart for 1960 will follow soon.

1 “Living Doll” – Cliff Richard & The Drifters
2 “It Doesn’t Matter Anymore” – Buddy Holly
3 “(Now And Then There’s) A Fool Such As I – Elvis Presley”
4 “Mack The Knife” – Bobby Darin
5 “Here Comes Summer” – Jerry Keller
6 “To Know Him Is To Love Him” – The Teddy Bears
7 “What Do You Want?” – Adam Faith
8 “It’s Only Make Believe” – Conway Twitty
9 “Stagger Lee” – Lloyd Price
10 “C’mon Everybody” – Eddie Cochran

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Shane Lynch – The Devil Is In The Detail! February 28, 2024


Shane Lynch Irish 47-year-old former member of Boyzone, alleged singer, and born-again Christian has said that Taylor Swift and many other rock and pop artists perform satanic rituals in their stage performances and send demonic messages in their music. He made the claims in an interview with the Irish newspaper Sunday World. Perhaps Boyzone would have been a tad more exciting if they had dabbled with satanic messages in their songs. How about “Love Me For A Satan”, “Satan And Son” or “Satan Can I Hold You” for starters. Lynch said “I think when you’re looking at a lot of the artists out there, a lot of their stage shows are Satanic rituals live in front of 20,000 people without them realising and recognising,” and “You’ll see a lot of hoods up and masks on and fire ceremonies.” I wear a hoodie and dance around at gigs, do I also worship the devil? Of course not, but then I don’t worship an imaginary friend in the sky either. Shane droned on and on about it, adding “Even down to Taylor Swift – one of the biggest artists in the world – you watch one of her shows and she has two or three different demonic rituals to do with the pentagrams on the ground, to do with all sorts of stuff on her stage. But to a lot of people, it’s just art and that’s how people are seeing it, unfortunately.” He went on to say that this is the reason he’s given up listening to several genres of music, including hip-hop.” Personally, I would be very pleased if he said he was never making music again, although to be fair has he ever made music?

Mr Lynch borrows Lucifer’s pitchfork

The devil has been an ever-present in music for years ever since Robert Johnson allegedly sold his soul at the crossroads. So many satan related tunes are out there from the Rolling Stones with “Sympathy For The Devil” to Cliff Richard (yes the Christian Mr. Clean with “Devil Woman”. Is rock and pop an easy way into satanism? Of course not. Does Taylor Swift worship satan? I doubt it. Is Shane Lynch talking utter bollocks? Of course, he is! OK, dear readers I would love to hear your thoughts regarding Satan in rock and pop!

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“You ask how much I need you, must I explain?” – Advent day 12 December 12, 2013


5978003639_50e93ae9fbI’m getting just a little bit more excited now it is the 12th of December after all. In keeping with this years With Just A Hint Of Mayhem advent posts I have two diametrically opposed songs for you today. But obviously two that have the number twelve in their titles.

250px-Johnny_NashFirst up is the timeless song “Twelfth Of Never” which was initially recorded by Johnny Mathis in 1957. He apparently didn’t like the song and it was demoted to the B Side of “Chances Are”. The song has been recorded by many, many artists since then. The Mathis version made it to number 9 in the US charts and Donny Osmond took it to number one in the UK and number 8 in the USA in 1973. The list of cover versions is almost endless and includes; Nina Simone, Barry Gibb, Cliff Richard, Tammy Wynette, Chi-Lites, Glen Campbell, Cher, Dolly Parton, Roger Whittaker, Barry Manilow, Andy Williams, Olivia Newton John, Hank Marvin and Jeff Buckley. Jeff’s version can be found on the Legacy edition of ‘Live At The Sin E’ and remains very faithful to the Nina Simone version of the song. The regular readers among you will know that I am a big fan of Texan crooner Johnny Nash. In fact I would go as far as saying that his singing voice is my favourite voice ever. Anyway I haven’t posted about Mr Nash for quite a while so I thought I would use his version of the “Twelfth Of Never” taken from his 1968 album ‘Soul Folk’.

strokesThe second song today flows from the Julian Casablancas post from yesterday. It is “12:51” by the band that Julian is a big part of; the Strokes. The song was written by Mr Casablancas and was the first single released from the bands second album ‘Room On Fire’ in 2003. The song made it to number 7 in the UK and reached the top 40 in Ireland, Canada, the Netherlands and Sweden. The songs original title was “Supernova”. The video for the song was directed by Roman Ford Coppola, the son of Francis Ford Coppola and the cousin of Nicolas Cage. It has a theme that is very reminiscent of the ‘Tron’ the 1982 movie. When the band played a number of Japanese dates to support the release of the ‘Room On Fire’ album in 2003 they included a cover of the Frank Sinatra classic written by Paul Anka “My Way”, only they sang it with Japanese lyrics!

 

“Satan is a evilous man” October 24, 2013


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This is apparently the 666th post on this blog, so I thought I’d celebrate that with devilishly beastly top 13 Satan songs. I’d also love to hear what other songs you might have chosen. Given that we are days away from Halloween I suppose that this borders on being a topical post too 🙂

funny-fast-food-restaraunt-fire-satan-demands-snackrifice-pics

 

“I’ve been thinking about my own protection, it scares me to feel this way” August 28, 2013


Tina_Turner_At-70

Tina Turner’s big hit “What’s Love Got To Do With It” was originally recorded by Bucks Fizz after it had been offered to Phyllis Hyman, Donna Summer and Cliff Richard. When Bucks Fizz were set to record the song the producer told the band’s Jay Aston that the song was not suited to a female vocal and required a stronger male voice. So ultimately it was Bobby G who took the lead vocal. That the song’s biggest hit came from Tina Turner, a female singer, is rather amusing I think.

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Tina’s version was the third single to be taken from her mega selling album ‘Private Dancer’. It reached number 3 in the UK charts in 1984 and made it to pole position in the US, Canada and Australia.

 

“I want the world to know I’m happy as can be” November 15, 2012


This month, November 2012, marks the 60th anniversary of the UK singles chart which began in the NME in 1952. We’ve come a long way from crooner Al Martino‘s “Here In My Heart” all those years ago to the current resident of the number one spot in the UK singles chart; Robbie Williams with “Candy”. Maybe we haven’t come too far though as Robbie does fancy himself as a crooner doesn’t he. I must confess that Robbie’s current number 1 is one of the few songs of his that I like.

The chart now includes downloads which have helped to boost sales of singles considerably. Apparently there have been 3.7 billion singles sold in that 60 year period in all formats. But the peak for the physical format was the 80s which recorded 640 million singles sales.  The biggest selling UK single ever was Elton John’sCandle In The Wind ’97” which was the singers dedication to Princess Diana. It sold 4.9 million copies and therefore raised millions for charity. Personally I prefer the original version. Does anyone ever play the Diana version these days? Incidentally do you know what the biggest selling single never to top the charts is? It’s Wham! with “Last Christmas/ Everything She Wants” which lost out to Band Aid’s “Do They Know It’s Christmas” which is the second best-selling single ever back in 1984.

There have been more than 1,200 number ones in the chart’s history. The artists with most number one singles in the UK are;

Elvis Presley (21)

Beatles (17)

Cliff Richard (14)

Westlife (14)

Madonna (13)

How tragic is it that Westlife are in there?

Hopefully it really will be their last ever tour

As a teenager I can still recall lining up my cassette recorder microphone near the transistor radio to record my favourite songs from the Radio 1 chart rundown back in the 70s. How many of you did the same? I know of at least one fellow blogger who did. You can check out his excellent post on this chart milestone on his Every Record tells A Story blog by clicking here. You’ll even be able to see him on the chart history documentary on the Beeb! Recording the charts now seems almost pointless given the availability of music on-line, which I think is a real shame. But hey that’s progress right? Talking of progress, the first ever UK number one single based on download sales alone was as far back as 2006. It was the excellent “Crazy” from Gnarls Barkley.

There are also a number of chart records an artist probably wouldn’t want though, like;

Most Top 75 hits (97 of them) without a number one. That one is the honour of the Glee Cast. I hope they keep that one forever

Most Top 40 hits without a number one is easily won by Depeche Mode with 40 of them.

But perhaps the one you really should feel sorry for is Sash! A record of five number 2 singles and no number 1.

But let me finish on a better note. The first single I ever bought was a classic UK number one in my opinion. It was “Sugar Sugar” by the Archies and stayed at the top for 8 weeks at the tail end of 1969. Personally I fell that the charts will stay with us for many years yet, albeit very much adapted from the old days of purely physical sales. I would love to hear your thoughts on this fabulous UK Charts anniversary.

Even the charts are younger than Cliff

 

“But I ain’t losing sleep and I ain’t counting sheep” July 18, 2012


Some recent research by Ofcom the UK’s communications industry regulator has provided some really sad news. We now communicate more using text and e mail than we do actually speaking on the phone or face to face. More people interact with each other via texts and social networking sites than speak to each other.

I find that very disappointing. Whilst a lot of my communication at work is via e mail I still regularly use the desk phone or mobile phone. I als prefer to meet someone in person when I can, especially as in most cases they are in the same building as me. Does this news ultimately mean that evolution will lead to human vocal cords shrivelling away and becoming as useful as an appendix?

You can read the news story here on the BBC site. As usual and as I have mentioned many times before this is a music blog so now I need to share some, hopefully appropriate, songs with you. But I should warn you that I have even more sad news……. one of them is by Cliff Richard!

We Don’t Talk Anymore” – Cliff Richard. This was Sir Cliff‘s tenth UK number one and his first since “Congratulations” his Eurovision entry from 1968. It was produced by the Shadows rhythm guitarist Bruce Welch.

“Don’t Speak” – No Doubt. This was the biggest single taken from the bands 1995 album ‘Tragic Kingdom‘ and was a UK number one early in 1997. It reached number one in at least twelve other countries.

It’s Oh So Quiet” – Bjork. The song was written in German and the first English version appears to be by betty Hutton in 1951. But in my opinion Bjork has made it her own!

 

“Someone to love, someone like you” February 6, 2012


Did you know that a member of the Beatles was born in Madras (now known as Chennai) in India? I didn’t until recently. So was it John, Paul, George or Ringo? Given his very spiritual nature I guessed George, but I was wrong. If you guessed John, Paul or Ringo you would also have been wrong. But wait a minute that’s all four moptops covered, how can this be? Holy ‘Yeah, Yeah, Yeah’ Batman can this be a trick question?

Well Robin some may say that is true but by the contents of my utility belt (ooooooh Matron!) I say that it is no riddle or joke inspired trick from two of our enemies the Riddler or the Joker. I have checked the records in the Bat Cave and indeed in our Liverpool HQ the Bat Cavern Club. The answer is in fact Pete Best who was the drummer with the group until he was replaced by Ringo on the eve of the band’s world domination August 16th 1962 to be precise. “Love me Do” reached number 17 in the UK charts that year.

Pete was born in November 1941 and arrived in Liverpool with his mother Mona on December 25th 1945 on a ship named the Georgic. Even the ship’s name had a tenuous Beatles link. Pete was not the only UK music star to be born in India. Cliff Richard was also born there in Lucknow on October 14th 1940 just over a year before Mr Best.

 

“dis regime is racist we know dis regime is bent” January 26, 2012


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this man is a Knight of the Realm................ no seriously, he is!

I think it would be fair to say that there is one area of my life that my Mother may be disappointed in me. That is my dislike of the institution of the British Royal family and all condescending pomposity it has. Yes in case you hadn’t noticed I am very much a Republican (not in the US political sense obviously) and most definitely not a Royalist. Having posted recently about Mick Jagger (aka Sir Michael Philip Jagger) turning down afternoon tea with ‘Call Me Dave’ Cameron and Boris Johnson it’s strangely appropriate that a story about those who turned down Royal Honours appeared in the news today. Following a freedom of information request by the BBC a list of those now deceased who have turned down various Royal Honours form 1951 and 1999 has been published. There are 277 people on the list including artists Henry Moore, Francis Bacon and LS Lowry and authors Roald Dahl and Aldous Huxley. There are no rock or pop stars on the list. Read the full story on the BBC site by clicking here.

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Sir Tom shows off his first house

However it got me thinking about those rock and pop stars who have accepted honours and those that haven’t. The obvious list of those who have are the rock and pop ‘Sirs’ Paul McCartney, Cliff Richard, Elton John, Mick Jagger, Tom Jones and Bono and Bob Geldof who as Irish citizens are Honorary Knights of the British Empire (KBE). Add to that list Dame Shirley Bassey. A large number of British musicians have received the Commander of the Order of the British Empire (CBE), which is the highest honour a British subject can receive below a knighthood or damehood. Those include: Annie Lennox, Roger Daltrey, Eric Clapton, Sting, Robert Plant the Bee Gees and Rod Stewart. It was alleged that at the time of Elton receiving his knighthood Rod was just a little jealous.

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Macca ponders his failure to win top score in Rate My Mullet

What really interests me though are those rock and pop stars who turned down Royal honours. David Bowie turned down a CBE in 2000 and a knighthood in 2003 and was quoted as saying that “was not what he spent his life working for”.  George Melly and Paul Weller also turned down the offer of a CBE in 2001 and 2007 respectively. Thankfully Keith Richards also turned down a CBE; I’d have been gutted if he had accepted! His comment on Jagger’s knighthood was that he felt it was ludicrous. Influential guitarist and stalwart of the Shadows Hank Marvin turned down an OBE as did Dub Poet Benjamin Zephaniah. At the time Zephaniah publicly stated ‘I get angry when I hear the word ’empire’; it reminds me of slavery, it reminds me of thousands of years of brutality, it reminds me of how my foremothers were raped and my forefathers brutalised’ An MBE was offered to John Lydon who turned it down. I’m pretty amazed that they offered him one really.

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Never a Knight of the realm but the only one who came close to looking the part as opposed to looking like an anagram of part

The four Beatles all received the MBE in 1965. John Lennon later returned his to the Queen in 1969 accompanied by a note which read ‘I am returning this MBE in protest against Britain’s involvement in the Nigeria-Biafra thing, against our support of America in Vietnam, and against Cold Turkey slipping down the charts’. It has been alleged that his Aunt Mimi who brought him up and upon whose mantelpiece the award lived was not amused!

 

“I need you and you need me, oh my darling can’t you see” November 19, 2011


Cliff's statement to Absolute Radio

I heard in the news this week that there is a radio station, Absolute Radio 60s, that is refusing to play anything by Cliff Richard as they don’t believe he is relevant. Is this a contemporary urban station or a specialist rock or punk station? No it’s a 60s station. Now I’m not a big fan of Cliff but to refuse to play him on a 60s radio station is frankly stupid! Click here to read the story on the BBC.

Cliff prepares for his version of another brick in the wall

In the late 50s Cliff Richard was quite a groundbreaker for British rock n roll. Try listening to “Move It” again, it’s a classic. As for the 60s Cliff had stacks of UK hits including a fair amount of number ones. Many of these were hits across Europe. He may have not had much success in the USA but it’s hard to deny how big he was elsewhere. “Summer Holiday”, “Bachelor Boy”, “Livin’ Doll” and “The Young Ones” to name but a few are classic 60s pop songs. You could also argue that Cliff’s Eurovision runner-up “Congratulations” is also a brilliant pop song, although personally I don’t like that one.

Cliff meets the young, vibrant management of Absolute 60s Radio

I really don’t like his schmaltzy Christmas songs and things like “Millennium Prayer” But that is no good reason to deny how strong his 60s output was. He may not have taken music forward in the way that perhaps his label mates at the time, the Beatles did. But he became a star before they did and perhaps without the likes of Cliff, Tommy Steele, Lonnie Donegan to pave the way the Beatles may not have had the same trajectory.

Cliff threatens to wear this outfit outside the Absolute Studios until they start playing his songs

As for that 60s station refusing to play Cliff Richard, surely if you run a 60s station you play 60s music, specifically 60s hits. Well that’s what I would do and a formulaic operation like that means that effectively your own taste doesn’t really come into it!

"OK Absolute I suggest that you play my songs or you won't like where this finger will be going!"

What do you folks think of this issue?