I have just uploaded another With Just A Hint Of Mayhem podcast. It outlines my views on the Apollo 11 moon landing from 50 years ago. How exciting that was to me and my thoughts on what has happened since, accompanied by a soundtrack of some of my favourite space, moon and Apollo tunes. Click here to check it out. I would love to hear your views too.
This night would mark my second opportunity to see the rather brilliant Skylights from York and also serve to remind me of just how old I am. Why the latter? Well I realised that the first time that I ever saw Tom Hingley was at the Reading Festival in 1990 when he was the lead singer of the Inspiral Carpets. They headlined that year and no doubt I also caught a glimpse, without knowing, of their guitar tech; a young Noel Gallagher. That is nearly 30 years ago! Anyway enough of all that reminiscing how about I tell you about this gig at the Crescent? Well first l I should apologise for missing the Feds who were first on the bill. The ticket said 8 p.m. and I got there just before that only to find that the Feds had hit the stage at 7:15. Oh well I will need to catch them another time. The second band on were Apollo Junction from Leeds and they are purveyors of fine, quality pop rock. The audience was not a bad size at this point but everyone was congregated around the two raised spaces leaving the main floor empty. However this did not deter Apollo Junction who had already suffered one setback as their keyboard player, Sam was too unwell to join them. Not only were they not deterred they were positively inspired with three of the band; Jamie, Matt and Ben coming on to the floor to continue their set. Drummer Jonathan was left on his tod on the stage. This is a band with a hell of a future. They are Gareth Bale’s favourite band don’t you know!
Apollo Junction
The immensely talented Skylights were up next to play what is possibly their last show in York for sometime as they will be operating out of Leeds going forward. So did they play like it was their last home town gig for a while? They sure as shit did, they totally owned the audience and shook Fibbers to its core. There is no slow build up with this band they hammer you into submission from the opening bars. They are able to do that for a number of reasons, first their songs are anthemic, memorable and sit in your head after the first listen. Secondly this is one of the tightest bands around. Myles and Jonny on bass and drums are a powerhouse rhythm section with what seems like an innate ability to achieve perpetual motion. Meanwhile it is in the live setting that you really can appreciate what a latent talent Turnbull has as a guitarist. His riffing and soloing swirls over every song more akin to the contribution of Johnny Marr to the Smiths or Bernard Butler to Suede. Add to that the stylish and very British rock vocals and a stage presence that draws from Liam Gallagher (back in the days when Liam was great) from front man Rob and you have a potent combination of potential greatness! “YRA” and “What You Are” were most definitely particular highlights for me.
Finally it was time for headline band Tom Hingley and the Karpets. I have been an Inspiral Carpets fan for many years but while I have seen them with and without Tom I had never seen Tom on his own. Mr Hingley’s opening statement was a heartfelt plea or perhaps more like a strict order to “GET TO THE FUCKING FRONT” over the sounds of “Commercial Reign” from 1990, and it worked, everyone moved forward as one. I suspect that everyone in the crowd was glad that they did move as well because that is the place to experience something as marvellous as this. All of the greatest Inspiral Carpets songs were aired; “She Comes In The Fall”, “Dragging Me Down”, “Bitches Brew” and “I Want You”. That last one made me realise how much the world misses Mark E Smith who contributed vocals to the original release. The set would have been incomplete with what is for me the greatest song the Inspiral Carpets ever recorded, “Saturn V”. I gave myself a sore throat singing along to that. There was an excellent cover of “Tainted Love” which was interestingly preceded by a few bars of the Joan Jett/ Arrows hit “I Love Rock ‘N’ Roll”. The evening was brought to an emotional close with the emotional roller coaster of “This Is How It Feels”. A quick special mention to bass player Ste Pearce who kindly topped up my plastic wine bottle from his bottle of white wine from the rider. Tom Hingley is a supremely talented performer who knows his audience so very well. I met him briefly at the merch stand after the show where he kindly signed the book and CD that I bought. Based on the show tonight and that brief meeting I reckon Mr Hingley is a top bloke!
Public Service Announcement: – All photographs were taken and edited by me using my cheap android phone from China. All videos were found on YouTube. If one of the videos is yours and you would like a credit or for it to be taken down please let me know.
I am truly saddened by the death of Mark E Smith of the Fall. He was one of the alternative music scenes greatest talents. He passed away at home and according to his manager more details will follow in the next few days. He was hospitalised with significant respiratory issues on the Fall’s US tour last year and back in the UK he completed some dates in a wheelchair. At this stage there is no way of knowing whether any of this was connected with his demise. Mark formed the Fall after seeing the now infamous Sex Pistols gig at the Manchester Free Trade Hall in 1976, they became a fixture in British music following the release of their debut EP ‘The Bingo-Masters Break Out’ in 1978. The band released 32 studio albums from ‘Live At The Witch Trials’ in 1979 to last year’s ‘New Facts Emerge’. They issued a similar number of live albums and more than 40 compilations. Smith was the only constant member of the Fall, around 60 different people played in the band over the years. He was an influence on many, many artists including Brett Anderson of Suede, Tim Burgess of the Charlatans and Billy Bragg. John Peel was a great champion and fan of the Fall, he once said “They are always different, they are always the same”, that strikes me as a very fitting epitaph. RIP Mark E Smith, you will be sadly missed. My thoughts go to Mark’s family, friends and fans.
I am sure that many of you reading this know that Noel Gallagher was once a guitar tech/ roadie for the Inspiral Carpets. But did you know that when the band headlined the Reading Festival in 1990 and they brought a pantomime cow on stage that one half of that creature was Noel? I am not sure which half though and I was there!
I have decided to post any music related jokes that I come across, especially if they are at my usual groan level of humour. So with thanks to those lovely people at Popbitch for bringing this one to my attention.
The drummer off of the Inspiral Carpets, Craig Gill apparently now runs Manchester music tours. Last weekend he did two tours entitled ‘Morrissey and the Smiths’. The first one in the morning had a very healthy 85 punters. The tour stops off at many Smiths historical highlights including; Strangeways Prison, Salford Lads Club, the Southern Cemetery and Morrissey’s childhood home.
But according to one Smiths tourist the highlight was this joke from Mr Gill.
Q – What does Morrissey have in his sandwiches?
A – I don’t know, but Marr might!
I love that one, feel free to send me your favourite music related jokes. I will be happy to post them and to give you a name check. You can send them via email to me at adamson.will@gmail.com. Just put Another Crap Music Joke in the subject line.
In case you were fooled, this last one is an excellent spoof!
Sadly I missed the first Apollo Festival back in 2013 and then last year I had to leave early so I missed the headliner. However this year I was there for the day and what a bloody good day it was! With something like 50 acts across 5 stages I was never going to be able to see everyone but I did see a fair few acts. I was there with my wonderful wife Catherine ak.a. Catwoman and our great friends John and Caron who brought their daughter and our Odd Daughter (that’s another story) Amelia with them. Amelia proved beyond doubt that she is indeed a 5-year-old dancing dynamo of perpetual motion. Anyway enough of us, who did I see?
First up it was 4 Pint Milk in the Rick Witter tent. They are from Huntington School and seemed all of 16 (apologies if you’re older than that lads!). But they rock like they’re much older. The part of their set that John and I saw was cover versions, but damned good cover versions. Jake Bugg’s “Green Man”, the Smiths’ “This Charming Man”, Stone Roses “I Am The Resurrection” and my particular favourite, “Brianstorm” originally done by the Arctic Monkeys. I hope these boys succeed, they play really well and they have an excellent dour and dry northern wit.
Back at the main stage I only caught Fat Spatula’s last song. On the evidence of that I thought they sounded pretty good and I wished I could have heard more of them. I should add that Catwoman didn’t like them at all. Next on the main stage was the winner of this years Ainsty’s Got Talent contest, Beth Bryers. She undoubtedly has a great operatic style voice which she used over a number of dancey beats including Bastille. I get the appeal to some, however for me Beth is an acquired taste that I unfortunately didn’t acquire.
Rime Suspex though were something else, absolutely brilliant in my opinion. A relatively simple set up of a guitarist, singer and rapper. They were also accompanied by a number of samples I think. Imagine if South Africa’s Die Antwoord came from Blackburn and had better rhymes, well that is Rime Suspex in my view.My particular favourites from their set were “Money” and “Sick And Tired”. Given the lyrical content I almost certainly support their sentiments and politics. They didn’t hit the spot for my friend John, but he has never been a fan of white rappers. But I’ll work on him! Anyway I would definitely pay to see Rime Suspex again.
Our first visit to the Access Music stage brought us Matt Philpot. For me he was a pretty average singer songwriter singing 70s with a mostly laid back 70s vibe. The highlight of his set was a reggaefied arrangement of Aha’s “Take On Me” which I enjoyed. Next we saw the Rusty Pegs who are a bit alt. country and come across like a slightly more Nashville version of Fairground Attraction. I quite liked them.
On our return to the main stage the Happy Daggers were on. I missed the first part of their set but what I did see showed me that these fellows are funkin’ good and I want more! Rupert Stroud was on next, he and his band were very tight and well rehearsed. He is a rock influenced singer songwriter and he is bloody good. Imagine James Blunt with bigger balls, well that is Rupert Stroud.
After that it was a quick hop across to the Access Music stage for the magnificent Barcode Zebra. I saw them play at last year’s Apollo Festival and they were very good then. This year they were even better. Soul, funk, rock, jazz all in a musical blender supported by a really skilful band and an immensely powerful vocalist. I certainly hope to see more of them.
Now it was time for the wonderful Crybabycry on the main stage. They had been caught in traffic on their way, but believe me it was worth the wait. I saw them earlier this year in a tiny venue during Live In Leeds. On their performance then and at the Apollo Festival I will stick my neck out and say that I believe that they are one of the finest bands in the UK at the moment. Along with my other favourite UK bands; Avalanche Party, Colour Me Wednesday and the Tuts. Powerful three-piece Crybabycry deserve to be on bigger stages and if you don’t like them then I suggest that you pop out and get your hearing examined. Can we have them at Reading and Leeds please?
Awesome covers band the Mothers followed Crybabycry onto the main stage and they rocked their socks off. I danced near the stage for their whole set which included storming versions of songs by the Beatles, Rolling Stones, songs from the Stax back catalogue among many others. They were fucking brilliant and I might try to book them for my 60th birthday party, although that isn’t until January 2019. After that I paid a final visit to the Access Music Stage where Catwoman and I saw Armonia. They played some really chilled and laid back acoustic songs including a wonderful cover of Lordes’ “Royals”
Classic 90s scouse indie pop band Space were next on the main stage and they were blooming amazing. I had forgotten how many great songs they have recorded. Favourites like “Neighbourhood” and “Female Of The Species” were there along with some new songs and stuff that I have never heard before. There wasn’t a duff song in their set. My favourite is one that I hadn’t heard before, the rather fabulous “Boy In A Body Bag” which is a bloody fantastic tune.
Finally it was time for the head-liners the supremely talented Inspiral Carpets. I had seen them many years ago and they were always a band whose new release I would always check out. No other band of their generation rocks the Farsifa like these blokes do. The have some excellent songs in their canon including “Dragging Me Down”, “This Is How It Feels”, “Spitfire” and one of my all time favourite songs from any band or singer “Saturn Five”. Quite an appropriate song for the Apollo Festival don’t you think? The Inspiral Carpets used to refer to themselves as ‘cool as fuck’ and in my opinion they remain so. If you get a chance to see them you would be foolish not to.
Finally let me say a big, big thank you to the organisers of the Apollo Festival especially Mr Apollo himself Stuart Kelly. Also a big shout out to my good friend Simon Pattinson who is on the organising team. Everything was brilliant folks, including the weather. If you change anything for next year then I suggest that you increase the food outlets and vary them a bit. Can I also offer to volunteer to help with organising Apollo 2016?
This really is the final finally! If you haven’t done so already please click here to vote for the Apollo Festival in the Yorkshire Gig Guide Grass Roots Awards. I have!
Well given the weather it seemed somewhat appropriate 🙂
Public service announcement – none of the media contained in this post was filmed or photographed by me.
Last year I enjoyed a great day at a small local festival here in York. The Apollo Festival, you can read my review of last years event by clicking here. This year sees this wonderful family friendly music festival enter its third year. It was started in 2013 by Stuart Kelly and he has grown the show really well. Last year more than 3,000 people turned up which was close to doubling the amount of music fans that were there for the inaugural festival in 2013. If things go to plan you could be among 4,000 happy Apollo punters this year. I certainly will be as I have already purchased tickets for myself and the delightful Catwoman.
If you live in or near to York, or even further afield, then you have no excuse for missing this event in June. Prices are very affordable at just over £15 each ticket. Significantly less than what you’d pay for a day ticket to one of the major festivals. But even keeping prices low hasn’t affected the quality of the acts playing. Last year was great and I also experienced a few bands that I had previously never seen or heard of. One of the highlights from last year for me was And The Hangnails. We also saw the Entertainment Company and we liked them so much that we have booked them for Catwoman’s ‘significant’ birthday party next year.
The line-up for this year has two excellent bands that for one reason or another I have never seen before despite being a fan. Those bands are the fabulous Space and the headliners are the superb Inspiral Carpets. The ticket price is worth it for those two alone. One of the stages for 2015 will be curated by Rick Witter of Shed Seven, so I reckon that might be quite interesting. Other acts appearing are CryBabyCry, Happy Daggers, Hello Operator, Kimberly Kennedy, The Mothers, Rime Suspex, Rupert Stroud and Kid Conventional. I saw Hello Operator recently at the Basement in York City Screen and they are were excellent; a very loud, very powerful and explosive British rock band. I will be there along with my wonderful wife Catherine (a.k.a Catwoman) and hopefully a few of the friends that I have been promoting the festival to; John, Caron, Amelia, Shaun, Tracey you know who you are! Simon P, I know you’ll be there too and it looks like once again your music recommendations to me will be spot on! Finally I would like to say a big thank you to Stuart Kelly for starting this festival and building it to an even bigger level. Look out for my festival review at the end of June. Now get off your arse and get yourself a ticket! I will see you at the 2015 Apollo Festival at the York Sports Club, Shipton Road, York on Saturday 27th June. If you fail to turn up after all I have said then I will have to send the boys round!
Here we are at December 9th and edging closer to the visit of the big, bearded, red-coated house burglar on 25th December. That also means that it is day 9 of this years advent blog posts. The theme if you are not a regular reader is the ABC of British bands and day 9 means that we are at the letter ‘I’. What delightful British band do I have for you today? Well it’s none other than the marvellous Inspiral Carpets.
The band was formed in Oldham in the early 80s by Graham Lambert and Stephen Holt. Strangely I went to school with a Stephen Holt and I worked with a Graham Lambert; sadly different people from the founders of the Inspiral Carpets though. The band’s biggest success came between 1989 and 1995 when they had 14 UK top 50 singles. The biggest of those was 1992’s “Dragging Me Down” which reached number 12. They were dropped by their label, Mute, in 1995 and they broke up a little while after that. They reformed in 2003 and are still together now.
You may know that the band once had a certain Noel Gallagher working for them as guitar tech/ roadie. Obviously before his Oasis days. The Inspirals drummer Craig Gill formed another band after the break up. That band were named after a Creedence Clearwater Revival song, Proud Mary. That band were eventually signed to Noel Gallagher’s Big Brother record label. Another Inspiral Carpets roadie, Mike Collins, went on to bigger things too. He joined the Charlatans in 1991. Collins also went to school with Paul ‘Bonehead’ Arthurs off of Oasis.
My favourite Inspiral Carpets song ever is “Saturn V”, what is yours?
The late and incredibly great Jeff Buckley was once a roadie for the Commitments and this is apparently how he secured his residency at the Sin-e in New York. I know that Noel Gallagher was a roadie/ guitar tech for the Inspiral Carpets before he joined Oasis and the Meatloaf played a roadie in the 1980 film ‘Roadie‘ (which also featured appearances from Blondie, Alice Cooper and Roy Orbison). There have also beeen a few songs about roadies too. But I’d love to hear from you with any other stories of roadies who went on to find fame themselves.
and a roadie related song to finish 🙂
Based upon information released recently it is alleged that the US Government had planned to blow up the moon in the late 50s as a means of intimidating their nemesis in the Cold War, the Soviet Union. After the Russians effectively took the lead in the Space Race with the launch of Sputnik in 1957 it was apparently believed that a show of strength like blowing up the moon would really scare the Russians. Apparently it was called ‘A Study of Lunar Research Flights’ or ‘Project A119‘. Even that sounds a little James Bond like doesn’t it?
It really does seem like a crackpot scheme and it is unlikely at the time that anyone possessed enough in their nuclear arsenal to actually complete the task. At best it might have left the man in the moon looking more like the elephant Man and the satellite’s surface covered in high levels of radiation. In addition any debris that fell to earth would almost certainly have been radioactive as well.
I wonder if this idea came from the same think tank that thought of the idea of using an explosive cigar to blow up Fidel Castro or to rig the voting in Florida in 2000 in favour of Dubya. Ooops wait a minute that second one was true wasn’t it? had it happened then Neil Armstrong probably wouldn’t have been there to utter his famous ‘one step for man’ line. But then again maybe it did happen and didn’t work very well other than to make the moon radioactive. That would certainly give more credence to those people who believe the moon landings were faked and took place in a film studio directed by Stanley Kubrick.
I’d love to know what you think of this incredibly stupid, yet potentially real plan of Eisenhower’s government. Bearing in mind that his Vice President was Tricky Dicky Nixon, maybe it isn’t surprising! Anyway as I have said many times before so here are a few songs that may not have happened or certainly wouldn’t have been the same had the moon been blown to smithereens, feel free to add your own moon related songs.
Apologies but there are two kiddie fiddlers for the price of one on this next one!
And finally a special Billy Bonus, my favourite track from Pink Floyd’s ‘Dark side Of The Moon’; “Brain Damage”
With Just A Hint Of Mayhem 