With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

The Mayhem Monthly Top 20 Artist Chart – August 2021 (and July 2021) August 8, 2021

Filed under: Mayhem Top 20 Chart — justwilliam1959 @ 11:30 pm
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In the first post in this series I told you that in January I discovered a site called Obscurify. It claims to tell you how obscure your listening on Spotify is. Compared to the rest of the UK I am now supposedly 90% more obscure than other users, while I will take that it has dropped from 91% since June! It also lists my most obscure artists, which currently are

Woke Up Dead

Promethium

Hats Off Gentlemen It’s Adequate

Penfriend

Stackridge

So who were the top artists for July (9th) and August (1st)? Check the full lists below, but I can reveal that the Eagles were top in July and no surprise, David Bowie was back on top in August. There are a few new artists in there but also plenty of classic acts. It would be fair to say that as I share this Spotify account with my wonderful wife Catherine (a.k.a. Catwoman) a few artists finished much higher than they might have done if they were only my choices 🙂 Notably Julia Fordham and Neil Diamond.

Mayhem’s Top 20 Artists on Spotify (July 9th 2021)

Eagles
Julia Fordham
Biffy Clyro
Paul Weller
Liz Phair
Neil Young
Little Feat
Avalanche Party
Jackson Browne
Sunflower Thieves
George Michael
Alice Simmons
Children Of Zeus
James Brown
Detroit Cobras
Billy Paul
Harold Melvin and the Blue Notes
O’Jays
Eels
Delilah Bon

Mayhem’s Top 20 Artists on Spotify (August 1st 2021)

David Bowie
Neil Diamond
Beatles
Linda Ronstadt
Paul Simon
Paul Weller
Curtis Mayfield
Durand Jones and the Indications
Marvin Gaye
Rod Stewart
David Essex
Sunflower Thieves
Temptations
Jackson Browne
Queen
Sex Pistols
Rolling Stones
Tavares
Stackridge
Dave

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The Mayhem Monthly Top 20 Artist Chart – June 2021 June 25, 2021


Back in January I discovered a site called Obscurify. It claims to tell you how obscure your listening on Spotify is. Compared to the rest of the UK I am supposedly 91% more obscure than other users, I’ll take that! It also lists my most obscure artists, which are currently

Woke Up Dead

Alice Simmons

Promethium

Hats Off Gentlemen It’s Adequate

Avalanche Party

It really shows me that I do have eclectic taste. But the thing I love most about it is that roughly every month it tells you who your top artists are for that period based on your Spotify listening habits. So I simply had to start publishing a monthly With Just A Hint Of Mayhem Top 20. I’ll kick off with June. Scroll down to the bottom and you will see all the rest of this years charts! No surprise that David Bowie has been top three times but five other artists have held the top spot too; The Avalanches, Millie Manders and the ShutUp, Bob Marley and the Wailers, Saint Agnes and this month it is the supremely talented Delilah Bon!

Mayhem’s Top 20 Artists on Spotify (June 15th 2021)

1 Delilah Bon
2 Penfriend
3 David Bowie
4 Beatles
5 Simon & Garfunkel
6 Norah Jones
7 Beck
8 Carole King
9 Wolf Alice
10 Twenty One Pilots
11 Kate Bush
12 Babii
13 Liz Phair
14 Avalanche Party
15 Sam Cooke
16 James Brown
17 The Howl and the Hum
18 Biig Piig
19 Children Of Zeus
20 Lachlan

 03 January 202127 January 202118 February 202112 March 202104 April 202126 April 202120 May 2021
1AvalanchesMillie Manders & The Shut UpDavid BowieBob Marley & The WailersSaint AgnesDavid BowieDavid Bowie
2CarpentersBeatlesRadioheadPentastoneEstereElton JohnApollo Junction
3London Symphony OrchestraYusuf/ Cat StevensMink DevillePale WavesBeatlesBeatlesAmy Winehouse
4Los Angeles PhilharmonicPink FloydCall Me MalcolmArchitectsCarole KingBilly JoelRumer
5Jones GirlsEaglesTemptationsPaul WellerSheryl CrowCarole KingRag N Bone Man
6Taylor SwiftEvie SandsDenise SherwoodDavid BowieNormandieSnutsElivis Presley
7Jean CarnRumerCelesteDusty SpringfieldBobby WomackMeatLoafStevie Wonder
8Steely DanJackson BrowneMarvin GayeKate BushCaptain SkaBullBetty Wright
9Norman ConnorsDavid BowieWeezerBiffy ClyroFrank ZappaDr Buzzard’s Original Savannah BandKristina Train
10George MichaelBobbie GentryAmy WinehouseBunny WailerArctic MonkeysShowaddywaddyBilly Joel 
11Sing Sing RabbitHarry StylesPale WavesU-RoyMillie JacksonKid Creole & The CoconutsPaul Weller
12David BowieJoni MitchellIsley BrothersKaty J PearsonJoni MitchellLinda RonstadtFour Tops
13Paul McCartneyDusty SpringfieldStevie WonderAvalanchesBob DylanShaNaNaSam Cooke
14WhamKLFDiana Ross & The SupremesBring Me The HorizonTender CentralBeach BoysEnter Shikari
15New OrderArctic MonkeysMartha Reeves & The VandellasSweetNick CaveDolly PartonMeatLoaf
16Elton JohnJim CroceDenise JohnsonT RexGary NumanElvis PresleyCarly Simon
17Elvis PresleyEminemEstereStackridgeDr Buzzard’s Original Savannah BandSupremesLadysmith Black Mambazo
18Bing CrosbyPaul SimonGAYLIPSNick CaveBohannnonQueenLift
19Stevie WonderJazmine SullivanSweetNot Now NormanKid Creole & The CoconutsCreedence Clearwater RevivalHoly Fuck
20Uriah HeepWingsT RexThin LizzyAmerican West OrchestraT RexJohnny Nash

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“Everyone Says Hi” – The Dead Zoo January 27, 2021

Filed under: Review — justwilliam1959 @ 8:54 pm
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Many of you regular readers know that I am a big fan of the Dead Zoo, they are a band with a very bright future. They have a new single “In The End” lined up for release on 26th March, I reckon it will be their best yet from what the band have told me. But in the meantime they took the rather strange, but rather wonderful decision to release the B-Side early. It was released on January 10th, the fifth anniversary of the passing of David Bowie. It is a cover of one of my favourite later period Bowie songs, “Everyone Says Hi” from 2002’s ‘Heathen’. It is a faithful take on the tune but singer Kaoru adds a hauntingly beautiful and respectful vocal to it. Their is an undercurrent of emotion in her voice, maybe she is channelling her inner Bowie, I know she is a huge fan of the Dame. I also love the sublime vamping backing vocals too. It was a brave cover to attempt, but the Dead Zoo nailed it! I am looking forward even more to the A side now 🙂 keep your ears peeled for it good people! If you love this track like I do, I also urge you to check out Kaoru’s fabulous covers album released last year on BandCamp, click here to find it.

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Mike Garson’s “A Bowie Celebration… Just For One Day” – Saturday January 9th 2021 January 19, 2021


I have watched a few streamed shows since this awful pandemic kicked in and like many of us I don’t believe that this type of show can ever replace real gigs. But for now this is all we have so let’s use it. As a huge Bowie fan for nearly 50 years I was obviously looking forward to this show. It was curated by the Dame’s long term piano man Mike Garson and included a wonderful range of Bowie alumni and a stack of special guests performing songs (around 40) from across the Starman’s career. It was an “as live” stream but incredibly well put together. The behind the scenes crew deserve a huge round of applause, they clearly did an amazing job, which in turn helped to provide us punters with three hours of classy Bowie themed entertainment.

First up was Duran Duran with their version of the ‘Ziggy Stardust’ album opener “Five Years”, I have never been a huge fan of Simon Le Bon’s voice, but this was a staggeringly good version of an iconic song. Duran Duran really pulled this off with aplomb. Lzzy Hale off of Halestorm was aided and abetted by Tony award winning actress and singer Lena Hall for a wonderfully theatrical cover of “Moonage Daydream”, very much a star performance from Lzzy and Lena. I have been a Smashing Pumpkins fan for many years, so I was looking forward to Billy Corgan’s piano led take on “Space Oddity”. But I felt it wasn’t a great performance, I am really not sure that Billy’s voice suited the song in this setting. Sorry Mr Corgan! Perry Farrell took on “The Man Who Sold The World” partnered by his wife Etty Lau Farrell and it was a perfect spine tingling take on one of Bowie’s finest tunes. Next there was a bluesy run through a somewhat deep cut, “Bring Me The Disco King” by Anna Calvi. This was originally a track released as a part of 2003’s ‘Reality’ album. Regular readers will know that I am not a fan of Take That’s Gary Barlow, so I cringed a little when I saw his name on the list. But to be very honest the boy did good. Barlow didn’t choose an easy option and went with 1975’s “Fame”. A real Five Star performance from Mr Barlow.

Living Colour’s Corey Glover was spot on with his gorgeous run through of “Young Americans”. This was followed by one of my favourite songs from that period, “Can You Hear Me” performed by the obscenely talented Gail Ann Dorsey who played in Bowie’s band for many years. “Sweet Thing/ Candidate/ Sweet Thing (Reprise)” is a tough song to cover but Bernard Fowler, highly regarded backing vocalist who has supplied backing vox to the Stones among many others didn’t just cover the song, he owned it and frankly, blew me away. Possibly my favourite performance of the whole event. Charlie Sexton, a man who has played with an incredible number of music luminaries appeared next with a funky work out of the 1983 classic “Let’s Dance” the first of four songs by him on the night. Judith Hill, a woman who has worked with Michael Jackson, Prince and John Legend to name just a few was next with a haunting rendition of “Lady Stardust” backed by some beautiful piano from Mike Garson. “Changes” as reimagined by Macy Gray was epic, where have you been Macy, the world needs you. Kevin Armstrong who worked with Bowie in the 80s played a rather excellent version of the Mick Ronson arrangement of Richard Rodgers’ “Slaughter On Tenth Avenue” which was dedicated by Mike Garson, to the memory of Ronson, Bowie and all Bowie alumni that have passed away.

Jazz Singer Catherine Russell sang an arrangement of “Conversation Piece” from the ‘Space Oddity’ album that was completely unrecognisable from the original and for me that made it a perfect cover version, I loved it! Next up was the return of Charlie Sexton with a Stones style take on Bowie’s Stones pastiche “Rebel Rebel”. This is one of my favourite songs from Bowie and Sexton did a great job with it. Def Leppard’s Joe Elliot was on board for two songs and I was a little surprised at his first one, “Win” from 1975’s ‘Young Americans’ album. Surprised but definitely not disappointed, Joe’s voice was immaculate and accompanied by the kind of piano heaven we have come to expect from Mike Garson. For the second song in his brace of Bowie Joe Elliott rocked hard through a powerful performance of “Ziggy Stardust”. Taylor Momsen frontwoman of the Pretty Reckless had a film to accompany her rendition of one of my favourite Bowie songs, especially lyrically, “Quicksand”. She really did the Dame proud it was quite moving at times and I love the subtle touches of her film, and to finish having written Bowie’s name in the sand was special indeed. Charlie Sexton returned for two more songs “DJ” and “Blue Jean”. Both of them fine performances and in fact the latter has moved me to reappraise my view of Bowie’s 80s output which is in my opinion mostly his low point artistically. But on this evidence, perhaps “Blue Jean” isn’t so bad after all. I saw Michael C Hall in the lead role of Thomas Jerome Newton in the Bowie musical ‘Lazarus’ in London in 2016, he was rather wonderful in that and his incredibly moving version of “Where Are We Now” here was wonderful too.

Foo Fighter’s drummer Taylor Hawkins, ably supported by Dave Navarro played a lively and rambunctious “Rock ‘N’ Roll Suicide”. This segued into Corey Taylor doing “Hang On To Yourself” aided and abetted by Dave Navarro, Taylor Hawkins and Chris Chaney. But that segue included a nice little romp through “Little Fat Man” from Bowie’s appearance in Ricky Gervais’ ‘Extras’. Actor Gary Oldman was next accompanied by Mike Garson’s eloquent ivories for “I Can’t Read”. I liked that a lot! Jesse Malin’s “Jean Genie” really was top drawer, he aced it. The return of Gail Ann Dorsey brought with it a touchingly sublime take on “Srangers When We Meet”. The show then rocked out wildly with Peter Frampton on “Suffragette City” duties. This was followed by a brace of songs by a great friend and sometime collaborator of Bowie, Trent Reznor supported by Atticus Roos for “Fantastic Voyage” and “Fashion”. “Fantastic Voyage” which was never played often by Bowie was pretty darned good. Ian Astbury tackle “Lazarus”, he did well and put a lot of emotion into it, but I would also liked to have seen Ian tackle something more rock based, even a Tin Machine track maybe. YUNGBLUD poured his very essence into “Life On Mars” and it payed off in dividends, legendary keyboard player Rick Wakeman supported Mr BLUD. Long time Bowie fan Boy George was on top form for his medley of “Lady Grinning Soul”, “Time” and “Aladdin Sane (1913-1938-197?)”. Mr O’Dowd, great respect from me, you nailed it. I was particularly looking forward to Ian Hunter’s performance and I wasn’t disappointed. He kicked off with his Bowie tribute “Dandy” and finished, obviously, with my favourite Bowie song ever, “All The Young Dudes”. I have never been much of a fan of Adam Lambert but there is no denying that he really did “Starman” well, perhaps enough to make me an Adam Lambert fan, time will tell. Judith Hill returned to support Andra Day as they cranked up “Under Pressure” into something even more anthemic than Bowie and Queen managed originally. Bernard Fowler closed proceedings with a highly charged “Heroes” which included some rather excellent drumming from Nandi Bushell.

The credits rolled with a rather decent “Ashes To Ashes” instrumental. Let us not forget the great band members and Bowie alumni that performed throughout the event too, Mike Garson especially, thank you for putting this together Mr Garson. Other band members throughout the evening, that I haven’t already mentioned, were, I think, Guitar: Earl Slick, Gerry Leonard and Carlos Alomar Bass: Carmine Rojas, Mark Plati, Tony Visconti, Tony Levin, Emir Kasan, Erdal Kizcilcay Keyboards: Richard Cottle, Henry Hey; Drums: Alan Childs, Zach Alford, Sterling Campbell, Matt Chamberlain, Omar Hakim, Mark Guiliana, John Lousteau, Gregg Errico, Andy Newark; Backing vocals: Gaby Moreno, Everett Bradley, Robin Clark, Emm Gryner, Ava Cherry, Simon Westbrook; Percussion: Pablo Rosario; Sax: David Sanborn, Clare Hirst, Stan Harrison. I am sure I have missed some names, but thank you to one and all this was a very special event and Mr Bowie would have loved it!

All the photos and videos were found online. If they are yours and you would like a credit or want them taken down please let me know

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My 2020 On Spotify And Some Deeper Listening Stats! January 17, 2021


I thought I would share some of my Spotify listening habits. Apparently I listened to Spotify for more than 12 days last year, I wish I knew how much time I listened to vinyl, CDs, MP3s, radio and other on line sources too. I discovered 577 new artists, wow! My most listened to song was David Bowie’s version of “Wild Is The Wind” and unsurprisingly Bowie was my most listened to artist once again (996 minutes, nearly 6% of my total Spotify listening time) I was also in the top 0.5% of Bowie listeners. The other artists in my top 5 were Biffy Clyro, the Streets, Ella Fitzgerald and Woke Up Dead. I listened to 1,286 artists. My top decade was the 1970s, again no surprise there. Top genres were Rock, Soul and Dance Rock. Rather fascinatingly my music is more obscure than 80% of UK users, what on earth does that mean? I also found a few rather amusing, to me anyway, graphs and charts to accompany this post!

Since starting on this post I have also discovered a few sites on which you can regularly update your Spotify statistics split between artists and tracks and then last 4 weeks/ current, Last six months and all time within that. My favourites among these sites so far are Favourite Music Guru, Obscurify Music and Stats For Spotify. Have you used any of these or can you recommend others?

In case you’re interested in my warped eclectic taste these are my top artists on Spotify (Current, Medium Term and all time) The top songs follow those lists. Incidentally the Kunts and Jarvis Cocker feaure strongly on the tracks lists simply because I did my bit to get them to be the Christmas number one in the UK these last two years!

Top Artists — Short Term (4 weeks)

  1. The Beatles
  2. Yusuf / Cat Stevens
  3. Eagles
  4. London Symphony Orchestra
  5. Evie Sands
  6. Rumer
  7. Jackson Browne
  8. David Bowie
  9. Bobbie Gentry
  10. Harry Styles

Top Artists — Medium Term (6 months)

  1. David Bowie
  2. Biffy Clyro
  3. Gregory Porter
  4. The Avalanches
  5. John Lennon
  6. Eminem
  7. Stevie Wonder
  8. Stephen EvEns
  9. Ella Fitzgerald
  10. The Beatles

Top Artists — Long Term (years)

  1. David Bowie
  2. Bob Marley & The Wailers
  3. Biffy Clyro
  4. Frank Turner
  5. Bruce Springsteen
  6. Four Tops
  7. Eminem
  8. Johnny Nash
  9. Elton John
  10. The Streets

Top Tracks — Short Term (4 weeks)

  1. Boris Johnson is a Fucking Cunt – Single Edit — The Kunts
  2. Billy the Kid, Ballet Suite: I. The Open Prairie — Aaron Copland, London Symphony Orchestra
  3. True Faith ’94 — New Order
  4. Jamaica Say You Will — Jackson Browne
  5. Everybody Used to Love You — Silverjet
  6. Raison D’Être — Stolen Dead Music
  7. Wear A Mask — Sing Sing Rabbit
  8. Three Points on a Compass — Martin Rossiter
  9. Drag Me to the Light — Miles and the Chain Gang
  10. Alfred – Intro — Eminem

Top Tracks — Medium Term (6 months)

  1. Boris Johnson is a Fucking Cunt – Single Edit — The Kunts
  2. Taking It Slow — Heartsink
  3. Concorde — Gregory Porter
  4. Freakin’ At the Freaker’s Ball — Dr. Hook
  5. Pepper — Butthole Surfers
  6. Career Criminal — Stephen EvEns
  7. Close — The Islas
  8. Belladonna — Spunsugar
  9. Make Us Eat — The Shining Tongues
  10. Smiling — Alanis Morissette

Top Tracks — Long Term (years)

  1. Boris Johnson is a Fucking Cunt – Single Edit — The Kunts
  2. Running the World — Jarvis Cocker
  3. Star Treatment — Arctic Monkeys
  4. (red, white, and blue) Cheerfulness — Perry Farrell
  5. Balance, Not Symmetry — Biffy Clyro
  6. Future Legend – 2016 Remaster — David Bowie
  7. Deep Sea Dreaming — Ocean Flaws
  8. Loser of the Year — Woke Up Dead
  9. Three Points on a Compass — Martin Rossiter
  10. Wild Is the Wind – 2016 Remaster — David Bowie

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“God Is An American” January 12, 2020


There was I just randomly searching for stuff as part of researching a different blog post and up pops this. A great cover of David Bowie’s “I’m Afraid Of Americans” by Dweezil Zappa. While Dweezil doesn’t take it too far from Bowie’s original it is still a pretty good cover of one of the Dame’s best later-period songs. Bowie released it as a single with plenty of remixes (from Photek and Nine Inch Nails) and it was included on the 1997 album ‘Earthling’. Although it did make an appearance on the ‘Showgirls’ soundtrack a little earlier than that. What do you think of Dweezil’s take on the song?

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Dame David’s 73rd Birthday January 8, 2020

Filed under: Observation,Trivia — justwilliam1959 @ 8:31 pm
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Today, had he been alive the Dame a.k.a David Bowie would have been 73. Incidentally he had the same birthday as Elvis Presley. The King would have been 85 today. So as a little celebration of Bowie’s birthday how about we kick off with a song that he allegedly wanted Elvis to record; “Golden Years”.

Enjoy the videos and if you’re attending Absolute Bowie at the Crescent in York on 17th January, I’ll see you there! Let me also tantalise and tease you with another Bowie event that I am planning, it will be in York in the next few months. All will be revealed soon! Love on ya xxx

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Apollo 11 50th Anniversary Podcast July 20, 2019


I have just uploaded another With Just A Hint Of Mayhem podcast. It outlines my views on the Apollo 11 moon landing from 50 years ago. How exciting that was to me and my thoughts on what has happened since, accompanied by a soundtrack of some of my favourite space, moon and Apollo tunes. Click here to check it out. I would love to hear your views too.

 

The With Just A Hint Of Mayhem Podcast Volume 1 April 8, 2019

Filed under: Podcast — justwilliam1959 @ 12:39 pm
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It has taken me a while, but I have now completed the first With Just A Hint Of Mayhem podcast! It is, I hope, an informative piece on ‘Diamond Dogs’ which is my favourite Bowie album. The editing on the podcast is not perfect, it is a bit clunky and there are some small gaps, but it is my first attempt. Take a listen and let me know what you think! I have an idea for content for the next couple of Podcasts, but if there is a specific topic you would like me to cover I would be happy to consider it!

Click here, to listen to the podcast on SoundCloud.

 

Holy Holy – Barbican, York – Friday 8th February 2019 February 10, 2019


I had wanted to see Holy Holy for a long while but I have never been in the same place at the same time. But this time I made it! For those of you who are unaware Holy Holy is a band with the backbone of two David Bowie stalwarts; Mick ‘Woody’ Woodmansey a former Spider From Mars and Tony Visconti who produced many of the Dame’s albums and contributed bass on ‘The Man Who Sold The World’ The vocalist is Glenn Gregory off of Heaven 17. Are they a Bowie tribute act? Not in the wonderfully theatrical sense that Absolute Bowie are I see Holy Holy more as a band that is keeping the legacy alive through people who were there and were a part of the whole Bowie phenomenon. But more of Holy Holy in a bit, there is the support act to consider first and this was a solo acoustic set by none other than John Bramwell off of I Am Kloot. This was apparently his first support gig in sixteen years since I Am Kloot supported Turin Brakes. His between song chat was hilarious, John is a true raconteur who speaks eloquently and intelligently. That eloquence and intelligence is a strong part of his lyrics too. This was the first night of the tour and John regaled us with the fact that he had forgotten his guitar stands and that he had left his merch in the car. He also explained why he always talks to the audience while tuning his guitar, at a gig some years ago while tuning he overheard a comment from the audience where someone said “I don’t like this new one!” Bramwell is a very talented singer songwriter who knows his audience and wins people over with wit and very classy songs. I reckon he had quite a few new fans after tonight.

In the past I was never a great fan of bands playing a whole album from start to finish at a gig, but I have grown to love it over the years. Tonight was a fabulous night with not just one Bowie album played in its entirety but two. First came ‘The Man Who Sold The World’ followed by ‘The Rise And Fall Of Ziggy Stardust And The Spiders From Mars’. It takes a good band to do these two LPs justice and this is a great band. Along with Woodmansey on drums, Visconti on bass and Gregory on vocals there are two guitarists; James Stevenson and Paul Cuddeford. Berenice Scott on keyboards and the multi instrumental Jessica Lee Morgan on acoustic guitar, saxophone, percussion and vocals. Glenn Gregory as the singer in this band is an inspired choice, he doesn’t try to be Bowie but he handles all the songs powerfully and tastefully. He certainly knows his rock god shapes and poses too. Hearing these two albums again in this environment made me think how fresh, new and different they must have sounded to fans back in 1970 and 1972 respectively. The explosive power and sheer bombast of set opener “Width Of A Circle” should have given Sabbath and Led Zep a run for their money but ‘The Man Who Sold The World’ album never really took off until after Ziggy Stardust exploded into being. The band really showed their full on hard rock credentials during this epic track and it set the scene for a great night. As a part of this blogs recent 10th birthday celebrations I posted my top ten Bowie songs, I did say that it changes regularly and after this Holy Holy gig I really need to find a space for the magnificent “All The Madmen”. When I first bought the album on cassette back in 1972 that was always my favourite song. Tonight all those teenage memories were brought to the fore again with an immaculate run through of this classic treatise on insanity where the only sane people are those in the asylums. Glenn Gregory and the band were firing on all cylinders for the first album of the evening and the crowd were singing along with most songs. Especially the title track and the “oh by jingo” refrain from “After All”. Obviously the first part of the show ended with “The Superman” on which Gregory’s vocals reached a new peak.

Now it was time for what many see as their favourite Bowie album, “The Rise And Fall Of Ziggy Stardust And The Spiders From Mars” to give it its full title. Incidentally my favourite Bowie album is ‘Diamond Dogs’. Woody Woodmansey’s understated drum sound on “Five Years” still sends shivers down my spine coupled with lyrics of hopelessness in a world that is dying. I don’t believe that Glenn Gregory quite captured the sheer emotion in Bowie’s delivery on the record but he still did a great job. “Moonage Daydream” was probably the point where many of the crowd left their seats to dance, that song blew the house down and I reckon Mick Ronson would have been more than satisfied with the guitar skills on display. As expected no one stayed quiet for “Starman” especially the “la la la” part. Interestingly, and perhaps to give Glenn Gregory a well deserved break, Jessica Lee Morgan (who is Tony Visconti’s daughter) sang “Lady Stardust”, this woman is incredibly talented. Has there ever been an album with a better closing four tracks than this? “Hang On To Yourself”, “Ziggy Stardust”, “Suffragette City” and “Rock ‘N’ Roll Suicide” tore the house down and put the roof into orbit. The only thing that could possibly have made that better would have been David Bowie actually being there. A spectacular band had just played two of Bowie’s finest albums, did they have anything left? Well yes they did, after a short break they were back for an encore. They kicked off their four song closing part with a wonderful surprise, not another hit from 1969 to 1973, but the beautiful and emotionally charged come back single from 2014, “Where Are We Now”. The band did not put a foot wrong and Glenn Gregory gave his finest vocal performance of the night, possibly not a dry eye in the house! This was followed by two classics from ‘Hunky Dory’, “Changes” and “Life On Mars”. The showed closed with the sing along sonic assault of “Rebel Rebel”. At the end Woody said a few words about being a part of this experience and being back in Yorkshire and then it was all over. It took me a while to come down from this high after getting home. I will definitely be seeing Holy Holy again!

Public Service Announcement: All photographs and videos were found on line. If any of them are yours and you would like a credit or for me to take them down please let me know.

 

 
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