With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

The Mayhem Monthly Top 20 Artist Chart – July 2022 August 2, 2022


The Mayhem Artist Top 20 artist chart for July 2022 is here. Many of you know that I am a keen user of a site called Obscurify. It claims to tell you how obscure your listening on Spotify is. Compared to the rest of the UK I achieved a level of only 95% more obscure than other users in the UK this month, two points down from last month’s 97%. Although my obscure overall percentage remains at 99%! Regular readers will know that it also lists my most obscure artists, which currently are;

Promethium (The British metal titans returned to this list last month after a short break and they are still here)

Vaquelin (One of York’s finest young bands. You will be hearing more about them on this site soon). Check out the video for their latest single “Broken Window” below, watch it through to the end and you will witness my first acting performance, which I am sure will be winning many awards before long! I play old bloke at the bar with a pint of Guinness!

Hannah Robinson (talented singer who provided haunting vocals for the Last Of The Fallen Angels single “Red Dress”

The Last Of The Fallen Angels – (and speaking of the Last Of The Fallen Angels here they are, Conrad’s lot are firm favourites at Mayhem Towers)

MARQ Electronica – (The Talented Mr. Electronica graced the world with the rather fantastic album ‘Savage Times’ recently)

As for the July Top 20, Dame David and Kate Bush remain from the last chart, but this time Bowie drops from number 1 to number 4 and Kate Bush is up from 16 to 6. Soul music, specifically Motown is represented by the Supremes and Syreeta Wright. Meanwhile, reggae is represented by Burning Spear. Four of the five artists on the obscure list above are also in the top 20; MARQ Electronica (no. 3), The Last Of The Fallen Angels (5), Vaquelin (13), and Hannah Robinson (17). Classic bands and artists include Steely Dan, Nick Cave, Eminem, the Streets, Panic! At The Disco, and Hootie and the Blowfish. I am just preparing a review of Hottie drummer Jim Sonefeld’s autobiography ‘Swimming With The Blowfish. More recent but equally great artists include Captain Ska, The Beths, The Sheratons, and Yard Act. But it is disco music that makes it to the top of the pile this month thanks to the artist that made us feel mighty real, Sylvester! Check out the full chart below. I really would love to hear your thoughts on this chart. Please keep your eyes open for the fifth Mayhem Monthly Song Chart, just like an old-school top 20 singles chart! That one includes songs by eight of the artists featured in the July Artist Chart.

1 Sylvester
2 Hootie and the Blowfish
3 MARQ Electronica
4 David Bowie
5 The Last Of The Fallen Angels
6 Kate Bush
7 Captain Ska
8 Steely Dan
9 Burning Spear
10 Panic! At The Disco
11 The Beths
12 Nick Cave
13 Vaquelin
14 Supremes
15 Syreeta Wright
16 Eminem
17 Hannah Robinson
18 The Streets
19 The Sheratons
20 Yard Act

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My 2020 On Spotify And Some Deeper Listening Stats! January 17, 2021


I thought I would share some of my Spotify listening habits. Apparently I listened to Spotify for more than 12 days last year, I wish I knew how much time I listened to vinyl, CDs, MP3s, radio and other on line sources too. I discovered 577 new artists, wow! My most listened to song was David Bowie’s version of “Wild Is The Wind” and unsurprisingly Bowie was my most listened to artist once again (996 minutes, nearly 6% of my total Spotify listening time) I was also in the top 0.5% of Bowie listeners. The other artists in my top 5 were Biffy Clyro, the Streets, Ella Fitzgerald and Woke Up Dead. I listened to 1,286 artists. My top decade was the 1970s, again no surprise there. Top genres were Rock, Soul and Dance Rock. Rather fascinatingly my music is more obscure than 80% of UK users, what on earth does that mean? I also found a few rather amusing, to me anyway, graphs and charts to accompany this post!

Since starting on this post I have also discovered a few sites on which you can regularly update your Spotify statistics split between artists and tracks and then last 4 weeks/ current, Last six months and all time within that. My favourites among these sites so far are Favourite Music Guru, Obscurify Music and Stats For Spotify. Have you used any of these or can you recommend others?

In case you’re interested in my warped eclectic taste these are my top artists on Spotify (Current, Medium Term and all time) The top songs follow those lists. Incidentally the Kunts and Jarvis Cocker feaure strongly on the tracks lists simply because I did my bit to get them to be the Christmas number one in the UK these last two years!

Top Artists — Short Term (4 weeks)

  1. The Beatles
  2. Yusuf / Cat Stevens
  3. Eagles
  4. London Symphony Orchestra
  5. Evie Sands
  6. Rumer
  7. Jackson Browne
  8. David Bowie
  9. Bobbie Gentry
  10. Harry Styles

Top Artists — Medium Term (6 months)

  1. David Bowie
  2. Biffy Clyro
  3. Gregory Porter
  4. The Avalanches
  5. John Lennon
  6. Eminem
  7. Stevie Wonder
  8. Stephen EvEns
  9. Ella Fitzgerald
  10. The Beatles

Top Artists — Long Term (years)

  1. David Bowie
  2. Bob Marley & The Wailers
  3. Biffy Clyro
  4. Frank Turner
  5. Bruce Springsteen
  6. Four Tops
  7. Eminem
  8. Johnny Nash
  9. Elton John
  10. The Streets

Top Tracks — Short Term (4 weeks)

  1. Boris Johnson is a Fucking Cunt – Single Edit — The Kunts
  2. Billy the Kid, Ballet Suite: I. The Open Prairie — Aaron Copland, London Symphony Orchestra
  3. True Faith ’94 — New Order
  4. Jamaica Say You Will — Jackson Browne
  5. Everybody Used to Love You — Silverjet
  6. Raison D’Être — Stolen Dead Music
  7. Wear A Mask — Sing Sing Rabbit
  8. Three Points on a Compass — Martin Rossiter
  9. Drag Me to the Light — Miles and the Chain Gang
  10. Alfred – Intro — Eminem

Top Tracks — Medium Term (6 months)

  1. Boris Johnson is a Fucking Cunt – Single Edit — The Kunts
  2. Taking It Slow — Heartsink
  3. Concorde — Gregory Porter
  4. Freakin’ At the Freaker’s Ball — Dr. Hook
  5. Pepper — Butthole Surfers
  6. Career Criminal — Stephen EvEns
  7. Close — The Islas
  8. Belladonna — Spunsugar
  9. Make Us Eat — The Shining Tongues
  10. Smiling — Alanis Morissette

Top Tracks — Long Term (years)

  1. Boris Johnson is a Fucking Cunt – Single Edit — The Kunts
  2. Running the World — Jarvis Cocker
  3. Star Treatment — Arctic Monkeys
  4. (red, white, and blue) Cheerfulness — Perry Farrell
  5. Balance, Not Symmetry — Biffy Clyro
  6. Future Legend – 2016 Remaster — David Bowie
  7. Deep Sea Dreaming — Ocean Flaws
  8. Loser of the Year — Woke Up Dead
  9. Three Points on a Compass — Martin Rossiter
  10. Wild Is the Wind – 2016 Remaster — David Bowie

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Catherine Rocks The Cleveland Way Part 2 June 7, 2018


Regular readers and people who know me will by now be aware that my wonderful wife Catherine has embarked on a mammoth 109 mile charity walk on the Cleveland Way in the North East of England. I posted about it recently click here for part 1. Why is she doing this? Well four years ago Catherine and I were totally devastated by the loss of two children as a result of an adoption disruption. It was clear to us that the support needed by vulnerable children was just not available. There was no money and no urgency to the long-term support that was needed. It is incredibly important to both of us that the children and young people in our community have access to the support they need to thrive and to grow into happy and resilient adults. We know that we are unable to do anything now for the children we lost, but we want to try to make a difference to the lives of other children and young people. We want to do whatever we can to try to prevent what happened to our children from happening again. Please feel free to contribute toward Catherine’s target of £10,000. Her efforts so far means that she is already at 85% of that total. Click here for the link to donate.

Anything you can add to that will be invaluable to the two charities we are supporting. Those charities are The Island (Enhancing the quality of life for vulnerable children and young people in York) and SASH (Working to prevent homelessness in young people aged 16-25 in York, North Yorkshire & East Yorkshire).

The Island offers support to vulnerable 8-13 year-olds in York who are struggling to cope at home, at school, or in the wider community, or who are experiencing difficult transitions in their lives. The Island links these young people with volunteer mentors with whom they meet on a weekly basis over the course of a year (or longer if required). This allows them to develop supportive, ongoing relationships, whilst also providing them with the undivided attention and the ‘islands of space and time’ they need to increase their confidence and self-esteem, participate in worthwhile recreational activities, and move forward in their lives.

SASH run supported lodgings schemes which help young people develop the skills they need to live on their own. They provide an emergency nightstop service that makes a difference to young people’s lives when most needed.

The final leg of her journey is tomorrow, Friday 8th June where she is due to take the final step of those 109 miles at around 5:30 pm. I cannot begin to tell you how proud I am of this very special lady. I love her down to her bones and apparently those bones are aching like hell at the moment! So dig deep and contribute whatever you can 🙂 To spur you on here are a few walking related songs.

 

Leeds Festival Day 3 Sunday 27th August 2017 August 30, 2017


Click here to read my review of day 3 of the 2017 Leeds Festival on the Hype Media site. I would like to thank the lovely gang at the Hype Media for giving me the opportunity to be there! Words by me and pictures by rock photographer extraordinaire John Hayhurst of snapagig. Except for the Marshall Mathers picture, that one was a lucky find.

 

Black Lagoons, Broken Skulls, Mall Rats & Blind Eye – The Crescent, York – Friday 22nd January 2016 January 23, 2016


I once again had the pleasure of attending a gig set up by the fabulous Northern Radar a.k.a Simon Pattinson. It was at the Crescent in York a new community venue that I have not been to before. As usual with Simon’s shows the quality was top-notch. I have been to many gigs arranged by Simon and so far there has not been a bad one. No pressure for next time then Simon! Tonight’s bill featured two bands that I have seen before and two that were new to me. Incidentally it was great to catch up with Jordan Bell off of Avalanche Party, Mike Harrison, Joe Alexander and obviously Mr Pattinson himself.

blindeye

The proceedings were kicked off by the majestic power trio known as Blind Eye who I have seen before, the boys were fresh from recording their EP at a studio in Manchester. They gave us a couple of new songs that in a few years I am sure will be seen as Blind Eye classics; “Stained Glass Windows” and “Vultures”. Along with some of their older songs they also performed one of their customary covers, this time it was a thunderous run through of the Beatles classic “Come Together”. They even managed to incorporate a few lines of Eminem’s “Lose Yourself” into the song. This band is truly fucking awesome, their EP I am sure will be off the scale good.

mallrats

OK now I want you to imagine a band that is a cross between the Velvet Underground with all of Andy Warhol’s arty-farty stuff removed and then crossed with Nirvana. Can you picture that? Good now think of that band’s drummer being a reincarnated John Bonham (not because they look the same but that they share the same pounding power. Do you have the picture in your mind? Can you imagine the sound that such a band would make? Excellent because that band Ladies and Gentlemen is the Mall Rats. A brilliant band whose closing song “Plunge Pool” was one of the most moshtastic of the whole evening.

broken skulls

The third act on tonight was another York band that I have seen before, the truly stupendous Broken Skulls. These two brothers come across like the Kings Of Leon genetically spliced with Royal Blood and then injected with a massive testosterone booster. How can two people make such a loud but beautiful noise? I really don’t know but they do. Maybe we need to ask them how they do it. Anyway it would be fair to say that they really owned the stage during their set.

blacklagoons

I have not had the pleasure of witnessing a show by the Black Lagoons before tonight so I wasn’t quite sure what to expect. Even more so when I cast my eyes on the band for the first time. The majority of them have probably never seen a razor. Not because they are hirsute with resplendent facial hair but because I don’t believe that some of them have started shaving yet. But don’t let that put you off, for whatever age they are, and frankly I don’t care, they are a stunning live act. What do they sound like? That is a difficult question to answer, but it is almost as though they have invented a new genre of music which I will call Prog Punk (or possibly Punk Prog). These lads can only get better in my opinion and they are very damned good already. I tried to imagine the Queens Of The Stone Age as a school band and that captured a degree of what the Black Lagoons are. On top of that they have a reborn Keith Moon on drums and the coolest, most serious faced bass player since John Entwistle. I recommend that you check out all of tonight’s bands. No wait I don’t recommend that you do it, I order you to do it!

Public Service announcement all the pictures were taken by me and the videos are courtesy of YouTube. However I couldn’t find a Mall Rats video, so if you can send me the link to one then feel free to do so 🙂

 

 

Brit Awards 2014 – Wednesday February 19th 2014 February 19, 2014


brits 2014The Brits has kicked off well with a storming “R U Mine” from those Sheffield scallywags the Arctic Monkeys. Will it all go downhill from here? Let’s find out shall we? Well at least James Corden was finally on fire for the first time hosting this show. Well the sleeve of his jacket was to set up a lame joke about the Arctic Monkey‘s pyrotechnics. Thankfully this will be his last Brits. The British Female Brit award was presented the shortest man in music Prince Rogers Nelson accompanied by his new band. Corden interrupted for a selfie with the purple one. Ellie Goulding won it and given the nominees deservedly so in my opinion. She was somewhat awed by meeting Prince too.

Katy Perry was next on stage and she went a bit Stargate Cleopatra on us. She sang “Dark Horse” from her new album ‘Prism’. I presume it’s not a George Harrison tribute. Kylie and Pharrell Williams presented the International Male solo Artist award after more inane and unfunny shite from Corden. It was won by Bruno Mars; personally I expected it to go to Justin Timberlake although I would have voted for Eminem.

Tinie Tempah and Fearne Cotton rocked up to present the British Breakthrough Act Award. It was well won by the rather excellent Bastille. I love the ‘Bad Blood’ album. Sadly Corden was back after that with a dreadful interview with One Direction which included some pathetic jokes about Justin Bieber in prison. Then we were subjected to Bruno Mars with “Treasure”. But to be fair I judged him too soon, that was a good performance. Really classy modern R & B.

Next up a welcome return from Lily Allen to present the award for Best British Group. Thank fuck it wasn’t won by Wand Erection. It went to a proper band instead. The marvellous Arctic Monkeys. The previously known winner of the newcomer award was the understated but talented Sam Smith.

Now we have the Global Success Award presented by Rosie double-barreled surname. Who the fuck is she? Was this Award manufactured for the ultimate manufactured band One Direction? Can’t we just sell them to the USA? Is Harry Styles having a wee the most controversial act of this years show? Sadly it probably is. The revolution doesn’t start here!

Beyonce live, now that was bloody good in my opinion. But was she lip syncing “XO”? The nest award was for best British single, presented by Katy Perry. Was she trying an English accent? Won by the fabulous Rudimental which thankfully beat Olly Murs and Wand Erection.

The first collaboration of this years show was Disclosure and Lorde with a really cool and funky take on Lorde’s “Royals”. Followed by a brilliant live rendition of “White Noise” with Aluna. The International Group award was presented by Cesc Fabregas (WTF?) and Nicole Scherzinger. The winners were Daft Punk. Could it really have been anyone else? The legend that is Nile Rodgers collected the award on their behalf.

Ellie Goulding was next to perform. She did “I Need Your Love” and “Burn”. I loved the massed percussion during “Burn”. I have really grown to like Ellie’s music. Noel Gallagher was there to present the best male solo artist award. Let’s hope he has a new album out soon. Fuck me Bowie’s only gone and won it! Kate Moss accepted it on Bowie’s behalf at his personal behest. A brilliant speech written by the Dame too. This has made my night!

Nick Grimshaw that bloke from Radio One who is moderately more talented than Chris Moyles stepped up to present the International Female solo artist award. Lorde was the winner and a bloody good choice too.  Bowie is a Lorde fan. Then we had yet another shite interview by Corden with Nile Rodgers and Pharrell Williams. The British Video award was voted for live on Twitter during the show and was presented by Jimmy Carr. Sadly it was won by Wand Erection with “Best Song Ever”, but it isn’t is it?

Rudimental and Bastille combined on stage to become Bastimental for the night. It certainly made up for a second 1D award for the night. Blimey just how sexy is Ella Eyre? Now we are onto the final award of the night, it’s the one that everyone wants. It’s best album and it was presented by Emilie Sande. It went to the Arctic Monkeys. It is a great album, but I was hoping for a second Brit of the night for David Robert Jones. But well done to Alex and the boys, although their acceptance speech was largely bollocks wasn’t it?

The show was closed by Pharrell Williams and Nile Rodgers. What a barnstorming performance from two music masters. “Get Lucky”, “Good Times”, “Happy” the hits just kept coming. Overall I think this years show was an improvement on last year. Some marks out of ten from me; James Corden 1/10, Bowie winning a Brit 10/10 and for the overall show 5/10 could do better.

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“Paint my face with clown make up and a smiley face I’m insane” December 3, 2013


icp-2

During Insane Clown Posse‘s (ICP’s) early success in 1997 after their albums ‘Riddle Box‘ and ‘The Great Milenko‘ had shifted some big numbers they were handed a party flyer by a young man who was to become their nemesis. The flyer was an invite to a party featuring Esham, Kid Rock and ICP (maybe). Violent J of ICP bawled the young man out asking why he had put ICP on the bill without telling them. The young man replied “it says maybe and I’m asking you now. Are you coming?” Violent J said “Fuck no! But we might have if you hadn’t put us on the flyers first!” That young man was Marshall Mathers III who went on to diss ICP many times and clearly became far more successful than they ever were.

funny-Eminem-quote-piracy

 

“Maybe I need a straight jacket, face facts I am nuts for real, but I’m okay with that” November 11, 2013


EminemI’m a bit late with this but I thought the 2013 YouTube awards deserved a mention. (Thanks for the reminder Mr H). The highest profile awards went to Eminem who was artist of the year and Girl’s Generation a South Korean K-Pop group won the video of the year for their song “I Got A Boy”. Other winners were;

Response of the Year: Lindsey Stirling & Pentatonix, “Radioactive”

YouTube Phenomenon: “I Knew You Were Trouble”

YouTube Breakthrough: Macklemore & Ryan Lewis

Innovation of the Year: DeStorm, “See Me Standing”

images-girlsgeneration-Girls_Generation_Creed_9_Gates_by_DarsephtanI felt that it was a nice surprise that Lady Gaga, who played a new song “Dope” at the awards show, won no awards. Eminem has also been in the news a lot recently. His recent UK number one single “The Monster” featuring Rihanna was the seventh consecutive year that Rihanna has had a UK number one. Only Elvis Presley and the Beatles have managed that before. In a two sevens clash numerical coincidence Eminem’s new album ‘The Marshall Mathers LP 2″ became his seventh consecutive UK number one album. He is the first US artist to acheive this feat.

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Reading Festival 2013 – Day 3 – Sunday 25th August August 26, 2013


We began at the Main Stage today for We Are The In Crowd. Note to Nadia Tut; it’s looking ever so slightly less of a cock fest today. I also believe that you and your fellow band mates and bands are in a position to try to change that going forward. These folks have a female singer. We need the Tuts and Colour Me Wednesday  playing here next year. As for WATIC what a superb lively start to the day from this New York band.

Back to the NME/ Radio 1 Stage for the Villagers, we had seen them at Reading a couple of years ago. They were good then and are even better now. If you had not seen them before you might be forgiven for thinking you had walked in on the Hogwarts school band fronted by Harry Potter himself. The singer certainly looks like the young wizard. But their music is indeed a magical combination of influences. Once again great use of percussion too.

Aluna George have been subject to mucho hype lately and you know what? They are well worth it. Their music is spectacularly good and Aluna’s stage clothes show that Lady Gaga has jumped the shark fashionwise. Aluna herself is confident and sassy, she commands the stage. I will very soon be the owner of Aluna George’s album.

Over to the Festival Republic stage next for Twenty One Pilots. Unbelievably a drum based rock rap hybrid dressed as skeletons. It shouldn’t work but it does. It’s as though the Strokes were spliced with Eminem and Hawksley Workman in a parallel universe. These guys MUST be on the Main Stage mid afternoon next year; are you listening organisers? This was possibly one of the finest Reading Festival moments ever for us.

As for Chapel Club; very chilled soft rock with a hard edge. I would not have wanted to follow Twenty One Pilots. If I went to a chapel club when I was a kid it wouldn’t have been this much fun! After that we lay in the sun chilling to As Elephants Are. They were pretty good.

Back to the NME/ Radio 1 stage next for Haim. Bloody hell these girls can rock. This had to be the year of the drum with even more percussion from the Haim sisters. But did the bass player have to turn so much? That part was scary.

Fall Out Boy or FOB as they are now branded are back. On form on the Main Stage. But does everything have to be reduced to an acronym? But this band does what it says on the tin. Pop powered punk at its best. A band that has been an acronym for longer than many were next on the Main Stage; it was Nine Inch Nails or NIN as they prefer to be known, certainly on t-shirts. I was expecting great things from Trent Reznor and his chums. Sadly I was very disappointed, the music came across as samey and bland and Mr Reznor was severely lacking in the interaction with the crowd department. As a result we wandered off to pastures new. First to the Festival Republic stage where we saw the Jim Jones Revue; they are a hell of a powerful band. Imagine if AC/ DC, the Stones, the Troggs and Doctor Feelgood all drank in the same pub and became the house band. It would be very much like the Jim Jones Revue. We wandered over to the Rock Stage for the first part of Funeral For A Friend’s set. They definitely do what it says on the tin with their excellent brand of hard punky tunes. After that we returned to the Festival Republic stage for the magnificent Spector. I suppose you could compare them to the Killers in sound, but they are so much more than that. The audience loved them.

Then it was time for Sunday night’s headliners; the regal and magnificent Biffy Clyro. ‘Mon the Bif! This was the first time in eight Reading appearances that they have headlined the Main Stage and after this performance they will do it again in the future too. They were clearly well rehearsed and fired up for this show. For me they were the best headliner of the weekend by far and definitely in my top 5 of all time. The highlights for me were “Many To Horror” and “Black Chandelier”. The light show, the stage set and the pyrotechnics were amazing and added to a stonking performance from Scotland’s finest. Let’s hope they are back soon. As for myself and my good mate Nick Horslen; will we be back next year? I think there is a bloody good chance that we will be.

 

Reading Festival 2013 – Day 2 – Saturday 24th August August 25, 2013


We’ve made it to day 2 once again and so has the rain. But it wasn’t too bad when we arrived and we have never let the weather dampen our spirits before so we won’t this weekend either. We had earlier decided to spend most of the day in the NME/ Radio 1 tent; not because of the weather though. It was what looked like a great line up that drew us in. Was it a great line up in reality? Well you’re going to have to read on to find out aren’t you.

Sadly we missed Childhood (that’s the band and not our formative years). But we arrived in plenty of time to see the very fresh and very funky Theme Park. If you owned a giant blender that blended music you would need to add Talking Heads, Haircut 100, Fine Young Canibals and a dash of x factor to create this excellent band. I mean the true x factor, not the shit peddled by ITV in the disguise of a talent show. I can feel a Theme Park download or two coming on when I get home.

Then from New York we had the very original Darwin Deez. From their boy band/ Motown formation funky dancing routine interludes to their gutsy, funky, dirty rock sound they were tremendous. The crowd, including me and my good friend Nick loved them. If you have not heard them yet then you really should check them out because deez boyz are good. (Sorry I couldn’t resist that). Deaf Havana were the next band to arrive and oh boy did they arrive with a bang. Their lead singer told us at one point that they made honest music, i.e. without backing tracks. So for today these are my first  does what it says on the tin act. They have energy, funk (we have seen a lot of that this year so far), style, great songs and a really tight band. Their album comes out next month and I for one will be downloading it. Deaf Havana; not deaf, not from Havana, but for being such a great live band they deserve the finest cigars Cuba can offer.

Were Deaf Havana referring to Modestep when they talked about honest music and not using backing tracks? Possibly not but Modestep did use a lot of preprogrammed backing and samples. But let me clear this is not a band into lip synching. They had the deepest bass sound of the festival so far. It was so deep you could feel your internal organs start to melt. They were also incredibly loud. They really used the full power of smoke and pyrotechnic flame bursts too. For me they ought to be in the Guinness Book of Records for the most mentions of Reading in their interaction with the crowd. If I had to describe their sound I would say it suggest the kind of noise you might hear if the Prodigy had a bum sex orgy with Enter Shikari while being filmed by Lemmy Kilminster. Incidentally they seem to have a fanatically loyal following and the tent was packed very tight. Especially when the circle pits broke out. They were very good, but not the sort of band I would listen to outside the confines of a festival. But they probably had the most energetic crowd of the day too. Interestingly like many bands appearing in recent years they used to come to this festival as punters.

The Palma Violets were lively and punky and were clearly up for a good time and they gave us all a great time. Similar to Modestep these guys were festival goers who in fact met here four years ago at camp site Yellow 7. Is there anyone there this year who will be on stage in a few years? If they are this good then let’s hope so. You would n,t see this bunch as a blues band but I was interested to see that one of their vocalists was sporting a B B King t-shirt. You don’t get many of those at Reading do you? I would advise you to check out the Palma Violets, you won’t be disappointed. Can I ask who is Harry Violet please?

One of the acts I had been looking forward to this year was Johnny Marr, or according to a t-shirt I saw Johnny Fucking Marr. This was does what it says on the tin moment number 2 for me today. Although Johnny has a much bigger tin to draw from than many others. His new solo stuff sounds pretty fresh and vibrant. He also played a great cover of “I Fought The Law”. But of course this crowd was by far the most middle-aged of the day and there were mass outbreaks of Morrissey-like Dad dancing throughout the set especially when Johnny played a few songs from a band he once was in. You might have heard of them, they were called the Smiths! He played a number of Smiths songs including “Stop Me If You Heard This One Before”, “Big Mouth Strikes Again”, “How Soon Is Now”, “This Charming Man” and the set closer was a really heartfelt version of the delectable “There Is A Light That Never Goes Out”. This had us all singing along at the top of our lungs. On the count of three now, ‘if a double-decker bus crashes into us…….’

How had the Imagine Dragons had passed me by up to now I do not know. But I am glad I have found them now. They could be the most percussive band on the planet right now. There are elements of Arcade Fire and the Killers in their sound. They are in fact from Las Vegas just like the Killers. Their songs are powerful, catchy and memorable. I may just have to download their album as well. I would definitely pay to see these guys again as you should! What can I say about Tame Impala? They certainly seemed to channel Pink Floyd with a blend of dance music. Their psychedelic screen shows were brilliant. Their lighting almost suggests that they don’t really want to be seen. Their sound is based around extended psychedelic wig-outs wer excellent but it does make you wonder how the hell they rehearse their stuff. A fab band though.

Someone else I was looking forward to seeing, having seen him in York earlier this year was Jake Bugg. He did not disappoint he played a great selection from his first album and a couple of new songs that will probably form a part of his second. His acoustic version of “Broken” was emotional and incredible. Was there anyone who was not singing along? I doubt it. He also played a storming cover of Neil Young’s “Hey Hey My My”. Which magnificently made up for Neil cancelling on me last weekend. I am looking forward even more to Jake’s second album even more now. If you have never heard Jake Bugg, then where the bloody hell have you been?

Just after Jake Nick and I were joined by a woman who we believe was very much under the influence of something; more likely substance than alcohol. Her name was Amy and she decided that Nick and I were her new best mates. Her 14-year-old daughter and her niece were also at the festival but she seemed to have no idea where and no idea as to how to contact them. Nick was going to stay to watch Alt-J (and incidentally he tells me they were fantastic, really energetic and the crowd loved them) and I was going to the main stage for Eminem. Amy wasn’t going anywhere on her own and I drew the short straw as she accompanied me to see Mr Mathers. In fact she stayed with us until we left the arena; we left her at the taxi rank. Amy we hope that you got home ok. Anyway back to the music. I missed the first part of Eminem’s set as it clashed with Mr Bugg. But what I did see was fantastic. When I saw him here in 2002 I was a little disappointed and I felt that he could have been better. He was so much better this year. All the hits were there; including a great version of “Stan” with an appearance from Dido to reprise her previously sampled vocal live. The pinnacle of Marshall’s performance though was the encore and closer “Lose Yourself”. How good is that song? So we’re now two-thirds of the way through the 2013 festival and it has been superb so far. Bring on day 3.

 

 
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