Here is the Mayhem chart for April 2024. Regular readers know that the chart is based on my Spotify listening habits over the last month gathered together by obscurify.com. Apparently, my tastes are 99% more obscure than the rest of the UK! The chart remains contemporary-ish (but if a classic artist releases something new they might feature in the chart). However, the top three “Legacy” artists are David Bowie, the KLF, and Public Image Ltd. Obscurify also suggests the most obscure artists I have listened to and for March those are Liz Davinci, The Apocalypse Disco, and Kindelan. There is a top ten artists chart and a top 5 songs chart. There is the usual eclectic mix of artists, including just one that was in the top ten last month, Delilah Bon! Delilah is one of only two artists to feature in the artist chart and the song chart for April, the other is the Blackheart Orchestra. Delilah Bon has been in the artist charts for five consecutive months and after topping the March song chart with “Maverick” she sits at number two with her new single, “Finally See Me”. Joe Solo, who we interviewed recently, tops the artist chart and Everything After Midnight takes the top spot on the song chart with their cracking new single “Little Hints” So without further ado here are those charts in full! Click on the header of the song chart for the playlist on Spotify.
MAYHEM ARTIST CHART APRIL 2024
1 Joe Solo 2 Grace Potter 3 Ian Hunter 4 Frank Turner 5 English Teacher 6 Julia Othmer 7 The Blackheart Orchestra 8 Delilah Bon 9 Avalanche Party 10 Paraorchestra
1 Little Hints – Everything After Midnight 2 Finally See Me – Delilah Bon 3 Cinderhaze – Stumbleine 4 The Tide – The Blackheart Orchestra 5 Manoeuvres – Carol Hodge
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On April 24th 1961 Bob Dylan made his first officially released recording, he earned $50 for playing harmonica on the title track of Harry Belafonte’s LP, ‘The Midnight Special’. Bob made his debut recording five months previously on a record by folk singer Carolyn Hester, but this wasn’t released until after the Harry Belafonte album.
In 1968, also on 24th April, the Beatles’ new Apple record label turned down an opportunity to sign David Bowie, who had just left Deram Records. Bowie’s manager at the time, Kenneth Pitt submitted a demo tape, only to receive a letter from the company’s A&R chief, Peter Asher, stating that “Apple Records is not interested in signing David Bowie. The reason is that we don’t feel he’s what we’re looking for at the moment.” I wonder how Bowie’s career might have gone had he signed to Apple?
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On 14th April 1994, Kurt Cobain was cremated at the Bleitz Funeral Home, in Seattle. The death certificate listed Cobain’s occupation as Poet/Musician and his type of business as Punk Rock.
On that same date in 1980 Gary Numan issued ‘The Touring Principle’, which was apparently the first long-form rock video to be made commercially available in the UK.
In 1970, also on April 14th, Creedence Clearwater Revival played their first UK shows. Nothing low key though, just two nights at the Royal Albert Hall in London.
Back in 1967 on 14th April David Bowie released one of his best-loved (maybe not) singles, “The Laughing Gnome”!
On 14th April the Illinois Crime Commission (BOO, HISS!!!) issued a list of ‘drug-oriented records’ which included “White Rabbit'” by Jefferson Airplane, “A Whiter Shade Of Pale” by Procol Harum, and The Beatles’ “Lucy In The Sky With Diamonds.” Apparently David Bowie’s “The Laughing Gnome” was not included!
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Here is the Mayhem chart for March 2024. Regular readers know that the chart is based on my Spotify listening habits over the last month. The chart remains contemporary-ish, rather than just an oldies chart However, the top three “Legacy” artists are Kate Bush, David Bowie, and Steve Harley/ Cockney Rebel. David Bowie returns to the chart after missing out for three months. Obscurify also suggests the most obscure artists I have listened to and for March those are Liz Davinci, The Apocalypse Disco and The Chinaskis. There is a top ten artists chart and a top 5 songs chart. There is the usual eclectic mix of artists, including four that were in the top ten last month (Crawlers, Bambi Thug, Delilah Bon, and Frank Carter and the Rattlesnakes). Four of the artists in the artist’s chart also appear in the song’s chart. Delilah Bon has been in the artist charts for four consecutive months and now she tops the song chart with the mighty “Maverick”. Drunk Mums crash straight to the top of the artist chart! So without further ado here are those charts in full! Click on the header of the song chart for the playlist on Spotify.
MAYHEM ARTIST CHART MARCH 2024
1 Drunk Mums 2 Caity Baser 3 James 4 Crawlers 5 Delilah Bon 6 SAHRA 7 Bambi Thug 8 Scene Queen 9 Mortimer Nyx 10 Frank Carter and the Rattlesnakes
MAYHEM SONG CHART MARCH 2024
1 Maverick – Delilah Bon 2 Wailing Night – Mortimer Nyx 3 Life’s A Fucking Miracle – James 4 Finger – Scene Queen 5 Celestial – Dying Habit
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I haven’t actually counted for a while, but I believe that I own around 120 books about David Bowie. Thanks to Nicholas Royle I now own 121, or at least thereabouts. I was completely unaware that Royle’s book ‘David Bowie, Enid Blyton and the sun machine’ existed until I took a look at the schedule for the 2024 York Literature Festival and saw the title. As a Bowie fan, I therefore had to be there for Nicholas Royle’s session at York St. John University to talk about his new book on Tuesday 12th March. Royle, who is the Emeritus Professor (English) at Sussex University, opened the session by playing Bowie’s older song “Memory Of A Free Festival” as this was the song that provided part of the book title with its repeated refrain “The sun machine is coming down and we’re gonna have a party”. Then he read from the book. But the most interesting part was the interview with Nick by Dr. Sam Reese originally from Aotearoa New Zealand, and now a senior lecturer at the Centre for Writing at York St. John University. Reese asked some insightful questions about how the book came about and what it actually is. In essence, the book came about thanks to Covid, well at least that was probably the catalyst and it is largely a memoir, or is it? Anyway, that whole evening saw me buy the book and get Nick to sign my copy and now, while on holiday in Cornwall (I am not sure why I said that, is it even remotely relevant?) I have got around to reading it.
I think that my fear was that this would be a very academic and deep tome that I might find difficult to read. It is academic at times but Royle writes in a style that even a bloke with one English O Level from 1974 can read and devour easily. One of the first things that intrigued me was the title. How can you write about Blyton and Bowie in the same book? Sure they are both associated with Beckenham and were great artists in their own spheres. Well, what Royle focuses on is their ability to access the undermind or the subconscious mind or self. I think from this book it is clear that both Bowie and Blyton were able to work in their own undermind with natural and unknowing skill. The memoir thread of the book takes the reader through Royle’s personal experience of Covid and lockdowns and his reacquaintance with both Bowie who he kind of lost touch with in the 1980s, and Enid Blyton. The book is written as a series of “ghost lectures” from a university lecturer who has opted for voluntary severance. The lectures flow together beautifully and are all anchored with a specific piece of music or song. Mostly Bowie songs but also some classical pieces.
I have not read anything by Enid Blyton since I was in junior school, but I am encouraged to go back and reread some of my favourites. The Famous Five, which features strongly in Nicholas Royle’s book and my personal memories of loving the Secret Seven series. Some of the insights into Blyton are drawn from biographies and also her own autobiography and perhaps something that is personal to Nicholas Royle’s family. His paternal grandmother and artist and illustrator had an affair with Enid Blyton sometime in the 1920s. There are many things that I love about this book, perhaps the biggest thing is the continued discussion about what a sun machine is. Maybe a time machine, maybe a way that an idea dawns on an artist, or something that might be different for every artist. Do I have an undermind? I hope so. Can I access my undermind? I hope so. If you are a fan of David Bowie, Enid Blyton, or indeed sun machines you need to read this book. It is eye-opening. I loved it! And finally, I was going to put together a playlist of all the music used in the book, but someone on Spotify has already done that! Thank you tommymackay1959, click here to play it.
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On March 20th, 1977, the iconic T.Rex played their final gig at The Locarno in Portsmouth, UK. This was the last show on the Dandy In The Underworld tour, which featured support act The Damned. In September of 1977, Marc Bolan died in a car crash. On the same date in 1977 Lou Reed was banned from appearing at The London Palladium in England because of his punk image. He had planned to play several shows at the Palladium to promote his album ‘Rock and Roll Heart’.
Meanwhile, some rather interesting nuptials took place on March 20th. On that date in 1970, David Bowie married his first wife Mary Angela Barnett a.k.a. Angie. They later divorced in 1980. On the same date in the previous year, 1969, John Lennon married Yoko Ono in Gibraltar.
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On 5th March 1953 Air Force Staff Sergeant Johnny Cash (yes, the man in black himself) intercepted a coded message from Russia. The message confirmed that Soviet dictator Joseph Stalin was dead. Cash enlisted in 1950 after he turned 18 and was assigned to the 12th Radio Squadron Mobile of the US Air Force Security Service at Landsberg, West Germany, where he proved his skill as a Morse Code operator.
5th March 1965 saw an 18-year-old David Bowie feature on the second Manish Boys single, “I Pity The Fool”. It was produced by Shel Talmy, (who also produced The Who and The Kinks). Jimmy Page was Talmy’s regular session musician and played the guitar solo on the track.
In 1955 on 5th March Elvis Presley made his US TV debut by appearing on the weekend show ‘Louisiana Hayride’ on KWKH TV, broadcast from Shreveport Auditorium in Shreveport, Louisiana. There are many different claims for his first hayride appearance, 5th March is the one I have found mentioned most times.
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On 28th February 1970 David Bowie played at the Basildon Arts Lab experimental music club at the Basildon Arts Centre in Essex. His band was spankingly new, so new that they did not have a name. They were billed as David Bowie’s New Electric Band. Sharing the bill with the Dame and his band were High Tide, Overson and Iron Butterfly. The Bowie band eventually became the rather shortlived The Hype featuring Bowie, Mick Ronson, Tony Visconti and John Cambridge. They had been known as Harry The Butcher for one gig.
28th February 1976 Paul Simon’s ‘Still Crazy After All These Years’ was named Album Of The Year at the 18th annual Grammy Awards. In his acceptance speech, Simon told the audience “I’d like to thank Stevie Wonder for not releasing an album this year.” That was becaues Wonder had won the award two years in a row with ‘Innervisions’ (1974) and ‘Fulfillingness’ First Finale’ (1975). Stevie Wonder triumphed again the following year (1977) when ‘Songs In The Key Of Life’ won the best album Grammy. Paul Simon had previously won the same award in 1971 with the Simon and Garfunkel classic ‘Bridge Over Troubled Water’
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On February 18th, 1996 David Bowie played the Parc Expo Rennes Aéroport, Bruz, France as part of the ‘Earthling’ tour. The setlist was predominantly from the aforementioned album. It included the songs; The Motel, Look Back in Anger, The Hearts Filthy Lesson, Scary Monsters (and Super Creeps)’ I Have Not Been to Oxford Town, Outside, Andy Warhol, The Voyeur of Utter Destruction (As Beauty), The Man Who Sold the World, Strangers When We Meet, Diamond Dogs, Hallo Spaceboy, Breaking Glass, We Prick You, Nite Flights (The Walker Brothers cover), Teenage Wildlife, Under Pressure (Queen collaboration) and Moonage Daydream. Eleven of the 18 tracks were earlier Bowie classics. I was lucky enough to see the Dame perform a similar set at the Wembley Arena in November 1995.
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I know it is hard to believe but With Just A Hint Of Mayhem has been with you for fifteen years. We began on 9th February 2009 with a tiny pffft sound and one day we might make that huge bang! Thank you to every single one of you who has visited, liked, commented, or participated in this endeavor! I thought an appropriate way to celebrate was with fifteen songs with 15 in their title, so without further ado, blow out those 15 candles, get your party trousers on, and feel free to sing me a happy birthday tune of your choice!!!!
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With Just A Hint Of Mayhem 