With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

“I Don’t Listen To You” – Delilah Bon March 8, 2021

Delilah Bon, rap rock superhero alter ego of Hands Off Gretel lead singer Lauren Tate released another brilliant single recently. It is called “I Don’t Listen To You” and it is the very definition of bad ass. Once again Delilah takes aim at misogyny, sexism, bullying and the patriarchy. It is clear that her aim is more than true as she smashes the centerpiece of the target into oblivion. Is it possible to enhance such a stunningly great track? When you have the support of thousands of loyal fans who share your ideals it is. Lauren has created a video for the single after 10,000 Spotify streams and more than 60,000 followers on TikTok.

Lauren has spoken about the genesis of the track; “The song began as a short empowering message for my TikTok fans. It blew up overnight with other 60K views and hundreds of fan made videos. My inbox filled up with girls begging me to release the full song, thanking me for the confidence the words gave them. I got to work and in 72 hours I produced an entire song. It was really an empowering moment for myself as a writer and producer knowing my words were so important for people. I told my fans “I want to see you strutting your stuff, screaming along with me, I want you to own your sexuality and give the middle finger.”

The film is made up of mimed contributions from a wide range of her fans. It is made by women, for women and represents empowerment for women on International Women’s Day. This film is a call to arms to help the world take that leap forward that might one day mean that International Women’s Day is no longer needed as women reach a true gender parity of rights and conditions with men. But sadly that is years away. The theme of this years International Women’s Day is “Choose To Challenge” and with this song Delilah/ Lauren is calling on all her fans to challenge the norm. Today is all about awareness but the fight for gender parity never stops, but you know that. So to all those Bad Ass Queen Bees out there keep the fight going, don’t let up and never give up! This bloke is right with you! I am pleased to say I actually recognised one of the contributors to the video, the supremely talented Taylor-Grace Mitchell from a great British band, Not Now Norman.

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“Little Frankenstein (The Franken-Lee Remix) and “Run Boy (No Longer)” – Not Now Norman March 3, 2021

Back in January we featured Not Now Norman‘s “Little Cheryl” in our first singles round up of 2021, well so far this year they have already hit us with two singles! But it’s not just the quantity, it’s the quality. These two are pretty damned good. First up is “Little Frankenstein (The Franken-Lee Remix)” which takes the 2019 original into a much harder riff laden heavy experience and it makes a good song great! This tune proves that Not Now Norman are not just for Halloween, they are for life! The second of this ace brace of singles is “Run Boy (No Longer)” a collaboration with Geo Moon. It sounds like the Prodigy mated with Black Sabbath while secretly being watched by a voyeuristically warped Robert Plant to produce a bouncing electro metal dance baby that everyone will love! The song deals with abuse by toxic people and does it so well. Taylor’s voice is a soaring spectacle of spaced out dance rock on this track and at times reminds me of Madonna. The Game Of Thrones tribute video is pretty sharp too! If you had told me just a few months ago that 2021 would see me becoming a Norminion, I would have laughed in your face (well kind of, but I would still have worn a mask and observed a social distance). You really need to get this band in your life, do it now!

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With Just A Hint Of Mayhem – Singles Round-Up 2021 Part 1 January 16, 2021

Welcome to our first singles round up of 2021, this time I am once again joined by a guest co-reviewer. This time it is the turn of one of the newer members of the With Just A Hint Of Mayhem Team, Paul Bamlett. Paul is a self confessed music nut, so he fits in well over here at Mayhem Towers. We kick off this years singles round up series with eight cracking tunes from eight supremely talented artists and bands which found their way into the world during the last few months. Elkyn and Millie Manders and the Shut Up are the only ones to have featured here at WJAHOM before, but I am confident that all eight will be back again sometime. We have artists from all over the UK; Norwich, London, North East England, Leeds, York, Sheffield and Manchester

“Panic” – Millie Manders and the Shut Up

Paul – This is great, they don’t sound like anyone else. Danceable and very current given the powerful message. This song is the perfect package topped off with Millie’s excellent voice. A very, very impressive song and performance.

Bill – A planet saving anthem that is also in possession of a brilliant earworm of a chorus. A wonderful underlay of perfectly played guitar and the use of voice clips is interesting and adds to the gravity of the message. A heavy sound full of passion, especially Millie’s vocals. This is a song that proves Millie Manders and the Shut Up are much broader than ska punk. Like Paul I bloody love Millie’s voice!

“Raison D’etre” – Stolen Dead Music

Bill – Hard, heavy, bluesy and very, very long. Vocals at times reminiscent of Kings Of Leon. Great hooks and riffs and a very 70s rock guitar breakdown at the end.

Paul – Very interesting, a very good song, a touch on Nirvana at times. Why such a long instrumental break? That said this sounds like it will be a great song played live.

“Little Cheryl” – Not Now Norman

Paul – A real old fashioned sound with an incredibly strong chorus. Good double tracking of guitars and some excellent snappy riffs.

Bill – Reminiscent of the Go-Go’s at their peak. A good pop hook and melody, a kind of subdued power pop. Taylor Mitchell has a great voice and at times the guitar underlays the tune in a Johnny Marr kind of way. I want to hear more from this lot. A great band name in my opinion, too.

“We Eat The Buffalo” – Radio Aftermath

Bill – Immense riffs coupled with a great rock vocal. Are there two drummers on this, or has John Bonham been resurrected? This is very punky metal which I think will be ace in a live environment.

Paul – This reminds me of the Misfits or the Damned or maybe early Metallica. Great vocals are definitely in the same vein as early recordings by Dave Vanian and James Hetfield. This is a great song

“Drag Me To The Light” – Miles and the Chain Gang

Paul – Some Joe Strummer style on the vocals. The horns and Dexy’s style brass were a great addition to the track. I felt that the guitar sound reminded me of A Certain Ration or Talking Heads. One of my favorites from this batch.

Bill – Nicely British with a touch of ska, while the harmonies add an almost US West Coast vibe. Funky, choppy Billy Whizz guitar and fantastic production.

“Everybody Used To Love You” – Silverjet

Bill – Tumultuous opening riffage with a classic 70s rock vocal style. I love the guitar solo and the drumming. It feels a bit post punk but heavier and will probably be awesome live.

Paul – A great opening riff with some Kiss style in there. Maybe they should have used that same riff for the chorus. Hats off to them they sound like a great band and I get the feeling that they know how to strut their stuff like Motley Crue or Hanoi Rocks.

“Message From God” – M30

Paul – Great tune, the drums come in perfectly. There were a few moments where the backing vocals made me think of the Arctic Monkeys. I like this one!

Bill – Organ intro was like some kind of religious horror film theme. Very different and understated instrumentation. A very British vocal, none of that affected American style here! I also love the backing vocals on the chorus. One of my favourites of this round up.

“If Only It Was Alright Now” – Elkyn

Bill – A soft chilled acoustic guitar track at the start which builds into a spectacular peak with a sound that emulates bells ringing. Great harmonies too

Paul – Ambient, folky and very original. I like the track but I would like to hear it in a much more basic “unplugged” style without the drums.

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