You might have heard that there is a General Election in the UK this week. It is perhaps the most important General Election in my lifetime. The current Tory government is becoming more extreme by the day and I fear for the future of my country if they win a majority this time around. They will destroy the very fabric of the UK; poverty will rise, homelessness will rise, the rich will get much, much richer, human rights will be marginalised, racism will become more rife, the NHS will be broken up. We cannot let this happen, help get the country off of life support and vote on Thursday. The UK is divided and the Tory Party have no chance of bringing us together. Vote with your conscience, vote with your heart, vote for future generations, vote tactically if that will help in your constituency. But please, get off your arse and vote, apathy allows the extremists into power!
This is a music site, so here are a few relatively recent protest songs for you to get in your head before Thursday. Featuring two of West London’s finest bands, hailing from Uxbridge, Boris Johnson’s constituency no less. Can Johnson be unseated? Anything is possible, just vote! Those two bands are The Tuts and Colour Me Wednesday by the way. Then there is an excellent solo song offered by the insanely talented Nadia one of the three sassy, smart and powerful women that are the aforementioned Tuts. Then there is the incredible slow burn psychedelia of London band Glass Peaks with “Architect” their scary dystopian vision and wonderful put down of the British Government. There is a great track, “Vote For Me” from the Specials ‘Encore’ album and you will hear from the rather clever Captain Ska. Finally, it is Madness with “The Bullingdon Boys”. There was me thinking the Nutty Boys had become a bit establishment, but this proves that they haven’t! I won’t patronise you by telling you who to vote for, but it is probably obvious from this post who I won’t be voting for and probably who I will be voting for!
This was the third time I had seen the Specials, once back in the early days and more recently at this same venue back in November 2016. That 2016 gig was marred by the poor sound quality and a relatively short set from the band. Was it better this time? Well yes, it was, but before I tell you about that you need to know about the spectacularly talented support band the Tuts. Regular readers will know that I am a big fan of this all-girl punk powerhouse of a band from the area of west London that I hail from. They have rather skillfully rechristened themselves a three-tone band for this tour. A support slot like this doesn’t come along too often and it is perfect for the Tuts. I have previously seen them supporting Kate Nash and the Selecter and this is now the seventh time I have seen them play live since February 2014. They simply get better and better every time and I believe that they are still some way from reaching their peak. Nadia, Bev, and Harriet played a rabble-rousing selection of songs from the Tuts debut album ‘Update Your Brain’. Particular highlights were “Always Hear The Same Shit”, “1982” and “Dump Your Boyfriend”. But the song that really set the crowd alight like a Molotov cocktail in a firework factory was “Tut Tut Tut”. Bear in mind that when the Tuts were announced as the support for this tour almost all the shows had sold out so the girls had to win the audience over. They didn’t just win them over they thrashed them into submission to a point where they had no choice but become fans. The energy generated by this band could power a small city. We were given a choice of cover versions and the crowd chose the Clash classic “Rudie Can’t Fail” rather than the Spice Girls “Wannabe”. Personally, I would have been happy with either but the Clash tune won by a landslide and I am sure that the ghost of Joe Strummer was filled with pride by the Tuts version. The Tuts merch stand looked to be doing great business later in the evening with, hopefully, legions of Specials fans now also into the Tuts. I do know that my mate Simon Hernaman purchased the Tuts album on CD. If you have not yet seen or listened to the Tuts you really need to sort your life out and do it. I reckon they are probably one of the best, if not the best, bands in the UK right now. I do know that Nad Tut disagrees with me on that, she told me that they see themselves as the best band in the world and frankly who am I to argue with that! Go Tuts!
Finally, it was the turn of the Specials to take to the stage, they were preceded by a wonderfully exuberant and tasteful DJ set by Saffiyah Khan. The band opened at full pelt with “Man At C & A” with Lynval firing up the crowd from the opening salvo, although to be fair we didn’t need much firing up. There were some inspired selections from their critically acclaimed album ‘Encore’, notably “Vote For Me”, the Valentines cover “Blam Blam Fever” and an impassioned “Ten Commandments” which featured Saffiyah Khan. But the highpoint of the newer material was for me the reworked Fun Boy Three tune “The Lunatics Have Taken Over The Asylum” which is still, sadly as highly relevant now as it was when it was originally released back in 1981. The three remaining original members of the band, Lynval Golding, Horace Panter (a.k.a. Sir Horace Gentleman) and Terry Hall were on top form. Hall’s laconic dry humour was on display on pretty much every occasion he chose to speak to the crowd. Special mention must be given to one of the UK’s greatest guitar players, Steve Cradock who added some intense rock sounds to every song. What I have always loved about the Specials is how when they do a cover version it really does become one of their own, particularly in the live arena. The crowd were full on skanking for “A Message To You Rudy” (originally by Dany Livingstone), “Do The Dog” (originally by Rufus Thomas) and it would be an understatement to say that the crowd went apeshit (no pun intended) for a riotously uncontained romp through the Maytals “Monkey Man”. It is the originals from the early days, though, that hit the highest heights for me. “Do Nothing”, “Rat Race”, “Nite Klub”, “Friday Night, Saturday Morning”, “Gangsters” and “Too Much Too Young” still retain nuclear levels of ska punk power. A nineteen song set took us to the inevitable encore and what a treat that encore was. It kicked off with a reggae instrumental jam, I have no idea what the title was. This was followed by another classic that is still as pertinent today as it was nearly forty years ago, “Ghost Town”. This mercurial performance from the Specials was closed with a Skatalites cover “You’re Wondering Now” which also featured Saffiyah Khan. This was a fitting end to a truly great show which proved beyond any reasonable doubt that the Specials have still got it!
Public Service Announcement – all the pictures, apart from the tour poster, were taken on my cheap android phone. The videos were found on YouTube. If you would like to be credited or have them removed please let me know.
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This was to be the sixth time I have seen the majestic girl power ambassadors and socialist pop punk stars the Tuts. What were they like? Well you’ll have to read on for a bit because there were also some rather excellent support acts on the bill too. First up was Simon Widdop a rather excellent and intelligent poet from Wakefield. Sadly thanks to heavy traffic I missed much of his set but what I did hear was clever, emotional reminiscent of another great northern poet John Cooper Clarke. I especially loved Simon’s tribute to the late, great Amy Winehouse.
Simon was followed by Leeds three-piece Autobodies. If you like the Velvet Underground or Bis then there is no way you won’t like this tight little band. Not only do they write great songs they look as if they are having amazing fun on the Brudenell Games Room stage. I will definitely be keeping an eye on this lot and I urge you to do the same.
Third on stage were a stunning band from Nottingham, Babe Punch, incidentally that is a bloody good name too. They are grungey, punky, alternative with what seems like a great understanding of what makes great pop music. Testament to this was their very different cover of Chris Isaak’s “Wicked Game“. The lead singer has a look of Grace Slick about her, but not only the look she has a voice that could match Grace at her finest too. Babe Punch are a highly talented band and I hope they venture north again because I for one will definitely try to see them again.
OK so now it was time for the main event, the Tuts. I was lucky enough to meet each of them during the support acts and they seemed well up for this gig. This show was a part of their Something Worth Voting For Tour of the UK. In a wonderful twist of fate Cruella de May announced a General Election after the Tuts announced their tour. I am guessing that there were no potential Tory voters at the Brudenell in the Tuts crowd that night. Their set was as we Tuts fans have come to expect; loud, punchy, fun, political, punky and powerful. Tut classic after Tut classic were blasted out and totally lapped up by the adoring crowd, believe me if you see this band once then you will be a fan for life. “Let Go Of The Past”, “Worry Warrior”, “Tut Tut Tut” and “Dump Your Boyfriend” had everyone in the crowd singing along. Perhaps the highlight given the forthcoming election was a stunningly angry version of “Give Us Something Worth Voting For”. Nadia and Hat Tut made a couple of crowd invasions which were greeted with rapturous applause. The girls even gave us a wall of death opportunity, which was quite a violent departure for this old bloke! Do you like the Spice Girls “Wannabe”? Go on even if you see it as a guilty pleasure you cannot deny that it is a great song and one that is made even better by the Tuts. The encore ended with the wonderful “Back Up”. At the end of the gig Nad, Bev and Hat spent as much time as they could with their fans. What we also learnt tonight is that legendary producer Mike Chapman is interested in producing them, I really hope that works out. As for the woman who gave the Tuts a poor review in Southampton, were we watching the same band?
Finally I want to add a postscript in that I wrote this review before the horrific events in Manchester on Monday 22nd May at the Ariana Grande show. I have being going to gigs for nearly 45 years and a tragedy like that evil bomb attack on innocent people, many of them kids attending perhaps their first concert, makes me think how much music means to me. Music is life affirming, do not let the acts of some fanatics take that away from you. My heart and thoughts are with the victims and their friends and families. So many young people lost their lives. But we must not let evil people beat us. From everything that I have heard and read since the attack one thing is very clear. The human spirit is alive and strong, so many people reaching out to help others. We need to focus on that to carry on. Take care everyone, be vigilant, be safe, show compassion and love. We are all earthlings and we share one planet regardless of race and ideology.
I believe this is the fifth time that I have seen the magnificent Tuts play live since that first time supporting Kate Nash back in April 2013. They get so much better every time, but enough about them for a moment because this show at the delightful Wharf Chambers venue in Leeds also boasted a couple of excellent support acts. First on stage where Milk Crimes, a brilliantly gifted band who I first encountered when they supported Colour Me Wednesday at the Fulford Arms in York earlier this year. They are part Bis, part Buzzcocks and part Pixies. But the overwhelming majority of their parts are pure and original Milk Crimes. A great band with some great tunes and frankly any band with a song entitled “Hail Satan” is alright with me!
Crywank were next as they brought their bottled madness to Leeds. What kind of genre are they? Who knows? Who cares? The answer to both of those questions is probably no and it really doesn’t matter for Crywank are a stunningly eclectic and talented combo. They are so out there and just utterly fucking brilliant. Actually I might even describe them as Zappa-esque. Drums and an acoustic guitar with songs that are either nonsense lyrics or wonderful vignettes of everyday life. They made an offer that I don’t recall ever hearing from another band; give us some weed an we’ll give you an album. Now that is a good deal, but where the hell did I put my stash?
Now it was time for the main event, the Tuts who were by now close to half way through a headline UK tour in support of their stunning first album ‘Update Your Brain’. That album is getting some great reviews; 9 out of 10 from Vive Le Rock Magazine, click here for my review of the album. They opened with the rousing put down of sexism in the music industry “Tut Tut Tut”. The first single from the album, “Let Go Of The Past” had the capacity crowd leaping and bouncing all the way through. The song that has become something of a Tuts standard, “Dump Your Boyfriend” rocked Wharf Chambers to its foundations helped along by a crowd that seemed to know the words to all the songs. As Nad Tut remarked later in the set this was a really special moment, having the crowd singing back to you and I most certainly agree.
The Tuts remain a DIY band and let’s face it it’s hard to get more ‘punk’ than that. They have no label and no manager, although briefly last year they did have a manager. He didn’t last long as his glory days were so far in the past that all his ‘key’ music contacts were probably dead by 1982 and that is kind of what the magnificent “1982” is all about. The band gave us a choice of cover songs; the Clash‘s “Rudie Can’t Fail” or the Spice Girls “Wannabe“. It was a landslide win for “Wannabe” and I must confess it got my vote too. Nad Tut, Hat Tut and Bev Tut evoke the spirit of girl power far more strongly than Scary and the gang. On top of that their powerful version of the Spice Girls first hit is loud and great fun. There was the now obligatory foray into the audience from Nadia and Harriet which the crowd lapped up. They played a rollicking version of my current favourite Tuts song, “Give Us Something Worth Voting For” too. But in what seemed like a fleeting moment their set ended with the fabulous “Back Up”. The Tuts are a band that for me are really on the cusp of major success and I hope they get there. They have talent, intelligence, principles and they know how to win an audience. There are still a few opportunities left to see them on this tour and if you can’t make it to any of those dates then get off your arse and start updating your brain by buying their album.
Me and the magnificent Tuts
Now for one of those pesky public service announcements. All the photos in this post were taken on my cheap little mobile phone camera. Meanwhile the videos are all courtesy of YouTube.
The Tuts as we now know them with Nadia Javed on guitar and vocals, Beverley Ishmael on drums and Harriet Doveton on bass formed back in 2010. This album is the culmination of their hard-working DIY approach to what they do. They really know their fans and use social networking to engage excellently with them. They have had some inspirational support slots notably with Kate Nash back in 2013, which was when I first saw them at dear old Fibbers in York. They have also toured with the Selecter and played support to the Undertones and Adam Ant among others. They really are a proper band in that they work well off and with each other and everything that they have done so far is a step up from what came before. ‘Update Your Brain’ is no exception and twenty or thirty years ago it would have been a banker for the album chart top ten. But sadly the music industry no longer works like that. But charts or no charts this is a bloody good album.
Tuts fans will have heard many of the tracks before but as a cohesive set of twelve tracks that makes no difference. From opener “Let Go Of The Past” right through to the albums final track “Back Up” the punk, the power and the pop are turned up to eleven. It is great to see a young band with no fear of wearing their beliefs on their sleeves; hitting out at music industry sexism on one of my favourites “tut Tut Tut” and the uncaring one party state we have in the UK “Give Us Something Worth Voting For”. They also put their money where their mouth is with an anti Boris Johnson protest at Uxbridge Library a while back. Sadly it wasn’t enough to prevent arch moron Boris from being parachuted in to become their local MP. But perhaps having such an arse as their member of parliament will lead to more excellent anti Tory songs from Nadia, Bev and Hat Tut!
“Con Man” is a proper rock out song and “Dump Your Boyfriend” has become a Tuts classic and is a certainty for inclusion on the Tuts Greatest Hits when it is released five or ten years from now. To paraphrase that song if you have a shit favourite band that never delivers then dump that band and start getting to know the Tuts. You will not regret it. They are touring the UK in support of the album I will be seeing them in Leeds later this month. Where are you seeing them? If you’re not planning on seeing them then I suggest that you change your plans now and that is an order. If you don’t follow that order then I will have no choice than to send the Tuts round to sort you out!
Many of you reading this review will be among the many pledgers who will already have the album. But don’t worry if you’re not, you can still get your hands on it. I don’t usually give stars or marks out of ten for albums on this blog. But I will make an exception for the Tuts with an 8 and a half out of ten. Why not ten? Well first I never give a ten and secondly I expect their next album to be even better so I want to leave room for a higher mark! We should also start a campaign to have the Tuts appear at Reading and Leeds Festivals next year. It will be a big start in breaking the male domination of the bill. Now stop reading this shit and get listening to ‘Update Your Brain’……… NOW!!!!
Last night was the first time I had been to a gig at the Brudenell in Leeds and I have to say it really is a fantastic venue. The eclectic and diverse mix of acts appearing there means that I will certainly come back. Anyway on to the main event; the Selecter. I had seen them once before but that would have been around 1979/ 1980 when I was younger than excellent support band the Tuts are now!
I arrived at the venue just before the doors opened and met some really nice people in the queue. Roger you’re a top bloke! Soon after I came in Pauline Black and Gaps Hendrickson were manning the Selecter’s merch stand. Obviously I was always going to buy something, so I bought a Selecter polo shirt and a CD of the band’s new album; ‘Subculture’ which the pair of them signed for me. Pauline also signed my copy of her autobiography ‘Black By Design’ which I had finished reading a couple of weeks ago. It is an excellent book and every bit as good as recent autobiographies by John Lydon and Viv Albertine. In the book Pauline comes across as very open and honest and having met her, albeit briefly, she really is a wonderful woman. She and Gaps were very attentive with all the fans in the queue for Selecter product.
As for the gig it was the amazing Tuts who opened the show. They are the support band on the Selecter’s UK tour and Pauline Black has championed them every step of the way. I think that this is the fourth time I have had the pleasure of seeing this incredible young band and it is clear to me that they just keep on getting better and better each time I see them. The stage costumes for tonight were made from a material patterned with the leaf of a popular and some would say refreshing herb. They looked very effective too! Their set was energetic and powerful and they certainly know how to work a crowd. On”Tut, Tut, Tut” especially for International Women’s Day they invited Sarah Statham from local band Esper Scout to drum the intro while all three Tuts ran through the crowd making sure that we all sang along. New song “Do I Have To Look For Love” will become a classic and old favourites like “Worry Warrior” and “Dump Your Boyfriend” already are. The girls cover of the Clash’s “Rudie Can’t Fail” was sublime. Nadia berated the music industry about the apparent need to posses a penis to succeed in the music business. Now those of us with half a brain know that shouldn’t be true, but judging from the line-up for Reading and Leeds this year it certainly and sadly has some credence. So come on all you labels and management companies stop all the macho willy waving and sign this band! Metaphorically they have more balls than many of the men in the music industry! The queue and interest in the band at their merch table was incredible which shows that the fans are there! So come on record labels how about a deal. As for more gigs what about another support slot? Garbage must need a decent support band and the could not go wrong with the Tuts, are you listening Shirley Manson?
As for the headliners what can I say? The Selecter were awesome. They played most of their biggest songs; “On My Radio”, “Missing Words”, “Celebrate The Bullet” and my particular favourites; “Too Much Pressure” and “Three Minute Hero”. I thought “Danger” and “London’s Burning” went down a storm too and really got the crowd rocking! One of my newer favourites and it’s yet another crowd pleaser is “My England”. They played a few songs from the new album, which I have now played a couple of times now and it is bloody good. It gets an official release next month, but for now is available at the band’s merch stand on the rest of the tour. Some of the new material fits into the set so well that you’d think it had been around a while. “Box Fresh” could easily become a classic pop song. “It Never Worked Out” and “See Them A Come” are the Selecter at their best and on top form. Another song from the new album, “Breakdown” tackles the large number of black people who have died in custody in this country and is as you would expect very hard-hitting. This is clearly a band that stands up proudly for human rights and are openly anti racist and anti sexist, as frankly we all should be! The pre encore show ended with a magnificent version of “Last Train To Skaville” which had all the aging skinheads from the ska revival of the late 70s stomping and skanking hard enough to cave the floor in! Like me many of those folks now have a natural skinhead look given the lack of hair that age brings to some of us. The encore kicked off with a mighty version of “James Bond” and the Tuts joined the Selecter on stage at the end for a final goodbye to the Brudenell crowd. Nadia even managed to stage dive and briefly crowd surf. As for the energy of the band, Gaps must have sweated gallons! (Is there an exercise DVD that could be made from that performance?) Finally I should also mention two other covers that the Selecter performed; Doris Day’s “Secret Love” which worked really well when ska-ified and Springsteen’s “Because The Night” from the new album and for me worked even better when played live. Overall this was a cracking night and I would definitely not leave it as long before seeing the Selecter again and I am already looking forward to seeing the Tuts again.
You can still catch them both on the remaining dates of the UK tour and if you haven’t already done so then sort yourself a ticket out. You will not regret it!
OK and now for the usual public service note, this time the pictures were taken on my little phone but the videos were all obtained on You Tube.
On Saturday I had yet another opportunity to attend a live show from my favourite all-girl punk band the Tuts and obviously I wasn’t going to turn that down was I? The Tuts were the third and headlining act in the musical close to the Leeds Ladyfest. This festival exists to promote and celebrate women in the arts. The first part of the day included some very successful workshops I’m told. I was only there for the music and more of that later. The venue was the rather excellent Wharf Chambers in Leeds, this co-operative pub/ venue has the potential to become one of Leeds’ best small venues in my opinion. I understand that money raised from the event would be going to charity. One of the recipients will be Support After Rape and Sexual Violence Leeds (SARSVL). This is an organisation that I know a bit about thanks to my friend Rachel Vernelle who is a passionate supporter. If you wish to contribute to SARSVL or indeed to help fund Wharf Chambers the links are above.
Anyway on to the music. The first band on were Demitaves. Three people, one acoustic guitar, some basic percussion and harmonies to die for. The well rehearsed vocals were reminiscent of Crosby, Stills, Nash and Young at their best. The band also had some excellently written and performed songs. The acoustic cover of Britney Spears “Toxic” was a highlight. In my opinion if you cover a song you should make it different from the original and for this cover it was definitely mission accomplished. So would I go and see the Demitaves again? Of course I would and so should you if you get the chance!
Finally it was my chance to see those fabulous Tuts once again. This is the third or fourth time I have seen them and it would be very fair to say that they have got better every time. They have a great set of songs “Tut Tut Tut”, “Dump Your Boyfriend” and my current favourite “Worry Warrior” among many others. The Tuts are nothing like either of the other bands on the bill which for me makes for a brilliantly varied and interesting evening. It would have been nice to see more people there but it was a fabulous atmosphere and great show from Nad Tut, Bev Tut and Hat Tut. They even managed a crowd invasion at one point with Nadia and Harriet bringing their guitars and microphones onto the floor in among us punters. Jen Doveton off of Colour Me Wednesday also joined them on stage for one song.
Their UK tour is over now, the last show was in Manchester on Sunday. However the big news is that they will be treading the boards in the UK again very soon, in the early part of 2015 in fact. If you’re a Tuts fan you’ll already know this, but the girls are supporting the legendary Selecter on their UK tour! Check below for the dates. This came about after Pauline Black saw the Tuts thunderstorm interrupted Glastonbury set in June this year. I will definitely be there at the Leeds Brudenell show in 2015. If you haven’t yet checked out the Tuts I want a letter from your parents explaining why!
Finally take a look at the latest video from the fabulous Tuts!
The Tuts are headlining their own exclusive UK tour in some excellent and intimate venues. I had the opportunity to see them play live again last night. The last time I saw them they were supporting Kate Nash at Fibbers in York back in early 2013. Things have gone well for them since then. They have another EP out next month and an album next year. I can hardly wait! On top of that they met the great Billy Bragg at Glasto last year and he has bagged them a slot on the left field stage for this years Glasto. If you’re there in June DO NOT MISS THEM! THAT IS AN ORDER!
Anyway more of the Tuts later, because they also had some great support. Unfortunately I only caught the last song from Elopes but they did sound pretty feisty. Sorry folks I’ll blame the train for missing your set. The other support band won me over with their name before they had even played a note. They are called Jesus And His Judgemental Father. How good is that name? Often when seeing a band for the first time, especially if I’ve not heard them before, I look for influences. I did that with Jesus And His Judgemental Father (I just felt like repeating that excellent name! For me there were shades of the Beat, Blink 182, 80s metal, the Pogues and I could probably come up with more. But for every small trace of influences they show they have stacks more originality. Harriet from the Tuts said that they sounded like the type of band that might appear at the High School dance in an 80s or 90s teen horror flick. That works for me. They are a really tight and very together band with a fabulously talented guitarist. The drummer showed support for Pussy Riot with the bright red balaclava. Given the chance I will definitely pay to see this band again and I bought their album last night too. It’s bloody good!
It was fantastic to see the Tuts headlining at last. They are well worth that top slot. Fun, funky, punky and different they are the Tuts and there is no one quite like them. Their cover of the Clash’s “Rudie Can’t Fail” would make Joe Strummer proud. They were even joined on stage by Jen Doveton, Harriet’s sister from Colour Me Wednesday for one song. Their own songs top tunes. I was still singing “Tut Tut Tut” in my head when I woke up this morning and “Dump Your Boyfriend” has probably been number one in the charts for weeks in a parallel universe where there is no shit like the X Factor on TV. These girls ooze talent and charisma and if they don’t make it to even bigger stages and audiences soon then there is no justice. Harriet, Bev and Nadia good luck with the rest of the tour, Glastonbury and York in October. I need more details about the latter obviously! If the Tuts are playing in a venue near you just get off your lazy arse and go and see them. You will not regret it!
They might look like angels but they rock like fuck when they’re on stage!
Let’s face it most new Christmas songs in recent years have been pretty shit haven’t they? You can almost hear the sound of the barrel being scraped with some Christmas albums as well. Leona Lewis another short-lived X Factor success has one out this year. I reckon that will go from stocking filler on a small-scale this year to the charity shop or the recycling plant next year.
But trust me all is not lost. Those feisty, punky and talented girls known to the world have released a Christmas song as part of the magnificent Kate Nash‘s first ever Christmas release, an EP entitled “Have Faith With Kate Nash This Christmas”. The Tuts contribution is called “Christmas Is In The Air”. It starts off in an acoustic vein, probably just to lullaby you into a false sense of security. But then it comes to life stupendously with a rather spiffing chorus. I loved this song after the first listen and it will definitely be on my Christmas playlist. The video is darned good too. Special guests include Colour Me Wednesday and a festive jumper sported by Nadia Tut that probably should never be allowed out on it’s own. Enjoy the video, listen to the song and then buy the EP ok? I know where Santa’s Evil Elves live and if I find out that you haven’t bought the EP I will send them to your house. You wouldn’t want me to do that would you? TUTS ROOL YULE OK!
Stuart Goddard‘s Mum was once James McCartney’s cleaner. But to put that into something that most people will understand, Adam Ant’s Mum was once Paul McCartney’s cleaner. Adam was born Stuart Goddard and Paul McCartney’s name is in fact James Paul McCartney. Mr Ant was born in Marylebone so I assume that his Mum cleaned for Macca when he lived in London back in the days when young Master Ant was heading for his teenage years. Do you know the occupations of the parents of any other superstars?
Is Mr Ant following in his Mum’s footsteps?
These aren’t music related but I used to work at a London Transport bus overhaul works in Elstree from 1977 to 1983. At the same time we had Todd Carty‘s Dad working in the factory and Snooker Champion Steve ‘Interesting’ Davis’ Dad driving a staff bus. Todd played Tucker Jenkins in Grange Hill and Mark Fowler in Eastenders. But in a music related connection I did go to school with Chris Doveton whose daughters make up one-third of the superb band the Tuts and one half of the rather excellent Colour Me Wednesday. The Tuts have just completed a successful European Tour in support of Kate Nash and Colour Me Wednesday have been promoting their excellent first album ‘I Thought It Was Morning’ which came out in July. If you haven’t checked out the Tuts and Colour Me Wednesday yet you need to explain in no less than 500 words why you haven’t. if you don’t then I will have to arrange for Mrs Goddard to turn you upside down and use you as a mop!
The song that I have chosen to support the trivia element of this post is Adams Ant’s “Apollo 9” which was released in 1984, some 15 years after the launch of the rocket of the same name. Is it possible that Mrs Goddard was still polishing Macca’s floors when that launch took place in 1969? I have also decided to blatantly plug the Tuts and Colour Me Wednesday. Why would I do that I hear you ask? Simply because I can is my answer!
With Just A Hint Of Mayhem 