Other than the Beatles I really hadn’t thought about how many bands have played exclusive gigs on rooftops. But there are quite a few, here is a top ten, but I am not brave enough to rank them, so they are in chronological order. The list includes 4 British acts, 4 US artists, 1 Brazilian and an Irish band. Five of the rooftops, were in the US, four in the UK and one in Brazil. Sadly I never witnessed any of these rooftop shows firsthand, but I have been lucky enough to see six of these acts play live 🙂
1955 Elvis Presley – Porky’s Rooftop, Newport, Arkansas, USA – did the King kick it all off?
1967 Roberto Carlos – Copam Building, São Paulo, Brazil – not the footballer with the same name, this fella was known as the King of Latin Music
1968 Jefferson Airplane – The Schuyler Hotel, Manhattan, NYC, USA – way before they converted to a Starship, they laid the foundations for the city they built on rock ‘n’ roll
1969 – Beatles – Apple Building, Saville Row, London, UK – the last live show the Fab Four ever played. The title of this post is a John Lennon quote from that gig.
1987 U2 – Apple Studios, Los Angeles, USA – part of the ‘Rattle And Hum’ shenanigans I think
2010 Bon Jovi – O2 Arena, London, UK – Jon, Richie and the boys stepped onto the roof of the venue they were playing a residency at
2011 Kasabian – Skylight West, NYC, USA – the Leicester lads play a set to commemorate the tenth anniversary of the 9/11 attacks, or maybe the 40th anniversary of Mulberry, or maybe both!
2012 Madness – Buckingham Palace, London, UK – the Nutty Boys played for Her Maj on the occasion of her Diamond Jubilee – Brian May also played the rooftop. Hardly the Pistols riverboat trip back in ’77, but I suppose it’ll do.
2013 Macklemore & Ryan Lewis – Dick’s Drive In, Seattle, USA – I so wish they had played on the roof of a “Thrift Shop”. This wasn’t their only rooftop gig that year, check out the video below.
2021 Bull – EMI Head Office, Kings Cross, London, UK – one of York’s finest showcased their debut album ‘Discover Effortless Living’ with a fab show which was streamed earlier tonight. A small roof for a band, a giant leap for bandkind! Terrible pun I know, but trust me, Bull really are destined for great things!
Given that it was 1955 and there was no social media there appears to be no footage of Elvis’ roof top gig. Bull’s marvellous set is not on YouTube yet, but click here and it might still be available on their Facebook page 🙂
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You might have heard that there is a General Election in the UK this week. It is perhaps the most important General Election in my lifetime. The current Tory government is becoming more extreme by the day and I fear for the future of my country if they win a majority this time around. They will destroy the very fabric of the UK; poverty will rise, homelessness will rise, the rich will get much, much richer, human rights will be marginalised, racism will become more rife, the NHS will be broken up. We cannot let this happen, help get the country off of life support and vote on Thursday. The UK is divided and the Tory Party have no chance of bringing us together. Vote with your conscience, vote with your heart, vote for future generations, vote tactically if that will help in your constituency. But please, get off your arse and vote, apathy allows the extremists into power!
This is a music site, so here are a few relatively recent protest songs for you to get in your head before Thursday. Featuring two of West London’s finest bands, hailing from Uxbridge, Boris Johnson’s constituency no less. Can Johnson be unseated? Anything is possible, just vote! Those two bands are The Tuts and Colour Me Wednesday by the way. Then there is an excellent solo song offered by the insanely talented Nadia one of the three sassy, smart and powerful women that are the aforementioned Tuts. Then there is the incredible slow burn psychedelia of London band Glass Peaks with “Architect” their scary dystopian vision and wonderful put down of the British Government. There is a great track, “Vote For Me” from the Specials ‘Encore’ album and you will hear from the rather clever Captain Ska. Finally, it is Madness with “The Bullingdon Boys”. There was me thinking the Nutty Boys had become a bit establishment, but this proves that they haven’t! I won’t patronise you by telling you who to vote for, but it is probably obvious from this post who I won’t be voting for and probably who I will be voting for!
Not long to go now until the bearded weirdy drops down your chimney is it? Today is 6th December and that means it’s day six in this years Advent blog post series. In case you are new to this site let me remind you that this years theme is the ABC of British bands and today we are at the letter ‘F’. I have chosen Liverpool’s the Farm to appear behind the little cardboard door on todays advent calendar. Let’s face it, they’re better than chocolate aren’t they?
The band formed in 1983 although they didn’t score their first chart hit until 1990 when they had two UK top ten hits with “Groovy Train” and “All Together Now” both from their album ‘Spartacus’. That album was produced by Stan Cullimore and Paul Heaton off of the Housemartins and Suggs off of Madness.
“All Together Now” is about the unauthorised spontaneous truce between German and British soldiers on Christmas Day 1914. This was the first Christmas of the first world war and the soldiers stepped out of their trenches for a game of football. Sadly the powers that be made sure that it never happened again. The song has been rereleased for football reasons twice as well. For Everton’s 1995 FA Cup Final appearance and for the England team in their 2004 European Championships campaign. There is charity recording of the song scheduled for release on 15th December in aid of the Shorncliffe Trust and the British Red Cross. Shara Nelson, Clean Bandit, Gabrielle, Alexandra Burke, David Gray, Guy Chambers, Amelle Berrabah, Mick Jones (off of the Clash), Jermain Jackman and Gorgon City are among a number of artists who took part in the recording. Buy it, you know it makes sense!
Guess who sings backing vocals on Morrissey‘s “Piccadilly Palare”? It’s only that Suggs bloke (a.k.a Graham McPherson) off of Madness isn’t it! The song also featured Andy Rourke off of the Smiths on bass guitar which according to Wikipedia is the last time any former member of the Smiths played on a Morrissey track. The song reached number 18 in the UK charts in 1990. It made it to number 5 in the Irish chart and stalled at number 2 in the US Modern Rock chart. The song can also be found on the Morrissey compilation album; ‘Bona Drag‘
I hope that after yesterdays Partridge and pears post you’re getting the hang of this. If you are then you’ll know that on the 2nd day of Christmas it was the turn of two turtle doves. The Turtle Dove in the UK is facing a bleak future. It is now believed there are only around 14,000 pairs left, which makes up a fall in population of 60% over five years. Anyway enough of the ecology for now and on with the music.
I have selected two dove related songs for your aural pleasure today. The first of those is from the purple pain himself, Prince a.k.a. TAFKAP (The Artist Formerly Known As Prince), Christopher and Symbol among other things. Incidentally I wonder if I might rename him TAFKADS (The Artist Formerly Known As Dove Soap) for this post. I’m sure you can guess which one of his songs I have selected can’t you? Yes it’s the classic 80s hit “When Doves Cry”. It was the first single to be taken from the timeless classic album ‘Purple Rain’. It was the last track on the album to be completed and not only did Prince write the song, he also played every instrument on it. Except of course the bass. Who played bass I hear you ask? Well actually it was no one, the song has no bass line in it. The song has been covered by may artists, including Razorlight, Patti Smith, Damien Rice and the Be Good Tanyas.
Prince vowed never to let Edward Scissorhands cut his hair again
It was also heavily sampled by MC Hammer on his song “Pray” from 1990. “When Doves Cry” was Prince’s first US number one single and remained at the top of the pile for 5 weeks in 1984. It also reached the top in Australia and Canada and sat at number two in Ireland and New Zealand. It reached only a relatively lowly number four in the UK. This was bettered by 1994’s “The Most Beautiful Girl In The World” a UK number one. In addition “1999”, “Little Red Corvette” and “Batdance” hit the number two position in 1982, 1983 and 1989 respectively. “Gett Off” and “Cream” both made number three in 1991.
The second dove related song on today’s post is from those North London Nutty Boys, Madness and it is “Wings Of A Dove”. Surprisingly, for me at least, it remains the band’s second biggest UK chart hit; it reached number two in 1983. It did reach the top of the charts in Ireland though. Their only UK number one was “House Of Fun” from 1982. It was a non album single written by Suggs and Chas Smash. The single also featured steel drums from the Creighton Steel Sounds and a gospel choir from the First Born Inspirational Church of the Living God. It was also used in the film ’10 Things I Hate About You’ in 1999.
So the London 2012 Olympics is over, at least until the Paralympics anyway. I truly believe that this has been an amazing Olympics and for me usurps England winning the 1966 football world cup as our greatest sporting achievement. What do you think? OK I know the Scots won’t agree with that in the first place, but I would still like to hear your thoughts.
I realise that this post comes some 24 hours after the closing ceremony, but given the musical nature of that ceremony I felt I had to post something. The Olympic stadium was once again amazing; decked out to show a London skyline that included the London Eye, Big Ben and the Gherkin to name but a few. It all kicked off with the delicious voice of Emilie Sande accompanied only by a pianist, who was playing a piano covered in newspaper. After that the tempo really took off with forty members of the cast of Stomp dancing, drumming and percussing (is that a word?) on the recreated mini London Eye in the stadium. On top of all this there was a choir singing Beatles songs.
Next up was cellist and Churchill appearing out of the top of Big Ben and reciting words from Shakespeare’s ‘The Tempest’ which was a great link back to the superb Opening ceremony. Obviously it wasn’t really Churchill, it was Timothy Spall. This was followed by newspaper clad crowds depicting the hubbub of London. The whole thing then slowed a little for the arrival of the VIPs; Jacques Rogge (President of the IOC) who seems to make even the dullest accountant I have ever met seem exciting and prince Harry representing the Royal family. Clearly he was never going to match his grandmother’s arrival at the opening ceremony! Obviously this was followed by our rather uninspiring, in my opinion, national anthem.
The whole show was a celebration of Britain and the next vignette was real class. It was the 5, 4, 3, 2, 1 countdown by Michael Caine from the ‘Italian Job’ and then the iconic three-wheeled van of Trotter’s Independent Trading blew apart and out jumped, yes you guessed it, Del Boy and Rodney in their Batman and Robin costumes. A sublime moment and a nod to one of Britain’s greatest ever comedy shows; Only Fools And Horses.
The mood then turned very much to party as madness were driven around the arena playing “Our House” from the back of a truck. This tempo was kept up by the Massed Guards Bands with a wonderful rendition of Blur’s “Parklife”. Just when you thought it couldn’t get better the stadium was filled with cyclists wearing the most amazing geometric and fluorescent hats. Two of them on tricycles which had Neil Tennant and Chris Lowe as passengers. So we were treated to a fabulous version of “West Ends Girls” on bicycles and tricycles. Could this happen anywhere but the UK? I doubt it!
One Direction were next, like Madness they were on the back of a truck, which sadly wasn’t headed to the tip. OK I have to begrudgingly admit they were at least in tune, but I still don’t like them. Interestingly they were one of just a few acts whose name was flashed onto the screen when they appeared. After that it was back to another great number from the cast of Stomp. That percussion sounded like “Spice Up Your Life” to me. was that deliberate? Who knows? An incredibly talented dance troupe who I think were called Spelbound were next to take the stage. They performed a great routine to the Beatles Sergeant Pepper classic “A Day In The Life”
To keep up the 60s vibe Kinksmeister Ray Davies came on to sing his timeless and classic love song to London; “Waterloo Sunset”. eliciting some great ‘sha la la-ing’ from the audience in the process. Emilie Sande made a return next, minus the newspaper piano and sang over a film montage of some of London 2012’s most tearful moments. The three hundred or so flag bearers entered the arena after that, including super sailor Ben Ainslie fo Britain. Elbow soundtracked this whole piece with a great little set that included the beautiful “Open Arms”. The athletes followed the arrival of the flag bearers and they were corralled into the sections of the union jack which formed the floor of the stadium. Apparently this version of the flag was designed by Damien Hirst. Indian drummers then accompanied the construction of a large structure made up of more than three hundred white boxes. One to represent each Olympic event. The backing track to this was Kate Bush’s “Running Up That Hill”. I had momentary butterflies while wishing and hoping that Kate might actually appear herself. But alas she didn’t.
Apparently one of the traditions of the closing ceremony is that it contains the last medal presentation. It is for the Mens Marathon which took place earlier in the day and was won by Stephen Kiprotich of Uganda. This was followed by a thank you and recognition for all the volunteers, or Games makers as they were known from all the athletes. This was followed by a spectacular light show to the unmistakable sound of Queen’s mighty “Bohemian Rhapsody” followed by a children’s signing choir singing John Lennon’s “Imagine”. This segued into a film clip of Lennon singing the song himself. Apparently Yoko Ono commissioned a special remaster of the song for the ceremony. At the same time a 3D image of John Lennon’s face was built on stage. This was a prelude to the main musical events.
George Michael took to the stage for his first live performance since his life threatening illness he sang “Freedom 90” his new single “White Light” which is in fact all about his brush with death. He seemed fit and well and on really good form. I’m not sure I like the new facial hair style though, perhaps it will grow on me! Ricky off of the Kaiser Chiefs was driven to the stage as a scooter pillion passenger singing “Pinball Wizard”. I have gone off the Kaisers of late, by I must admit they did a storming version of the Who’s classic. The next part had me positively tingling with anticipation; A series of short film and audio clips of David Bowie. Would he actually appear? Surely not? And surely he didn’t. But his 1980 hit “Fashion” was used as a backdrop to a showcase of British fashion which included a weird march around the stadium from a series of models including Naomi Campbell and Kate Moss.
George couldn’t master Mo Farah’s Mobot so he invented the Georgebot
A huge skeleton of what might have been a viking boat was pulled on stage and the hidden figurehead was none other than Annie Lennox. She performed “Little Bird” which was used on the soundtrack of Coppola’s film version of Bram Stoker’s classic story Dracula. The much rumoured Pink Floyd appearance turned out to be nothing more than Ed Sheerhan, Nick Mason and Mike Rutherford doing the Floyd’s “Wish You Were Here” accompanied by a tightrope walker who recreated the Floyd album cover with the flaming man.
Russell Brand arrived on stage in what looked like the Scooby Doo van and he was singing, he’s not a bad singer either. He got out of the van to perform the Beatles’ “I Am The Walrus”. The van begat a giant inflatable octopus from which Fatboy Slim did a brief DJ set featuring his own hits “Right Here Right Now” and “Rockerfeller Skank”. Jessie J then sang “Price Tag” in an open top car she was joined by Tinie Tempah then Taio Cruz with “Dynamite”. All in open top cars. Then all three of them took the stage for a creditable performance of the Bee Gees disco classic “You Should Be Dancing”. As they were performing in front of a drum kit marked up with the name of Beady Eye it was obvious who was going to be on later!
A group of London Black cabs entered stadium and performed a kind of synchronised dance. Then five of them moved to the centre of the arena and were lit up with some spectacular lighting arrays. This wasn’t the best kept secret of the show, but guess who the passengers in these five cabs were? Yes it was Scary, Sporty, Baby, Ginger and Pouty…. oops sorry I mean Posh. It was the return of the Spice Girl. They kicked off with possibly one of the greatest pop singles of the 90s (OK that doesn’t mean you have to like it); “Wannabe”. They followed this with the samba rhythmed “Spice Up Your Life” which they performed while being driven around the stadium atop the cabs that brought them in. As expected after seeing their drum kit earlier Beady Eye were next. Thankfully they didn’t play any of their own stuff, just a cover of “Wonderwall” which seemed to go down really well as a sing along with the crowd. Liam seemed quite nervous to me and is his voice a little rough these days?
ELO’s “Mr Blue Sky” was played as a backdrop for a section pioneering flight. This included flying bikes and a failed human cannonball who just happened to be Monty Python star Eric Idle who led the audience in a marvellous sing-alonga-python version of “Always look On The Bright Side Of Life”. he even made a great comedic attempt to join in with some Bollywood style dancing. This whole piece was perhaps the equivalent of the Mr Bean set in the opening ceremony. It ended with the real and successful firing of a human cannonball.
Matt Bellamy and the boys from Muse were the next to appear and they performed their song “Survival” which was commissioned for the Olympics. It’s good and their performance was excellent as usual but this is a long way from being my favourite Muse song. Interestingly, as some have likened Muse to Queen they were followed by a film clip of Freddie Mercury performing some improv jazz scat and despite being dead for more than twenty years the audience were enraptured and joined in the whole Freddie call and response thing. This proved to be the overture to Brian May’s appearance and it’s fair to say that he’s quite a good guitarist isn’t he? 😉 As the unmistakable riff to “We Will Rock You” began and Brian was joined by Roger Taylor I was briefly worried that Adam Lambert or someone similar might step onto the stage. Thankfully it was Jessie J, and inspired choice in my opinion. She did a great vocal on the song which never tried to emulate the late, great Mr Mercury.
It was then time to return to the formal activities which meant the Greek national anthem followed by a Welsh Male Choir version of the Olympic Anthem. This was sealed with the Brazilian national anthem and a formal handing over of the Olympic flag from London’s Mayor Boris Johnson to the Mayor of Rio De Janeiro via Jacques Rogge. The Brazilians then put on a samba fuelled show to let the world know what to expect in 2016. This culminated in an appearance by one of their greatest sports ambassadors; Pele. Then we had more formal stuff with speeches from Seb Coe and Jacques Rogge. Seb was quite inspiring Jacque was once again the definition of dull in my opinion. The remaining action was the extinguishing of the flame. This began with Take That (thankfully without Robbie) performing the appropriate “Rule The World”. It continued with Darcy Bussell flying in as a Phoenix to join two hundred other ballet dances for an exciting modern ballet.
The petals of the cauldron where the Olympic flame burned were then lowered and were slowly extinguished and at this point I thought that was the end. However there was more to come in the shape of the Who. They were on top form and for a pensioner Roger Daltrey’s vocal power is still damned good. They closed with a rousing version of “My Generation” accompanied by yet another magnificent firework display.
I fell a little deflated after such a brilliant two weeks but so very proud to be British. I truly believe that we really showed the world what we are capable of as a country. Not just in the Olympic events but by how we put on such a brilliant event in itself. In spite of the little hiccups before the start (G4S etc) we really delivered this in style and won a whole treasure box of medals too. So let me take this opportunity to congratulate and thank everyone in Team GB, the organisers, all the other competitors, the BBC, the volunteers/ Games Makers and anyone else who was involved in this remarkable event.
Was this the best Olympics ever? I believe it as. Rio follow that!
Most of the film clips from the ceremony are IOC copyright and therefore difficult to show. So here are two songs that sum things up in a simple way.
Hello again people and here is the dispatch from the muddy fields of the Reading festival after day 2. Firstly I have to mention a rather funny comment I made on the way to the main arena today. Which strangely enough for me was said completely innocently. My feet were sticking in the mud quite a lot so I said; “If this mud gets any more sticky my boots will be sucked off”. It made Nick and me laugh and if you’re not laughing then maybe you had to be there or you have a much cleaner mind than ours. Or maybe you’re just too mature!
We only caught Funeral Party’s last song in the NME/ Radio 1 tent they sounded pretty good though. Yuck were in the NME/ Radio 1 tent next and were recommended by my friend John Hayhurst who is usually at the Leeds festival but unfortunately can’t make it this year. It was a bloody good tip as it happens! I would describe them as shoegazers with a young Bob Dylan lookalike as a singer. But a great band I will be downloading their album on Monday night. Oh and I almost forgot also the drummer looked like my old boss Bazza Hutton with added afro. Castrovalva were on the BBC Introducing stage, we didn’t see much of them but they definitely need to look at their audience more.
Next was our first visit to the Main Stage, where we spent most of the day eventually. Joined by a supporting cast of really nice and mad in a nice way people from all over the world; South Africa, Brazil and Brighton at least. It was hard to refuse the offer of a free beer from the South African blokes and even shhhhh…… whisper it; a small toke on one of their spliffs! The Pigeon Detectives were on for me they are just bland identikit indie pop. Although Nick wouldn’t agree with that. In their favour they are very hardworking. Seasick Steve was next up on the Main Stage. What can I say? Well for starters he is a supreme talent with way more charisma and stage presence than Liam Gallagher even when sat down. Amazingly he was joined on stage for most of his set by none other than John Paul Jones off of Led Zeppelin. We saw a couple from Tribes who were pretty good. we then paid our daily visit to the comedy tent to see Michael Fabbri who was very filthy and very funny.
Madness or should that be Mudness (thanks for that one Nick) were next on the Main Stage. When I first read that they were on the bill some months ago I wondered whether they would be able to really pull it off. Well I am happy to report that they did in bucketloads. This was probably the best ever loved up party vibe I have ever seen in 20 odd years of going to this festival at Reading. It even included a mosh conga. Jimmy Eat World were next; they were very good but who could have followed Madness? The National were an excellent chilled out close to the afternoon session and a good precursor to Pulp. If the members of the Doors were born in the 80’s they may have sounded like the National and I will have to download some of their stuff soon too.
Pulp, who were sharing top billing at the Festival with the Strokes were next on the Main Stage; from the simply stated laser phrase show at the start to the brilliant and perfect closer “Common People” they were truly fucking awesome. Jarvis Cocker is a certified genius who has immense stage craft and worked the audience to perfection. Richard Hawley was also on stage with them. The Strokes closed the day and as expected were very, very good, but for me not quite as good as Pulp. Jarvis joined them for a great version of the Cars’ “Just What I Needed”. So sadly only one day to go now but it looks like a good one!
After nearly 6 years I am finally moving to a job with a relatively normal commute. In my new role, which begins on 30th June, I will be enjoying a 50 minute drive at each end of the day as opposed to a two-hour train journey, 90 minutes on a stinking tube train, various flights and hotels (some good and some bad). However I should say that my accommodation since January whilst working in London has been at my Mum’s place and it knocks every business hotel I’ve stayed in right into the shade. Great food, great service and more importantly some real quality time with my Mum. The latter is something which I don’t believe too many of us get at this age (I’m fiftysomething in case you wondered!) I have thanked my mum personally already, however I thought I’d also like to do the same in blog ink. Mum I can’t thank you enough for putting me up and putting up with me all this time. I suppose I could be talking about a lot longer than just the last few months as well couldn’t I? Anyway staying with my Mum is almost certainly the only thing I will miss about not working in London. I sure as hell won’t miss the Tube which quite frankly is a disgusting method of transport; often unreliable and pretty damned smelly as well. Does it really have to be like that? Personally I don’t think so, but sadly it is. Bob Crowe and his cronies don’t help either with their pathetic and all too frequent strikes. Bob you most be one of the few people in the country that would lose an election against Nick Clegg. You’re a complete arse, wise up and get a conscience you moron and go back to your village, they want their idiot back. You’re giving imbeciles a bad name.
OK rant over now it’s time to get back to some job and transport related music (and one for my Mum), because after all this is a music blog!
Well there really isn’t a great deal to say about this fantastic album cover animation other than it is truly brilliant. It’s called Battle Of The Bands and it truly is a fight to the death!
If I have noted it correctly it contains album covers from all the following artists, if you see any I have missed just let me know!
Foreigner, Yazoo, Billy Joel, Shaun Cassidy, Violent Femmes, Rick James, Eminem, Joe Jackson, Beastie Boys, 50 Cent, Roxy Music, King Crimson, Scorpions, Led Zeppelin, Rolling Stones, Duran Duran, Velvet Underground, Pink Floyd, Coldplay, Rush, Boston, AC/ DC, Def Leppard, Replacements, Jane’s Addiction, Love And Rockets, Depeche Mode, Ozzy Osbourne, Weezer, B 52s, Dead Kennedys, Van Halen, Dio, Iron Maiden, Night Ranger, Orchestral Manoeuvres In The Dark, OMD, Nirvana, Asia, David Lee Roth, Black Flag, Cars, Michael Jackson, Beatles, Journey, Green Day, Hermans Hermits, Madness, Phil Collins, Lou Reed, Madonna, Tom Petty, Bob Seger, Lionel Richie, Devo, Jimi Hendrix, Quiet Riot and Metallica.
My favourites are Michael Jackson and Roxy Music, what are your favourites? Can you find the hidden Ozzy track?
OK people after last year you know exactly how to stop the X Factor winner making it to the UK number one spot over Christmas this year. Last time around pop muppet Joe McElderry was beaten to the Christmas number one by the brilliant “Killing In The Name Of” by Rage Against The Machine. This year there is another opportunity to prevent the X Factor lording over the charts once again.
This time it is going to be ” 4’33” ” a recreation of John Cage’s most famous avant-garde work. Well ok Emperor’s New Clothes time here, it is in fact 4 minutes and 33 seconds of silence. This may sound somewhat mental, however by downloading the piece you will be helping a number of charities including, Calm, a service for young men at risk of suicide, the British Tinnitus Association, Youth Music, Nordoff RobbinsMusic Therapy and Sound & Music, a charity promoting challenging new music and sound art. On top of that you will dent the next X Factor Muppets progress.
If only he'd been clearer about his wish. He hadn't really wished for a 12 inch pianist had he?
Many artists have participated by errr….. recording their silence. Those include; Fyfe Dangerfield off of the Guillemots, Unkle’s James Lavelle, Dan Le Sac vs. Scroobius Pip, some Kooks, Heaven 17, Matty off of the Infadels, Suggs off of Madness, Orbital, Pendulum and Billy Bragg. Pete Doherty apparently failed to turn up. Read the story here on the BBC News site. Join the Facebook campaign here and let’s make Cage Against The Machine the Christmas Number One this year!
By the way, I realise there is no real title to this post, but what did you expect?
With Just A Hint Of Mayhem 