Just how did the final day of the rather spiffing David Bowie World Convention come around so quickly? I really don’t know, but here it is. the day kicked off really well as I managed to complete a great set of autographs in the “Little People, Big Dreams – David Bowie” (written by Maria Isabel Sanchez Vegara and illustrated by Ana Albero) for my 18-month-old grandson Leo. The book has dedications for Leo from John Cambridge, Woody Woodmansey, Donny McCaslin, Gail Ann Dorsey, Robin Clark, and Carlos Alomar. Carlos was kind enough to add a cartoon self-portrait. I plan to teach Leo everything I know about Dame David! I suspect that after the excellent Bowie Ball on Saturday night that there were a few sore heads in the audience for Sunday, but the schedule was busy and exciting.
First up were a couple of very interesting and informative short films presented by the curators of the David Bowie Is exhibition, Victoria Broackes, and Geoffrey Marsh. This was followed by Jonathan Barnbrook a supremely talented designer who created the cover for Bowie’s final two albums and Heathen to name just a few. Not only is he a great designer he is also a confident and eloquent raconteur. His sense of humour is magnificent and frankly right up my street! After that Kevin Cann was back to facilitate a conversation with the owner and creator of the Duffy Archive, Chris Duffy. Chris is a talented photographer in his own right and his father was the person behind the iconic ‘Aladdin Sane’ album. Chris talked about his childhood, his father, Bowie, and many of the artists he has photographed. Very entertaining indeed! Chris returned for the next session in which Nicholas Pegg was in conversation with Mr. Duffy, Phillipe Auliac, and Denis O’Regan. It was pleasing to hear Phillipe say that it was him who shot Bowie not doing a Nazi salute at Victoria Station in 1976. I was there and there most definitely was not a nazi salute. The press turned a snapshot into a vile slur. O’Regan’s memories were enlightening, especially his story about the on-stage feuds between Mick and Keef. The final session was Nicholas Pegg in conversation with the obscenely talented Donny McCaslin. Donny went into great depths about the creation of ‘Black Star’ and the ‘No Plan’ EP. We learned that while Donny is a master of many instruments, the piccolo is not one of them. Donny shared some demos of his new project which is performing ‘Black Star’ and other Bowie songs with a full concert orchestra. The plan is for it to be performed for the first time in the US in September. Even the demos sounded magical, they made the hairs on the back of my neck stand on end and I was washed with wonderfully warm emotions. Donny closed his session with a solo sax performance of, I think, “Warszawa”. Every session has been incredibly good, (apart from the NFT presentation on Friday), but I think Donny’s just about shaded it for me as the best of the whole weekend. Before we left we were treated to seeing all the remaining guests appear on stage as a final thank you.
The 2nd David Bowie World Fan Convention is planned for June 2023 in New York, sadly I won’t be able to make that, but I am so glad I made it to Liverpool for this one. We met some great people, especially top bloke and our new friend Jeremy. Perhaps a slight disappointment was not being able to get into the incredibly limited capacity Bowie Quiz at Phase One. But that is minor and did not spoil a truly spectacular weekend!
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