With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

The Specials – Barbican, York – Thursday 9th May 2019 May 12, 2019


This was the third time I had seen the Specials, once back in the early days and more recently at this same venue back in November 2016. That 2016 gig was marred by the poor sound quality and a relatively short set from the band. Was it better this time? Well yes, it was, but before I tell you about that you need to know about the spectacularly talented support band the Tuts. Regular readers will know that I am a big fan of this all-girl punk powerhouse of a band from the area of west London that I hail from. They have rather skillfully rechristened themselves a three-tone band for this tour. A support slot like this doesn’t come along too often and it is perfect for the Tuts. I have previously seen them supporting Kate Nash and the Selecter and this is now the seventh time I have seen them play live since February 2014. They simply get better and better every time and I believe that they are still some way from reaching their peak. Nadia, Bev, and Harriet played a rabble-rousing selection of songs from the Tuts debut album ‘Update Your Brain’. Particular highlights were “Always Hear The Same Shit”, “1982” and “Dump Your Boyfriend”. But the song that really set the crowd alight like a Molotov cocktail in a firework factory was “Tut Tut Tut”. Bear in mind that when the Tuts were announced as the support for this tour almost all the shows had sold out so the girls had to win the audience over. They didn’t just win them over they thrashed them into submission to a point where they had no choice but become fans. The energy generated by this band could power a small city. We were given a choice of cover versions and the crowd chose the Clash classic “Rudie Can’t Fail” rather than the Spice Girls “Wannabe”. Personally, I would have been happy with either but the Clash tune won by a landslide and I am sure that the ghost of Joe Strummer was filled with pride by the Tuts version. The Tuts merch stand looked to be doing great business later in the evening with, hopefully, legions of Specials fans now also into the Tuts. I do know that my mate Simon Hernaman purchased the Tuts album on CD. If you have not yet seen or listened to the Tuts you really need to sort your life out and do it. I reckon they are probably one of the best, if not the best, bands in the UK right now. I do know that Nad Tut disagrees with me on that, she told me that they see themselves as the best band in the world and frankly who am I to argue with that! Go Tuts!

Finally, it was the turn of the Specials to take to the stage, they were preceded by a wonderfully exuberant and tasteful DJ set by Saffiyah Khan. The band opened at full pelt with “Man At C & A” with Lynval firing up the crowd from the opening salvo, although to be fair we didn’t need much firing up. There were some inspired selections from their critically acclaimed album ‘Encore’, notably “Vote For Me”, the Valentines cover “Blam Blam Fever” and an impassioned “Ten Commandments” which featured Saffiyah Khan. But the highpoint of the newer material was for me the reworked Fun Boy Three tune “The Lunatics Have Taken Over The Asylum” which is still, sadly as highly relevant now as it was when it was originally released back in 1981. The three remaining original members of the band, Lynval Golding, Horace Panter (a.k.a. Sir Horace Gentleman) and Terry Hall were on top form. Hall’s laconic dry humour was on display on pretty much every occasion he chose to speak to the crowd. Special mention must be given to one of the UK’s greatest guitar players, Steve Cradock who added some intense rock sounds to every song. What I have always loved about the Specials is how when they do a cover version it really does become one of their own, particularly in the live arena. The crowd were full on skanking for “A Message To You Rudy” (originally by Dany Livingstone), “Do The Dog” (originally by Rufus Thomas) and it would be an understatement to say that the crowd went apeshit (no pun intended) for a riotously uncontained romp through the Maytals “Monkey Man”. It is the originals from the early days, though, that hit the highest heights for me. “Do Nothing”, “Rat Race”, “Nite Klub”, “Friday Night, Saturday Morning”, “Gangsters” and “Too Much Too Young” still retain nuclear levels of ska punk power. A nineteen song set took us to the inevitable encore and what a treat that encore was. It kicked off with a reggae instrumental jam, I have no idea what the title was. This was followed by another classic that is still as pertinent today as it was nearly forty years ago, “Ghost Town”. This mercurial performance from the Specials was closed with a Skatalites cover “You’re Wondering Now” which also featured Saffiyah Khan. This was a fitting end to a truly great show which proved beyond any reasonable doubt that the Specials have still got it!

 

Public Service Announcement – all the pictures, apart from the tour poster, were taken on my cheap android phone. The videos were found on YouTube. If you would like to be credited or have them removed please let me know.

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Miles – Single Launch – The Crescent, York – Friday 19th April 2019 April 27, 2019


This day was actually Good Friday, but when you’re lucky enough to attend a gig like this then I would suggest we rename it Great Friday. This was the third time I have seen Miles, but more of that later, because there were some rather spiffing support acts on the bill too. First to take the stage was Rosalind, tonight made up of amazingly talented York singer songwriter Ellie Milne and Nina on backing vox and harmonies. (I hear that Nina has an EP out now). The pair was aided and abetted by Josh (a.k.a. Wounded Bear) and Mikey (from Miles) on guitar and backing vocals. Ellie’s self-penned songs are built on a tsunami of soul baring emotions and “Call This A Love Song” is a stand out tune. I saw Rosalind for the first time just less than two weeks ago and I am sure I will be seeing her plenty of times in the future. Ellie performed a scorchingly brilliant cover of Benjamin Francis Leftwich’s “Big Fish”. But the closing song which deals with domestic violence was one of the most haunting tunes that I have heard in a long while.

The second support act of the evening was Wounded Bear (a.k.a. Josh). He has a rich, deep voice which enticingly draws you into his songs, most of which weave wonderful stories through their sometimes intricately clever lyrics. The music scene in York is incredibly close and supportive and embraces everyone, so Wounded Bear was the beneficiary of some heavenly counterpoint harmonies provided by Ellie and Nina who we heard as a part of the earlier Rosalind performance. Wounded Bear has a really classy EP out now entitled ‘A Calm Night For A Bullfight’. Currently my favourite song from that release is “Angela”, an emotionally charged and heartfelt love song. But for me Wounded Bear saved his best song to last, Adrian Gurvitz once said in song that he was “gonna write a classic”. Well with “Civil War” Wounded Bear has indeed written a classic tune. Musically and lyrically it has nothing missing, the song borders on perfect and needs to be heard.

Finally it was time for the headliner Miles, I think this is the second time that I have seen Miles and twice more in a previous incarnation as Epilogues. I believe main man Mikey sets out to create music that is epic in scope and could adapt well to score a foreign film of love and loss incredibly successfully. The first few, rather moody masterpieces, are performed by Mikey on his own in a style reminiscent of early period Jarvis Cocker. After that we were hit with the extended band including a well-drilled rhythm section. The drum fills were often like ethereal jazz noodles floating over a rainbow river. Mikey’s vocal talents are at times wondrous and evoke the softer side of Thom Yorke for me. This gig was to launch the new Miles single “16: My Delightful Inheritance” which is shaping up to be his best yet. I must apologise for being so tardy with this review that the album of the same now is now available on Daddy Issues Records and most major streaming sites. Click here or to check it out.

 

Public Service Announcement – all the pictures, apart from the gig poster, were taken using my cheap Chinese Android phone.

 

Noggy – “Weighed Down” Single Launch – Micklegate Social, York – Monday 8th April 2019 April 15, 2019

Filed under: Review — justwilliam1959 @ 3:50 pm
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Until this show I never realised that the Micklegate Social was a gig venue. I remember the basement there being a rather musty extra seating area for the upstairs bar/ coffee bar. But now it seems transformed into a fabulous, intimate small venue that is perfect for showcasing local upcoming talent. Tonight was the launch of “Weighed Down” a new single from York singer songwriter Noggy. But before his set we were entertained by three more mightily talented artists. The first of those was Rosalind, who replaced Edna Sulemanjovic who unfortunately couldn’t be here. She played some perfectly chilled ballads that made me recall New York’s Janis Ian around the time of “At Seventeen” which was a massive US hit in 1975. Rosalind’s songs and her singing showcase some immense emotional depth. She also played a stunning take on a Benjamin Francis Leftwich song. I definitely want to hear more from her and if you read on you may well see her mentioned again in this post.

Next up was another York artist, Alex Golisti who I last saw when he supported Hooray For The Riff Raff at the Crescent in York back in August 2017. He was good then and is even better now. Alex opened with a cover of Bob Dylan’s “Forever Young”. It is always a brave move to cover a Robert Zimmerman song and Alex with his rich, bassy voice really pulled it off. His between song banter has a chance of becoming legendary and if his music career doesn’t take off, although it should, then he could easily develop a career in stand up comedy. His acoustic guitar picking skills are reminiscent of early US deep south country blues artists. In a previous review I had likened Mr Golisti’s vocal style to George Ezra and that still stands. I also reckon that if George Ezra has the archetypal angel on devil on his shoulders that determine his moral guidance then Alex should apply for the devil role. He would smash it and however you read that I do mean it as a compliment.

The abundantly skilled and talented York singer songwriter Laura Kindelan followed and regular readers will know that I am a huge fan of Laura and her music. I caught up with her briefly before her set. She is currently studying music at the Leeds College of Music and now has a band, although they weren’t playing with her this evening. She continues to work on new material and I for one am looking forward to hearing that when she feels it is ready for us. This is the fourth time that I have seen Laura play live since first seeing her supporting Billie Martin back in July 2017. Laura opened her set with a haunting rendition of “Take Your Time” which shows how she uses not just the music but the space between the notes better than many artists can. She revealed in her introduction to another of her songs, “Fingertips” she revealed that it wasn’t in fact a love song written from experience, but ‘shock horror’ it was written for an assignment. Was I disappointed at this revelation? No of course not because however the song was born it is still a fine, classy tune. Laura was supported by Luca Vitale, a cello maestro, for the last couple of songs. Her Arctic Monkeys cover, “Do I Wanna Know”, was incredible, she really gave the song her own spin. I truly believe that if you cover a well-known tune, make it different and this was very definitely Laura Kindelan and not Alex Turner. Laura closed her set with “Spiders” which is indelibly stamped with great emotion, deep feeling and a real darkness. For me this song really showcases Laura’s great talent and I still believe that she has the style and presence to be the kind of force that Jeff Buckley was before he left the world nearly 22 years ago.

Finally it was time for tonights headliner, Noggy. He opened with a cover of the Gregory Alan Isakov’s haunting song “The Universe”. This was a highlight for me, Noggy’s performance turned the emotion in the tune up to 11. Apparently his own composition, “Hologram” was the first song that gave him the confidence to perform his music beyond the confines of his bedroom. That is no surprise as this track has the makings of a classic about it. I, like I am sure many of you, are supremely pleased that Noggy did make the leap from performing tunes in his bedroom to bringing them to us in the wider world. Noggy was joined by show opener Rosalind for some fine vocal harmonies an a couple of songs before ending his set and the evening with his new single “Weighed Down”. Whatever style of music you love, and my taste is wildly eclectic, you surely cannot fail to grasp the beauty of this ethereal, emotional and frankly 100% beautiful ballad. I noticed on-line that Noggy is often described as folk or indie folk (I had no idea that the indie folk sub genre even existed), but I think he is much more than either. “Weighed Down” is in simple terms a great piece of music which you need to have in your life. Click here to check it out on Spotify.

 

Public Service Announcement – all the pictures, apart from the gig poster, were taken using my cheap Chinese Android phone. The videos were found on YouTube. If any of the videos are yours and you would like me to credit you or remove them please let me know.

 

Faux Pas – Fulford Arms, York 28th February 2019 March 8, 2019

Filed under: Review — justwilliam1959 @ 9:49 pm
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Does anyone not love the Fulford Arms? You don’t well come and see me and let me educate you. This place is an awesome small, intimate venue where a fabulous range of great acts play. On top of all that the staff are a fab bunch too! Tonight the headliners in a show promoted by Under The Influence were the rather fabulous Faux Pas. But more about them later, first to take the stage were Pura Vida (my research tells me that this means pure life or simple life in Costa Rica) a northern powerhouse of a band from Yorkshire. It is just over a year since I last saw them play live and they are still incredibly difficult to pin down to a single genre. Tonight I had a great post punk vibe from them sprinkled with some Factory Records fairy dust. Some of the guitar work was reminiscent of John Squire at his Stone Roses peak they also performed an excellent cover of the Cure’s “Love Song” and they have some great self penned songs too. If you set out to not like this band you would fail, so don’t even try immerse yourself in a pure and simple life with the music of Pura Vida.

Next were the staggeringly talented Lost Trends from York. Why the hell are this band not absolutely huge? They had a few months sabbatical but they are back with a bang that could be measured in megatons or on the Richter Scale. Their new EP ‘Time’ is a finely honed gem. Not many bands are able to combine the indie style with hard-hitting funky dance floor anthems while maintaining a punky attitude. One of the many things that I love about Lost Trends is that wherever they are on the bill and whoever else is playing they rock the stage as though they are the headliners, they never hold back. They treated the crowd to a towering version of “Time” which is a tune you have to move to, Peter Knaggs guitar on this track alone would run the Edge close. The highlight of their set for me was a floor shaking attack of one of their slightly older songs “DJ”. This is perhaps the fifth time I have seen them live and I hope it won’t be long before that runs in to double figures.

Now for the electrifying headliners Faux Pas, I first saw them late last year when their single “Shame” had just been released. They have a never-ending supply of power and energy. Ru Cowl is perhaps one of the finest front men around at the moment. While his image may draw on a punk ethos he is a complete original. The summer dress, badly applied lipstick and the word RUNT scrawled across his chest can only be pulled off by someone with courage and of course talent. Without talent it would be all image, but FauxPas have talent in abundance. Apparently the literal translation of Faux Pas from French to English is ‘false step’, as for Faux Pas the band there is nothing false about them, they are most definitely ‘4 Real’. This show is part of a tour to promote their current single “TV Made Me Paranoid”. The song builds from a slow almost menacing start into something akin to Placebo on steroids. If they are playing your town make sure you’re there, that’s an order!

 

Holy Holy – Barbican, York – Friday 8th February 2019 February 10, 2019


I had wanted to see Holy Holy for a long while but I have never been in the same place at the same time. But this time I made it! For those of you who are unaware Holy Holy is a band with the backbone of two David Bowie stalwarts; Mick ‘Woody’ Woodmansey a former Spider From Mars and Tony Visconti who produced many of the Dame’s albums and contributed bass on ‘The Man Who Sold The World’ The vocalist is Glenn Gregory off of Heaven 17. Are they a Bowie tribute act? Not in the wonderfully theatrical sense that Absolute Bowie are I see Holy Holy more as a band that is keeping the legacy alive through people who were there and were a part of the whole Bowie phenomenon. But more of Holy Holy in a bit, there is the support act to consider first and this was a solo acoustic set by none other than John Bramwell off of I Am Kloot. This was apparently his first support gig in sixteen years since I Am Kloot supported Turin Brakes. His between song chat was hilarious, John is a true raconteur who speaks eloquently and intelligently. That eloquence and intelligence is a strong part of his lyrics too. This was the first night of the tour and John regaled us with the fact that he had forgotten his guitar stands and that he had left his merch in the car. He also explained why he always talks to the audience while tuning his guitar, at a gig some years ago while tuning he overheard a comment from the audience where someone said “I don’t like this new one!” Bramwell is a very talented singer songwriter who knows his audience and wins people over with wit and very classy songs. I reckon he had quite a few new fans after tonight.

In the past I was never a great fan of bands playing a whole album from start to finish at a gig, but I have grown to love it over the years. Tonight was a fabulous night with not just one Bowie album played in its entirety but two. First came ‘The Man Who Sold The World’ followed by ‘The Rise And Fall Of Ziggy Stardust And The Spiders From Mars’. It takes a good band to do these two LPs justice and this is a great band. Along with Woodmansey on drums, Visconti on bass and Gregory on vocals there are two guitarists; James Stevenson and Paul Cuddeford. Berenice Scott on keyboards and the multi instrumental Jessica Lee Morgan on acoustic guitar, saxophone, percussion and vocals. Glenn Gregory as the singer in this band is an inspired choice, he doesn’t try to be Bowie but he handles all the songs powerfully and tastefully. He certainly knows his rock god shapes and poses too. Hearing these two albums again in this environment made me think how fresh, new and different they must have sounded to fans back in 1970 and 1972 respectively. The explosive power and sheer bombast of set opener “Width Of A Circle” should have given Sabbath and Led Zep a run for their money but ‘The Man Who Sold The World’ album never really took off until after Ziggy Stardust exploded into being. The band really showed their full on hard rock credentials during this epic track and it set the scene for a great night. As a part of this blogs recent 10th birthday celebrations I posted my top ten Bowie songs, I did say that it changes regularly and after this Holy Holy gig I really need to find a space for the magnificent “All The Madmen”. When I first bought the album on cassette back in 1972 that was always my favourite song. Tonight all those teenage memories were brought to the fore again with an immaculate run through of this classic treatise on insanity where the only sane people are those in the asylums. Glenn Gregory and the band were firing on all cylinders for the first album of the evening and the crowd were singing along with most songs. Especially the title track and the “oh by jingo” refrain from “After All”. Obviously the first part of the show ended with “The Superman” on which Gregory’s vocals reached a new peak.

Now it was time for what many see as their favourite Bowie album, “The Rise And Fall Of Ziggy Stardust And The Spiders From Mars” to give it its full title. Incidentally my favourite Bowie album is ‘Diamond Dogs’. Woody Woodmansey’s understated drum sound on “Five Years” still sends shivers down my spine coupled with lyrics of hopelessness in a world that is dying. I don’t believe that Glenn Gregory quite captured the sheer emotion in Bowie’s delivery on the record but he still did a great job. “Moonage Daydream” was probably the point where many of the crowd left their seats to dance, that song blew the house down and I reckon Mick Ronson would have been more than satisfied with the guitar skills on display. As expected no one stayed quiet for “Starman” especially the “la la la” part. Interestingly, and perhaps to give Glenn Gregory a well deserved break, Jessica Lee Morgan (who is Tony Visconti’s daughter) sang “Lady Stardust”, this woman is incredibly talented. Has there ever been an album with a better closing four tracks than this? “Hang On To Yourself”, “Ziggy Stardust”, “Suffragette City” and “Rock ‘N’ Roll Suicide” tore the house down and put the roof into orbit. The only thing that could possibly have made that better would have been David Bowie actually being there. A spectacular band had just played two of Bowie’s finest albums, did they have anything left? Well yes they did, after a short break they were back for an encore. They kicked off their four song closing part with a wonderful surprise, not another hit from 1969 to 1973, but the beautiful and emotionally charged come back single from 2014, “Where Are We Now”. The band did not put a foot wrong and Glenn Gregory gave his finest vocal performance of the night, possibly not a dry eye in the house! This was followed by two classics from ‘Hunky Dory’, “Changes” and “Life On Mars”. The showed closed with the sing along sonic assault of “Rebel Rebel”. At the end Woody said a few words about being a part of this experience and being back in Yorkshire and then it was all over. It took me a while to come down from this high after getting home. I will definitely be seeing Holy Holy again!

Public Service Announcement: All photographs and videos were found on line. If any of them are yours and you would like a credit or for me to take them down please let me know.

 

Wild Front – Fulford Arms, York – Tuesday 29th January 2019 February 7, 2019


Another night of Northern Radar fun was upon us. some bands I have seen before and some that are new to me. This is often the case when the talented Mr Pattinson puts a show together. I have been to many, many Northern Radar shows and Simon has not let me down so far. Will this gig at the Fulford Arms be the exception to that rule? Read on to find out dear reader. I should mention that this was a very important night in many ways, we were celebrating Independent Venue Week and the Fulford Arms would be visited by real radio royalty, Steve Lamacq! A bit more about him later, let’s get to the bands first. Taking the stage first in an already rammed venue were the delightful Neon Salmon, a great band that I saw quite recently. This is the bunch that wear Kimonos and fairy lights and they do that with style. I get a sense of the fun side of Edwyn Collins with Neon Salmon and also the quintessentially eccentric British sound of Stackridge. The latter struck me early on and was perhaps quite pertinent given that the Salmon boys bravely, skilfully and very successfully covered “Everybody’s Gotta Learn Sometimes”, a 1979 hit by the Korgis. Where is the pertinence in that? Well Any Davis and James warren were former members of Stackridge when they formed the Korgis. Neon salmon showed their skill at putting together jazz fused funky sounds with some supreme Flugelhorn overlay. On top of that you cannot deny that “Smoked Mackerel Cat” comes close to drowning in its awesomeness. They even had the audience moshing and crowd surfing, which is no mean feat in a small venue like the Fulford Arms. Get your arse of your sofa and take yourself along to see Neon Salmon, you will be properly entertained.

Cowgirl took to the stage next, they are hard bluesy with a whiff of Black Rebel Motorcycle Club about them. They have a perfect blend of garage punk and 60s slacker surf rock sounds. Vocally you can imagine this might be what Lou Reed and the Velvet Underground might sound like if they were much younger and were formed now. Since the show I have checked them out on-line “You’re Not There” and “She Picks Me Up” are great songs. I would pay to see Cowgirl again they have the perfect sound for a small, packed, sweaty venue like the Fulford Arms. Cowgirl are what the Kings Of Leon might have become if they still gave a shit!

There were four bands on tonight and the third of those was Flooded, now that is a somewhat risky name for a York band, but who cares they are a tight band that could use music to roll back a deluge. I believe that this former three-piece have added a new front man to their ranks and it was a great move as this dude has a fabulous voice. “Butterflies” is a stupendous and classy song, the crowd loved it. Flooded are a band that is abundant with wonderful contradictions; hard punky garage, jangly indie and some deceptively heavy riffage. Is it me getting older or are bands just getting younger? This lot is like a bunch of baby-faced Rock Assassins. You need some Flooded in your life.

Tonights headliners were Wild Front all the way from Southampton and Andy, Josh, Jack and Mike smashed it. Their songs are emotionally driven anthems which stick with you long after the gig high starts to fade. “Make You Feel” is like a Beach Boys Stone Roses coupling but with much better vocals. This is a band that knows their stuff the musicianship is 100% spot on and the soaring vocals and harmonies take you to wonderful places. Wild Front are destined for much greater things I am sure. This is truly beautiful music from an absolutely stunning band. All the bands tonight were very, very good but Wild Front were simply the classiest band on a very classy night.

So what about Steve Lamacq? Well I had a chance to chat with him briefly while he talked Mr Pattinson and me through his journey into music. He is a proper top bloke as, of course, is Simon Pattinson who put this show together. So yes it was another great show from Northern Radar at one of York’s best gig venues. Support your Independent Venues people, they are the real lifeblood of the music scene!

 

The music force is strong with these two!

Public Service Announcement – All the photographs, apart from the gig poster, were taken by me on my rather snazzy new Canon camera. All the videos were found on YouTube. If the video is yours and you would like a credit or for me to take it down please give me a shout.

 

Absolute Bowie – Fibbers, York – Saturday 26th January 2019 January 31, 2019


Regular readers will know that as a die-hard, life long David Bowie fan it took ages for me to finally cave in and see a Bowie tribute act. That particular tribute act is Absolute Bowie and 2019 marks the third year in a row that I have seen the magnificent spectacle of an Absolute Bowie show. When I first came to see them at Fibbers back in 2017 I was determined not to like them, but I bloody loved them and still do. The show is empathetic, sympathetic and a stunningly well put together tribute to the late, great Dame David. This show was very special as it featured not just the usual two Bowie’s from my experiences, but no less than four different Bowie incarnations. Obviously Ziggy and the Spiders was first, kicking off proceedings with an explosive “Watch That Man” followed by many Ziggy period classics including another from ‘Aladdin Sane’ that I hadn’t heard for a while, “Panic In Detroit”. There were many highlights in that first set particularly the perfect rendition of “Aladdin Sane (1913-1938-197?)” including the warped jazz tinged Mike Garson piano licks from the supremely talented Alex Paolillo. When Bowie (John O’Neill) picked up the 12 string guitar I knew a treat was in store and I was not wrong, first a great version of my favourite Bowie song “All The Young Dudes” and then a crowd pleasing take of “Starman” which had the crowd singing at full volume.

After a brief interval the band returned in full Serious Moonlight mode and smashed 80s Bowie with rousing and authentic early 80s anthems; “Let’s Dance”, “Ashes To Ashes” and “China Girl”. The 80s was never my favourite David Bowie period, but it is impossible to deny that some of the songs are guaranteed party starters and the audience agreed and threw themselves into singing and dancing with gargantuan glee and amazing abandon. I am sure there were plenty of sore throats and aching muscles the next day. John O’Neill left the stage as 80s Bowie while the stupendously talented band carried on before he returned as a 90s Bowie and wowed us with “Hallo Spaceboy” and what you might call a deep cut, “Look Back In Anger” from the 1979 David Bowie album ‘Lodger’. I was intrigued about what the encore might be after the band left the stage. I was blown away. They kicked off the final three songs with a note perfect recreation of “Black Star”, a song that the real Bowie never got to perform live. O’Neill looked the part wearing the bandage style mask with those eerie black dot eyes. Taking on that song was for me one hell of a brave move, but it paid off, it was excellent and beautifully performed. How could Absolute Bowie follow such a mountainous peak? Quite spectacularly actually. Firstly with another outing for the 12 string on “Space Oddity” and a very passionate and moving “Heroes”.

Absolute Bowie were very worthy and deserving winners of the ‘Best Bowie Tribute’ and ‘Best Tribute Band in the UK’ at the Agents Association of Great Britain Awards last summer. On tonights performance they must be in with a good chance of winning many more awards. I should mention the people who form this magnificent band too. Obviously there is John O’Neill as Bowie, Chris Buratti on Guitar and as a very credible and believable Mick Ronson, Alex Face drummer extraordinaire who would almost certainly make Woody Woodmansey proud, Fabio Cascio a bass player who knows his way around classic rock bass lines and the previously mentioned keyboard wizard Alex Paolillo. If you have never seen Absolute Bowie then I urge you to do so. Even if you are like I used to be; a die-hard fan who hated the idea of a Bowie tribute. This lot is well worth the ticket price. My beautiful wife Catwoman joined me tonight and she loved it as did our good friends Nikki and David. I am sure that all four of us will be back next year!

Public Service Announcement: All the pictures, apart from the tour poster, were taken on my cheap android phone. The videos were found on YouTube. If any of the videos are yours let me know if you would like a credit or if you want a video removed.

 

 
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