With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

Interview – Laura Kindelan – March 19th 2018 March 22, 2018

Laura checks out an excellent, if somewhat expensive, Toots & the Maytals LP at the Vinyl Cafe.

I had the absolute pleasure of interviewing York singer, songwriter and ace musician Laura Kindelan earlier this week in 45 The Vinyl Cafe on Micklegate. Laura was eloquent, effervescent and spoke about her major influences, where she might take her sound next, her musical guilty pleasures and her favourite chocolate among many other things. Check out that conversation below.

  1. Who is your biggest musical influence and why?

Well there isn’t just one person, for me it’s the sound and the performance. For the sound, it has to be Lianne La Havas; I love her jazz guitar, melodic vocals and song writing. I particularly love her lyrical patterns and use of unusual words. My history teacher introduced me to her.

As for performance, I would have to name two people; Amy Winehouse and Damien Rice. I believe that both of them show the beauty of imperfections. Damien Rice’s mix of his first album “O” massively fluctuates in volume within songs, which could be considered wrong but I believe it’s emotive.

  1. What is next for you, where do you go from here?

I am very happy to be a slow burner. I am not focussed at all on becoming a product or a brand. I want to be a well-respected musician, singer and song writer. That has to include maintaining respect for myself and my craft. I want my music to speak for me, not the image. I would also love to work with a really tight rhythm section in the future.

  1. Musically do you have any of what you might consider guilty pleasures, if so what are they?

That is a tough one, the first one that I can think of is Abba. However, I don’t feel too guilty about it as they wrote, produced and released such great songs. But perhaps my real guilty pleasure is my ‘go to’ party song; “Bitch Better Have My Money” by Rihanna.

Photo by Michael Parr

  1. How do you prepare for a gig?

First, I always do some vocal warm ups. I like to make myself feel nice, to feel good. I don’t often wear much make-up, but for a show, I choose to get dressed up with make-up and nice clothes. Everything I do to prepare for a gig contributes to making me feel comfortable and confident on stage. I really believe that a performer should invest the audience in what they do by personally connecting with them, and to do that, you need to be happy and comfortable with yourself. Confidence is key to any good performance.

  1. Name one thing in your musical career that you are most proud of and feel free to tell us why?

My headline show last year at the National Centre for Early Music in York. It felt like such a magical night and I am so proud that I did it. I can’t quite believe that it happened. There were around 180 people there, really listening and enjoying the night – It’s definitely something I’ll never forget.

Click here to check out my review of that show on this blog last year

  1. What drives you to write songs?

Sometimes it is all about getting something off my mind; a feeling or a relationship perhaps. Currently I really love to experiment with harmonies, shapes and different tunings on my guitar. I think I draw influence in this experimentation from Jeff Buckley and Tom Misch, particularly with pretty harmony and rhythm from the latter. I see my sound as evolving into something similar to Tom Misch, only much grottier!

Photograph by Tomorrow’s Photos

  1. How does your song writing process work?

I have lots of lyrics stored on my phone that I’ve written as they come to me and I sometimes go there for inspiration. Although, as I said before, I love to experiment with harmony and chord progressions so I often begin here.

  1. Name a song that you believe you could cover and make it better than the original?

At the moment I am playing around with a very different arrangement of “Do I Wanna Know” by the Arctic Monkeys. I am trying out a very slowed down version which is more ‘head bobby’, with more dissonance and harmonics. I think this new vibe adds more meaning to the lyrics.

  1. Which of your songs would you like to see covered by someone else and who would be your top choice to do it?

I would like it to be someone completely different from me, how about Hello Operator? That could actually be amazing, we should make it happen!

Photo by Tim Downie

  1. Tell me something that you have never told an interviewer before (and this does not need to be music related)?

My signature dish, that I make incredibly well (if I do say so myself), is Carbonara with mushrooms, bacon and cream. Bon appétit.

  1. Name three things that you simply cannot live without?

My family, good food and Doctor Martens. I’m hoping to build a collection of Docs – I currently have four pairs, including one with a snake-skin pattern.

  1. What is your favourite confectionary item?

Terry’s Chocolate Orange, beyond any doubt the best there is!

Now check out some of Laura’s rather excellent tunes.

All photographs were provided to me by Laura and are credited to the photographer in the caption. The first picture was a rare good one taken on my phone. Video links were specially selected by Laura herself.


‘Loved By Trouble, Troubled By Love’ – Boss Caine March 10, 2018

It has been a long wait but finally we have a new album from the mighty Boss Caine. The album is called  ‘Loved By Trouble, Troubled By Love’, and oh boy has Boss Caine main man Dan Lucas shifted up the gears on this release. He has never released a dud album and this one takes the quality to a mountainous peak. The songwriting here is among the best you will find in the current generation of British musicians. If the previous albums built the foundations of the distinct and wonderful Boss Caine sound this album completes and finely decorates the first couple of floors.

The lyrics here are beyond just sharp and clever they are stories woven into song. “Champagne” and “Evidence” open the record and draw you deep into Boss Caine World where you will neither want or need to leave before the album finishes. For me”Champagne” evokes the very best of Dr John’s finest deep south cuts. If you want an inspiring and heart-felt love song then look no further than “Star Crossed Lovers”. It totally encapsulates what it feels like to have that special someone in your life. Of all the albums I have reviewed over the years this is the first that my wife has really loved from the first play. While the style here has some of the best ingredients of alt.country, Americana and electric folk it is still a very British sound. This is most notable on the title track “Loved By Trouble, Troubled By Love” where Lucas shares vocals with Edwina Hayes.

The words on “Where Good Things Go To Die” seem to be a reflection on life and experience and maybe how you have found your way in your life. It certainly stirred up some sadly nostalgic feelings of my youth. If choosing my favourite track from the whole album was a life or death issue then I would definitely opt for “Lonesome Crow” which builds up slowly, adding layers of instrumentation and orchestration on its journey to a sanguine and deeply hopeful crescendo-like close. At times Dan Lucas’ bass-like gravelly vocals bring memories of Johnny Cash and on “Better Ways To Get Free” maybe even Tom Waits. In fact I can imagine an on-form Rod Stewart recording a brilliant version of this song. All the songs in this collection were written by Daniel Lucas apart from the jaunty and happy “Bright Young Star” which was written especially for Boss Caine by the Temperance Movement‘s Phil Campbell. Melancholy album closer “Smoking In My Backyard” is perhaps one of the finest songs ever written about smoking. I have never smoked, but I can picture myself smoking a fat one while chilling to this!

After a couple of listens this feels like a greatest hits package that is made up of entirely new songs. The album was recorded, mixed, and mastered by Isaac McInnis at his Crooked Room Studio just outside of York. The record was produced by Isaac McInnis, Bradley Blackwell, and Daniel Lucas. It is already available on-line and the physical copies will be available very soon. Click here to get your hands on a copy, I have ordered mine! So tell me; Do you like Americana? Do you like Dr John? Do you like great British music? You do? In that case you will bloody love the new Boss Caine album!


Cape Cub – Fulford Arms, York Thursday 15th February 2018 February 19, 2018

York’s Fulford Arms is a quirky, eclectic, friendly and a bloody excellent venue. This show was another put together by Simon Pattinson of the rather fabulous Northern Radar. I have known Simon for quite a while now and up to now he has never let me down with any gig he has been involved with. But I guess there is always a first time. Will this be it? Well you had better read on to find out! First on stage was a young man with the clever stage name of Sundile. If you are a fan of chilled lo-fi sounds then Sundile is definitely the man for you. Whilst his Arctic Monkeys cover was good his own tunes are at times stunning. It was a shame that many people in the audience continued to talk among themselves during his set though, if that was you, then frankly you missed a good ‘un. I also felt that the sound was not at a great level for him, but I recommend checking him out.

Flooded, a York band were next, this is one powerhouse of a three-piece with what would seem to be a really eclectic taste in music. Not only are they purveyors of fine rock music with a nod to classic rock history from the 60s to now they also look like they are enjoying the hell out of what they do. I could hear the Small Faces, the Who, Oasis and Muse in there at times, but trust me this is a proper band, not a facsimile of others. The ‘About’ section on their FaceBook page says that they are ‘1 over-hyped drummer and 2 normal-ish boys from York’. Nathan Christy and Sam Curry are the two normal-ish boys, personally I reckon they veer more towards the ‘ish’ part of that. Both play bass, guitar and both of them sing too. Add the ‘over hyped’ drummer Max Mulrenan and you have a band that is a true force to be reckoned with. Mulrenan is a powerhouse of a drummer a slightly more in control Keith Moon. I will definitely be looking out for more shows by this lot!

Pura Vida are an immensely talented band with musicianship that is on a par with the best British bands. They are very hard to define from a genre perspective at times there are elements of indie blended with the softer side of prog and this seems to be underpinned by a punky attitude. Imagine, if you will, a band fronted by Johnny Marr and a less pompous Bono and backed by Echo and the Bunnymen with perhaps New Order and Joy Division producing. Can you hear that sound in your head? well that is the kind of sound that I heard. In Spanish Pura Vida means ‘pure life’ or ‘simple life’ and it is widely used in Costa Rica to describe a way of life. This band are pure rock and simply a great band. I will definitely be seeing them play live again sometime.

Headliner Cape Cub is the genius brainchild of Chad Male who hails from a small village, Marske-by-the-Sea, in north-east England. After forming Cape Cub in late 2014 his first big success came with “Swim” in 2015, he has been championed by Radio 1 and Radio X since then. He has also released some stunning music since his début. Including the staggeringly brilliant EPs from 2016; “Closer” and “6 a.m”. I am not yet too familiar with the songs but this was an awesome set, the band hit you with soft rolling sonic waves that mesmerize you as they build into small tsunamis of perfect sound. This is a band that to me sound like what Coldplay if Chris Martin’s boys were great and not just good. The sweep and depth of the songs and the emotion that they forge is incredible. The highest point of the set, and there were no low points,  for me was the new single “Come Around”. You still have a chance to catch the outstanding Cape Cub live on this tour; London – Thousand Island (22nd February), Sound – Liverpool (23rd February) and Newcastle Think Tank (24th February). If there are any tickets left for these shows then you need to buy, beg, steal, borrow or whatever other activities will get you one….. keep it legal though! Cape Cub are set to play an increasing role in British music in the coming years.




“Averageism EP” – Tax January 21, 2018

Filed under: Review — justwilliam1959 @ 1:21 pm
Tags: , , , , , , , ,

Sometimes you have to make a choice as to which gig you want to go to when there is a clash. Last Friday I went to see Absolute Bowie at Fibbers in York, sadly this meant that I missed a great line up put together by Northern Radar at another fabulous York venue; the Crescent. Who did I miss? The Televangelist, Dvsk, Tax and the Honey Smugglers, that’s who. But I did meet up with Northern Radar Head Honcho Simon Pattinson after the show along with some of Tax, including the drummer and Millie (with an i, e) who isn’t their manager but perhaps should be! Millie gave me a copy of the new Tax EP ‘Averageism’. I promised to take a listen to it and maybe review it for this blog. What some of you don’t know is that if any singers or bands give me some of their music to review I will always listen to it, but I will only review it if I like it. Personally I don’t think it is fair to lumber upcoming bands with a negative review. But this is most definitely NOT a negative review!

This five track EP is without a doubt, bloody awesome. It was produced by Liam Watson, and as many of you know his cv includes the White Stripes. Tax, from York, are refreshingly original, but in terms of influence I can hear some heavy punk and post punk vibes, the Adverts, PiL, the Fall, the New York Dolls and early 70s Glam Rock. The EPs title track is probably my favourite after the third listen, any song that mentions James Last, Ian Brown, Burt Bacharach and uses the words moron and twat in the lyrics is alright with me. Aside from the tightness of the band what really impressed me was the lyrics; “Out For Lunch” has a brilliant couplet in “I’ve got a handshake like an earthquake”, play the track loud enough and it might even move the gauge on a Richter scale recorder. “Clone” sounds like something the Adverts TV Smith might have recorded in the late 70s, very LoFi but with more balls than the usual LoFi sound. The EP is completed by the excellently titled “Piss” and “I’m A Presenter On The TV”. If you haven’t seen Tax or heard them then I suggest you do something about that right now! But careful how you search for them, you might end up reaching some pretty dull accounting sites! Click here to find them on FaceBook and click here to find them on Soundcloud. Personally I can’t wait to see this lot play live now!



Absolute Bowie – Fibbers, York – Friday 19th January 2018 January 20, 2018

Regular readers of this blog will know not only that I am a massive David Bowie fan, but I am also a bit of a Bowie snob. I have never been a particular fan of tribute bands. I have seen many and a handful have been very good, but the majority were mediocre at best. However just over a year ago at the fabulous Fibbers music venue in York I reluctantly decided to go and see Absolute Bowie. This is an act that many in the industry refer to as the best Bowie tribute by far and many of the reviews bear that out. Click here to read my review of that gig. I loved last years York show so much that I had to come back again in 2018. This time I persuaded my good friend and fellow Bowie fan Simon Hernaman and his wife Marie to join me. Was last year a one off or is the magic still there? You should read on to find the answer to that question.

The first set was a Ziggy set with John O’Neill in fine form as Bowie’s earliest and probably most iconic character. The costumes, the mime driven dance moves and most importantly for me the authentic sounding Bowie vocals from O’Neill. None of this would of worked however without the support of the excellent band; Chris Buratti on guitar, makes an excellent Mick Ronson in the first set, Fabio Cashio a stunningly talented bass player, Alex Paollilo on keyboards and drummer Alessandro Ricardi. There were many highlights in the Ziggy half of the show and it sounded great from where I was in the crowd although there seemed to be some problems with at least one of the monitors. Particular highlights were “Moonage Daydream“, ” The Man Who Sold The World“, a truly majestic “Life On Mars” and  “Starman” which had everyone in Fibbers la-la-la-la-ing like lunatics. First set closer was “Rock ‘n’ Roll Suicide“, what else could it be? I do not believe that there was a single person in the crowd that didn’t sing along to every song with 100% passion.

Which Bowie would we get from John  O’Neill in the second set? It was Serious Moonlight Bowie; bleached blond hair, wearing a pastel suit, unfastened bow tie and braces. In terms of where these songs were drawn from it was a much wider period than the Ziggy set ranging from 1974 to 1983. This band match their talent with confidence, to open with “Station To Station” would not have been attempted by lesser tribute acts, but Absolute Bowie pulled it off completely and followed that with a mesmerisingly funky version of what in my opinion is one of the finest cuts on the ‘Station To station’ album, “Stay”. Whilst we are on funk I have to mention “Fame”, I think Mr Bowie himself would have enjoyed that. We were treated to “Ashes To Ashes”, Let’s Dance” and “China Girl” from the 80s. The encore was for me perhaps the finest part of an amazing night. We were hit with “Space Oddity” which was introduced with a blast of ‘Also Sprach Zarathustra” which was used as the theme to Kubrick’s 2001: A Space Odyssey‘, “Heroes” and a stonking version of “Rebel Rebel” that may well have brought the ceiling down had it gone on any longer. If you have seen Absolute Bowie before then I know you will see them again, I certainly will. If you have never seen them before what are you waiting for?

Public service announcement – all videos found via YouTube but all the pictures are from the delightful Mr. Simon Hernaman’s mobile phone 🙂


Avalanche Party – Fulford Arms, York – Saturday 30th December 2017 December 31, 2017


What could be more fitting for my last gig of 2017 than an evening in the presence of one of the finest British bands of their generation Avalanche Party. They get better every time I see them, so did they improve yet again? Well you will have to read on to discover that. This show was the 100th that has been put together by those lovely folk at Behind The White Door and in addition to Avalanche Party they booked some proper humdingers.


It all kicked off with one of the best young bands in York, the Black Lagoons. This is the third time that I have seen them and so far they have never failed to impress me. The fashion influence on some of the band is very rockabilly style. But this is not who they are musically. There is a tiny bit of that genre, there is a hint of prog and there is definitely a psych vibe going on. Can I narrow that down to maybe Psychabilly? But labelling bands is ultimately futile isn’t it? Unless that label is along the lines of good or bad and the Black Lagoons are bloody good. Link Wray would be proud of the lead guitarist and the rhythm section is akin to the Who’s powerful engine room of Moon and Entwistle. I think the band could interact with the audience a bit more, but that is easily fixed. If you get the chance to see them, then take it!


The audience gets a Nosebleed!

Next up were Nosebleed from Leeds who gave us a full on punky garage onslaught. This trio may well have taken their stage wear style from the Hives and they are just as entertaining. They milked their audience invasion opportunities really well and their sound came across like Steve Jones in his Sex Pistols days multi tracking. Stand too close to the speakers with this lot and you might well get a Nosebleed. They are a well oiled and rehearsed band that seemed to enjoy every moment of their time on stage (or in the audience)!


The Snakerattlers are Naomi and Dan who are also the funky, punky people who run Behind The White Door. A hard rocking duo with a boy and girl in the line up might often be compared with the White Stripes, but don’t. They are so very different. Their fast paced punk styled songs smack you in the face until you submit to their Snakerattler charms. I would love to know how Naomi got so much noise from just two drums and a cymbal. Dan’s guitar skills are well honed and powerful. I must confess that I didn’t really like their first tune but the rest of their set was stunning. They have a new album coming out in 2018 and I can hardly wait to hear it. Feel free to send me a copy for review guys! 🙂


So now for the headliners, Avalanche Party were they better than the last time I saw them, well of course they were. This is now the seventh time that I have seem them live. In fact there are only two acts that I have seen more often; David Bowie (10 times) and Frank Turner (11 times). The band kicked off with a barnstorming “I’m So Wet” and never let up until they blew the roof off with an explosive and bombastic “Solid Gold” to close their set. Other highlights were “Let’s Get Together” and a new song, “Heaven’s Creatures” given its first ever live outing. Jordan Bell is now without doubt a seasoned crowd surfer and this along with his invading the crowd with mic stand guitar just adds to the showmanship that this band have developed over the past few years. The Yorkshire Post named Avalanche Party’s set at the Kazoopa Festival in Leeds as their gig of the year and no wonder. The show tonight was full on pomp, spectacle and exactly what great rock n roll should be. If you haven’t seen this band yet then why not? I order you to see them in 2018 and if you don’t then I will need a note from your parents telling me why!

Public Service Announcement – all the pictures, apart from the gig poster, were taken by my mobile phone (hence the poor quality!). The videos are all found via YouTube.



Bull, Crybaby, The Sunset Radio & Glass Traps – City Screen Basement, York – Thursday 23rd November 2017 November 25, 2017

Filed under: Review — justwilliam1959 @ 9:58 pm
Tags: , , , , , ,


Four bands for under a tenner at the City Screen Basement in my adopted city of York. Stuff Black Friday this is indeed a bargain given the calibre of the bands on stage at this gig. First up were the Glass Traps and this lot would have fitted perfectly into the post punk environment of the late 70s/ early 80s. I can sense a bit of Tom Verlaine and Television along with a smattering of 60s style psych garage rawness. This young band is very tight and play like they have put in the time rehearsing. Their versatility is strong given that three of them are able to sing lead vocals. A very talented band from York! Click here to hear their excellent new song “No Tomorrow”

glass traps

The next band is not one that I had heard before, but I definitely will again, positive proof that York has a thriving music scene with some truly marvellous bands. The Sunset Radio produce excellent power pop and oh so much more. Personally I heard shades of the Jam and the Levellers at times with a nice slice of the Manic Street Preachers. In fact I reckon their lead vocalist could give James Dean Bradfield a good run for his money. They might not look like punks but they project a great punk style and attitude in their music. Introducing some powered up punk snippets of “La Bamba” and “Twist And Shout” into their final song (which I think was called “Burning Up”) was genius!

sunset radio

Second on the bill were the the magnificent Crybaby. I saw them over a year ago at the Crescent in York. Click here for my review of that gig.Crybaby are yet another stunning band from York. I suspect that I may be guilty of overusing words like punk and punky in this review. But Crybaby are a punky, hard rocking bunch with a dash of the Killers about them. Some of their songs suggest to me what perhaps Oasis might have become had they taken a more heavy approach after their first two albums. A big shout to their drummer too, he is bloody ace. Has he been injected with some of John Bonham’s DNA?


Finally it was time for the headliners another of York’s finest bands, the mighty riffmonsters that are Bull. A band that I last saw in 2015, click here for that review. This is a band that everyone needs in their life. At times they appear shambolic, but it is easy to see that they are in fact totally on top of their game. Their gargantuan Godzilla sized sound is built around some stunningly simple yet exquisite songs. Those tunes evoke everyone from the Ramones to Elvis Costello via Nick Lowe and the Pixies. They have moments of quietness that jump to frenzied sonic magnificence. Punk happened back in the 70s to allow the creation and generation of bands like Bull. To summarise, Bull are fucking brilliant!


Images were ‘borrowed’ from each bands Facebook page and the videoes were found on Youtube.



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