With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

Billie Marten, Epilogues, Laura Kindelan – The Basement, City Screen, York – Tuesday 11th July 2017 July 12, 2017


This wonderful, intimate venue was home to a wonderful and intimate gig on Tuesday night courtesy of the talented Mr Simon Pattinson of Northern Radar. Mr P always puts together some excellent packages and I would like to congratulate him on his first sell out gig, may there be many more! Incidentally if you spot any gig promoted by Northern Radar give it a shot, Simon has never let me down in all the years I have known him.

Anyway tonight was a really chilled acoustic gathering kicked off by Laura Kindelan from York. For me Laura evokes what might have been had Jeff Buckley been female. This girl has so much soul in her voice and also a magnificently chilled and carefree style. She also has some great songs, “Sweet Tooth” is achingly, stunningly beautiful and I love it.

I first saw tonights second act, Epilogues back at this same venue in September last year when Mikey was supporting Jordan Mackampa. I liked him then and I still do. He said that he was nervous at the start of his set, but it really didn’t show. He has a great vocal range which is suggestive of both Thom Yorke in his softer moments and David Bowie circa 1969. The name Epilogues suggests closure but this fella has so much to offer that maybe he should become Prologues.

Billie Marten was the headliner tonight although she did say that she was blown away by the support. But whilst everyone tonight put in great performances for me Billie definitely shaded it. How many “Internet Sensations” (Billie came to prominence via her own YouTube channel as a young girl and then on a local YouTube channel called Ont’ Sofa) have true talent? I would wager that not many do, but Billie Marten has talent in spades. Her performance evokes a slight spirit of Joni Mitchell but she is also very much her own woman. “Cartoon People” belies the fact that Billie is only eighteen, it is a powerful song about Donald Trump and his daughter. It is a great song that would win over anyone in possession of a brain and a heart. This young lady will go far and she deserves to. She also shared some of her home baked cake with us and I can tell you that it was damned fine too.

 

Strawberries, the Howl & the Hum, Naked 6 and Violet Contours – Fibbers, York – Wednesday 19th April 2017 April 20, 2017


How can you go wrong with a ticket price of £5 (£7 on the door) for four bands? Well you can’t really can you? At Fibbers too. This was another gig recommended to me by the talented Mr Simon Pattinson, pity our poor communication meant he didn’t make it though because it was a proper pedal to the metal, balls to the wall rock night.

Violet Contours

Up first were Violet Contours with their jangly indie pop that carries a great northern edge. At times they channel Kings Of Leon and Orange Juice. “Electric Bodies” is a phenomenal début release. It is rich, vibrant and hangs around in your brain much longer than lesser songs.

Naked 6

Now Naked 6 is a band that I first saw a few months ago at the Crescent in York and I thought they were darned good then. I bought my ticket from the band’s bass player extraordinaire Caleb tonight. What a top bloke! Do you like your rock hard? Do you like some funk in your rock? Do you love a band that knows how to rock out and I mean really rock out? Well look no further than the mighty, magnificent music machine that is Naked 6. This is the 21st century Led Zep. How the fuck do three people make so much noise? They made my ears bleed, but in the best possible way. To top it all off I swear that their very metal version of “I Wanna Be Like You” is like nothing that you have ever heard before.

The Howl and the Hum

I must confess that I have never come across the Howl and the Hum before. What are they like? Think Jeff Buckley, Radiohead, the Doors without Manzarek and maybe the Villagers then you are part way to understanding this complex band with simple songs that sound like stunning and sharp icicles of left-field rock. They know how to build a song from a soft, laid back start into a pile driving crescendo. I reckon this lot could be the house band in David Lynch‘s ‘Twin Peaks‘.

The Strawberries

Now for the main attraction, how on earth could the Strawberries follow such a powerful line up? With aplomb, power, guts, swagger and some pretty tasty tunes. They are clearly one of the finest bands from Leeds at the moment. I’m gutted that I missed them on the Jack Rocks stage at the Leeds Festival last year, let’s hope they will be there again this year. They draw on the most psychedelic aspects of Primal Scream and they take the audience by the scruff of their dirty necks and slap them into submission with some amazing tunes. “Caramel Eyes” was a particular favourite of mine. This is the band that Oasis might have become had they not blown it after the first two albums. I bought the Strawberries EP with its individually hand crafted cover and it is a super charged 15 minutes from a band with a great future.

You really need to get out and catch any of these four bands playing live. You will not be disappointed whichever one you choose!

A public service announcement – all the pictures are from my nifty little Chinese phone and the videos are all courtesy of YouTube.

 

Avalanche Party, Black Lagoons, Unqualified Nurse Band, Moriacana – Fulford Arms, York, Thursday 2nd March 2017 March 3, 2017


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This was another fantastic line up and a great night presented by Behind The White Door at one of York‘s best gig venues. Yes another power packed show at the Fulford Arms. It was remarkably a free entry gig, but like others I did contribute to the band collection and bought some merch too. It was also great to catch up with good friends and gig veterans Mike Harrison and Simon Pattinson. Anyway it was one of the north east’s if the UK’s finest bands Avalanche Party that brought me out on a damp March night. In fact this was the sixth time I have seen them. But more of them later. The show kicked off with Moriacana who in my experience are possibly one of the loudest two piece bands I have ever seen. But this very talented drummer and guitarist/ vocalist aren’t just all about loudness. The noise that they make is grungy heaven. I am sure that this York band will be compared with the likes of ..And The Hangnails, Royal Blood and other similarly set up two pieces, however while that is all well and good it should be noted that Moriacana also bring their own uniqueness to the party.

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Next up was the rather interestingly named Unqualified Nurse Band all the way from Derby. They can do punk, they can do heavy, they can do grunge, they can do quiet loud quiet (à la Pixies) and they can even do some slowed down more intimate moments. Actually is there much that they can’t do? I don’t know, they certainly gave us a pulsing and thrilling set which was mildly reminiscent of the magnificent Biffy Clyro. I bought their EP and I have been playing it in the car today. Definitely a band to watch out for. The third band to take the stage were one of York’s finest young bands, the Black Lagoons. I have seen them once before just over a year ago and they were damned good then. Are they still damned good? Actually no they’re not ………… they are even better than damned good! they play a fuzzy, swampy and at times proggy take on garage rock. They do it with style and stage presence. The drummer sounds like a young John Bonham and I can only imagine that the Black Lagoons will continue to grow. Being local they also brought along quite a sizeable fan base. It was a shame that some of them left before the headliners.

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Actually if you’re a fan of the Black Lagoons then I am sure that you do or will love the head honchos from tonight’s gig. Yes it was a triumphant return to York for the mighty, majestic and magnificent machine that is Avalanche Party. Jordan Bell stalks the stage like Jim Morrison with a mastery of that menacing, hypnotic stare. His vocals ooze classy and classic rock be it psychedelic, punk or anything in between. The bedrock of the band is the awesome rhythm section of Joe Bell and his thunderous bass and Kane Waterfield who pounds his kit to death every set. Overlay that with the sublime and psychy lead guitar of Jared Thorpe and let’s not forget some excellent sweeping keyboard sounds from Glen Adkins. It was yet another stunning set from a great band who I first saw back in August 2014. My favourite songs of the night were “Money” and “Let’s Get Together”. With an appearance at Leeds and Reading festivals last year I feel sure that Avalanche Party have the potential to really make it big. If you haven’t seen Avalanche Party yet then where the bloody hell have you been? Get out from under that stone and seek them out, you will not be disappointed!

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Public Service Announcement – the Avalanche Party pictures were taken on my phone, all the other pictures and videos are courtesy of that wonderful t’interweb!

 

“Flash Harry” – Brosnan February 9, 2017


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Do you like your music a little jangly, indie pop and very English? You do? then I suggest that you check out Kingston Upon Hull‘s Brosnan. Their current single is the catchy, bubbly and frankly rather spiffing “Flash Harry”. I have always admired British bands and singers who don’t go down the road of aping an American accent when playing rock ‘n’ roll. Brosnan’s singer Rory Moses is very much in that English accented rock camp with the likes of Paul Weller, the Clash, Pulp, the Libertines, Arctic Monkeys and many others. The rhythm section of Johnny Rodrigues on bass and Jake Haylett gives this three-man combo a great bedrock to their signature sounds. Jake is also the band’s producer. Also a big thank you to Mr Haylett senior for introducing me to the music of this fine northern band.

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“Flash Harry” is a fine follow on from last years “Orange Wine” which was the title of their six track EP. The other five songs all showcase a band that really seem to know their stuff. I particularly love “Ceasefire Baby” and “I Don’t Mind”. I have yet to see Brosnan live but I get the feeling from listening to their stuff on Soundcloud (click here for their page) that they will be pretty damned good. I will definitely be in the audience for any Brosnan gigs in York. In fact if any of my promoter friends are reading this please check them out. This is very much a message to you Simon Pattinson!

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This is it, my 1,000th blog post! January 22, 2017


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Well blow me down with a feather, knock me down with an empty washing up liquid container, hit me on the head with a silk handkerchief or spank me with  a lollystick! This is my 1,000th post on this blog. It has taken eight years, but wow I am amazed that I have got this far with it. As a special offer to my blog followers and Facebook friends I opened this post up to you. I asked you to send me one song or artist and those songs and artists would form the content of this post. I did promise to say something nice about your choice and I will certainly try to stand by that, even if you have sent me a song that you know I do not really like, actually there were very few of those.  So here we go and there is no particular order or sequence to this by the way.

First up was suggested by a man who is exactly one year older than me, Vijay Ragoonanan. His choice is the first one that I received and it is a pretty classy one too. It’s “Train In Vain” by one of my favourite bands, the Clash. It was their first top 30 hit in the US and was largely called “Train In Vain” to avoid confusion with the Ben E King classic “Stand By Me” as the common refrain throughout the song is ‘stand by me’

Next up are three songs from the same family Caron Godbold Darbyshire Williams, John Williams and their wonderful daughter (who is also my Odd Daughter) Amelia. Caron chose “High” from the Lighthouse Family which was hers and John’s first dance song at their wedding. This remains the band’s most successful song, it reached the top ten in eleven countries, including number one in Australia back in 1998. John chose the timeless Don McLean song “American Pie”.  McLean has spoken very infrequently about the meaning of the song other than to confirm that the day the music died refers to the death of Buddy Holly in a plane crash on February 3rd 1959. However many people have speculated that it summarises much of America’s relatively recent history along with some related music history, for example ‘the quartet practised in the park’ is believed by many to refer to the Beatles. Amelia’s offering was One Direction with “History”. One Direction are one of the handful of acts that have remained a success long after their reality TV star burned out. This song gives a co writing credit to band members Louis Tomlinson and Liam Payne along with Julian Bunetta, John Ryan, Wayne Hector and Ed Drewett. Released at the end of 2015 it currently sits as the final single from the group now that they all appear to have gone their own way. It made it to number 6 in the UK and only hit 65 in the USA.

Sam Claypole has the next song and it’s American crooner Barry Manilow with “Could It Be Magic”. The lyrics were written by Adrienne Anderson and the music by Bazza himself. As with most Manilow songs the production is damned good. It was produced by Barry along with Ron Dante. It has been covered by many acts, notably by Take That and Donna Summer. My favourite version of the song is Donna Summer’s and I don’t really like the bombastic over production on the Take That cover.

The next offering is from someone who I went to school with back in the 1970s, Susan Norris. She has given us the sublime UK number one from 1968 by Fleetwood Mac, “Albatross”. This remains the band’s only UK number one, albeit with a very different incarnation of the group from the mega selling troupe that straddled the globe with ‘Rumours’ in the late 70s. Did you know that “Albatross” allegedly influenced a Beatles song? Apparently it was a strong influence on “Sun King” from 1969’s ‘Abbey Road’ album.

Top bloke Andy Copeland has selected the next track, I work with Andy and he sees me as some kind of old cockney geezer and provided me with the nickname Albert! Anyway as a result Andy proposed anything from Chas ‘n’ Dave, so in order not to disappoint I will treat you to “The Sideboard Song” from those cheeky London chappies. The song just missed out on a top 50 UK chart placing peaking at number 55 in 1979. It was taken from their very cockney titled album ‘Don’t Give A Monkey’s’

Someone else that I work with has the next song in the list and it is in my opinion an all time rock classic. Adrian Caines thank you for bring us Rush with “Spirit Of Radio”. Interestingly this is the only act that will feature twice on this list, more from them later. The song was released in 1980 and comes from what I believe is their seventh studio album ‘Permanent Waves’. It is still the band’s biggest UK hit having peaked at number thirteen. The song has been covered by the Catherine Wheel and sampled by Saint Etienne.

Simon Pattinson, a tireless promoter of new (and often local) music brings us York band Faux Pas who launched their first EP at Fibbers in York a few weeks ago. They have already performed at the Leeds Festival and have had some airplay on Radio 1. This teenage 4-piece have a very bright future I reckon, what do you think? The song is “I Hate Dancing”.

David Burr requested Barbara Thompson’s Paraphernalia with “Unity Hymn” which I have struggled to share with you as I can’t find a link that will play you any more than 30 seconds of this classy song. If you have a link feel free to share it. I have listened to the track on Spotify where it is credited to Barbara Thompson’s Paraphernalia (featuring John Hiseman, Peter Lemer, Malcolm Macfarlane, Paul Westwood, Anna Gracey Hiseman and the London Gospel Singers). I have added a link to a whole show from 1991 though. Barbara is a very experienced and skilled jazz saxophonist who has been playing professionally for many years. She received an MBE in 1996 and in the early part of this century she had to retire from playing for a while due to Parkinson’s Disease, but she is back now and is a permanent member of Colosseum for whom her husband Jon Hiseman is the drummer.

Among the liveliest of my Facebook friends is Katie Jane Hardy and she has chosen “Ain’t It Fun” by the Dead Boys. Originally fronted by Stiv Bators this band from Cleveland, Ohio were around at the first flush of punk from 1976 to 1979. Stiv sadly died in 1990 after being run over by a taxi, although the band did get back together in 2004 and 2005. “Ain’t It Fun” comes from their 1978 album ‘We Have Come For Your Children’.

Someone else that I went to school with in the 70s, Jane Price, selected the next song and it is a 70s classic; “Heart Of Gold” from Ole Shakey himself, Neil Young.  Taken from the album ‘Harvest’ in 1972 it is so far Neil’s only US number one single. Backing vocals on the track are courtesy of James Taylor and Linda Ronstadt.

I would like you to thank Shaun Flannery for the next song, it is “Angels” by Robbie Williams, who as Shaun pointed out to me is a Brits Icon winner, personally that just proves to me how meaningless the Brits actually are. Now many of my regular readers know that I am not a big Robbie fan and one of my least favourite songs ever is “Angels” (along with John Lennon’s “Imagine”). But I did say I would try to be nice. The song was co written by Robbie, Guy Chambers and Ray Heffernan. In 2005 a UK poll voted it the most popular song that was requested at funerals in the UK, I’m not quite sure what that says about it. Robbie has had seven solo UK number one hits in the UK, although “Angels” only made it to number four back in 1997.

I used to work with our next contributor and we have also been to a few gigs together too, Simon Hernaman has chosen “Rockwrok” by the John Foxx incarnation of Ultravox. It was released in 1977 and was taken from their ‘Ha! Ha! Ha!’ album. The B -Side of the single was an alternate version of “Hiroshima Mon Amour” from the one on the ‘Ha! Ha! Ha!’ album

Karen McPoland struggled to choose just one song, in fact she offered me three and asked me to choose. A couple of you gave me an initial choice and then changed your mind, so who knows, perhaps they might all appear on a future post, 1,001 perhaps? Anyway I chose the Eels from Karen’s list with “The Look You Give That Guy”. The Eels were formed in 1995 by Mark Oliver Everett also known as E or Mr E. His father Hugh was a physicist who was one of the first people to propose the potential existence of multiple universes or the Many Worlds Interpretation of Quantum Physics. The song is taken from their 2009 album ‘Hombre Lobo’ and was a big hit in Belgium.

My good friend and regular Reading Festival buddy wanted the Glass Animals to be included, so obviously they will be. They originate from Oxford where they formed in 2012. They have played a number of festivals around the world and released their second album ‘How To Be A Human Being’ last year. I have chosen “Youth” from that album.

Someone else that I used to work with many years ago picked the next song and it’s a bit of a Prog classic from Yes, thank your Graeme Card. It comes from ‘Yessongs’ which was the band’s first live album. The track originally appeared on the studio album ‘Close To The Edge’.

Jon Reeton is next up with “No Bravery” from James Blunt. I was never a big fan of Blunt, but I have great respect for his deftness at self-deprecation. I think he has an incredible sense of humour, but his music doesn’t do too much for me. However Jon pointed out how meaningful the lyrics are even now and I find it hard to disagree with that. The song was written by Blunt with Sacha Skarbek and can be found on his debut album ‘Back To Bedlam’ from 2005.

A little bit of reggae next with “You Don’t Love Me (No, No, No)” by Dawn Penn, thank you to Carl Rogers for this one. The song reached number three in the UK charts in 1994. Penn first recorded a song with this title in 1967 and it was based on a track by US R & B singer Willie Cobbs which in turn was heavily influenced by a Bo Diddley song. That is why the 1994 release from Dawn Penn credits both Cobbs and Diddley as writers.

Paul Terry offered me two choices and I wonder if he might be surprised that I chose Justin Bieber from the two? Anyway while I can’t say I am a Belieber I do like some of his more recent stuff. Especially “Love Yourself” which was written by Ed Sheerhan along with Benjamin Levin (a.k.a. Benny Blanco) and Bieber. It spent six weeks at number one in the UK chart.

Suzi Stacey my online witchy sister has picked a Rolling Stones classic “Mothers Little Helper”. Obviously this is not a drug related song, well ok it definitely is. Don’t do drugs kids otherwise you might live as long as Keith Richards. Hang on that sounds like a good thing though right? OK I sound like I’m high now, just enjoy the song ok.

I told you that there would be another entry from Canadian rockers Rush and I wasn’t lying. This time it is “Tom Sawyer” chosen by my mate Andy Golborne. It was the opening track on their 1981 album ‘Moving Pictures’. VH1 named it the 19th Greatest Hard Rock song of all time in 2009.

Now we have a track from the late, great Gary Moore which also features the late, great Phil Lynott. Thank you for Jacqui Parkin for choosing this one, I think it is a true classic. The song made it to number 8 in the UK singles chart in 1979. It was written by Moore and Lynott. Thin Lizzy drummer Brian Downey also plays on the track.

The next song is very much one of my favourites as it was the first dance after marrying my beautiful wife Catherine. In fact this is Catherine (a.k.a. Catwoman)’s choice. It is the truly sublime “Into My Arms” by Nick Cave. Just listen to it, is there anyone out there that doesn’t like this song? It is also the only song that I know that includes a reference to an ‘interventionist God’.

Sara Hayes has chosen the 25th song which spookily has the number 25 in the title, it s Edwin Starr with “25 Miles” a fabulous slice of Motown genius. It reached number 6 in the US chart and 36 in the UK chart when issued as a single in 1969. It was written by Johnny Bristol, Harvey Fuqua and Edwin Starr. This song was also a big hit on the Northern Soul scene in the UK.

Rachael Baines-Holmes picked the next song and it is a slice of punky class; the Dead Kennedys with “Holiday In Cambodia”. It was written by the band’s front man Jello Biafra and John Greenway and it was the second single to be released by the group when it came out in 1980. It followed “California Über Alles”. Both songs were included on the album ‘Fresh Fruit For Rotting Vegetables’.

So there you have it twenty-six songs provided by a selection of my friends. Thank you for being a part of this and for reading my blog and putting up with all the puns and shit that I post on Facebook. Finally though I will leave you with my selection. I have said loads about it on previous blog posts and it is without doubt my favourite song of all time. “No Woman No Cry” Bob Marley and the Wailers taken from the ‘Live At The Lyceum’ album from 1975

 

Cry Baby at the Crescent, York Friday 14th October 2016 October 18, 2016


It was a pleasure to have the opportunity to attend another Northern Radar show put on by good friend, the very talented Mr Simon Pattinson. I have attended many gigs that Simon has either put on or recommended and he has not let me down so far. At four quid for four bands did he let me down for the first time tonight? Well dear reader you will have to read on to find out.

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The first band on were Kram with a Grunge-like take on Royal Blood. The singer/ guitarist, knowingly or unknowingly, gave a nod to the late, great Kurt Cobain by taking to the stage in a dressing gown. A bit like Cobain did at the Reading Festival back in 1992 when he came on stage wearing a hospital gown. I was actually there for that too. But enough trivia and comparison, Kram are an excellent band. A versatile and skilled guitarist who possesses a great rock voice more than ably backed up by a drummer who really knows his way around a drum kit.

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Next up were Lost Trends from my adopted home city of York. How the hell have I not seen these blokes before? This mob sound really well rehearsed and watching them play I felt that they really knew rock history. Chatting to them afterwards about everything from the Beatles to Bowie and the Shadows to Radiohead it is very clear that they do. Lost Trends are very difficult to slot into a specific genre. They have a bit of indie, a touch of classic rock and are most definitely a band that you can dance to. They have the potential to become one of my and I hope your favourite bands. If I had left after their set I would have gone home happy. Oh and their excellent single “DJ” has been featured on racing ads on Channel 4, check it out at the end of this post.

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The penultimate band of the evening were the Naked Six. If you like classic rock with a twist of 21st Century then this is definitely a band that you must see. Riffs reminiscent of Jimmy Page and vocals could grace many classic bands. Their songs were all incredibly powerful and the playing was stupendous. Given the right breaks the Naked Six have the potential to surpass the success of two of their famous fathers. Thank you for letting your boys get into a band Biff off of Saxon and Finley Quaye. If I had left home after the Naked Six I would have gone home bloody ecstatic. A mega monster of a band and one that I will definitely pay to see again.

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I didn’t envy Cry Baby having to follow three very talented and stunning bands. But they did it incredibly well and with great aplomb. The great thing about all of tonights bands is that they are all very different. Cry Baby perform classy indie rock n roll with influences from many sources; the Killers, Razorlight and the Arctic Monkeys. They have some well crafted songs and know how to put on a show. I am sure that I will see this lot again. I suggest that you, dear reader, should check out all the bands that I saw at this gig you will not be disappointed. Talking of disappointment, did Simon let me down tonight? What do you think? Of course he bloody didn’t this was yet another awesome Northern Radar show!

The usual public service announcement, all the pictures were taken using my shitty little Nokia phone and the video is courtesy of YouTube.

 

 

Jordan Mackampa – City Screen Basement York – Tuesday 20th September 2016 September 20, 2016


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Here I am at yet another gig put on by my good friend Simon Pattinson. He has never let me down yet, will he keep his 100% record? Read the whole review to figure out the answer. (No pressure Mr P!). This was a gig that the delightful Catwoman (a.k.a. my beautiful wife Catherine) joined me for and unlike the Gary Numan debacle from a few years ago she really enjoyed it, as did I.

First up was a young man called Mikey who appeared under the name Epilogues. He is a singer songwriter with some really good songs and an excellent and savvy use of technology including playing through his phone some elements that he had recorded earlier. He had some problems with his G String and before you go all Carry On Films on me I mean on his guitar. He overcame that and a slight bit of nervousness with aplomb and played a great set. To me he came across as a more folk based and influenced multi instrumentalist along the lines of Jack Garratt. Mikey also possesses a great voice, this bloke has a lot of potential. Incidentally I need to apologise to Mikey as I didn’t get a picture of him for this post, sorry mate!

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Crispin Halcrow

Crispin Halcrow was next up, I first saw him supporting Adams French back in January at this same venue. He was good then and he has also improved too. He has some beautiful songs some of which are easily on a par with Billy Joel‘s “So It Goes” which he covered tonight. One of Crispin’ s compositions “Say Goodbye” (at least that is what I think it was called) was a wonderfully sad song that also contained great beauty. Maybe I’m mad here, but I reckon Rod Stewart would make an excellent cover of that song. Crispin from Kendal remains reminiscent of the likes of Seth Lakeman for me. He is most definitely an artist with great potential.

Amy May Ellis

Amy May Ellis

The next act to take the stage was Amy May Ellis accompanied by her ukulele. She is a great talent with a haunting and siren like voice which weaves the words of her songs with a soaring grace. I reckon she would be one of the few artists that I have seen that could also do her whole set acapella with no detrimental effect. She readily admits to being no comedian, but here jokes (one about a polar bear and the other about snowmen) were pretty good. As for the swearing song, was it called “Existential Life Crisis”? That was brilliantly and wickedly funny. Amy is a prodigious talent and someone that I would definitely pay to see again.

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Jordan Mackampa

Now it was time for the main man, Jordan Mackampa on what was the seventh show of his first UK headline tour. He is a proper and very talented showman. Imagine how John Legend might sound if he sang behind a guitar rather than a keyboard. Jordan plays and writes supremely soulful and emotional folk rock music. I also really enjoyed those woo woo backing vocals he had us in the audience performing too. Catwoman and I harmonised really well, at least I think that we did! “Colours” is an amazingly poignant song. It brought tears to my eyes and made me think of two people very close to me that are currently battling that evil bastard of a disease known as cancer. You both know who you are and I want you to know that I love you and I will always be there for you. Jordan has some immensely inspirational songs which really touch our simple human emotions. I can see myself listening to him a lot in future.

 

 

 

 
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