With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

Hurray For The Riff Raff – The Crescent, York – Tuesday 15th August August 15, 2017


Having really loved Hurray For The Riff Raff‘s album ‘The Navigator’ on first hearing it earlier this year I was hoping to get the chance to see them live. Well that chance came around at a fabulous little venue, the Crescent, in my adopted home city of York. Were Hurray For The Riff Raff good? Well you will just have to read on to find out, but first let me tell you about the rather splendid support act, Alex Golisti. He played a great acoustic set including some of his own songs, one of which was an old banjo tune that he played on the guitar and had written his own lyrics for. He has a voice that at times shows similarities with both Tom Waits and George Ezra. He plays a style that evokes bluegrass and roots music with a modern twist. On top of all that he has a great self-deprecating sense of humour.

I was accompanied by my beautiful wife Catherine a.k.a. Catwoman this evening as she enjoyed ‘The navigator’ too. We were both very excited to be here and from the opening salvo of “Life To Save” and “Nothing’s Gonna Change That Girl” we were not disappointed. The energy shown by Alynda Lee Segarra and indeed the whole band never let up for the whole night. There were plenty of highlights notably for me the haunting rendition of “Fourteen Floors” with Alynda on keyboard. Then just when you think it couldn’t get better the band hit us with one of Segarra’s excellent protest songs, “Pa’ lante”. It has vision, power, heart, soul, deep emotion and an uplifting message. I understand that it is Spanish slang and that it means to “go ahead” or “go for it”. Alynda is very proud of her Puerto Rican roots and that shows on the current album and in her stage performance. The encore included a rousing cover of Springsteen’s “Dancing In The Dark” which had absolutely everyone on their feet. This is a band on top form and one who were really enjoying themselves. I will definitely be seeing them again! This was another great show from Please Please You, thank you Joe Coates.

 

My 1,000th Post – The bonus disc a.k.a Post 1,001 January 23, 2017


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A big thank you to all of you who took part in my 1,000th post, you can click here to read it again.This post, my 1,001st, is in effect a bonus disc of that original post. It includes all the outtakes from those of you who either changed your mind or could not make up your mind. As with cheap reissues that include bonus discs I don’t intend to say much about any of these songs. But if you wish to say something about your song that never made it feel free to add a comment. The people who have contributed to this post are; my beautiful wife Catherine (a.k.a. Catwoman), Katie Jane Hardy, Karen McPoland, Carl Rogers, Paul Terry, Rachael Baines- Holmes and me. One song from everyone, except for Karen who has two. Can you guess who chose which song? Incidentally I was very pleased to see two tracks from Ziggy Stardust in this collection!

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This is it, my 1,000th blog post! January 22, 2017


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Well blow me down with a feather, knock me down with an empty washing up liquid container, hit me on the head with a silk handkerchief or spank me with  a lollystick! This is my 1,000th post on this blog. It has taken eight years, but wow I am amazed that I have got this far with it. As a special offer to my blog followers and Facebook friends I opened this post up to you. I asked you to send me one song or artist and those songs and artists would form the content of this post. I did promise to say something nice about your choice and I will certainly try to stand by that, even if you have sent me a song that you know I do not really like, actually there were very few of those.  So here we go and there is no particular order or sequence to this by the way.

First up was suggested by a man who is exactly one year older than me, Vijay Ragoonanan. His choice is the first one that I received and it is a pretty classy one too. It’s “Train In Vain” by one of my favourite bands, the Clash. It was their first top 30 hit in the US and was largely called “Train In Vain” to avoid confusion with the Ben E King classic “Stand By Me” as the common refrain throughout the song is ‘stand by me’

Next up are three songs from the same family Caron Godbold Darbyshire Williams, John Williams and their wonderful daughter (who is also my Odd Daughter) Amelia. Caron chose “High” from the Lighthouse Family which was hers and John’s first dance song at their wedding. This remains the band’s most successful song, it reached the top ten in eleven countries, including number one in Australia back in 1998. John chose the timeless Don McLean song “American Pie”.  McLean has spoken very infrequently about the meaning of the song other than to confirm that the day the music died refers to the death of Buddy Holly in a plane crash on February 3rd 1959. However many people have speculated that it summarises much of America’s relatively recent history along with some related music history, for example ‘the quartet practised in the park’ is believed by many to refer to the Beatles. Amelia’s offering was One Direction with “History”. One Direction are one of the handful of acts that have remained a success long after their reality TV star burned out. This song gives a co writing credit to band members Louis Tomlinson and Liam Payne along with Julian Bunetta, John Ryan, Wayne Hector and Ed Drewett. Released at the end of 2015 it currently sits as the final single from the group now that they all appear to have gone their own way. It made it to number 6 in the UK and only hit 65 in the USA.

Sam Claypole has the next song and it’s American crooner Barry Manilow with “Could It Be Magic”. The lyrics were written by Adrienne Anderson and the music by Bazza himself. As with most Manilow songs the production is damned good. It was produced by Barry along with Ron Dante. It has been covered by many acts, notably by Take That and Donna Summer. My favourite version of the song is Donna Summer’s and I don’t really like the bombastic over production on the Take That cover.

The next offering is from someone who I went to school with back in the 1970s, Susan Norris. She has given us the sublime UK number one from 1968 by Fleetwood Mac, “Albatross”. This remains the band’s only UK number one, albeit with a very different incarnation of the group from the mega selling troupe that straddled the globe with ‘Rumours’ in the late 70s. Did you know that “Albatross” allegedly influenced a Beatles song? Apparently it was a strong influence on “Sun King” from 1969’s ‘Abbey Road’ album.

Top bloke Andy Copeland has selected the next track, I work with Andy and he sees me as some kind of old cockney geezer and provided me with the nickname Albert! Anyway as a result Andy proposed anything from Chas ‘n’ Dave, so in order not to disappoint I will treat you to “The Sideboard Song” from those cheeky London chappies. The song just missed out on a top 50 UK chart placing peaking at number 55 in 1979. It was taken from their very cockney titled album ‘Don’t Give A Monkey’s’

Someone else that I work with has the next song in the list and it is in my opinion an all time rock classic. Adrian Caines thank you for bring us Rush with “Spirit Of Radio”. Interestingly this is the only act that will feature twice on this list, more from them later. The song was released in 1980 and comes from what I believe is their seventh studio album ‘Permanent Waves’. It is still the band’s biggest UK hit having peaked at number thirteen. The song has been covered by the Catherine Wheel and sampled by Saint Etienne.

Simon Pattinson, a tireless promoter of new (and often local) music brings us York band Faux Pas who launched their first EP at Fibbers in York a few weeks ago. They have already performed at the Leeds Festival and have had some airplay on Radio 1. This teenage 4-piece have a very bright future I reckon, what do you think? The song is “I Hate Dancing”.

David Burr requested Barbara Thompson’s Paraphernalia with “Unity Hymn” which I have struggled to share with you as I can’t find a link that will play you any more than 30 seconds of this classy song. If you have a link feel free to share it. I have listened to the track on Spotify where it is credited to Barbara Thompson’s Paraphernalia (featuring John Hiseman, Peter Lemer, Malcolm Macfarlane, Paul Westwood, Anna Gracey Hiseman and the London Gospel Singers). I have added a link to a whole show from 1991 though. Barbara is a very experienced and skilled jazz saxophonist who has been playing professionally for many years. She received an MBE in 1996 and in the early part of this century she had to retire from playing for a while due to Parkinson’s Disease, but she is back now and is a permanent member of Colosseum for whom her husband Jon Hiseman is the drummer.

Among the liveliest of my Facebook friends is Katie Jane Hardy and she has chosen “Ain’t It Fun” by the Dead Boys. Originally fronted by Stiv Bators this band from Cleveland, Ohio were around at the first flush of punk from 1976 to 1979. Stiv sadly died in 1990 after being run over by a taxi, although the band did get back together in 2004 and 2005. “Ain’t It Fun” comes from their 1978 album ‘We Have Come For Your Children’.

Someone else that I went to school with in the 70s, Jane Price, selected the next song and it is a 70s classic; “Heart Of Gold” from Ole Shakey himself, Neil Young.  Taken from the album ‘Harvest’ in 1972 it is so far Neil’s only US number one single. Backing vocals on the track are courtesy of James Taylor and Linda Ronstadt.

I would like you to thank Shaun Flannery for the next song, it is “Angels” by Robbie Williams, who as Shaun pointed out to me is a Brits Icon winner, personally that just proves to me how meaningless the Brits actually are. Now many of my regular readers know that I am not a big Robbie fan and one of my least favourite songs ever is “Angels” (along with John Lennon’s “Imagine”). But I did say I would try to be nice. The song was co written by Robbie, Guy Chambers and Ray Heffernan. In 2005 a UK poll voted it the most popular song that was requested at funerals in the UK, I’m not quite sure what that says about it. Robbie has had seven solo UK number one hits in the UK, although “Angels” only made it to number four back in 1997.

I used to work with our next contributor and we have also been to a few gigs together too, Simon Hernaman has chosen “Rockwrok” by the John Foxx incarnation of Ultravox. It was released in 1977 and was taken from their ‘Ha! Ha! Ha!’ album. The B -Side of the single was an alternate version of “Hiroshima Mon Amour” from the one on the ‘Ha! Ha! Ha!’ album

Karen McPoland struggled to choose just one song, in fact she offered me three and asked me to choose. A couple of you gave me an initial choice and then changed your mind, so who knows, perhaps they might all appear on a future post, 1,001 perhaps? Anyway I chose the Eels from Karen’s list with “The Look You Give That Guy”. The Eels were formed in 1995 by Mark Oliver Everett also known as E or Mr E. His father Hugh was a physicist who was one of the first people to propose the potential existence of multiple universes or the Many Worlds Interpretation of Quantum Physics. The song is taken from their 2009 album ‘Hombre Lobo’ and was a big hit in Belgium.

My good friend and regular Reading Festival buddy wanted the Glass Animals to be included, so obviously they will be. They originate from Oxford where they formed in 2012. They have played a number of festivals around the world and released their second album ‘How To Be A Human Being’ last year. I have chosen “Youth” from that album.

Someone else that I used to work with many years ago picked the next song and it’s a bit of a Prog classic from Yes, thank your Graeme Card. It comes from ‘Yessongs’ which was the band’s first live album. The track originally appeared on the studio album ‘Close To The Edge’.

Jon Reeton is next up with “No Bravery” from James Blunt. I was never a big fan of Blunt, but I have great respect for his deftness at self-deprecation. I think he has an incredible sense of humour, but his music doesn’t do too much for me. However Jon pointed out how meaningful the lyrics are even now and I find it hard to disagree with that. The song was written by Blunt with Sacha Skarbek and can be found on his debut album ‘Back To Bedlam’ from 2005.

A little bit of reggae next with “You Don’t Love Me (No, No, No)” by Dawn Penn, thank you to Carl Rogers for this one. The song reached number three in the UK charts in 1994. Penn first recorded a song with this title in 1967 and it was based on a track by US R & B singer Willie Cobbs which in turn was heavily influenced by a Bo Diddley song. That is why the 1994 release from Dawn Penn credits both Cobbs and Diddley as writers.

Paul Terry offered me two choices and I wonder if he might be surprised that I chose Justin Bieber from the two? Anyway while I can’t say I am a Belieber I do like some of his more recent stuff. Especially “Love Yourself” which was written by Ed Sheerhan along with Benjamin Levin (a.k.a. Benny Blanco) and Bieber. It spent six weeks at number one in the UK chart.

Suzi Stacey my online witchy sister has picked a Rolling Stones classic “Mothers Little Helper”. Obviously this is not a drug related song, well ok it definitely is. Don’t do drugs kids otherwise you might live as long as Keith Richards. Hang on that sounds like a good thing though right? OK I sound like I’m high now, just enjoy the song ok.

I told you that there would be another entry from Canadian rockers Rush and I wasn’t lying. This time it is “Tom Sawyer” chosen by my mate Andy Golborne. It was the opening track on their 1981 album ‘Moving Pictures’. VH1 named it the 19th Greatest Hard Rock song of all time in 2009.

Now we have a track from the late, great Gary Moore which also features the late, great Phil Lynott. Thank you for Jacqui Parkin for choosing this one, I think it is a true classic. The song made it to number 8 in the UK singles chart in 1979. It was written by Moore and Lynott. Thin Lizzy drummer Brian Downey also plays on the track.

The next song is very much one of my favourites as it was the first dance after marrying my beautiful wife Catherine. In fact this is Catherine (a.k.a. Catwoman)’s choice. It is the truly sublime “Into My Arms” by Nick Cave. Just listen to it, is there anyone out there that doesn’t like this song? It is also the only song that I know that includes a reference to an ‘interventionist God’.

Sara Hayes has chosen the 25th song which spookily has the number 25 in the title, it s Edwin Starr with “25 Miles” a fabulous slice of Motown genius. It reached number 6 in the US chart and 36 in the UK chart when issued as a single in 1969. It was written by Johnny Bristol, Harvey Fuqua and Edwin Starr. This song was also a big hit on the Northern Soul scene in the UK.

Rachael Baines-Holmes picked the next song and it is a slice of punky class; the Dead Kennedys with “Holiday In Cambodia”. It was written by the band’s front man Jello Biafra and John Greenway and it was the second single to be released by the group when it came out in 1980. It followed “California Über Alles”. Both songs were included on the album ‘Fresh Fruit For Rotting Vegetables’.

So there you have it twenty-six songs provided by a selection of my friends. Thank you for being a part of this and for reading my blog and putting up with all the puns and shit that I post on Facebook. Finally though I will leave you with my selection. I have said loads about it on previous blog posts and it is without doubt my favourite song of all time. “No Woman No Cry” Bob Marley and the Wailers taken from the ‘Live At The Lyceum’ album from 1975

 

“Let me get the story straight you never gave me a break” November 16, 2016


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Regular readers will know that I am a fan of classic British punk band and now old men like me The Damned. In fact I even saw them play live recently. Anyway did you know that there is a link between Vanian, Sensible and the boys and Aussie legend Nick Cave? Well there is!

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Are you familiar with the Damned’s 1985 album ‘Phantasmagoria’? Yes I know it was  their major label debut (thank you MCA), but did you know that Nick Cave’s future wife Susie Black was on the cover? Well she was indeed! That was another ‘With Just A Hint Of Mayhem’ public service announcement. Obviously I took another opportunity to play Nick Cave’s magnificent “Into My Arms” for my beautiful wife Catherine a.k.a. Catwoman. In case you didn’t know, that is our song 🙂

 

 

Lazarus – Kings Cross Theatre London Saturday 29th October 2016 November 2, 2016


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Many regular readers will know that I am not a big fan of musicals. However there have been some exceptions to that rule for me; Sweeney Todd and Grease are two of those. But a musical that David Bowie wrote with Enda Walsh which debuted in New York a few weeks before he died? Well I was never going to miss that was I? My lovely wife Catherine a.k.a Catwoman accompanied me to London on Saturday for the matinee performance of Lazarus which opened in October and runs through to January. It is in the Kings Cross Theatre which is effectively a pop-up theatre on land owned by Google at the back of Kings Cross station. For a pop-up it is pretty damned good.

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Lazarus is a sequel to The Man Who Fell To Earth and most of you probably know that David Bowie played the lead role of Thomas Jerome Newton in the Nic Roeg directed film version of the Walter Tevis book in 1976. It was his first major film role. The stage musical recounts the life of Newton after he was prevented from leaving earth. He is spiralling into a total mental meltdown and spends his day becoming more paranoid, watching TV, drinking gin and reminiscing of past loves; his wife on his own planet and Mary Lou here on earth.

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The lead role of Thomas Jerome Newton is taken by Michael C Hall off of Dexter. We were lucky enough to see him, despite our tickets being for the matinée. He has a great singing voice although occasionally his speaking voice did simply sound like Dexter. But that is by no means a distraction he is an incredibly talented actor and singer. In fact the whole cast are supremely talented. When I first saw the songs included within the Lazarus musical I was a little surprised. There are a few big hits and the ones that worked best for me were “The Man Who Sold The World” and a magnificent and very different version of “Heroes” which closed the show. There are some songs written especially for the musical; “No Plan”, “Killing A Little Time” and “When I Met You”. Those three as recorded by David Bowie were recently released as CD 2 of the cast recording. I have never had great affection for Bowie’s 80s albums however there were some fabulous singles in that time and “This Is Not America” and “Absolute Beginners” work incredibly well in this context.

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I was amazed at how well all the songs fitted the musical’s story line so well. It was as if they were all written especially for it. I never would have expected “It’s No Game” from ‘Scary Monsters’ to work as part of a stage musical but it really does as does “Always Crashing In The Same Car” from ‘Low’. But the highlights for me were “Valentine’s Day” and “Where Are We Now” (both taken from ‘The Next Day), “Lazarus” from ‘Black Star’ and the previously mentioned “Heroes”. The story is very cleverly written and flows really smoothly. The set is quite sparse and this allows a total free space for the cast to weave their magic. The use of some very different lighting and the giant TV screen contributes in a complimentary way to the whole experience. There are seventeen songs performed during the show along with two songs that get played in the background; Mr Bowie’s “Sound And Vision” and Ricky Nelson‘s “Hello Mary Lou“. You will have needed to have watched the film of ‘The Man Who Fell To Earth’ to get the inclusion of that Ricky Nelson classic.

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All in all this is a magnificent, heart warming and heart-rending show and it acts as a poignant reminder of the true talent that left this world when David Bowie died in January. My good lad Catwoman said that had she not been married to me she probably wouldn’t have bothered to come and see Lazarus. However she enthused about it just as much as me afterwards. We both loved it and I am sure that you will too whether you are a Bowie fan or not. I would love to hear your thoughts if you have already seen it in London or New York.

 

Jordan Mackampa – City Screen Basement York – Tuesday 20th September 2016 September 20, 2016


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Here I am at yet another gig put on by my good friend Simon Pattinson. He has never let me down yet, will he keep his 100% record? Read the whole review to figure out the answer. (No pressure Mr P!). This was a gig that the delightful Catwoman (a.k.a. my beautiful wife Catherine) joined me for and unlike the Gary Numan debacle from a few years ago she really enjoyed it, as did I.

First up was a young man called Mikey who appeared under the name Epilogues. He is a singer songwriter with some really good songs and an excellent and savvy use of technology including playing through his phone some elements that he had recorded earlier. He had some problems with his G String and before you go all Carry On Films on me I mean on his guitar. He overcame that and a slight bit of nervousness with aplomb and played a great set. To me he came across as a more folk based and influenced multi instrumentalist along the lines of Jack Garratt. Mikey also possesses a great voice, this bloke has a lot of potential. Incidentally I need to apologise to Mikey as I didn’t get a picture of him for this post, sorry mate!

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Crispin Halcrow

Crispin Halcrow was next up, I first saw him supporting Adams French back in January at this same venue. He was good then and he has also improved too. He has some beautiful songs some of which are easily on a par with Billy Joel‘s “So It Goes” which he covered tonight. One of Crispin’ s compositions “Say Goodbye” (at least that is what I think it was called) was a wonderfully sad song that also contained great beauty. Maybe I’m mad here, but I reckon Rod Stewart would make an excellent cover of that song. Crispin from Kendal remains reminiscent of the likes of Seth Lakeman for me. He is most definitely an artist with great potential.

Amy May Ellis

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The next act to take the stage was Amy May Ellis accompanied by her ukulele. She is a great talent with a haunting and siren like voice which weaves the words of her songs with a soaring grace. I reckon she would be one of the few artists that I have seen that could also do her whole set acapella with no detrimental effect. She readily admits to being no comedian, but here jokes (one about a polar bear and the other about snowmen) were pretty good. As for the swearing song, was it called “Existential Life Crisis”? That was brilliantly and wickedly funny. Amy is a prodigious talent and someone that I would definitely pay to see again.

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Jordan Mackampa

Now it was time for the main man, Jordan Mackampa on what was the seventh show of his first UK headline tour. He is a proper and very talented showman. Imagine how John Legend might sound if he sang behind a guitar rather than a keyboard. Jordan plays and writes supremely soulful and emotional folk rock music. I also really enjoyed those woo woo backing vocals he had us in the audience performing too. Catwoman and I harmonised really well, at least I think that we did! “Colours” is an amazingly poignant song. It brought tears to my eyes and made me think of two people very close to me that are currently battling that evil bastard of a disease known as cancer. You both know who you are and I want you to know that I love you and I will always be there for you. Jordan has some immensely inspirational songs which really touch our simple human emotions. I can see myself listening to him a lot in future.

 

 

 

Apollo Festival – York – Saturday 25th June 2016 June 30, 2016


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I wonder how long it will be before folk start referring to the last weekend in June as Apollo weekend and not Glasto weekend. Well many people in York already do, and rightly so this relatively new festival is still very vibrant, friendly and fun even in its fourth year. I have now been three times and I enjoyed each visit immensely. If you like good music and a good day out for the family in Yorkshire then look no further than York’s Apollo Festival.

Anyway this year I was a bit of a lazy stage hopper in that I only visited one other stage apart from the Main Stage. I arrived at about 11.15 along with my beautiful wife Catherine a.k.a. Catwoman our good friend Caron and our amazing Odd Daughter Amelia. The first act we saw was the Ainsty’s Got Talent winner B Boy Swirl, aged just nine years old he is just three years older than Amelia. He proved himself to be a talented whirlwind of beatbox noise and break dance frenzy. What a brilliant start to the day.

Next up on the Main Stage was someone with a vocal talent that could easily compare and compete with Adele. The magnificent and truly soulful Kymberley Kennedy. Definitely check this lady out, she has a gorgeous voice. After that it was a quick dash to the Rick Witter Premier Stage for me to catch the final part of a stunning set from those magnificent scamps, the Mallrats. Just like the last time I saw them they were awesome!

I made my way back to the Main Stage for the second half of the Jackobins set. These scousers owe a debt to Brit Pop, but only a small one. Their talent goes much deeper than that. Ace mod covers band the outstanding 5:15’s were up next. What a party band these boys are, covers of the Jam, solo Weller, the Specials, the Yardbirds and so much more. They were followed by Chris Helme the former front man of the Seahorses. He is clearly a very talented and very chilled kind of bloke. But I’m afraid his music just doesn’t do it for me. But to each their own right?

I was disappointed that I had to miss the Supermodels this year. But I did have good reason,  I had earlier bumped into the fabulous Rachel Brown of Northern Exposure who has recommended the Velcro Teddy Bears for ages. So clearly I was not going to miss them. Rachel and her fella Ash were also in the audience in the Rick Witter Premier Stage for the Velcro Teddy Bears Apollo début. So what were this highly rated Sheffield four piece band like? The were bloody stupendous. They rocked the place hard. If you love Led Zep, the softer side of Sabbath and hard but soulful rock then you will become a fan of the Velcro Teddy Bears. An incredibly tight band with a vocalist who could probably make any song his own. Their songs have the hallmarks of future classics. For me they were the band of the day. Thank you Rachel! I was also pleased to see my mate Kevin Forth in attendance too.

Dave McCabe and the Ramifications were next to entertain us from the Main Stage. Dave in case you wondered is a former Zuton. The band was excellent from start to finish in my opinion although I really would have liked to have seen them close with “Valerie” but Dave was having none of that.

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Dodgy were the penultimate Main Stage band and it is fair to say that they were far more than just “Good Enough”. A stonking version of “Staying Out For The Summer” even managed to keep the rain at bay for a while. Sadly the rain really kicked in after Cast’s arrival, what a “Fine Time” for a downpour? So I must apologise to the marvellous Cast as we left about halfway through their set as we were soaked. But they are clearly still a great festival band. I saw them back in the 90s and if anything they have got even better.

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So once again I have had the pleasure of attending another wonderful Apollo festival. This is one small wacky step for Dad dancing but one giant leap for festival kind. If you’re not already thinking about getting your tickets for next year, well frankly you’re not well!

Public Service Announcement – None of the pictures or videos were taken or filmed by me. I ‘borrowed’ them all from t’interweb.

 

 
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