Travesty hardly does it justice in my opinion, but frankly I am both saddened and angered that the X Factor Finalists charity single this year will be their version of David Bowie’s “Heroes”. OK I haven’t heard it yet, but I really can’t imagine it will be anything better than mediocre at best. The only redeeming feature is that it will be raising money for the Help For Heroes charity. Incidentally I do find it sad that the soldiers who get injured in pointless wars like the one in Iraq have to rely on our charity for a better life. I don’t begrudge them that at all, I just think that the government should do much more for them. By the way, just because I don’t support the war in Iraq and other places doesn’t mean I don’t support our soldiers that are out there risking their lives. Anyway rant over for now. read about this awful cover version at the NME and the BBC.
In some more encouraging news Nick Mason, sticksman for the Floyd has said that charity could lure the band back on stage together at some point in the future. Their last appearance on stage together was at Live 8 in 2005. But Roger Waters and David Gilmour did play together in Oxfordshire in July this year in aid of the Hoping Foundation which supports Palestinian children. Let’s hope Mr Mason is correct and that it happens soon. How about Pink Floyd at Glastonbury? Read all about it here on the BBC and NME.
Rob Dickins former boss of Warner Records for 15 years up to 1998 has claimed the way to save the industry and really hit back at piracy is to reduce album prices to just £1. Personally I totally agree with him. I believe that there is no greater reason for people to illegally download than the current price of music, particularly downloads which require no physical product to support them. Here is the story on the BBC. What do you folks think? What percentage of your downloads are illegal?
Finally for this post, this week’s NME was taken over and edited by the boys from superb British comedy the Inbetweeners. If you haven’t seen it yet, what are you waiting for? I also understand that the rights have been sold to the US, I really cannot imagine how the hell it will translate for a US audience. Click here for pictures of their takeover of the NME.