I am proud to announce that ‘With Just A Hint Of Mayhem’ has gone international, well the following is a review of a rather outstanding gig I attended while on a business trip to the Big Apple. Which makes it the first non UK gig reviewed on this site. I am also really delighted that it features the barnstorming Pumarosa, one of the finest British bands around. But before I get to them let me tell you about the support band Homebody from Greenfield, Massachusetts. Ethereal and otherworldly singer Haley Morgan may have been created by someone splicing DNA from Bjork and Patti Smith with a sprinkle of Toyah Wilcox. At times she comes across like Kate Bush on speed, but in a very good way. Haley’s outfit was very ‘out there’ and appeared to have been created from net curtain or wedding veil material. The soundscape is provided by Eric Hnatow and it evokes the very early releases of the Human League. Eric maintains a stoic and serious face rocking like a bald Ron Mael off of Sparks. They have some first-rate tunes and frankly how could you not love a song such as “Tits To The Sky”?
As for Pumarosa, well this is the third time I have seen them in the last 90 days; firstly at the Latitude Festival in July, the Leeds Festival in August and now in New York in October. I know that the band have supported Glass Animals on some US dates in the past, but I am not sure if this US headline visit (which also includes dates in Mexico) constitutes their first shows in their own right across the pond. But they sure as hell played Brooklyn like it was their first US headline show. Baby’s Allright is not an enormous venue (capacity 280) and it wasn’t totally full, although I reckon there may have been in excess of 150 people there, maybe even 180. Pumarosa blew the house down from the moment they hit the stage. To hear them play the soaring, immense tune that is “Priestess” live is rapidly becoming a spiritual experience. Tonight was no exception and I was captivated with the amount of locals in the audience that clearly knew a lot about the band as evidenced by them singing along and dancing for the whole set.
In previous reviews I have likened this band to Siouxse Sioux, Kate Bush and early Roxy Music (particularly given the occasional burst of Andy Mackayesque saxophone) but it is blatantly obvious that they are much more than that. Pumarosa are thrillingly original in performance, style and flair, their stage presence shows polish, elegance, grit and bravura. I have been listening to their glorious debut album ‘The Witch’ since I first saw them in July and while “Priestess” remains my favourite song in the words of Blink182 this album is most definitely ‘All Killer No Filler’. I absolutely adore “Lion’s Den”, a song which becomes far more than the sum of its supremely good parts when played live. Closer “Snake” rocked like a demon on speed and left us all wanting more. In my opinion Pumarosa are one of the best British bands on the scene at the moment and they are on the cusp of what I hope will be monumental success. I expect to see them higher up the festival bills in the UK next year and if they have not headlined a stage at Reading/ Leeds Festival by 2020 I promise to print this post out and eat it. If you have not yet encountered Pumarosa then do everything in your power to change that as soon as possible. You will not be disappointed!
Public service announcement. The Pumarosa pictures (obviously apart from the poster) were taken using my little mobile and the Homebody picture was taken by my friend and colleague Erik Futtrup 🙂 All videos were sourced from Youtube.