With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

King Nun -Fulford Arms, York – Saturday 10th February 2024 February 11, 2024

Filed under: Review — justwilliam1959 @ 6:04 pm
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This was another Northern Radar show and as I have said before, Simon P, Head Honcho of that splendid promotions company has never let me down with a dud band…..yet! Did that change at this gig? read on to find out. First up it was King Thieves with some anthemic rock with a sprinkling of blues. This was coupled with soaring and soulful vocal contributions from the guitarist and drummer. The rumbling bass lines were sometimes evocative of New Order’s Peter Hook. They played a new song, “Lucifer” which was fantastic and made me think of early-period Manic Street Preachers. A great band that is new to me.

Next was the Hangnails, a band I had seen in a previous incarnation, as a two-piece in 2014. They were called And The Hangnails back then. They have developed so much and moved forward tremendously since then, they are now playing as a three-piece. Was that Mr. Blackwell on bass and keys? The Hangnails’ new material is spectacularly good and in describing their performance I will need to use the word anthemic once again. The vocals hint at Bono, Ian McCulloch, and Tim Booth. Their songs ooze emotion and are filled with hooks to die for. A phenomenally good band!

Finally, it was time for the headliners, King Nun, who apparently have been around for eleven years. How the fuck is that possible? Were they formed in primary school? This was their first gig in York and I hope it won’t be their last. I spoke to four people in the audience tonight who had come to see them here off the back of the support slots they did for Nothing But Thieves. Their sound has some Nirvana and Pixies influences with some classic punk sound, attitude, and poses thrown into the mix. Their multiple guitar assault fired riff, after riff, after riff into the happily shellshocked crowd. They packed the power of a Panzer Division in World War Two. If they turned their power up even half a notch they might have laid waste to the venue. I am pleased to say that didn’t happen. The band’s excursions into the crowd ignited the already excited punters. They cheekily threatened jazz, but thankfully they didn’t deliver on that. But one of the guitarists was so committed to the cause he gave his blood up in the final song! After tonight I am now a huge fan of King Nun! Oh and just to confirm, Simon from Northern Radar still hasn’t let me down! It was also great to catch up with so many people that I know at this fab venue (Simon, Joe, Chris, Billie, Tim, Amelia, and many more!)

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Wooze – Fulford Arms – Sunday 5th November 2023 November 28, 2023

Filed under: Review — justwilliam1959 @ 7:43 pm
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I love it when a gig comes up and includes at least one band that I have never seen before. and tonight it is Wooze‘s turn. Additionally, I had never seen the opening act Joe Haydon and the Ghost Ship before either. In the first part of their set, I was getting a kind of Beatlesesque, the Coral and Zutons vibe. But after that, they went down a wonderfully funky road, like Haircut 100 with heavier rock credentials. “Evergreen” was a fabulous track, especially the full-on guitar wig-out at the end. Ghost Ship is a mesmerisingly good band that defies genre boxing completely. The rhythm oozes funk and the guitarist could give Ernie Isley some competition. I will definitely be checking out their new album when it hits the streets.

Next up it was the rather immaculate Hærtstrings, Fulford Arms Battle of the Bands champions 2023. This was just their fifth gig and given that their first was heat 1 of the Battle of the Bands it would be played five and won two! These lads are another band that defy genre pigeon-holing too. So much do they defy it that I wonder if we need to create a brand new genre just for them. They have slam poetry, jazz, punk, funk, heavy rock, disco (yes!) and much more. Almost everything but opera, at least not yet anyway. For a band that has only existed for 4 or 5 months, they are incredible. I believe that the future will be so bright for Hærtstrings we won’t only have to wear shades, but possibly a radioactive-proof onesie. Every song was a banger but for me “Continue” and “Talk It Out” were particular highlights.

Finally, it was time for London-based Wooze to hit the stage. Three members of the band were masked and that added a dark element of generic menace to proceedings. Their sound was grungey, punky and occasionally there was a feel of peak power Devo. Vocally it was a delicious splice of Andrew Eldritch and Tin Machine era David BowieWooze know how to put on a show. This was a stupendous performance and possibly one of the loudest sets that I have experienced at the Fulford Arms. There were some stand-out moments. “Good Old Fashioned Fan” was like Iggy Pop fronting Duran Duran in a weird and warped alternative universe. At the end, the crowd demanded one more song and Wooze delivered with a horror disco glam stomper that had beats big enough to raze Dracula’s Castle to the ground. So this is perhaps another band that is difficult to genre-ise, but I will try. Goth Funk Punk, is that a thing? It fucking is now!

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Jordy Maxwell – Fulford Arms, York – Wednesday 23rd August 2023 August 24, 2023

Filed under: Review — justwilliam1959 @ 3:00 pm
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This gig looked like another wonderfully fun-packed Northern Radar night with some great music and musicians. Was it that kind of night? Read on to find out. First on stage was Jonny Cole with a set full of covers, but not just the usual covers suspects. He bravely chose some relatively obscure and quite difficult songs for the early part of his set. Later there were some great audience singalongs with “Stuck In The Middle With You” and “Proud Mary”. Jonny brought his old guitar teacher on stage for a couple of songs, including a rollicking take on Chuck Berry’s “Johnny B Goode”.

Next up it was the turn of the enigmatically named Moongate. There is no mystery, she saw the name on a house on her regular route to the recording studio. Most of her songs are relatively sad laments. Including the song about not being able to sleep, which while being sad was a great lullaby-style ballad and probably my favourite track from Moongate’s set. Her cover of Richard Hawley’s “Don’t Stare At The Sun” was fabulous. She was also joined by a full band for her last two songs, well not the actual band, but the music was on her Apple Mac. Those songs were great. The first one, “Midnight Air” was a moderately happy tune too.

Next, it was the turn of Lewis Ross Robson who struck me, via his style and manner as a kind of alt.folk Noel Gallagher. He has a collection of relatively downbeat tunes, but his lyrics are intricate and weave some great tales. I loved his voice. It has the feeling of someone who has really lived through the stories in his songs. In a couple of songs, I sensed the guitar stylings of Paul Simon in some of his sparser more stripped-back tracks.

Finally, it was time for the main attraction, all the way from Perth, Western Australia, Jordy Maxwell. He is a true raconteur and troubadour with some great tunes and wonderful stories to go with them. Some hilarious and some deeply poignant. One tale was about a huge Aussie bloke wearing sunglasses at night approaching Jordy some years ago after hearing the sublime song “See You Again” and telling Jordy that he was “cutting onions mate“. Apparently, it took Mr. Maxwell a few hours to figure out that the bloke had been crying. Having heard the song, I can understand why, it works on a deep emotional level. Jordy‘s great at self-deprecation, but without taking it too far. At one point he forgot some of the lyrics to “This Old Place” but seemed to get back on track by the medium of telling us more tales, sometimes using what he called his “weird chord”. When he was speaking about his Nan, I suspect there were only a few dry eyes left in the house. He played a little bit of John Denver’s “Take Me Home Country Roads”, one that Jonny Cole had played earlier.

At the start of his set, Jordy spilled his pint of Beavertown Neck Oil and within minutes five people had bought him a pint which were all lined up on stage with him, I don’t know if he eventually downed them all. But the fact that so many people responded to his lack of beer plight says how much of a great human being Jordy Maxwell is. This really was another wonderfully fun-packed Northern Radar night with some great music and musicians. It had the relaxed feel of a classy and chilled open mic night. Thanks to Simon P of Northern Radar for putting this on and to Lizzie, who “discovered” Jordy and persuaded Simon to bring him to York for a gig. This proves that behind every great man, there is always an even greater woman!

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Everything After Midnight – Fulford Arms, York – Friday 23rd June 2023 July 6, 2023

Filed under: Review — justwilliam1959 @ 9:26 pm
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Everything After Midnight is a band that has grown in strength and confidence since forming four years ago. This gig was a showcase for the launch of their new single “I Guess,” and promoted by the talented Mr. P at Northern Radar. How did Everything After Midnight perform? You will need to read on to find out as there were two great support bands, neither of which I had seen before. Starting with PH7, they kicked off like the 60s Fleetwood Mac but with more of a Heather Baron-Gracie (Pale Waves) vocal sound. It would not be easy to put PH7 into a specific genre and they have some great tunes. “Botheration” was ace. Their cover of Coldplay’s “Viva La Vida” really kicked arse and rocked harder than Chris Martin and the lads have ever done. The PH7 guitarist was stunningly good, but sadly he is leaving the band. If you get a chance to see PH7 live, take it!

Next, it was the wonderfully named Mollie Coddled. If you can imagine Cydi Lauper fronting a jazz-funk/post-punk hybrid then you might come close to how Mollie Coddled sounded to me. The bass sound and playing was immense and skillful. Sadly, just like the PH7 guitarist the Mollie Coddled bass player is leaving, this was his final gig. “Guilt Trip” gave me some Hooray For The Riff Raff and Bran Van 3000 vibes. Meanwhile, “Lonely Bitch” was like a 60s girl group and punk crossover, like classic early Blondie.

Finally, it was time for the future legends known as Everything After Midnight. They took to the stage while the jaunty and jolly theme from The Simpsons was playing. That really had to be their walk-on music didn’t it, given the gig poster. The big question was whether Lisa Simpson might play some saxophone for them, sadly she didn’t, but maybe next time. This was a really imaginative set that bordered on epic in both style and content. The band was in top form and showed super-powered control and command of the depth and dynamics of their sound. Everything After Midnight have continued to develop a real melting pot of musical styles and influences with which they create that distinctive and idiosyncratic Everything After Midnight soundscape. They have matured relatively quickly for a band, and remain hard, or more likely, impossible to drop easily into a specific genre box. There is alt.folk, electric folk, prog, post-punk, classic rock, and even some melodies that would not be out of place in a classical music score.

Jacob’s guitar playing moves from Mick Ronson to Johnny Marr and most things in between. Then there are Steph’s soaring, confident vocals, she has grown hugely as a singer since I first saw the band back in February 2022. In this set, I felt that she had the sweetness and clarity of Sandy Denny’s voice and in the heavier moments more like Kiki Dee on steroids or Lulu fronting a metal band. The highlights were plentiful and bounteous, but among that crop of great songs “Real Estate” and new single “I Guess,” stood out for me. Check this band out NOW, that is an order!

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The Corsairs – Fulford Arms, York – Friday 10th March 2023 March 21, 2023

Filed under: Review — justwilliam1959 @ 7:33 pm
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This was another gig put together by that wonderful human being Simon Pattinson for Northern Radar at the equally fabulous Fulford Arms. It was all for a great cause too and raised loads of dosh for St. Leonard’s Hospice. It was headlined by the Corsairs, but more of them later. Proceedings were opened by Everything After Midnight, this would be the second time that I have seen them this year. There is a portion of Wolf Alice and a dash of Pale Waves here. There is also a sprinkling of electric folk (think Traffic with a female singer), soft metal (maybe Evanescence), a pinch of British Prog, and obviously a huge amount of Everything After Midnight. Steph’s voice was always good and now she takes it towards greatness. I have previously suggested that Steph has vocals that remind me of Tori Amos and Ellie Roswell, and that remains true. This was a four-band gig and the second to take the stage was Lost Trends, who are clearly no longer lost and I am glad they have been found again. They have not tiptoed their way back, they came with a multi-megaton blast of sound. A long layoff for the Lost Trends boys, mostly driven by Covid, has not dimmed their power and passion one iota. They still have their usual “we can be better than New Order” sound, but now it is overlayed with some magnificent layers of Talking Heads-style NYC electro-funk. The north has produced some great guitarists, notably Mick Ronson and Bill Nelson, I think that we can safely add Pete Knaggs to that gang now!

Third, it was the turn of yet another fine York band, the Rosettas. Frontman Benji had a cold, but he didn’t let that get in the way of a pulsating set from a band that not only knows how to rock but also knows how to party hard. They are clearly all enjoying themselves and that infectious joy is shared by the crowd with some great dancing and singalong opportunities. “I Don’t Like This” is a great song for bringing the crowd together. Their choice of Blur’s “Song 2” as a cover was inspired and went down an absolute storm. A great band and most certainly one to watch for the future. The Corsairs may be a very young band, but this does not get in the way of their stunning ability to produce an absolute belter of a set. They may have started off a little understated but they really grew into this set and eventually knocked it out of the park. Current single “Jackie The Know It All” is a classy slab of prime Arctic Monkeys styling. There are some Kooks and Wombats influences in their songs too. These lads seemed to love their time on stage and undoubtedly converted many people that had not seen them before into fans. I hope that the Corsairs are around for a long while and I hope their first album, when they get to it lives up to the promise of their live set. I 100% believe that it will! As a footnote, I want to mention that someone actually left this gig early because it wasn’t “indie” enough for them. Seriously? What the actual fuck is indie anyway? Click here to take a look at Indie Chart number ones from the 80s. The usual suspects like the Smiths are included, but so is Jason Donovan. I can really feel a What The Fuck Is Indie Anyway article coming soon!

All the pictures, except the gig poster, were taken by Martin Swarbrick

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Erotic Secrets Of Pompeii – Fulford Arms, York – Thursday 9th March 2023 March 19, 2023

Filed under: Review — justwilliam1959 @ 10:42 pm
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This was another show from the Northern Radar stalwart Simon Pattinson, he has never let me down with any of the lineups he has created so far. Would this gig be the first letdown? Read on to find out good people. First up was one of York’s finest young bands, City Snakes (look out for an interview with them here very soon). They were a relatively last-minute addition to the bill after the mighty Sun King had to drop out due to illness. and I have seen them in that position before. It never deters them in the slightest and I always feel that they play every gig as if they were headliners and they always look like they are having megatons of fun. This was an incendiary set to kick off the proceedings at the marvellous Fulford Arms. City Snakes get better every time that I see them. The rhythm section could be parachuted into the Red Hot Chilli Peppers and I think it would be hard to spot the change. “Spin Me Round”, “Paranoia” and “Mayfly” are awesome songs but the new single “Black And White” tops those with its fabulous blues-infused garage punk vibe. Get City Snakes in your life now!

Next, it was the turn of Black Skies, a band who have up to now played just a handful of gigs, although for me they sound like they have been playing together for years. They sound a little grungier, heavier, and probably better than Reef. There are also some slivers of the Spin Doctors in there too. They have some staggeringly good songs, notably “Soul” and “Reason”. Their drummer has all of Dave Grohl’s finest tropes and is clearly a key element of Black Skies’ engine room. One particular highlight in a great set was their smoky, heavy, swampy take on Nina Simone’s “Feelin’ Good”. This version problem took back ownership of the song after Matt Bellamy’s somewhat histrionic and over-the-top take on the tune.

I love the name of headliners Erotic Secrets Of Pompeii and until this gig, I had never heard of or seen them before. How can I tell you exactly what they are like? Well, I will attempt to do that by borrowing one of Rod Serling’s opening narrations from the original Twilight Zone TV series. “You unlock this door with the key of imagination. Beyond it is another dimension – a dimension of sound, a dimension of sight, a dimension of mind. You’re moving into a land of both shadow and substance, of things and ideas. You’ve just crossed over into the Twilight Zone“. Believe me, that sums up this great band really well. Imagine a laboratory that stores the DNA of thousands of rock stars. A lab assistant, unfortunately, or perhaps fortunately, spills the vials containing Jim Morrison, Richard Jobson, Gary Numan, and Ian Curtis. The cleaner then accidentally blends them all in the dustpan and creates the Erotic Secrets Of Pompeii frontman. The band behind him could be a reincarnation of Bowie’s Isolar 2 touring band from 1978 but with Robert Fripp and Tom Verlaine added on guitar. Erotic Secrets Of Pompeii are a truly and wonderfully different band and one that is perfect for this century and this sad, mad world that we live in.

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The Rills – Fulford Arms, York – Friday 3rd February 2023 February 8, 2023

Filed under: Review — justwilliam1959 @ 6:13 pm
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This has been a slow year for me gigwise so far, this is my first gig for 2023. This was another nifty little show promoted by Simon P of Northern Radar. I have lost count of the amount of Northern Radar shows that I have attended, but one theme runs through them all, Simon has never let me down with his choice of bands and artists. At least not yet anyway. Was tonight the first time I had seen a bad show from Northern Radar? Read on to find out! First up at the fabulous Fulford Arms was Everything After Midnight, I first saw them almost exactly a year ago at the York Vaults supporting Where’s Slater. What are they like? Well, there is prog, electric folk, metal, a pinch of Wolf Alice, and many other facets in their sound. Steph’s voice gets stronger every time I see them (this is the third time) and tonight I detected elements of Sandy Denny, Kiki Dee, and Ellie Rowsell. In a previous review of Everything After Midnight I said “Imagine Tori Amos if she took a much heavier direction with some added prog undertones, that is how Everything After Midnight sounded to me“, I stand by that comment!

Next up was Sun King a band that I have seen once before, back in June last year when they supported Sweet May at this very venue and that was their first gig. I can hear a whole range of influences in their fabulous sound; Small Faces, Paul Rodgers, Steve Marriot, Led Zeppelin, Paul Weller, maybe Prince on the falsetto lines, and at times a bit of that old Noddy Holder warble in the vocal. The band is tight and has a pitch-perfect grasp of the best classic rock vibes. But they go beyond just rock as they throw in some great jazz and funk licks for good measure. Seb, the lead vocalist was formerly with Naked Six and is related to British Metal royalty, he is Saxon frontman Biff Byford’s son. Biff was present humping gear for the band and later while chatting with Chris T of the Fulford Arms we thought, wouldn’t it be amazing to have Biff play a set at the Fully, maybe acoustic with Saxon, solo, or even the full band, perhaps even a residency! Biff if you’re up for that then get in touch, perhaps we can book Sun King as support!

The first time I saw Lincoln’s finest current band, the Rills was when they played the BBC Introducing Stage at the Leeds Festival back in 2021. Their stature has grown at a rapid rate and this was an incendiary set from a magnificent band. “World Leader” was immense and hugely powerful. This was the fifth show in their intense mini tour for Independent Venue Week 2023. They started in Falmouth on 30th January and worked their way to York via Swansea, Bedford and Oxford. The sixth and final show of that hectic schedule was in Blackpool the day after York. They have huge energy and that was transferred to the supremely enthusiastic crowd. The riffs were full-on and spectacular. The Rills put on a stunningly good show. So has Simon of Northern Radar let me down yet? Definitely not!

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Sweet May – Fulford Arms, York – Friday 24th June 2022 July 6, 2022

Filed under: Review — justwilliam1959 @ 10:53 am
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I have been to many gigs promoted by the very talented Simon Pattinson of Northern Radar and so far he has never let me down with a deluge of incredible lineups. Will tonight live up to that reputation? Read on to find out! This was two nights in a row for me at the magnificent Fulford Arms, Sweet May are the headliners, but before them, we were offered a nifty selection of support bands. So let’s talk about those for a while. First up were the Corsairs, a very young (all 14 and 15 I believe) York band playing their first gig at a packed, sold-out Fully Arms. What a great first gig for a young band, who despite their youth oozed confidence on stage. They were a bit Kooksy with elements of the Coral too. The B-Side (how do kids know what that is?) of their single sounded like a classy acoustic track from Just Jack. Definitely, a band to watch out for, if they are this good now what will they be like when they come of age? I love it when a band looks to be enjoying themselves on stage and the Corsairs seemed to be loving it! Following the Corsairs, it was the turn of another talented local band, Pavilion. They were incredibly well-rehearsed and tight and this lot gets better every time I see them. They write and perform epic story songs in the British rock lineage that goes back to the Kinks, and heads to the future via the Smiths and the Libertines. The sound is supremely enhanced and given immense depth by the Ray Manzarek-style keys. It brings a depth that is deeper than the San Andreas Trench. Keep your ears open, there is new music from Pavilion on the way!

Next up was Sun King, a band that I have never seen before, in fact, no one had, this was their first gig. The vocals were monumental, a bit of Robert Plant, some Paul Rodgers in his Bad Company pomp, some soulful Steve Marriott tones and then when he hit those falsetto lines a lot like Prince. The band played wonderful classic rock styles with a nod to soul, jazz, and funk, perhaps taking some influence from the Average White Band, Steely Dan, and a pre-Michael McDonald Doobie Brothers. This is a band I must see again and you really need to as well, that’s an order! Headliners Sweet May kicked off with two heavy tunes, but not just heavy, we are talking as heavy as fuck and heavier than osmium. But it wasn’t all heavy, as along comes “Deep Space”. The intro on this track lulls you into thinking it’s a prog-jazz thing and then it becomes a ground-shaking metal funk workout. Sweet May were on fire and blew the roof off the Fully, only metaphorically of course, but they definitely had the power to do it in real life!

All the videos were found on YouTube. If the video is yours and you would like a credit or for it to be removed please let me know.

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Vaquelin – Fulford Arms, York – Friday 18th March 2022 March 23, 2022

Filed under: Review — justwilliam1959 @ 2:43 pm
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This was my first Northern Radar gig for a while, but would it be fair to say that Head Honcho Simon P put on a good show, after all, he has never let me down yet. You’ll need to read on to find out how he did with this one though. Unfortunately, original headliners, Sick Joy had to pull out owing to illness, and on top of that only two-thirds of Please Remain Calm were able to make it for similar reasons, their drummer and bass player were missing This meant that Please Remain Calm took the stage first for an acoustic set. But this was no subdued, quiet acoustic set, it was a stunning tour de force. Chloe’s voice has become a towering force of nature with hints of both Amy Lee and Bjork. The guitarist was spectacular while maintaining the cool, calmness, and style of Bernard Butler in his Suede prime. “Smoke And Mirrors” has the makings of a classic future anthem, as does “Fall Apart”. Their cover of the Howl and the Hum’s “Hostages” was sublime, emotional, soulful, and made the hair on the back of my neck stand up, truly a beautiful take on a fantastic tune. I am so looking forward to experiencing a fully amped-up electric set from Please Remain Calm soon!

Please Remain Calm

A new band to me, Sweet May was up next. This is another great band with a resurgent 70s rock style. The lead singer/ guitarist made me think of Paul Kossoff, both visually and through his splendiferous guitar licks. His voice was more Paul Rodgers than Paul Kossoff though. There is hard rock, blues, and a sprinkling of funk in Sweet May‘s sweet sounds. The funk element is courtesy of the superlative drum and bass partnership. On some of the more extended wig-outs, I sensed maybe a Uriah Heep vibe going on. Set closer “Insane” was truly insane, but in an astonishingly good way! I definitely want to see this band again.

Adrian – Vaquelin

Finally, it was time for headliners Vaquelin to storm the stage. After a few feedback issues during their opening number the band moved into a solid heavy rock groove playing songs from their stunningly good debut album, ‘Where Dreams Hurt‘. The band were headlining tonight as Sick Joy had to pull out. But one of the many things that I love about Vaquelin is that they seem to play every set like a headliner, personally, I would hate to be in a band that has to follow them! Callum told me later that he couldn’t hear his guitar for the whole show, presumably fall-out from the earlier feedback issues. But frankly, his playing was up to his usual Jimmy Pagesque best. Adrian was on fire in the vocals department and we need new song, “Broken Windows” to be recorded and released as soon as possible, that was a set highlight for me. Once again the bands showed that Led Zeppelin ‘Hammer Of The Gods’ power with a rhythm section forged in the depths of Asgard! I could watch this band again and again and so could their passionate fans who I previously named Vaquelinians. Well, I suppose I am a proud Vaquelinian too! Did I hear a rumour that they have another album in the pipeline? I hope so!

All pictures, except the gig poster, were taken by me using my very cheap Chinese Android phone. The videos were found on YouTube. If the video is yours and you would like a credit or for it to be removed please let me know.

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Pennine Suite – The Crescent, York – Friday 21st January 2022 January 30, 2022

Filed under: Review — justwilliam1959 @ 12:05 pm
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This was a rescheduled show from that slack period between Christmas and New Year and I was so pleased it was rescheduled as otherwise, I would have missed it. It was also amazing to catch up with so many old friends, maybe, just maybe, we are getting back to some kind of normal. This was going to be my first opportunity to see the headliners, Pennine Suite. But before I talk about them there were three support bands who were rather spiffingly good!

The first band to take the stage was Honeytrap who I first saw back in November 2021 at the Fulford Arms when they supported Seagoth. Back then I described their set as fucking awesome! I stand by that for this show too, although I will add one word to the original two and say that they were super fucking awesome! I can sense an ancestral link with some of the finest British bands, including the Verve and the Small Faces. Kell Chambers’s vocals suggested he could give Steve Marriott and Richard Ashcroft a run for their money. His voice is soulful, passionate and at times shows he can make delicate sounds just like Kurt Cobain in the quieter Nirvana moments. Will Daniels’s guitar work is among the finest of his generation and has at least some roots back to Jonny Greenwood, John Squire, and Bernard Butler. Bassist James Butterworth kept the band ticking over with his finely tuned Rolls Royce bass lines. Meanwhile, drummer John Gilbert was absolutely on fire. This was a near-perfect set, but if you made me pick my favourite part under threat of death then I would plump for “Renegade” which was stunning. If you haven’t seen or heard Honeytrap yet then you need to rectify that immediately!

Next, it was the turn of Trueman and the Indoor League who I first saw back in October at the Crescent when they were supporting Avalanche Party. In those few months, the band has upped their game even further. Trueman is a real showman who puts across his kitchen sink, soap opera, everyday life stories like Jarvis Cocker on speed. Lyrically they are perhaps bedfellows with early Suede, the Arctic Monkeys, and Pulp, which is good company in my opinion. The band has a saxophonist this time and that broadens their sound wonderfully. As a result, they came across like a Poundland E Street Band (and I mean that in a good way) with a shot of 80s live Bowie!

 Tonight’s penultimate band was Pavilion. I last saw them back in those heady pre-Covid days of February 2020 at the Victoria Vaults in York when they supported the Golden Age Of TV. They were good then and they are even better now. Definitely one of York’s finest bands. The set tonight sounded at times like a stripped-down Cream with the odd injection of Inspiral Carpets. Olly’s guitar was at times sublime, while Noah’s vocals were first class. Even more impressive was that Olly and Noah had also played as a part of the Indoor League just before.

This was my first opportunity to see Pennine Suite live, I had seen their previous incarnation the Receivers, who are sadly no more. The band retains Nick, Louis, and Harry from that band and now they have become a five-piece with the addition of Louise and Moses. Would they just be the Receivers 2.0? Most certainly not, the expansion to a bigger band has enhanced the sound magnificently. Nick was a good frontman in the Receivers and now he is a great frontman his confidence, swagger, and voice have grown at an explosively exponential rate! There were some Receivers songs in the set, “Only Human” and “Impatience” were particular standouts. The band showed their added versatility with Louise taking vocal duties for one tune. Pennine Suite have hit the ground running and tonight they played with the firepower of a Saturn V rocket. Particularly Louis who played the drums like the fate of the planet depended on it! The Receivers are dead, long live Pennine Suite!

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