With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

Julia Bardo – Fulford Arms, York – Saturday 14th March 2020 March 30, 2020


This post is very late largely because the whole COVID-19 somewhat dampened my enthusiasm for writing. This is now the last gig for me and all of us for weeks, maybe months. So I feel a need to document it. It was another great looking line up from Simon Pattinson head honcho of Northern Radar. First up were Fawn, a musically talented bunch and the pet project of Ilana Zsigmond, a transatlantic singer-songwriter who moved to the UK a few years ago. Her band featured Crispin Halcrow who has featured on this blog before as a solo performer. Ilana reminds me of Linda Ronstadt in her early, in which case are her band a fledgling Eagles? Who knows? Crispin is more Glen Frey than Joe Walsh in style, so maybe! Ilana’s between-song banter was intelligent, amusing and frankly spot on. Her song about York (apologies I missed the title) was close to sublime while “Skin” was truly stunning, a really beautiful song. For me, it encapsulates perfectly that journey of understanding who you are and getting to know and understand yourself. Lyrically it is faultless, with my favourite line being ““But I still build forts and I still skip stones and I still haven’t read every book that I own”. That sums me up to a degree, although I probably need to start building more forts!

Fawn

Next up is the extraordinarily talented Kitty VR. I have seen her previously with a band and also solo acoustic, tonight was with a full band. In this environment, Kitty loses a little of her solo acoustic fragility. But that is more than compensated for by the deeper and more expansive sound that a band brings to her growing canon of great songs. “My Kind” is an open-hearted lament when performed solo acoustically. But here it felt like an amazing collaboration between Massive Attack, Portishead and the Cocteau Twins with Jimmy Page producing. this was not just a highlight of Kitty’s set for me, it was also the highlight of the night! Kitty, whether with band or solo retains that elusive Jeff Buckleyesque style that since Jeff’s sad demise I have only ever heard through Kitty and her supremely talented contemporary Laura Kindelan.

Kitty VR

This was the first time that I had come across Julia Bardo and I was pretty impressed. She has great songs with elements that sit on the softer side of Patti Smith and maybe a little Justine Frischmann (Elastica) and Louise Wener (Sleeper) seeping into Julia’s tonal quality. She has some soaring, heartfelt and soul pouring ballads in her powerful song repertoire. There is also a Stevie Nicks comparison which wasn’t apparent until Julia and her band launched into an awesome cover of Fleetwood Mac’s “Dreams”.  But this was not just a carbon copy cover the song evolved into an extended guitar fade, jam, wigout that matched the Velvet Underground at their peak. Julia Bardo is well worth checking out if you like great music and classy tunes you will love her stuff! Interestingly given the focus on gender equality festival line ups all three of tonight’s acts were incredibly talented women. Festival organisers take note for 2021 (on the assumption that the 2020 festival season will be canned).

Julia Bardo

After the gig, I went for a few drinks with the aforementioned Simon Pattinson and Jared, Joe and Jordan from Avalanche Party who were punters at the show. That is another band that I am looking forward to seeing again once this virus is history. Given that was my final pub visit before close down I can think of far worse people to spend it with. Simon, Jared, Joe, and Jordan thanks for a great night and I look forward to meeting up again on the other side of all this!

All the photos apart from the gig poster were taken by me on my cheap Chinese android phone. The videos were all found on YouTube if one of them is yours and you would like a credit or for me to remove it please let me know. 

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Marsicans – Fulford Arms, York – Tuesday 3rd March 2020 March 9, 2020

Filed under: Review — justwilliam1959 @ 7:10 am
Tags: , , , , , ,

Another Northern Radar gig promotion hosted by the talented Simon Pattinson, this time at one of York’s great gig venues, the Fulford Arms. This was lined up as a pre-SXSW warm-up gig for headliners the Marsicans. Sadly as I am writing this review news has just come through that this year’s SXSW has been cancelled thanks to Coronavirus. This must be devastating news for the Marsicans and many other bands. My thoughts are with the Marsicans and all the other acts affected by this decision. In the meantime, I am here to tell you about the gig. So here goes.

First to take to the boards were Pool Room from York. They have a really cool USA FM Radio vibe about their sound but with much less AOR and more full-on ROCK edge. Pool Room also have a great jazz feel at times too, not like traditional or pure jazz but more like Steely Dan, but a much heavier sound. So as steel is not the heaviest metal in the world that is Osmium, then ladies and gentlemen let me bring you Pool Room a.k.a. Osmiumly Dan! This is a band of supremely or even obscenely talented musicians who seem to really know their rock history. Their cover of a Black Keys song was sublime. This was the first time that I have seen them, it definitely won’t be that last.

Second on stage were Flooded and this would be the third time that I have seen them. Both previous occasions were Northern Radar gigs at the Fulford Arms; February 2018 and January 2019. I hope it becomes more than an annual event for me. Flooded combine power pop, punk, light funk and blend them together in some epic pop and rock tunes. At times they sound like late 70s punk bands when they went beyond being one chord wonders and discovered melodies and pop sensibilities, like The Damned, Generation X and Siouxse and the Banshees. If Mike Skinner had taken a more punky direction then I believe that the Streets might have evolved into something like Flooded. This band writes youth anthems for the disaffected and downtrodden younger generation.  Edward has a very good voice, but maybe not a great voice, at least yet anyway. But that does not matter because he makes up for it by sheer force of personality. Tonight he proved himself to be one of the best frontmen around. You absolutely need to check this band out.

I can’t believe that I have only seen Leeds band Marsicans just once before this, that was at the Leeds Festival in 2018 on the BBC Introducing Stage. I liked them back then and having listened to them a lot since I bloody love them now. Their vocals and harmonising are close to immaculate. They played a lot of songs from their new album in readiness for the now sadly cancelled SXSW appearance. I hear that they are planning on going to Austin anyway, rather than lose money. I hope that they find some gigs out there and come home having kicked off a decent fanbase in Texas. The crowd was really up for this and the band clearly knew that and metaphorically slapped us in the face with one of the best headline sets that I have seen for a while. You can hear some stylish jangly indie guitars, some heavier riffs, a rhythm section on peak form (especially Cale on drums) and emotional, soaring vocals in their songs. In fact, all the songs have great hooks and choruses and this band knows how to write a perfect earworm. New single “Juliet” epitomises everything that is great about the Marsicans. I reckon the new album will take the music world by storm and they will definitely get another shot at SXSW.

All the photos apart from the gig poster and the shot of the Marsicans were taken by me on my cheap Chinese android phone. The picture of the Marsicans was taken by Simon Pattinson on his much more expensive phone. The videos were all found on YouTube if one of them is yours and you would like a credit or for me to remove it please let me know. 

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With Just A Hint Of Mayhem Presents A Gig For SASH – The Crescent, York – Friday 3rd January 2020 January 7, 2020


This is not really a review in the truest sense, more of a little tale as to how, as With Just A Hint Of Mayhem, I promoted my first gig. The idea gelled quite a while ago, I had wanted to do something to celebrate my own 60th birthday (1st January 2019) and the tenth birthday of my With Just A Hint Of Mayhem blog (9th February 2019). But for various reasons I took a lot longer to get things moving so, in reality, I suppose the gig celebrates my 61st birthday (January 1st, 2020) and the blogs eleventh anniversary next month (9th February 2020). One decision I made early was that this first, and possibly only, gig would be for charity. Mostly because I felt that if it went belly up then people might be more forgiving. I chose SASH as it is a charity close to my heart for far more reasons than I have time to go into here. SASH is a youth homelessness charity that works across York, North and East Yorkshire. They provide invaluable help to young people aged 16-25 who are facing homelessness.

The Receivers – Picture-Copyright – Charlie Kirkpatrick

After that all I had to decide was which bands I wanted on the bill, easy peasy, right? Well not quite, one band I was keen to have play agreed to be there and then had to pull out for logistical reasons, sadly the band broke up towards the end of last year too. So that left three out of four to secure for the night. A year ago I said to Rusty, the singer from Lost Trends that I was planning a charity gig, with no prompting he said: “we’re in!” With a stern straight face, I replied: “I haven’t asked you yet!” But obviously Lost Trends then became the first band to be pencilled in. Would I be able to secure the next two bands? Well, that part wasn’t too difficult and from initial conversations, it was clear that the Receivers and My Wonderful Daze were very keen to help and to play at the Crescent on 3rd January. After some advice from people who know their stuff (thank you Joe Coates and Simon Pattinson) I dropped my original wish of four bands on the bill to three. So now all was set and I embarked on a social media campaign of promotion. I was concerned that upfront ticket sales were low, but everyone kept telling me that there would be plenty of walk-ins on the night. Thankfully all those people were right and we had I think something like 80 – 90 people there on the night.

My Wonderful Daze – Picture-Copyright – Charlie Kirkpatrick

The running order was decided by online vote after the Receivers chose to open the show (they have a number of headline gigs coming up). In a close-fought vote, Lost Trends pipped My Wonderful Daze to the headline spot. So it would be doors open at 7:30, the Receivers at 8, My Wonderful Daze at 9 and Lost Trends at 10. I wanted to be there for all the preparation so I arrived at the Crescent at 4pm, before any of the bands ready and waiting to witness the soundchecks. Even that was exciting for me and by then I was running on pure grade adrenaline. All three bands were on top form at soundcheck aided and abetted by ace soundman Stu Bellis. The team at the Crescent were superb and I learned a lot from them for next time (yes I am sure there will be more from me!). Suddenly it was time for the doors to open and I stood by the ticket table waiting for the punters to flood in! It was more of a trickle at first but a relentless trickle which continued at quite a pace for the next hour or so.

Lost Trends – Picture-Copyright – Charlie Kirkpatrick

Before the bands came on Matt Messias told the crowd about all the great work that SASH do to help prevent youth homelessness. Every band played like they were headliners which made it a blistering night of fabulous music. The Receivers played crowdpleasers like “Saturday” and showcased a couple of new songs. Guitarist Alex had some instrument issues towards the end of their set but improvised with some maniacal Bez dancing. Flowers a.k.a. Chloe the obscenely talented frontwoman of My Wonderful Daze had an awful cold but did not let that deter her or the band from pulling off an incendiary set. The crowd had been up for a party and were wearing their bopping shoes and dancing trousers and showing their best moves all night. That culminated in the whole room grooving to those famous indie dance punkateers Lost Trends. It was a great night of punk, funk, psych, indie, metal, glam, and ROCK. It was LOUD and I loved it. Everyone that I spoke to loved it too. All three bands looked to be having great fun on stage as well. The Receivers and My Wonderful Daze offered much of their merch sales to SASH. I know that Lost Trends would have done the same but they are currently “the band with no merch”! So thanks to all the paying punters (many of whom gave their change to the charity), merch sales, all the bands turning down a rider and a discount on the venue hire fee we raised more than £400 for SASH. That is beyond my wildest expectations and it will fund 21 safe nights sleep to young people facing homelessness in our community. I cannot thank you all enough for what you helped us achieve. With Just A Hint Of Mayhem will definitely be doing more gigs!

Matt & Bill – Picture-Copyright – Charlie Kirkpatrick

As a postscript, there was an after-party of sorts at the Priory for shameless Karaoke. But while there were some true legends made into the early hours via Abba songs, Cyndi Lauper tunes and a couple of the Dame’s greatest hits, what went on at the Priory stays at the Priory. Although if you would like to pay me a fiver which I will give to SASH I will tell you as much as I can remember!

All the photos apart from the gig poster were taken by Charlie Kirkpatrick of Kirkpatrick Photography please do not share or use without permission. You can find Kirkpatrick Photography here and on Facebook. There are a few more excellent pictures from Charlie just below the following public service announcement, including some great crowd shots. I recognise quite a few of those punters! Incidentally, the gig poster was designed and made by me! The videos were all found on YouTube if one of them is yours and you would like a credit or for me to remove it please let me know. 

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LIFE – The Fulford Arms, York – Tuesday 29th October 2019 November 3, 2019

Filed under: Review — justwilliam1959 @ 2:27 pm
Tags: , , , ,

LIFE from Hull is a band that was on the fringe of my music radar before tonight. I had heard a few of their songs and liked them but I had never seen them live, until now. Did I find them to be a good live band? You will need to read on to find out because first there was the little matter of one of York’s best current bands, Faux Pas in support.  This was the third time that I have seen them live in the last twelve months and they step it up a couple of gears every time I see them if they continue at this rate they will be huge. It was a fast-paced, blistering set that showcased the power and poise that this band has in abundance. Ru’s vocals were at peak performance and equal to Brian Molko on his best days. The guitar work from Lewis was everything from Steve Jones to Johnny Marr with the Edgell stamp across it all. Super sticksman Joey sweated an ocean as he pounded the living daylights out of his kit. “That’s My Ego” was the highlight for me, but there were so many to choose from. If I was in a band I would not want to follow Faux Pas on to the stage.

But LIFE did follow them and they were phenomenal, touring to promote their monumentally stunningly good second album ‘A Picture Of Good Health’ they owned the Fulford Arms. If they wanted to they could probably have levitated the building with the sheer volume and energy that was emanating from the stage. Vocalist Mez is a real heart on his sleeve punk showman who looks like he loves what he is doing and he totally gets his audience. The crowd was totally up for this set. It was great to hear the cheers from the crowd when Mez shouted “Fuck Boris”, Fuck The Tories” and “Fuck Trump”. Mez ventured among the crowd a lot and we lapped it up. He ended the show on someone’s shoulders for the final song, no mean feat given how low the Fulford Arms ceiling is. As with Faux Pas, there were many highlights, but standouts for me were “Half Pint Fatherhood”, “Bum Hour” and “Popular Music”. I also have a confession relating to misheard lyrics a.k.a. mondegreen; I had not listened to “It’s A Con” before the gig and I was convinced that Mez was singing “It’s A Cunt”, rather embarrassingly I was wrong, but in my head that is how I will sing it forevermore! If any of you ever doubted that punk had a future, I can tell you that it definitely does, especially in the hands of bands like LIFE. Mez, Lydia, Mick, and Stew take a bow you were possibly the best band that I have seen in 2019 and there have been some great ones. LIFE, the best band to come out of Hull since the Spiders From Mars!

All the photos were found via Google searches. The videos were all found on YouTube. If any of the pictures or videos are yours and you would like a credit or for me to remove them please let me know. 

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Lost Trends – Victoria Vaults, York – Thursday 18th July 2019 July 23, 2019

Filed under: Review — justwilliam1959 @ 5:53 pm
Tags: , , , , , , ,

This gig marked my first ever visit to the famous Victoria Vaults (a.k.a. Vicci Vaults) in York. It would also be the fifth time that I have had the chance to experience the mighty Lost Trends, one of Yorks finest bands, playing live. But before I tell you about Lost Trends there is the not so small matter of the two rather spiffing support acts. First on stage was Borderline, another local band who interestingly have no guitarist. But honestly, you really don’t notice that with the heavy, synth-laden, beautiful racket they make. At times I detected a synth, indie, Brit Pop style with shades of New Order and Dave Gahan. The highlight of their set for me was the delightfully titled “The Duchess Dies Tonight”. But that was a close run thing with “In A Vacuum”, which bled with the pumping heart of Heaven 17. But a Heaven 17 from a parallel universe where the never had a fractious split with the original Human League. Steve Gillies vocals occasionally hit a rich seam of Gary Numanesque style and delivery. The aforementioned lack of guitar was rendered invisible by the rhythm section that provided the power of more than just two people. James Brown on drums and bass player Tome Brown were totally in sync with each other throughout the set. Borderline are an excellent band that you really need to check out.

Borderline

Scarborough band the Feens graced the stage next and what an outfit they are, riding on the crest of some excellent airplay on BBC Six Music, BBC Introducing and Amazing Radio they hit the stage with a truckload of energy and great tunes. Think Talking Heads with Johnny Marr on guitar duties, yes Sam Dowling is that good! Freddie Schmuck one of the Feens dual lead vocalists has a feel of Vampire Weekend’s Ezra Koenig about him. When the other dual lead singer, bass player Adam Lodge gets going it’s like being hit by a massive injection of Arcade Fire. The Feens are a highly talented and truly brilliant band that promises so much more. I believe this bunch can go all the way!

The Feens

At last, it was time for the mighty Lost Trends, easily one of York’s best bands from the last five years. It was probably George Clinton or Bootsy Collins who coined the phrase Funkateers, well I believe Lost Trends are true Funkateers, on top of that their outlook and attitude suggest Punkateers too. This is a rock band that thinks it’s a funk band, a funk band that thinks it’s an indie band, an indie band that thinks it’s a punk band. The truth is they are all of those genres, and more, combined into a musical package that will blow your socks off and blow your mind. Every song they have is a dance floor banger that would be perfectly at home pumping from the main stage of Reading/ Leeds. We were treated to some great cuts from their EP “Time” launched earlier this year and some old classics, including “DJ” which is a song about crap DJs. I have said this of Lost Trends before but their stuff would be amazing if featured on a dance remix album by the likes of the Chemical Brothers or Soulwax. As usual Pete Knaggs’ guitar never lets up as it shimmers across the magnificent sounds emanating from a rhythm section that would grace any top band. Rusty’s vocal performance was once again immense and full of power and passion. This band deserves to be huge and if you haven’t seen Lost Trends yet, then you had better rectify that very quickly, otherwise, I will have to come around and sort you out! I know where you live!

Lost Trends

Rusty off of Lost Trends

 

Public Service Announcement: All pictures, apart from the gig poster were taken by me on my cheap android phone. All videos were sourced from YouTube. If the video is yours and you would like me to credit you or take it down please let me know.

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Wild Front – Fulford Arms, York – Tuesday 29th January 2019 February 7, 2019


Another night of Northern Radar fun was upon us. some bands I have seen before and some that are new to me. This is often the case when the talented Mr Pattinson puts a show together. I have been to many, many Northern Radar shows and Simon has not let me down so far. Will this gig at the Fulford Arms be the exception to that rule? Read on to find out dear reader. I should mention that this was a very important night in many ways, we were celebrating Independent Venue Week and the Fulford Arms would be visited by real radio royalty, Steve Lamacq! A bit more about him later, let’s get to the bands first. Taking the stage first in an already rammed venue were the delightful Neon Salmon, a great band that I saw quite recently. This is the bunch that wear Kimonos and fairy lights and they do that with style. I get a sense of the fun side of Edwyn Collins with Neon Salmon and also the quintessentially eccentric British sound of Stackridge. The latter struck me early on and was perhaps quite pertinent given that the Salmon boys bravely, skilfully and very successfully covered “Everybody’s Gotta Learn Sometimes”, a 1979 hit by the Korgis. Where is the pertinence in that? Well Any Davis and James warren were former members of Stackridge when they formed the Korgis. Neon salmon showed their skill at putting together jazz fused funky sounds with some supreme Flugelhorn overlay. On top of that you cannot deny that “Smoked Mackerel Cat” comes close to drowning in its awesomeness. They even had the audience moshing and crowd surfing, which is no mean feat in a small venue like the Fulford Arms. Get your arse of your sofa and take yourself along to see Neon Salmon, you will be properly entertained.

Cowgirl took to the stage next, they are hard bluesy with a whiff of Black Rebel Motorcycle Club about them. They have a perfect blend of garage punk and 60s slacker surf rock sounds. Vocally you can imagine this might be what Lou Reed and the Velvet Underground might sound like if they were much younger and were formed now. Since the show I have checked them out on-line “You’re Not There” and “She Picks Me Up” are great songs. I would pay to see Cowgirl again they have the perfect sound for a small, packed, sweaty venue like the Fulford Arms. Cowgirl are what the Kings Of Leon might have become if they still gave a shit!

There were four bands on tonight and the third of those was Flooded, now that is a somewhat risky name for a York band, but who cares they are a tight band that could use music to roll back a deluge. I believe that this former three-piece have added a new front man to their ranks and it was a great move as this dude has a fabulous voice. “Butterflies” is a stupendous and classy song, the crowd loved it. Flooded are a band that is abundant with wonderful contradictions; hard punky garage, jangly indie and some deceptively heavy riffage. Is it me getting older or are bands just getting younger? This lot is like a bunch of baby-faced Rock Assassins. You need some Flooded in your life.

Tonights headliners were Wild Front all the way from Southampton and Andy, Josh, Jack and Mike smashed it. Their songs are emotionally driven anthems which stick with you long after the gig high starts to fade. “Make You Feel” is like a Beach Boys Stone Roses coupling but with much better vocals. This is a band that knows their stuff the musicianship is 100% spot on and the soaring vocals and harmonies take you to wonderful places. Wild Front are destined for much greater things I am sure. This is truly beautiful music from an absolutely stunning band. All the bands tonight were very, very good but Wild Front were simply the classiest band on a very classy night.

So what about Steve Lamacq? Well I had a chance to chat with him briefly while he talked Mr Pattinson and me through his journey into music. He is a proper top bloke as, of course, is Simon Pattinson who put this show together. So yes it was another great show from Northern Radar at one of York’s best gig venues. Support your Independent Venues people, they are the real lifeblood of the music scene!

 

The music force is strong with these two!

Public Service Announcement – All the photographs, apart from the gig poster, were taken by me on my rather snazzy new Canon camera. All the videos were found on YouTube. If the video is yours and you would like a credit or for me to take it down please give me a shout.

 

The Receivers – Fulford Arms, York – Tuesday 8th January 2019 January 15, 2019

Filed under: Review — justwilliam1959 @ 11:58 am
Tags: , , , , , ,

A new year and my first Northern Radar gig of the year. Simon “Northern Radar” Pattinson never lets me down with his shows, did this one measure up? Read on to find out. Azera were first on, they have some really great and some ‘alright’ (their words) songs. They covered the Pixies and smashed it and smashed it again with a brave and brilliant cover of Radiohead’s “Just”. Some might say that a band with a singing drummer might be a bit of a novelty, not me though. This bloke is an ace sticksman with a bloody marvellous voice. I am not sure what their closing song was called but honestly if you closed your eyes you could almost imagine that it was Nirvana on stage.

The driving, punchy, punky riff fest that is the Silvertones were next up. This lot are in possession of some incredibly melodic and very, very rock sounds, especially in the vocal department. I felt that they were reminiscent of some of the finest post punk, new wave power pop from the late 70s, the Motors spring to mind. I also felt the influence of Blur’s Graham Coxon in some of the guitar hooks. The Silvertones are definitely a band to watch out for.

Tonights penultimate band was Neon Salmon, oh boy what a band! If you like your rock funky, jazzy (but not jazz funk), psychedelic a bit C86 and a bit Orange Juice then this lot are definitely for you. I blooming well love them! Their stage gear included kimonos and fairy lights which made them seem like a vision of Del Trotter at bedtime! Thank you to Simon P for that line 🙂 neon Salmon are the epitome of a good time party band. It looked like they were absolutely loving it. The chocolate fish prize for the most enthusiastic dancer was ace and was awarded to a very worthy winner too. This band deserves great success. Anyone who has a song called “Smoked Mackerel Cat” must be good, right?

Headliners were another great York band, the Receivers. This lot doesn’t only have balls, but a huge talent as well. The lead singer was sporting a Smiths T Shirt but they are so much happier and smile bringing than that miserable old sod Mozza is these days. Their sound is a bit grungey, a little jangly indie and has added all out rock vibes. They are an incredibly tight band and it felt like they were really well rehearsed. The guitarist never stopped moving and even made a couple of forays into a highly enthusiastic crowd. Their rapport with the audience was classy. “Rimshot” is a magnificent new song and despite the introduction I doubt that it is actually about pleasure in the nether regions.  Personally I wouldn’t have fancied following any of tonights support acts, but the Receivers didn’t think that way as they blew the roof off the Fulford Arms during the venues fifth birthday week.  Calling the Receivers in has always seemed so negative, but I would be very happy to call this lot in!

Public Serve Announcement: apart from the gig poster all the pictures are by me and taken on my rather spiffing Canon camera which was a birthday present for my birthday on January 1st (if you must know I am now 20 with 40 years experience) Also this is my first attempt at gig photography, please be gentle with me 😉

 

 
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