With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

“The Happy Ending Song” – Tommyrot June 4, 2020

Filed under: Review — justwilliam1959 @ 11:05 pm
Tags: , , ,

Weird, wacky, wayward, waggish, witty, wonky, whimsical, wonderfully eclectic, stylistic nut jobs Tommyrot have released a new single hot on the heels of “Drugs” their debut from last month. It is called “The Happy Ending Song” and it is a wicked out there lo-fi tune that brings back memories of Jonathan Richman and also the Moldy Peaches. It is the perfect song to listen to while sitting around a campfire drinking a cold beer and smoking good weed. I think the lyrics are about how you should make your own happy endings in life, as opposed to the type of happy endings offered by some backstreet massage parlours. It is remarkably different from the band’s first release and this has to bode well for their album when they eventually get around to it!

Click here to hear “The Happy Ending Song” on Spotify.

If you have enjoyed this article feel free to follow the blog, or follow us on;

Facebook

Twitter

EMail

Are you interested in writing and reviewing for With Just A Hint Of Mayhem? If so then please get in touch.

 

Pink Floyd in New Earswick? May 13, 2020


One of our ace writers Tom also has his own blog, Scruffy Theory, and recently he has posted some great investigative stuff about a gig that Pink Floyd allegedly played at the Folk Hall in New Earswick in York back in 1967. It has been difficult to find much evidence about the gig online, but Tom has found his inner bloodhound and donned his deerstalker hat to discover more. Is it true or not? Read Tom’s rather interesting posts (in sequence) to find out! If you know anything about this gig feel free to get in touch.

Legendary Gig or “Suburban myth” – Pink Floyd @ New Earswick Folk Hall, 1967

Pink Floyd in New Earswick Update

Pink Floyd in New Earswick: second update

If you have enjoyed this article feel free to follow the blog, or follow us on;

Facebook

Twitter

EMail

Are you interested in writing and reviewing for With Just A Hint Of Mayhem? If so then please get in touch.

 

Marsicans – Fulford Arms, York – Tuesday 3rd March 2020 March 9, 2020

Filed under: Review — justwilliam1959 @ 7:10 am
Tags: , , , , , ,

Another Northern Radar gig promotion hosted by the talented Simon Pattinson, this time at one of York’s great gig venues, the Fulford Arms. This was lined up as a pre-SXSW warm-up gig for headliners the Marsicans. Sadly as I am writing this review news has just come through that this year’s SXSW has been cancelled thanks to Coronavirus. This must be devastating news for the Marsicans and many other bands. My thoughts are with the Marsicans and all the other acts affected by this decision. In the meantime, I am here to tell you about the gig. So here goes.

First to take to the boards were Pool Room from York. They have a really cool USA FM Radio vibe about their sound but with much less AOR and more full-on ROCK edge. Pool Room also have a great jazz feel at times too, not like traditional or pure jazz but more like Steely Dan, but a much heavier sound. So as steel is not the heaviest metal in the world that is Osmium, then ladies and gentlemen let me bring you Pool Room a.k.a. Osmiumly Dan! This is a band of supremely or even obscenely talented musicians who seem to really know their rock history. Their cover of a Black Keys song was sublime. This was the first time that I have seen them, it definitely won’t be that last.

Second on stage were Flooded and this would be the third time that I have seen them. Both previous occasions were Northern Radar gigs at the Fulford Arms; February 2018 and January 2019. I hope it becomes more than an annual event for me. Flooded combine power pop, punk, light funk and blend them together in some epic pop and rock tunes. At times they sound like late 70s punk bands when they went beyond being one chord wonders and discovered melodies and pop sensibilities, like The Damned, Generation X and Siouxse and the Banshees. If Mike Skinner had taken a more punky direction then I believe that the Streets might have evolved into something like Flooded. This band writes youth anthems for the disaffected and downtrodden younger generation.  Edward has a very good voice, but maybe not a great voice, at least yet anyway. But that does not matter because he makes up for it by sheer force of personality. Tonight he proved himself to be one of the best frontmen around. You absolutely need to check this band out.

I can’t believe that I have only seen Leeds band Marsicans just once before this, that was at the Leeds Festival in 2018 on the BBC Introducing Stage. I liked them back then and having listened to them a lot since I bloody love them now. Their vocals and harmonising are close to immaculate. They played a lot of songs from their new album in readiness for the now sadly cancelled SXSW appearance. I hear that they are planning on going to Austin anyway, rather than lose money. I hope that they find some gigs out there and come home having kicked off a decent fanbase in Texas. The crowd was really up for this and the band clearly knew that and metaphorically slapped us in the face with one of the best headline sets that I have seen for a while. You can hear some stylish jangly indie guitars, some heavier riffs, a rhythm section on peak form (especially Cale on drums) and emotional, soaring vocals in their songs. In fact, all the songs have great hooks and choruses and this band knows how to write a perfect earworm. New single “Juliet” epitomises everything that is great about the Marsicans. I reckon the new album will take the music world by storm and they will definitely get another shot at SXSW.

All the photos apart from the gig poster and the shot of the Marsicans were taken by me on my cheap Chinese android phone. The picture of the Marsicans was taken by Simon Pattinson on his much more expensive phone. The videos were all found on YouTube if one of them is yours and you would like a credit or for me to remove it please let me know. 

If you have enjoyed this article feel free to follow the blog, or follow us on;

Facebook

Twitter

EMail

Are you interested in writing and reviewing for With Just A Hint Of Mayhem? If so then please get in touch.

 

Apollo Junction (Acoustic) – Vinyl Cafe, York – Friday 21st February 2020 March 2, 2020

Filed under: Review — justwilliam1959 @ 12:59 pm
Tags: , , , ,

Another intimate gig at the fabulous Vinyl Cafe in York, this time Leeds band Apollo Junction headlined with an acoustic set. But more about them later as there were also a couple of pretty decent support acts. First up was singer-songwriter Toby Burton. He has a rich, almost baritone voice. His songs are story songs, almost exclusively sad stories. Highlights for me were “The Middle” and “Shining”. He has a new single, “All Night Long” out this month. In fact compared to all the other songs in his set this was moderately happy at times. He was also amusingly self-deprecating about his merch, which was CDs. He said that they made good coasters. I felt that I heard shades of another vocalist in his delivery and tone, it took me a while to think of who, but I can sense some Martin Rossiter vibes within Toby’s voice. I would really like to see Toby playing with a full band, I think it will give his songs greater depth and strength.

Next on stage were a band playing only their fourth gig, spookily enough I was at the third gig just the night before. I am talking about Grapefruit Eyes, a band that I can now genuinely say that I have seen 50% of all their gigs so far! Regular readers will know that I am a fan of this band and their previous incarnation, Neon Salmon. The music is built using samples, drum machine sounds, guitar, bass and for this show softer drums. George’s voice gets better every time and sometimes pitches towards Thom Yorke at his finest. Grapefruit Eyes certainly appear a bit more experimental than Neon Salmon. They fuse prog, dance, chill-out, and rock into their musical melting pot and from that they cook up a sound like no other bands around at the moment. They can move from slightly left-field Pink Floyd style to pre-commercial George Benson (around the time of “Breezin'”) in a heartbeat. I can also sense a bit of Edwyn Collins and Orange Juice in their vibe too. This will definitely not be the last time I see Grapefruit Eyes!

Finally, it was time for Apollo Junction to strut their acoustic stuff. I have never seen a five-piece band play this venue, so I was a little concerned as to how they would all fit in, but in the end, they did fit, a looked a bit cosy at times though. Jamie has a great voice that contains passion, soul and power. They did a cracking cover of the Who’s “Substitute” with some moderate audience participation, stronger from those of us who were around when that single was originally released! We had some real full-throated crowd singalong with an epic take on “Always Remember” which included Jamie wandering into the crowd. The band aired some new songs and judging from how they sounded on the night “Are You Happy” and “Time Is Coming Around” show great promise for the next Apollo Junction album. I should also publicly apologise to the band for not getting around to reviewing their first album, ‘Mystery’ when it was released late last year. But let me state categorically that it really is a fucking awesome album that you need to check out! It is full of pulverising (in a good way) choruses and hooks, they take the best of the likes of New Order, Depeche Mode and ABC and make it their own The band’s “In Your Arms” currently soundtracks the BBC’s Football Focus show which is a proper achievement, not every band gets that kind of exposure. This was an amazing set by a truly talented band. Apollo Junction are heading upwards at speed and on the evidence of tonight, they will definitely be going much further!

All the photos apart from the gig poster were taken by me on my cheap Chinese android phone. Except for the Grapefruit Eyes picture, that was taken by my wife Catherine on her cheap Chinese android phone. The videos were all found on YouTube if one of them is yours and you would like a credit or for me to remove it please let me know. 

If you have enjoyed this article feel free to follow the blog, or follow us on;

Facebook

Twitter

EMail

Are you interested in writing and reviewing for With Just A Hint Of Mayhem? If so then please get in touch.

 

Avalanche Party – Fulford Arms, York – Thursday 5th December 2019 December 17, 2019


This gig was the 10th time that I had seen Avalanche Party. Regular readers will know I am a big fan of the band, but before I say anything about them let me tell you about the two support bands. First up was Pig Club. They are a York band and one that I had not seen or listened to until now. The first tune made me feel as though I wouldn’t enjoy the rest of their set, but oh boy how wrong was I? This lot splice classy jazz with prog, funk, and psychedelia. It is obvious that each band member is an incredibly skilled musician, but together they are definitely more than the sum of their parts. The guitarist played like a young Jan Akkerman (from Dutch Progsters Focus for you young ‘uns). Meanwhile, the keys wizard sounded at times like Herbie Hancock. Definitely a band worth checking out.

Pig Club

Another great York band, the Black Lagoons were next to grace the stage. This was the fourth time that I have seen them in nearly four years and strangely the third time that I have seen them supporting Avalanche Party. They have got better each time and they are truly a force to be reckoned when playing live. They have an electrifying swagger and confidence about them, and they totally get their audience. There are definitely prog influences, but the engine room of the band is like Moonie and the Ox from the Who. They could step up as a younger version of the Stooges too if that is what Iggy needed. Their sound is hard to pin to a genre, but imagine Tarantino and Tim Burton directing a zombie vampire film set in the wild west. Well, there is no one other than the Black Lagoons that could soundtrack that movie!

Now it was the time for the headliners, Avalanche Party as a part of their album launch tour. If you haven’t yet heard ’24 Carat Diamond Trephine’ then get on it now! It is possibly my album of the year for 2019, although Nick cave’s ‘Ghosteen’ is also vying for first place. Regular readers of this blog know that I am a big Avalanche Party fan, I also believe that they are on the cusp of greatness. With a debut album that is among the best debut’s in rock history and a live show that has the power to match that of an ICBM with a plethora of nuclear warheads, they have proved that they have balls and frankly they are the dog’s golden bollocks! Opening with the psychedelic garage punk of “I’m So Wet” the band hit their full stride straight away and when Jordan fixed his maniacal rock star thousand-yard stare on the audience, well the whole place was transfixed, captivated and hypnotised by this magnificent beast of a band. I do wonder how they keep getting better every time that I see them, but they do. Will that ever end? I hope not. They had extra guitar courtesy of the singer/ guitarist from the Black Lagoons and some wild funky sax vamping from a mysterious masked cowboy (a.k.a Luke Marzec). Kane (drums) and Joe (Bass) power a rhythm section that has the might and the firepower to defeat Thanos and his Infinity Gauntlet and the melodious, punk, psych interplay between  Jared (guitar) and Glen on keys is woven magically to underpin Jordan’s subtle rock scream vocals. Jared even managed to fit in some saxophone playing too. Highlights for me were “7”, “Rebel Forever” in which I believe that every single member of the crowd sang along when asked to and the towering, majestic glam stomp of probably the best Avalanche Party song to date, “Howl” has to be experienced to be believed. On top of all that we were treated to an outstanding “Porcelain”. Get the album, go and see them, you need Avalanche Party in your life!

All the photos apart from the gig poster were taken by me.The videos were all found on YouTube, if one of them is yours and you would like a credit or for me to remove it please let me know. I am also happy for you to use any of my pictures, all I ask is for a credit 🙂 You will find plenty more of my pictures just below this public service announcement!

If you have enjoyed this article feel free to follow the blog, or follow us on;

Facebook

Twitter

EMail

Are you interested in writing and reviewing for With Just A Hint Of Mayhem? If so then please get in touch.

 

 

 

Millie Manders and the Shutup – Fulford Arms, York – Saturday 30th November 2019 December 4, 2019


There was a lot of music going on in York on 30th November. I had whittled my way down to two choices; The Men They Couldn’t Hang at the Crescent or Millie Manders and the Shutup at the Fulford Arms. I chose the latter, as you will have guessed by the title of this post, but it was a tough choice indeed. I went for a band that I had never seen or heard before, why? Well, that is how I roll! Anyway, before the talented Ms. Manders appeared on stage we were treated to two fine support bands. First up were the Platitudes, eight-piece ska-punkers from Leeds. They are a really tightly honed band and Kristina’s vocals are not typical ska punk style, she has a great voice and a real pop sensibility. Their songs are all very good with some truly great tunes among them, notably “Man With A Plan” and “Bomb Song”. Cramming eight people onto such a tiny stage takes some doing, getting them to perform so well and for them to produce such an electric, exciting set is purely down to the band themselves. They prove the old adage that “the whole is greater than the sum of its parts” See the Platitudes once and I guarantee you will want to see them again, I damned well do!

The Platitudes

The second support act was Dead Beat At Dawn from Thirsk who almost defies putting them into a genre. But I would describe them as ska-punk with extra added punk, metal and rap. Yes, you heard me right, rap! Imagine the Beastie Boys reinvented as a 90s ska-punk band, then you might have a chance of understanding what Dead Beat At Dawn are. They are frenetically energetic, incredibly funny, self-deprecating and bloody talented musicians too. Their sampler let them down, but they didn’t lose anything by that, they just threw themselves into their set twice as hard. Their own songs are quite unique in a great way, especially “180 (The Theme From Dart Squad). They also performed an incredibly fun cover of Madness’ “Baggy Trousers”. This lot will make a stalwart festival band, I will certainly be seeing them again.

Dead Beat At Dawn

Millie Manders and the Shutup, just how good are they? Well, they’re not just good they are a true tower of greatness. Millie is a supremely talented frontwoman who empathises with and supports her audience. Their music has a conscience, which comes across very powerfully in “Right To Life” and “Lollipops”. The latter of which is one of the best politically angry songs to emerge in the last few years. “Teddy” is lovingly weird and perhaps scary at the same time. They showcased a few new songs, a couple of which dealt with mental health issues, something which Millie was very open about. Always remember people, sometimes it’s ok to be not ok! Millie Manders and the Shutup are a great ska-punk band, that is certainly where their music probably resides. However, in Millie they have a singer who at times sounds like Pauline Black or the ghost of Amy Winehouse. Then just when you relax into that kind of vibe she hits you with a nu-metal growl that would put some metal singers to shame. The band had us eating out of their hands as we sang along to “One That Got Away”. Their cover of the Jam’s “Pretty Green” was for me both unexpected and delicious. I should mention the individual talents of the band too, especially the drummer who plays like he is the Energiser Bunny with perpetual motion. I am without a doubt a committed fan of Millie Manders and the Shutup now. I spoke very briefly to Millie at the end when I bought the band’s three EPs on CD. People say that Dave Grohl is the nicest bloke in rock, well I reckon Millie is a contender for the nicest woman in rock! You might not know it yet, but you need this band in your life!

Millie Manders and the Shutup

All the photos apart from the gig flyer were taken on my cheap android phone. The videos were all found on YouTube if one of them is yours and you would like a credit or for me to remove it please let me know.

If you have enjoyed this article feel free to follow the blog, or follow us on;

Facebook

Twitter

EMail

Are you interested in writing and reviewing for With Just A Hint Of Mayhem? If so then please get in touch.

 

King Kurt – The Crescent, York – Sunday 24th November 2019 December 1, 2019

Filed under: Review — justwilliam1959 @ 4:22 pm
Tags: , , , , , ,

The 80s mental madcaps King Kurt are back together again! Originally formed in 1981 the band split up in 1988. There have been a few sporadic reformations since then, this one is quite special as it includes four original members. Do these Psychobilly monsters still have what it takes? You will need to read on to find out as there is first the little matter of a rather good support act to talk about. That support act was one of York’s best-known bands, the Snakerattlers, a psychobilly, garage, trash, thrash power duo with Naomi on drums and vocals and Dan on vocals and Link Wray style guitar duties. It is quite a while since I last saw them and believe me they have gotten so much better in that time. They are truly a live force of nature the way they attack their songs. Dan uses his sometimes comedic, often horror style of gurning to draw the audience in and frankly we were drawn in quite easily at this show. They have a couple of albums under their rattlesnake buckled belts and we heard a great selection from both. They have a great set of band themed songs too; “Do The Rattle Rock”, “Snake Rattle Rock, Snake Rattle Roll” to name just a couple. Dan and Naomi played a blistering set that had us bouncing around from the off. Highlights for me were “She’s Strange” which Dan dedicated to Naomi and a mountainous “All Heads Will Roll”. Another incredibly talented band from the fine city of York, my adopted home!

Back in the early 80s after original King Kurt member, Jef left the band they decided to give him a proper send-off by turning him into a cake by covering him in flour, eggs and shaving foam. The legendary ‘messy’ gigs that followed were a result of fans doing something similar at every gig. Nowadays all King Kurt gigs are clean unless stated otherwise. My good friend Ian and I were warned as we entered the Crescent that this was a clean gig. A small part of me was disappointed, however, I am glad that I didn’t go home covered in crap! The band took to the stage in a uniform of red onesies, the type with the button flap on the arse. Are there any other bands that would dare to play a gig dressed like that? Probably, but definitely not many. King Kurt is usually billed as a psychobilly band and while that is certainly a part of what they are, I believe that they are so much more. Their songs and performance also have power pop, punk, glam rock (in sound if not in appearance) and a very British humour that has its roots in the like of the Bonzo Dog Doo-Dah Band. Smeg’s vocals were first class and Thwack’s guitar rocked like a bastard. All the big songs were there in a set that felt like it was over way too soon, but that is because time flies when you are having so much fun, right? All the hits and favourites were there and my particular highlights were “Destination Zululand” and “Do The Rat”. Sometimes I see bands reform and think to myself, why did you bother, but with King Kurt all I have to say is welcome back and what took you so long?

All the photos apart from the gig flyer were taken on my cheap android phone. The videos were all found on YouTube, if one of them is yours and you would like a credit or for me to remove it please let me know.

If you have enjoyed this article feel free to follow the blog, or follow us on;

Facebook

Twitter

EMail

Are you interested in writing and reviewing for With Just A Hint Of Mayhem? If so then please get in touch.

 

Mayhem Virgins – Luna Velvet November 19, 2019


It has been months since the last Mayhem Virgins post, so it’s about time for another, right? To refresh your memory the Mayhem Virgins series only covers artists that I have never mentioned or featured before. This time it is the turn of York-based folk-rock gems Luna Velvet.  Their sound is reminiscent of the Stone Poneys and early 70s US East Coast country-rock in general. Carrie Skipper’s vocals, particularly on “Amelia” the opening track on their 2018 album ‘Songs Of Love And Hate’ caused me to think of early Joni Mitchell. There is definitely a light jazz feel that underpins some of their songs, but mostly it is alt.country, soft rock, and emotional songs. I can imagine Kate Bush taking a shot at “Betrayed”. Luna Velvet are Don Jackson, Carrie Skipper, Stu Fletcher and Tom Sollitt. They clearly have a great deal of respect within the music industry given the stellar contributions on ‘Songs Of Love And Hurt’ and wonderful new single “Molly Lou”. Extraordinary talented fiddle player Steve Wickham from Dublin, although he now lives in Sligo (hometown of Westlife don’t you know!) features on the album and prominently on “Molly Lou”. Steve played fiddle on the U2 classic “Sunday Bloody Sunday” and has worked with Hothouse Flowers, Sinéad O’Connor, and World Party. He has also been a part of the Waterboys for many years. Multi-instrumentalist  Anthony “Anto” Thistlethwaite contributes to quite a few Luna Velvet songs. He was a founding member of the aforementioned Waterboys, along with Mike Scott. Thistlethwaite later tasted success with the Saw Doctors. Troy Donockley, another highly talented multi-instrumentalist and incredibly accomplished player of the Uilleann pipes contributed his skills to “Holding On” from the Luna Velvet album. Finally, bringing back the York connection, Fraser Smith, a one-time member of Shed Seven plays keyboards on the haunting ballad “Fall To Pieces”. Click here to check out Luna Velvet on Spotify, they are well worth a listen. Over here at the old Mayhem Tenement block, we can hardly wait for their next album!

 

All the pictures in this post were found via Google and the videos were sourced from YouTube. If any of them are yours and you would like a credit or for me to remove them please let me know.

If you have enjoyed this article feel free to follow the blog, or follow us on;

Facebook

Twitter

EMail

Are you interested in writing and reviewing for With Just A Hint Of Mayhem? If so then please get in touch.

 

My Wonderful Daze “Guilty Party” EP Launch – Fulford Arms, York – Thursday 5th September 2019 September 10, 2019

Filed under: Review — justwilliam1959 @ 10:59 pm
Tags: , , , , ,

Tonight was the third time that I had seen My Wonderful Daze in less than three months, the first time was also at the Fulford Arms for their Hands Off Gretel support slot back in July. Tonight was a show to let the band showcase their new EP “Guilty Party”. But before I tell you about their set there is the not so small matter of the support band, Freek. I first saw them in December last year, supporting Percy. Freek‘s roots can be traced back to Led Zeppelin and onward through to the White Stripes. Lead singer Ellis Best may, on the first impression, look like a mild-mannered Librarian, but then he unleashes blues-rock licks from his guitar which have the power to cause earthquakes in heaven and hell. But that isn’t all when he opens his mouth to sing out pops a voice that could match Roger Daltrey, Ozzy Osbourne, Paul Rodgers and many more. Best is one hell of a talented rocker. Drummer Christy Bloomfield is like the perfect rock ‘n’ roll metronome (and that is meant as a compliment.) He comes across as a well-controlled sticksman and then he hits those drums with a crazy, frenzied passion and you can imagine him being possessed by the spirit of Keith Moon and the wisdom of Ginger Baker. The highlight for me, and there were many, was “I Am A Weirdo” which is as close as you can get to the perfect rock song!

Just before 9 o’clock, the crowd was palpably excited as they waited for the imminent arrival of those weird, wacky and wonderful folk from Planet Daze, yes it was time for My Wonderful Daze to hit us with their best shot. Incidentally, their best shot is like being attacked by an artillery barrage of riffs, a rhythm section that could power a whole division of tanks and all this marshalled by Field Marshall Chloe Munt a.k.a. Flowers. This is a full-on shock and awe aural assault that either wins you over or forces you to surrender. They played the five songs from their new “Guilty Party” EP first. “Tommy” starts off quite soft and builds into a crescendo of dark passion backed by a band firing on all cylinders. The five-track EP is stunning and in the live environment the already uber heavy, riff-laden, hook-driven, eldritch tunes transform into something heavier, darker and psychedelic. At times they sound like Black Sabbath had Ozzy been replaced by Chloe.

My current favorite track from the EP is “God” and live it is an epic masterpiece. The crowd was up for this band in a big way. Chloe made a number of excursions into the audience and the crowd went into manic mosh mode towards the end. My Wonderful Daze lived up to a previous description from me “Imagine what band might arise if Florence and the Machine had been kidnapped by DC’s Suicide Squad and the Joker injected them with a mix of a large dose of heavy metal and Kurt Cobain’s DNA.” But they went even further than that tonight. In the week that ‘IT – Chapter Two” hit the cinemas there were plenty of Pennywise style red balloons with added black balloons to add a streak of goth. The second half of their set saw much fake blood, well at least I hope it was fake! This was streaked across the faces of the band and Chloe sporting red hair rocked a perfect Carrie White post-Prom Queen scene in a blood dripped white dress. This was not just a gig it was a show with some really theatrical moments, not many bands can pull that off, but My Wonderful Daze can do it with style and ease. There was a technical guitar hitch near the end, but a mighty and dynamic jam session from Mr. Jack Sparkle on bass and JoshQ6 on drums and Chloe taking it upon herself to dance with members of the audience entertained us impeccably while the guitar issue was resolved. For me, the mark of a great band or at least one with the potential to become great is how they handle a mishap like that. My Wonderful Daze handled it like seasoned veterans. They finished with a rip-roaring cover of Dolly Parton’s “Jolene” closer to the White Stripes arrangement but with the heavy and dark turned up to full! You really need to see this band, but while you are waiting check out the “Guilty Party” EP by clicking here

All the photos apart from the EP promo were taken by me. The videos were all found on YouTube, if one of them is yours and you would like a credit or for me to remove it please let me know.

If you have enjoyed this article feel free to follow the blog, or follow us on;

Facebook

Twitter

EMail

Are you interested in writing and reviewing for With Just A Hint Of Mayhem? If so then please get in touch.

 

 

Lost Trends – Victoria Vaults, York – Thursday 18th July 2019 July 23, 2019

Filed under: Review — justwilliam1959 @ 5:53 pm
Tags: , , , , , , ,

This gig marked my first ever visit to the famous Victoria Vaults (a.k.a. Vicci Vaults) in York. It would also be the fifth time that I have had the chance to experience the mighty Lost Trends, one of Yorks finest bands, playing live. But before I tell you about Lost Trends there is the not so small matter of the two rather spiffing support acts. First on stage was Borderline, another local band who interestingly have no guitarist. But honestly, you really don’t notice that with the heavy, synth-laden, beautiful racket they make. At times I detected a synth, indie, Brit Pop style with shades of New Order and Dave Gahan. The highlight of their set for me was the delightfully titled “The Duchess Dies Tonight”. But that was a close run thing with “In A Vacuum”, which bled with the pumping heart of Heaven 17. But a Heaven 17 from a parallel universe where the never had a fractious split with the original Human League. Steve Gillies vocals occasionally hit a rich seam of Gary Numanesque style and delivery. The aforementioned lack of guitar was rendered invisible by the rhythm section that provided the power of more than just two people. James Brown on drums and bass player Tome Brown were totally in sync with each other throughout the set. Borderline are an excellent band that you really need to check out.

Borderline

Scarborough band the Feens graced the stage next and what an outfit they are, riding on the crest of some excellent airplay on BBC Six Music, BBC Introducing and Amazing Radio they hit the stage with a truckload of energy and great tunes. Think Talking Heads with Johnny Marr on guitar duties, yes Sam Dowling is that good! Freddie Schmuck one of the Feens dual lead vocalists has a feel of Vampire Weekend’s Ezra Koenig about him. When the other dual lead singer, bass player Adam Lodge gets going it’s like being hit by a massive injection of Arcade Fire. The Feens are a highly talented and truly brilliant band that promises so much more. I believe this bunch can go all the way!

The Feens

At last, it was time for the mighty Lost Trends, easily one of York’s best bands from the last five years. It was probably George Clinton or Bootsy Collins who coined the phrase Funkateers, well I believe Lost Trends are true Funkateers, on top of that their outlook and attitude suggest Punkateers too. This is a rock band that thinks it’s a funk band, a funk band that thinks it’s an indie band, an indie band that thinks it’s a punk band. The truth is they are all of those genres, and more, combined into a musical package that will blow your socks off and blow your mind. Every song they have is a dance floor banger that would be perfectly at home pumping from the main stage of Reading/ Leeds. We were treated to some great cuts from their EP “Time” launched earlier this year and some old classics, including “DJ” which is a song about crap DJs. I have said this of Lost Trends before but their stuff would be amazing if featured on a dance remix album by the likes of the Chemical Brothers or Soulwax. As usual Pete Knaggs’ guitar never lets up as it shimmers across the magnificent sounds emanating from a rhythm section that would grace any top band. Rusty’s vocal performance was once again immense and full of power and passion. This band deserves to be huge and if you haven’t seen Lost Trends yet, then you had better rectify that very quickly, otherwise, I will have to come around and sort you out! I know where you live!

Lost Trends

Rusty off of Lost Trends

 

Public Service Announcement: All pictures, apart from the gig poster were taken by me on my cheap android phone. All videos were sourced from YouTube. If the video is yours and you would like me to credit you or take it down please let me know.

If you have enjoyed this article feel free to follow the blog, or follow us on;

Facebook

Twitter

EMail

Are you interested in writing and reviewing for With Just A Hint Of Mayhem? If so then please get in touch.

 

 

 
%d bloggers like this: