With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

The Music Industry Gives Kate Nash And Most Artists And Musicians A Bum Deal! December 26, 2024


I began my With Just A Hint Of Mayhem journey in 2009. At that time, I had no idea about the future. I never expected that one day I may be writing about what is essentially a porn site. I am talking of OnlyFans. This site was created back in 2016. It was initially a social network. The purpose was to serve as a meeting point between fashion influencers and followers. Its creator, Tim Stokely (a Brit), initially conceived it as a premium content platform. Users paid to see the publications of their celebrity idols. It has grown into a, mostly, soft porn site. It caters to some fetishes and tends to focus where possible on celebrities. However, plenty of ordinary people seem to make money from it. It took off hugely during the COVID-19 pandemic. I can state categorically that I do not have an OnlyFans account and nor am I ever likely to. Not because I have high morals but because no one wants to see a fat old white blokes body. Recently, Lily Allen mentioned that she earns significantly more money selling pictures of her feet on OnlyFans. This income surpasses what she makes on streaming services like Spotify. Check out the screenshot below for more detail and click here to read Drowned In Sound’s’ take on the story.

Since then, Kate Nash has set up an OnlyFans account. This highlights the predicament many artists find themselves in. Nash has said this about her ‘Butts For Tour Buses’ campaign on OnlyFans. “I think it’s bit of a punk protest as a woman to take control of my body and sell it to be able to fund my passion project, which is actually my 18-year career. I want to highlight that, and I want people to talk about it, and I want people to know the truth about what what’s happening in the music business. The only way I could find to make a profit on the tour – you’re either going, hopefully I sell enough T-shirts to cover the debt, or you cut people’s wages, or you fire band and crew, or you travel dangerously. So that leaves me in a position where I’m not profiting from tours. So is this a job, or is it a passion project?” She later said that it was “an important time for women to take control and to feel empowered” The pictures of her derriere that she has posted on OnlyFans so far are revealing but a long way from being explicit. She has also said of the pictures that “I think the arse is the perfect combination of comedy and sexuality” and “I actually like bums. I think they’re just quite great. I think it’s funny. I enjoy taking pictures of my bum. Always been a bit of a flasher. So I’m going to enjoy doing it, and I’m already putting it online anyway.” She has stated that she expects to make more money from her backside than her music, particularly in the short term. Kate has called this protest “as punk as fuck” and I completely agree with her.

Is this right? no of course it isn’t. The music industry needs to wake up and stop being so fucking greedy. It shouldn’t be all about the money for entertainment corporations, but sadly it is. What happened to nurturing artists, supporting them and the grass roots music venues while you are at it! So many talented and upcoming artists are affected by shabby and arrogant treatment by the industry. Remember Little Simz’s lyric from her song ‘Angel’? “They don’t care if your mental is on the brink of somethin’ dark/ As long as you’re cuttin’ somebody’s payslip/ And sendin’ their kids to private school in a spaceship”. That was a sharp and brutal remark directed at music industry executives. Many of them know nothing about music, but they know a lot about ‘product’. What will it take for the industry to change? Sadly, it is likely to take a lot more than Lily Allen’s feet. Even Kate Nash’s arse won’t be enough to change everything, but it is a start. I hope it doesn’t happen, but I can see a distant future where new music never happens. What good will come of that? Well at least the corporations and the misogynist fat cats that ran them will no longer exist. I can’t imagine a life without music so we need to act, and act fast! What can we do? Here are a few thoughts from me, feel free to let me have your views.

• Spread the knowledge of how badly artists are treated and rewarded by streaming companies.
• Boycott artists who don’t share a part of their ticket price to organisations like the Music Venues Trust.
• Reduce your usage of streaming services. Alternatively, stop using them entirely.
• Use Bandcamp more
• Buy more artist merch and physical product.
• Support your local music scene and grass roots venues
• Never buy ridiculously overpriced tickets. Oasis and many festivals for example.
• Never use Viagogo or their dark brotherhood of ticket exchange companies
• Contact your MP and tell them to speak up for artists

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Johnnie Walker’s Final Sounds Of The 70s Show On BBC Radio 2 November 8, 2024

Filed under: News,Observation,Review — justwilliam1959 @ 7:00 am
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Johnnie Walker‘s final Sounds Of The 70s was broadcast on 27th October. I was on holiday when it aired but listened to it via BBC Music’s catch-up service. After 58 years as a DJ, this is the end of an era for Johnnie and radio. He is one of the finest radio presenters I have ever heard. I might have heard him during his stint at pirate station Radio Caroline in the ’60s, but I remember listening to Johnnie avidly during school lunchtime in the ’70s on BBC Radio 1. In those heady days, he was the first DJ to reveal the weekly chart in a Tuesday pop chart rundown. I remember that he used a musical bed of the classic Booker T and the MGs track “Time Is Tight”. His voice and that track bring back so many teenage memories. I was the kid who always brought a small transistor radio into school with him, particularly on a Tuesday. This meant that me and my mates at Bishopshalt School in Hillingdon could find out whether David Cassidy and the Osmonds were still clogging up the UK charts (they were), whether Slade had gone straight in at the top (they had), or whether Bowie would get his first number one single (yes but not until 1975 with a reissue of “Space Oddity“).

I have listened to Johnnie’s shows regularly over the years. Saturdays in the 1990s were good but Sounds Of The 70s possibly topped all of his other shows for me. This final show was quite emotional, particularly some of the messages provided by stars and colleagues. The one from Rod Stewart was heartfelt and heartwarming. It was followed by “Sailing”, the song played at my Dad’s funeral. I cried a lot at that point. Then there was the wonderful chat with the legendary Sally Traffic. The music Johnnie chose for his last show was like a playlist of some of my favourite 70s songs; “Giving It All Away” – Roger Daltrey, “Solsbury Hill” Peter Gabriel, “I Can See Clearly Now” – Johnny Nash, “Father And Son” – Cat Stevens, “Misstra Know It All” – Stevie Wonder and the Dame himself David Bowie with “Drive-In Saturday”. There was a lot about Bowie on the show. I loved Johnnie’s wife Tiggy’s tale of meeting Bowie in 2002. By the time Johnnie ended the show with Judy Collins’ “Amazing Grace” I was a sobbing wreck! Radio is a smaller place with no Johnnie Walker on the airwaves.

As a footnote, I should tell you that the ‘Johnnie’s Jukebox‘ feature of the Sounds Of The 70s show inspired me to start the Play It Again Mayhem playlist.

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“Little Shrew/ Snowflake” – Kate Bush October 25, 2024

Filed under: News,Observation — justwilliam1959 @ 7:15 pm
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Kate Bush has made a slight return today with a vital and poignant message on behalf of War Child. She has helped create a wonderful, thoughtful, and heartbreaking animation about a little shrew who searches for Hope as she makes her way across a bombed-out city. She has provided her song “Snowflake”, the opening track from her 2011 album ’50 Words For Snow’. While Kate put together storyboard sketches for the film the final animation was produced by Inkubus. Kate was interviewed by Emma Barnett about the film on the Today programme on BBC Radio 4 earlier today. Click here to listen to the whole interview. She spoke at length about the film, life, and music. As for the latter Kate teased that she may be working on new music, for me and many of her fans that is incredibly exciting.

But in the meantime, please contribute whatever you can to help support War Child. If you don’t know who War Child are here is a brief summary of their aims and activities; “We protect, educate and stand up for the rights of children living through conflict. We go to the hardest-to-reach places to support those who are hardest hit. We aim to be there for children who need us most when they need us most. When conflict breaks out, we aim to reach children as early as possible and stay on to support them long after the cameras have gone home. We help keep children safe and help them to heal and learn. We understand children’s needs, respect and stand up for their rights, and put them at the centre of everything we do – because just one child caught up in conflict is one child too many.” Take a look at the truly gorgeous, stunning animation which is bleak and yet still filled with hope. Kate posted about the film on her website, click here to read it.

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Fulford Arms Battle Of The Bands 2024 – The Final October 19, 2024

Filed under: News,Observation — justwilliam1959 @ 9:15 pm
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Well, it has been an exciting Battle Of The Bands so far this year, six excellent heats and three semi-finals that were the closest ever! But only four bands can make it to the final and those talented bands are; Patience (Semi-final 1 winner), Theseus (Semi-final 2 winner), Offbeat (Semi-final 3 winner), and Sleuth Gang who were given the coveted Judge’s Wild Card. They were my wild card choice!) I have been involved as a judge in this fine contest for three years now (and sometimes stand-in compere) and it gets better. The talent in the music scene in York and Yorkshire is huge. Who will win? I have no idea it could be any one of these four amazing bands. I reckon it will be very close again too. Have you got a ticket? I hope so because they sold out in something like eight hours! It might not be as exciting as the other prizes on offer but if any of the bands would like to do an interview at With Just A Hint Of Mayhem sometime after the final, just give me a shout! (Theseus are ahead of the game and I am sorting out interview dates with them already!) See you on November 3rd! To get you ready check out the playlist below!

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National Album Day 2024


I must confess that National Album Day, which has been running for 7 years, has kind of passed me by. I am much more keen on Record Store Day. It feels like just a chance for the major labels to reissue loads of back catalogue under the guise of a special day. Yes, I know there is an element of that on Record Store Day. But RSD is targetted at independent record stores, not the likes of HMV. On top of that releases are generally quite limited which makes the whole day more interesting in my opinion. It seems that not too many independent labels are involved in National Album Day compared to RSD. The theme of the day today, 19th October is British Groups.

Back in 2019, I celebrated the tenth anniversary of With Just A Hint Of Mayhem, and part of that celebration was a list of my top ten favourite albums. I have extended that to a top 25 and ignored the British Groups theme (although my list does include 8 British Groups). These are simply my favourite albums of all time! What are yours?

1 Live At The Lyceum 1975 – Bob Marley and the Wailers – If I had a time machine I would go back to 1975 and be there for this gig. Probably the finest live album ever.
2 Diamond Dogs – David Bowie – My favourite Bowie album changes depending on my mood, but more often than not it is the dystopian tale of Halloween Jack and Hunger City
3 Dog Man Star – Suede – I loved Suede’s first album but this took them to a whole new level. Were they Britpop? If so then they were one of the best Britpop acts by far.
4 The Kick Inside – Kate Bush – Choosing the best Catherine Bush album is very difficult, but I go back to this one regularly.
5 OK Computer – Radiohead – There are still some people out there who don’t like, or maybe don’t get, Radiohead. Why the fuck not? This LP is a work of genius.
6 What’s Going On? – Marvin Gaye – Probably the best protest and message album in history and one which is sadly still very pertinent today
7 Delilah Bon – Delilah Bon – possibly the finest debut album of the century so far
8 The Miseducation Of Lauryn Hill – Lauryn Hill – is a great modern R&B record which makes Beyonce look like an amateur
9 The White Room – KLF – dance, trance, chill, weirdness. This has everything. But they should have paid PP Arnold!
10 24 Carat Diamond Trephine – Avalanche Party – Without a doubt, the greatest living UK band right now
11 Captain Fantastic And The Brown Dirt Cowboy – Elton John – In my opinion this autobiographical masterpiece is easily the greatest album Reg Dwight ever made
12 Skeleton Tree – Nick Cave and the Bad Seeds – How can anyone put so much emotion, empathy and sadness in a small collection of songs? I have no idea but Nick Cave certainly achieved it with this album.
13 Abbey Road – Beatles – I love many albums from the Fab Four, but this is the one I always come back to.
14 Never Mind The Bollocks – Sex Pistols – An incendiary début from one of the best punk bands ever. What might have happened if they had stayed together? Who knows but an album like this as your legacy is a great thing!
15 Maybe You’ve Been Brainwashed Too – New Radicals – There is not a track I would skip on this album. The band is effectively the genius that is Gregg Alexander who wrote and produced all the songs.
16 Back To Black – Amy Winehouse – stunning voice, sensational performance, what a sad loss to the world
17 Jagged Little Pill – Alanis Morrisette – A wonderful album with not a duff track in sight. She never surpassed this, but how can you beat perfect?
18 Ramones – Ramones – The high point and possibly the birth of punk, certainly in the USA
19 Songs In The Key Of Life – Stevie Wonder – So good I can forgive him for that bloody awful “I Just Called To Say I Love You”
20 Quadrohphenia – The Who – An absolute opus which I believe knocks the pants off Tommy
21 London Calling – The Clash – The album that showed they were not just a punk band
22 Sign O’ The Times – Prince – Forget Purple Rain. This was Prince’s Mona Lisa
23 The Lexicon Of Love – ABC – I often feel that music was really overproduced in the 80s. But this is sublime
24 Grace – Jeff Buckley – another great talent we lost too young. This is a monumental magnum opus
25 My Merry Go Round – Johnny Nash – This man, for me, has the most beautiful voice that I have ever heard in my life. This album from 1973 has remained among my favourite albums since its release.

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Fulford Arms Battle Of The Bands 2024 August 22, 2024

Filed under: News,Observation — justwilliam1959 @ 10:52 pm
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It’s that time again, it is all go for the Fulford Arms Battle Of The Bands 2024. Who will follow the Palava (2022) and Haertstrings (2023) into the Fulford Arms history books? I am honoured and incredibly happy to be invited to join the judging panel once again. I will be at all 6 heats, all 3 semi-finals and the final! I hope to see you there. May the best band win, let battle commence!

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Hærtstrings Play The Soundsphere Sessions! August 20, 2024

Filed under: News,Observation — justwilliam1959 @ 11:50 am
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The magnificent and obscenely talented Hærtstrings, winners of last year’s Fulford Arms Battle Of The Bands contest recently played a live session for the rather wonderful Soundsphere. There are some great interview moments with the band too. Like many of you, I am looking forward to some music from these boys very soon! Check out the video and check out our friends at the awesome Soundsphere Mag!

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Leeds Festival 2024 – The Preview August 2, 2024


It is now just a few weeks until the 2024 Leeds/ Reading Festivals and it must be time for a preview from me, so here goes. Are we back to one main stage again? The poster of the line-up suggests we are, which is wonderful news. Although there is still the silly joint headliner thing going on. But how do the acts on the main stage shape up? Personally, I will be sticking to the bands and artists appearing earlier in that part of the arena. On Friday 23rd August my tips for the best acts on the Main Stage are Pendulum and Crawlers. Who will I not be rushing to see? Well Liam Gallagher obviously, who needs an Oasis tribute act headlining a major festival? On Saturday I think headliners Blink 182 could be fun, even though watching middle-aged blokes with low-slung cargo shorts is a bit creepy sometimes, but I believe the band will rise to the occasion. I am optimistic for Two Door Cinema Club. Sunday’s Main Stage line-up is good with Bleachers, Fontaines D.C., Raye, and Lana del Ray likely to be highlights. The Last Dinner Party might pull it off if they can continue to live with the hype, but Fred Again.. as a headliner? Seriously? I know this festival has often been good at moving with the times, but I am not sure about this one.

The new and futuristic Chevron stage looks great for EDM and generic dance fans. Skrillex headlines on Friday and I find them quite a Marmite act, the Prodigy headline on Saturday, and even without the sadly departed Keith Flint I reckon they will smash it. The BBC Radio 1 Stage looks good, especially on Friday with Beabadoobee headlining and immediately preceded by Ashnikko. Confidence Man will be good on Saturday and the Sunday headliners are the Wombats, a real blast from the past. I imagine that I will be spending a lot of time at the Festival Republic Stage, particularly for the Japanese House, Rachel Chinouriri and Matt Maltese on Friday, Neck Deep, Bad Nerves and the Lambrini Girls on Saturday, and Kid Kapichi and Dream Wife on the final night. The BBC Introducing Stage is a favourite of mine and is a place where I have discovered some great artists. I am familiar with some playing the introducing stage this year, notably Sun King and Welly on Sunday. But shaping up to be the best act of the weekend is the magnificent Delilah Bon who headlines the BBC Introducing Stage on Friday. I predict that she will move to the main stage in 2025 or 2026. Who are you most looking forward to?

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“Everyone Is A C*nt Except Me” – Judy Raindrop July 13, 2024

Filed under: News,Observation,Review — justwilliam1959 @ 1:24 pm

I have no idea who Judy Raindrop is, I chanced upon this song on YouTube on a channel called Laughter Tracks. You can also find them on Bandcamp and Spotify. here you will find the classic mentioned in the title of this post, “Everyone Is A Cunt Except Me” by Judy Raindrop alongside other potential (s)hits like “My Man Don’t Flush When He’s Done A Shit” by Gloria True and a very deep love song “My Boyfriend Keeps Stealing My Dildo” by Daisy and the Dolls. All done in an old-school classic pop style. Whoever is behind these wonderful creations I tip my hat to you, I can’t stop laughing, nor can I stop singing the Judy Raindrop song!

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Shane Lynch – The Devil Is In The Detail! February 28, 2024


Shane Lynch Irish 47-year-old former member of Boyzone, alleged singer, and born-again Christian has said that Taylor Swift and many other rock and pop artists perform satanic rituals in their stage performances and send demonic messages in their music. He made the claims in an interview with the Irish newspaper Sunday World. Perhaps Boyzone would have been a tad more exciting if they had dabbled with satanic messages in their songs. How about “Love Me For A Satan”, “Satan And Son” or “Satan Can I Hold You” for starters. Lynch said “I think when you’re looking at a lot of the artists out there, a lot of their stage shows are Satanic rituals live in front of 20,000 people without them realising and recognising,” and “You’ll see a lot of hoods up and masks on and fire ceremonies.” I wear a hoodie and dance around at gigs, do I also worship the devil? Of course not, but then I don’t worship an imaginary friend in the sky either. Shane droned on and on about it, adding “Even down to Taylor Swift – one of the biggest artists in the world – you watch one of her shows and she has two or three different demonic rituals to do with the pentagrams on the ground, to do with all sorts of stuff on her stage. But to a lot of people, it’s just art and that’s how people are seeing it, unfortunately.” He went on to say that this is the reason he’s given up listening to several genres of music, including hip-hop.” Personally, I would be very pleased if he said he was never making music again, although to be fair has he ever made music?

Mr Lynch borrows Lucifer’s pitchfork

The devil has been an ever-present in music for years ever since Robert Johnson allegedly sold his soul at the crossroads. So many satan related tunes are out there from the Rolling Stones with “Sympathy For The Devil” to Cliff Richard (yes the Christian Mr. Clean with “Devil Woman”. Is rock and pop an easy way into satanism? Of course not. Does Taylor Swift worship satan? I doubt it. Is Shane Lynch talking utter bollocks? Of course, he is! OK, dear readers I would love to hear your thoughts regarding Satan in rock and pop!

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