With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

Live At The Library – York Explore – Sunday 19th May 2024 May 29, 2024

Filed under: Review — justwilliam1959 @ 10:13 pm
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This was a fundraiser for Explore the organisation that runs York’s wonderful libraries. The show was pulled together by that wonderful human being Joe Coates of Please Please You. Activities going on throughout the day including an open mic session and screen printing workshops. Sadly I missed all of those, but I was in the city centre library Great Hall for some great music. There was also some excellent poetry, particularly from Stu Freestone, whose cheese rap was awesome. First up was Rowan, of Rowan and Friends fame, with a rather spiffing solo set. He gave us folk with a punk attitude with some intelligent and often very humorous lyrics. The Jesus song (sorry I didn’t get the full title) was ace as was the bloody hilarious closer “Love On Top”. But for me where Rowan comes into his own is when he sings about York. “Leeman Road” and “Skeldergate” are magnificent story songs. Rowan is to York as Jonathan Richman is to New York.

Marnie Glum (not her real name) was next. She has the vocal styling of Joni Mitchell the clarity of voice that only Karen Carpenter and perhaps Rumer could match and a smattering of jazz in her tunes. Her band is phenomenally talented and helped Marnie bring her wonderful songs to life. She closed her set with “Fairweather” which in my opinion is her best song to date, although she hinted that new music might be coming soon. “Iron Me Out”, “Polaroid Ghosts” and her Bjork cover were highlights! But it must be said that “This Car’s A Train Wreck” is crying out to be covered by Taylor Swift. Are you listening Taylor?

Finally, it was time for Bull, probably one of the best bands to emerge from the York music scene, ever! I have compared them to the Byrds before and their harmonies during this gig mean that I absolutely stand by that comparison. But Bull have so much more than that within their musical arsenal. They have psych, some ethereal pop, a bit of rock, and plenty of punk attitude all aligned with some throwbacks to Frank Black, the Pixies, Elvis Costello, Nick Lowe, and even early R.E.M. Bull are intensely informal and always seem to be having a gargantuan amount of fun on stage. Their gigantic sound is built around some stylish, simple yet exquisite songs. They have moments of quietness, very appropriate in a library, that soar to frantic, frenzied sonic magnificence. Their debut album ‘Discover Effortless Living’ from 2021 was good, but this year’s ‘Engines Of Honey’ takes them to a new level of true greatness. They gave us songs from both albums in this stunning set. “Start Anew”, “Stuck!” and “Green” were probably my highlights, but oh boy the competition was tough! You need this band in your life if they are not already. If I had to encapsulate their performance in two words those words would be fucking and brilliant!

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Everything After Midnight – The Crescent, York – Friday 19th April 2024 April 25, 2024

Filed under: Review — justwilliam1959 @ 3:12 pm
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It is always an exciting night when a great York band plays at a fabulous local venue in their home city. This time it was Everything After Midnight at the wonderful Crescent in York. But before I tell you about Everything After Midnight I will tell you about the two support acts. First up it was Marnie Glum, known as Charlotte to her folks, she is most certainly not glum. She has a voice stolen from one of the Greek goddesses that entertained the deities of Olympus. Her voice is heavenly and has the pureness and clarity that few singers possess. She could harmonise perfectly with Karen Carpenter and Rumer. Marnie Glum is not just that gorgeous voice though, she is also an incredibly talented songwriter.

Rushbonds from Leeds were next to take the stage. They played some delightful soulful prog-jazz. Vocalist Robyn McLeod could make a living singing pop-styled blue-eyed soul songs but has chosen something far more challenging and so much more beautiful. They have an incredibly sparse drum set up and yet drummer Teruki Chan draws sounds and volume that would have impressed John Bonham. Nika Ticciati on keyboards and synth performed like a young Rick Wakeman or Keith Emerson. “Close But No Cigar” was my highlight of a set full of them. I love a band that defies being easily packaged into a genre box and Rushbonds cannot be pinned down to any one genre!

Finally, it was time to witness the obscenely talented Everything After Midnight. This band is always on fire but tonight it was on a super nova level. Steph gets better as a singer and frontwoman with every show and this gig showcased her at her most captivating and powerful best. I have watched this band grow into something special musically since I first saw them back in February 2022 when they supported Where’s Slater at the Victoria Vaults in York. They are still moving forward and despite how incredible they are I don’t think they have hit their peak. What do they sound like? Think Tori Amos and Wolf Alice backed at times by some really decent prog rock, but a band also well aware of what makes a great pop song. As far as lyrics go then Steph is the Priestess of poetry, her lyrics are not just clever, they are meaningful and add so much to the songs. The highlight for me was probably their new single “Little Hints”. This was a brilliant set which also featured a classy guest appearance from Louise of Pennine Suite. I love this band, and to cap it all they are all wonderful human beings!

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Everything After Midnight – Micklegate Social, York – Friday 5th May 2023 May 8, 2023


This was the first time I had been to a gig at the Micklegate Social in York since before Covid and it is still a wonderfully intimate basement venue. It is almost perfect for smaller shows, but I really hope they can sort out the toilet issue, two toilets for the whole venue upstairs and down really isn’t good enough. Anyway, that is enough of a toilet rant, let me get on with telling you about the gig! First up was Rowan, who has been featured on these pages before. This talented troubadour weaves some great tales in his 21st Century folk-style songs. “Skeldergate” is epic, contemporary, and topical (in a York sense for the latter). While many of Rowan’s tunes have somewhat dark themes, “Once A Rock Star” proves that he can write stuff that is a bit lighter, although even here there are some dark elements, but this was a great song with a hint of Jonathan Richman behind it. Tom Gulliver was next and he has a great collection of songs. “Place Of Peace” was damned good indeed. At times Tom’s vocal phrasings reminded me of Elton John, Mark Everett a.k.a Mr. E, and even Marc Almond. Everyone one of those inflections fitted perfectly with his well-played maniacal acoustic guitar playing. My highlight from his short set was probably “Cemetry Song” which I thought was sublime.

Next on stage, was Marnie Glum who says in her socials that she writes “sad songs for sad saps”, which I think is a little self-deprecating. She does write some sad songs, but for me, they work for everyone on many emotional levels, not just for sad saps. Marnie’s voice has the quality of a 21st-century Joni Mitchell in her phrasing and a hint of jazz in her styling, particularly on the new songs. She tells kitchen sink dramas and heartfelt soap opera tales with her infectious tunes. She is a Clifford T Ward for our troubled times. “Polaroid Ghosts” is gorgeous, heartfelt, and soul-baring. If you love great music then you need Marnie Glum in your life!

Finally, it was the turn of headliners Everything After Midnight to take centre stage. Their opening song showed the depth of musical quality they now have as a band. It was largely acoustic and fucking beautiful as it built to a fabulous 1970s rock-styled crescendo. The wah-wah style guitar licks were ace. The way Everything After Midnight have grown in confidence, skill, and stature since I first saw them a mere 15 months ago is incredible. Tonight is the fifth time I have seen them live. They possess a great maturity of thought and attitude that belies their age and adds to the compelling complexity of their rather wonderful tunes. I really loved “Sale Sign” with its mostly spoken word vocal, an awesome track. The band was joined on stage by two of the support acts for “Still Sleeping”, Marnie Glum and Tom Gulliver. The latter of whom produced the first Everything After Midnight EP. The final song of the evening was a cover of Razorlight’s 2006 UK number one “America”. It was a chilled take of Razorlight’s greatest tune. Some might say the only decent tune Razorlight ever did! But enough of Johnny Borrell’s boys, Everything After Midnight played a perfect set for such an intimate venue, another mark of a great band.

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With Just A Hint Of Mayhem – Singles Round-Up 2021 Part 5 December 10, 2021


OK I know I have been somewhat slow with reviews these last few months, so as an early Christmas gift this will probably be the final singles round-up of 2021. I will focus on a collection of tracks that I really loved but thanks to life (and laziness? Hopefully not that) I never got around to reviewing. Some of these came out quite a while ago too. I plan to be much better at this in 2022. If you have sent me something to review and I never got around to it then I am truly sorry, keep sending stuff though, as I really plan to get more done next year!

“Eye For An Eye” – AP Tobler

AP, who has featured on this site quite a few times now, returned with the rather splendid ‘Alternate Vision EP’ this summer and this dark riff laden romp was the lead single. AP is definitely one of those rare talents that grows with every release. Click here to check out the EP on Spotify, the cover of the Hives classic “Hate To Say I Told You So” is sublime.

“What I Need” – Tay Temple

If Karen Carpenter had been in the Cocteau Twins rather than Liz Fraser they might have sounded like Tay Temple. This is a lovelorn torch song with bite and I love it!

“Celebration, Florida” – Marnie Glum

A gorgeous acoustic ballad from the supremely talented Marnie Glum. A perfect fit to soundtrack a chilled summer afternoon, but that doesn’t mean you can’t use it to brighten up a dark winter day as well.

“Shut Your Mouth” – Not Now Norman

A towering track from the magnificent Not Now Norman. The riffs and hooks hit you on the first listen, a band that gets better and better with every release. I am proud to be a Norminion and I am also in the video, can you spot me? 😉

“Kicked Out Of The Sky” – Kicked Out Of The Sky

A modern twist on bands like the Clash and perhaps the less in-your-face elements of Blink 182. Catchy rock at its best, I particularly love the guitars on this track. Matt’s vocal oozes class too!

“Hide And Run” – The Dots

This raucous garage band from Huddersfield sent me a great song, “Could I Bare” back in September, it is bloody good, but finding stuff online from these lads has proved difficult, so the video below is for an electrifying excerpt from their set supporting Skylights on their Yorkshire tour!

“In The End” – The Dead Zoo

That delightful bunch of talented musicians released a classy Giorgio Moroderesque single earlier in the year and it comes with some incredible dance mixes. I shelled out for the CD version and it was well worth it. Click here to check out the original, remixes along with their rather ace cover of the Dame’s “Everyone Says Hi” on Spotify. I really need to see the Dead Zoo live in 2022. In the videos below you can see the band play “In The End” live.

“Pink Champagne” – Dojo Explosjo

This track shows the breadth of talent and versatility that Andy of Cold Culprits fame has. This is a real step away from his punk style that I was familiar with. “Pink Champagne” is a frenetic, edgy dance track that would sound immense over a nightclub sound system. Andy also created the rather wonderful animations in the video too.

“Her Mind” – The Sheratons

The band launched this single 7 months ago and it is pure dirty, grungey, punky, bluesy, garage rock class. The band rock out like the Stooges on a tune that will undoubtedly rip a hole in venue roofs across the country.

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