With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

‘At War With The Silverfish’ EP – Laura Jane Grace September 22, 2021


For some artists the Covid lockdown period has been creatively fruitful, Laura Jane Grace is one of those artists. Her creativity is showcased wonderfully in the surprisingly well-kept secret release of an EP, ‘At War With The Silverfish’ which dropped at 4pm GMT today, 22nd September. The seven songs felt like long-time, long-lost friends on the first listen for me. Laura Jane describes them as “songs of late-night madness and loneliness, orphan songs that came wandering in looking to feed like insects”. I think I understand that too, there isn’t a theme musically and each tune could easily stand alone, but there might be a lyrical theme which to me evokes a positive anger and energy.

Opener “Three Of Hearts” is kind of dark lyrically but the music has an upbeat campfire acoustic vibe. After listening a few times “Lolo 13” is my current favourite in this collection, it has a hook that many songwriters would kill for. I particularly love the beautifully thought provoking couplet “Does the mirror have two sides? Are you waking up in your real life?”. I can imagine “Long Dark Night” igniting a venue if it was performed by a full band. But in the meantime it has a wonderfully intimate demo feel to it. “Electro Static Sweep” makes me think of the Velvet Underground had they formed in the last few years. I also think that Laura Jane’s voice on this track evokes Russell Mael and I would love to hear Sparks cover this tune. “Day Old Coffee” rocks like a bastard and is venomous in its attack, how full on was Laura Jane feeling when she penned the lyrics, notably “Day old coffee microwaved to boiling. Pour it on my eyeballs and boil my dumb shit brains out”. Are there many songs with a better title than “Smug Fuck Face”? I think not. I am sure this is about a soured relationship and trying to work out how it might be fixed, stressing very much the ‘might’! A broken relationship also seems to be the subject of “Yesterdays Pt. II” which closes this fabulous collection of tracks. I have been singing it in my had since the last note faded.

This is a stunningly good EP on which Laura Jane lays out her emotions with some, at times, brutally honest writing. The songs are often poignant and have great emotional depth. She covers self doubt, mental anguish and the road to redemption. This record stands up well alongside her best work with Against Me! and the Devouring Mothers. Laura Jane says of the release “I’ve learned that if you share your experience with good intentions that the universe will always surprise you with abundant return” and “Every song is an act of faith; you don’t necessarily know why you’re singing it other than you know you’ve got to sing it.” The EP was Half recorded at Grace’s TinyQuietStudio in Chicago and half recorded at Electric Eel in St. Louis, and mixed by her Devouring Mothers bandmate Marc Hudson. It feels like one of the best post Covid releases so far and you need it in your life. If you are not a Laura Jane Grace fan, you will be after listening to this! Click here for Laura Jane’s Spotify page.

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Apollo Junction – Victoria Vaults, York – Wednesday 8th September 2021 September 17, 2021

Filed under: Review — justwilliam1959 @ 1:31 pm
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This was one of the many Revive Live gigs sponsored by the National Lottery and the Music Venue Trust and it brought the fast rising and magnificent Apollo Junction back to a small intimate venue. But more of the Apollo Junction set later, there was also a rather interesting support slot from York band YouVee. They say that you realise you are getting old when policemen seem so young. But for me it’s when the bands you go and see look like they are barely out of short trousers. But put that youthful appearance aside, because YouVee are bloody good. Musically their first song was like Blur with an added Madchester vibe. Speaking of Blur, YouVee’s guitarist has the potential to be every bit as good as Graham Coxon. “Sunshine State” is an ace song that feels like an epic anthem in waiting. Meanwhile “Gunner” flies like an Arctic Monkeys take on heavy metal. How could you not like the languid, heavy, classy indie rock of “Broken Baby” which will be released as a single later this year. They closed with what was their first release on Spotify, “Ultra Violet” which is a fine slab of heavy indie dance, on which I determined a nifty Prodigy influence. I am looking forward to hearing much more from YouVee!

YouVee

Apollo Junction are definitely among my favourite current bands and these Leeds lads are getting bigger and I believe they will be huge someday. “Sometimes” from the soon to be released new album did everything it could to blow the roof off the venue, a real banger. The crowd were a bit subdued though, is that a post Covid thing? “Light Up The Sky” does exactly what it says on the tin and will prove to be another Apollo Junction epic when it appears on the new album. It has an authentic and truly awesome glam rock feel, especially the drums. Another new tune, “Two Car Family” is a sublime slice of post punk power pop which, rather appropriately, will sound majestic blasting out of your cars stereo. “Born For Now” is one of the bands finest, especially in a live environment. Lead singer Jamie roamed through the audience for most of the track and put on a great vocal performance in this awesome rabble rouser of a tune. Was that a bit of Underworld’s “Born Slippy” that snuck into the song? Current single “When We Grow Up” a great song, is enhanced hugely when played live. Click on the song title to check out the video, I am proud to say that I make a brief appearance in it too. In “This Could Be The Day” they have the perfect remedy for those post Covid blues. They closed the set with three classics, “Always Remember”, “Begin” and “Together”. Apollo Junction proved once again tonight that they are a feel good band that know how to make you feel better. I left the gig with a beaming smile which lasted for ages. If you don’t depart an Apollo Junction show without a smile then I suggest that you seek help!

Apollo Junction

Photos, apart from the gig poster were all taken using my cheap and tacky android phone from China! Videos were all found on YouTube

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‘Passions’ – Thirst September 7, 2021

Filed under: Review — justwilliam1959 @ 10:41 pm
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Thirst is talented York musician Dom White who spent a number of years as the drummer for metal band the Family Ruin before returning to his home city to form This House Is Haunted, a rather ace alt.rock band. Dom is also the genial owner of the rather splendid FortyFive Vinyl Café in York. This is his first solo album and is an eclectic and enthralling collection of tunes. For me it has a feel of a British 1960s concept album, perhaps more the Zombies or the the Pretty Things rather than the Who. Opener “Memory Lane” initially has a really ambient feel to it before it builds into an understated power ballad for the 21st Century. If you like dreamy, dark (almost) power ballads you will love “Runaway”. That is the tune that stayed with me for quite a while beyond my first listen. First single “Afraid Of The Dark” had me imagining Henry Mancini collaborating with Ian Broudie, it has a real cinematic feel to it, as does much of the production on this collection. The “Afraid Of The Dark” video is well put together too, a collection of great clips from old horror films. I love the lyrics on the wonderfully piano led “Who I Am”. Dom’s voice is original and it is hard to find any obvious comparisons, but on “Foundling Wheel” it reminded me at times of David Bowie’s take on Bracht’s ‘Baal’ and the harmonies have their roots in classic British folk music.

Dom seems to have a knack for nailing the cinematic feel and scope in the instrumentation on this album, “Breather” really showcases as it is an instrumental would fit perfectly into the soundtrack of spooky French film, maybe alongside something by Mogwai. “Danse Macabre” has an almost nursery rhyme music box element in it’s main theme and I mean that in a good way and like the previous track is crying out to be used on a soundtrack for a noble dance of death scene. The deeper keyboard notes give a strong bass ambient feel to “Welcome Home”. After a few spins “All Of Them Witches”, the second single. is probably my favourite song on the album. The drum and percussion sound throughout has a languid glam rock feel, the sort of track that might have enhanced an album by maybe the Sweet in the mid 70s when they were trying to rid themselves of their manufactured pop band label. The overlaid vocals are superb. Album closer “Hand Of God” is the closest to a traditional rock song construct and like all great albums it enables a great crescendo finish. This first album from Thirst is a grower, give it a few listens and you will continue to go back to it, trust me!

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‘Cowgirl’ – Cowgirl September 3, 2021

Filed under: Review — justwilliam1959 @ 11:24 am
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Cowgirl are a great live band and after a slew of one off releases over the past few years they have finally got their debut, eponymously titled, album together. This York band draw their influences from a number of places, but for me this album evokes many classic New York artists; Velvet Underground, Jonathan Richman and the Strokes. They recorded these tracks with Euan Hinshelwood at his Vacant TV Studio in London early last year. The album is out in physical form and on all major streaming platforms today via Safe Suburban Home Records.

Opener “Better With You” has a dirty Garage Rock feel with a neat power pop undertone. As with all the tracks the guitar work here is first class. “Something I Needed To Do” is laid back in a Neil Young and Crazy Horse kind of way and the bass drives it along perfectly. A slowed down power pop vibe and fuzzed up vocals are to the fore in “Time Moves Along” which for me has a real Velvet Underground feel to it. My favourite track on this record after quite a few listens is definitely “Is What It Is” which evokes the Strokes at their finest, the riffage and rhythm section on this tune is immaculate. There is a real sunny disposition to “Figure It Out”, well for the tune anyway. The lyrics are much darker and remind me of Jonathan Richman at his less whimsical moments. Cowgirl nail their garage rock credentials to the wall with the wonderful “Without You”. The album closes with “I Can’t Help It” and it has a feel of the rockier tracks produced by Lukas Nelson and the Promise Of The Real.

If I have one criticism it is that at just under 20 minutes in length this is more a mini album or long EP. But to be fair this is all killer no filler with every track having the potential to become a classic. I love this record and I think you will to check it out. Cowgirl are playing a number of dates to promote the release over the next few days (Check their social media for the dates and details), get yourself along to see them, you won’t be disappointed.

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Leeds Festival 2021 – Day 3 – Sunday 29th August 2021 September 2, 2021


Well this is it my first festival in two years is nearly over. I hope that after the last 18 months or so where Covid has done so much damage that events like this are harbingers of good things to come. So loudly after me repeat FUCK COVID! First band of the final day for me was The Hara on Main Stage West. I found them a little punk formulaic at times, however they undeniably put on a good show, including some Les Dawson style gurning from the singer at times. Imagine Royal Blood with the addition of a stand alone vocalist and with the volume cranked up to a little beyond magnificently loud! Next I caught just a brief part of Weybridge rockers You Me At Six’s set on the Main Stage West. I saw storming run through’s of 2011’s “Bite My Tongue” and “What’s It Like” from their seventh album ‘Suckapunch’. Next a short hop to the Pit Stage for Dead Poet Society, who are a very tight band who seemed perfectly rehearsed. They gave us soulful, raw, passionate, grungy, metal rock music. They were one of the minority of non British bands playing at the festival, I think they are from California.

The Hara
You Me At Six

Next it was back to one of my favourite festival places, the BBC Introducing Stage for Police Car Collective. This band, for me, are completely original and trying to find influences was difficult if not impossible. The singer is obscenely talented as a vocalist and is a true crowd pleaser and showman in the Freddie Mercury mould. His guitar solo on the last song was truly epic in a Mick Ronson kind of way. Just after their set I posted the following statement “OK I know it’s a cliché, but I have seen the future of rock ‘n’ roll. It is called Police Car Collective at Leeds Festival earlier today”. On reflection I stand by that! Did you see them? Perhaps the best band name of the weekend was I Don’t Know How But They Found Me, who I saw on the Main Stage West. They play really funky pop rock and use some great voice sound samples throughout their classy tunes. I sense a little Arctic Monkeys and Vampire Weekend influence here. “Nobody Likes The Opening Band” is a great song in my opinion, possibly built for a festival like this too. This is another US band, from Utah. Finally, the drummer is definitely a Martin Freeman lookalike. Another contender for best band name were next, on Main Stage East, Beabadoobe, who were flying the flag for great female fronted bands. Whilst I loved their more upbeat tunes I thought “Coffee” was a beautiful, whimsical chill out moment. I love this band.

Police Car Collective
I Don’t Know How But They Found Me
Beabadoobe

Back to Main Stage West for some Becky Hill and she drew a huge crowd. This pop songstress is clearly gifted with a wonderful voice and she works the crowd really well. A very good performance but perhaps a little too pop for me, but to each their own, right? Bob Vylan were next on the Pit Stage and what a staggeringly great set. Probably the most political act of the weekend with statements like “Kill the Queen, well she killed Diana right?” This was an awesome performance from a band that has a tight grip on the beating heart of punk. Slowthai performed on Main Stage West and while I am a fan I thought his set was a little flat, had he perhaps over indulged the previous day? His outfit was a little different thought. Great T Shirt, black shorts, black socks and shiny black shoes. For a moment I thought perhaps his Mum had sent him out to break in some of his new school clothes! My first and only trip to the Alternative Stage this weekend was to see my favourite comedian, Katherine Ryan. As usual she covered some wide ranging and perhaps controversial subjects with superb skill and timing. Misogyny, breast feeding, Matt Hancock, Karens and much more. She cracks me up every time.

Becky Hill
Bob Vylan
Slowthai

The Wombats took to the Main Stage West next. To be honest I had never taken much notice of the Wombats, but this was a really good set. They have a great canon of songs. “Pink Lemonade” and “Let’s Dance To Joy Division” were highlights for me. But neither as wonderful as “Lemon To A Knife Fight” for which ardent fans brought their own lemons! I love it! Back to the BBC Introducing Stage for one of York’s finest bands who I have watched grow from small beginnings to signing to EMI and releasing their first album, ‘Discover Effortless Living’ earlier this year. They showcased that record well in this beautiful, but all too brief set. The whole band were on top form, the playing was immaculate and the ethereal and heavenly Byrdsian harmonies were simply gorgeous. Calva Louise have developed into a really ace band and their songs are powered by huge riffs and a rhythm that might have formed in the foothills of Mordor. A real show from a great band who were joined on stage by Blakeeleven for “Ephemeral”. The final band of the day and the weekend for me was Waterparks on the Pit Stage. They hail from Houston in Texas and released their fourth studio album earlier this year. They definitely come across as a band who enjoy themselves on stage. There is a pop punk element to their songs but also a wider ranging rock sound. I was bouncing throughout their whole set, despite have been here three days and my advanced years. As well as some great tunes they have some great song titles too. Notably “You’d Be Paranoid Too (If Everyone Was Out To Get You)” and “I Miss Having Sex But at Least I Don’t Wanna Die Anymore”. Check them out, I think you’ll love them. So after the mess that Covid made of the world we are finally crawling back to some kind of normal at last. It was great to be back at a festival and to close I would like to say a big thank you to all the unsung heroes of festivals; road crew, sound and light folks, security, marshals, first aiders, food and drink vendors, cleaners and anyone else I missed. THANK YOU!

Wombats
Bull
Calva Louise

All the pictures were taken using my cheap Chinese phone camera. The videos were found on YouTube. If it is yours and you would like me to take it down or give you a credit please let me know. Yes I do know the clip is from Reading, but there is not much film footage of Leeds online 🙂

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Leeds Festival 2021 – Day 2 – Saturday 28th August 2021 September 1, 2021


Nothing But Thieves
Punkband

Day 2 and already I am settling back into being at a festival, first up today it was Nothing But Thieves on Main Stage West. These Essex boys are damned good. Conor Mason’s vocals reminded me at times of Graham Bonnet, a young Ozzy Osbourne and maybe even Robert Palmer. This band turn up the passion levels to 11, Nothing But Thieves really mean it and I am definitely a fan. I had to see Punkband on the Lock Up Stage, largely because the name intrigued me. The band does what it says on the tine and hit us with some fine slices of old school punk style tunes, they are a little Sham 69-like at times, but I mean that in a good way. They handled the bass issue they encountered with aplomb and great improvisation. Brighton based Demob Happy were next on Main Stage East. They gave us some wonderfully stylish driving rock music channeled through classic British 70s blues rock. The three female backing singers added a depth that is often not found in harder rock music. The singer looked a bit like a young Frank Zappa, while the drummer could have been in Hanson! A quick jog over to Main Stage West net for a great Scottish band, the Snuts. They have a hard edged indie style and some anthemic tunes reminiscent of the Zutons or the Coral but with a harder and heavier edge. Great hooks and choruses too. A really good live band who I would definitely see again.

Inhaler
Bad Nerves
FFSYTHO

Back on the Main Stage East it was the turn of Inhaler, I am sure most of you have seen the hype that follows them given that front man Elijah Hewson is Bono’s son. Elijah is the spitting image of his Dad in my view. Am I allowed to say that Inhaler are influenced by U2? Well I believe that they are, but I guess that isn’t too surprising. They are a good band though and it will be interesting to see how they develop from here. A big shout out to the mightily talented guitarist Josh Jenkinson. Bad Nerves, more Essex boys were on next at the Lock Up Stage. This band does old school punk blended with classy power pop really well. The crowd was clearly made up of many hard core Bad Nerves fans who clearly love the band. A return to the BBC Introducing stage next for FFSYTHO?!, is described in the festival PR bumph as a pint-sized rapper, that much is true. But she is not just a run of the mill rapper she is bloody good. She has some sharp and tasty ciphers which she spits perfectly. She is a great ambassador for UK Hip Hop and Grime. She was backed with some finely selected beats and samples from DJ Mark Ski. Next it was a secret set in the Lock Up by Don Broco, my daughter Lauren’s favourite band. This was a short but full on performance from a band at the top of their game. They enticed the crowd with older songs and some newer stuff from their forthcoming album, which based on this show could be their best yet. “Gumshield” whipped the crowd into a moshing frenzy. Don Broco are clearly a force of nature live. Rob Damiani has a great voice and was he trying to bring back the mullet? I paid my first visit to the BBC Radio 1 Dance Stage next for Mimi Webb from Canterbury. Her music is dance oriented with elements of pop, trance and soul. She has a stunning voice. I returned to the Main Stage West for Sea Girls. If Artificial Intelligence (AI) developed a stadium/ festival band it would probably give us Sea Girls and I do mean that in a most complimentary way. The have anthems not songs and it feels like those anthems are designed to drift stylishly across a muddy or dusty festival field and be sung back to them by an enraptured crowd.

Don Broco
The Rills
Lady Ice

Clearly the Lock Up Stage was going to be one of my main haunts on Saturday, I was back there this time for Grace Mckagan, she started out with synth punk band the Pink Slips and is now establishing herself as a formidable solo artist. She gives the world dark, grungy, industrial garage rock. A bit like Black Rebel Motorcycle Club but if they had an ace female singer. I am now a committed Grace Mckagan fan, I think she could be huge before long. The BBC Intyroducing Stage gave us Lincoln’s the Rills next. They are a three piece with the energy and dynamism of the Jam in their early days. Imagine the Small Faces as a punk band with Marc Bolan writing their hooks and Steve Jones contributing their riffs, that is the Rills for me. Definitely a potentially great band and certainly one to watch out for. Lady Ice is on the rise after successfully appearing on the BBC show ‘The Rap Game UK’. Her delivery, style and energy is first class and supported by some great beats from DJ Tigie, and her MC was great too. It was a real shame it was such a small crowd because Lady Ice knows how to perform and that is exactly what she did. Mabel was next on Main Stage East, for me she has the pop nous of Madonna and Lady Gaga and the choreography and dance skills of Janet Jackson. She completes the package with a full on powerful and deeply soulful voice. A quick dash across to Main Stage West was definitely worth it to witness a storming set from Sam Fender. This is a man with a huge passion for life and for music. While it was that cracking tune “Hypersonic Missiles” that really got him noticed it is the poignant and deeply emotional “Dead Boys” that is my favourite. Like many other acts Sam claimed that this crowd was much better than Reading, but you would wouldn’t you. But to be fair he did kick off some huge mosh circles.

Sam Fender
Low Hummer
Catfish and the Bottlemen

Back to the Lock Up Stage once again this time for the immensely talented Yonaka. They have developed into a really special band. They are definitely the full metal packet now and Theresa’s vocals were stunning. This set was an awesome blitzkrieg of magnificent hard rock. Next for me it was Hull’s Low Hummer on the BBC Introducing Stage. If you put Talking Heads, Pulp and Ian Curtis in a music blender I believe the wonky rock smoothie that results would be the rather spiffing Low Hummer. A top set from a top band. Catfish and the Bottlemen were the first of Saturday’s joint headliners, on Main Stage West. Personally I think they peaked too soon with a great punked up cover of the Beatles “Helter Skelter”. They are an incredibly powerful live band and their already great songs are improved tenfold in the live environment. This is not a band I listen to very often, but I will always seek them out at a Festival. Stormzy closed the second day on the Main Stage East with something that might be a rock gig, a Grime set in a club, a modern take on gospel, a political rally. It was refreshingly different. He opened with the wonderful “Big Michael” and the crowd lapped him up. Stormzy is a man who wears his political opinions on his sleeve and is not afraid to air them. At one point encouraging the crowd to hold their “FUCK BORIS” placards and posters higher. Another hugely entertaining set from a man whose talent seems to continue to grow.

All the pictures were taken using my cheap Chinese phone camera. The video was found on YouTube. If it is yours and you would like me to take it down or give you a credit please let me know. Yes I do know the clip is from Reading, but there is not much film footage of Leeds online 🙂

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Leeds Festival 2021 – Day 1 – Friday 27th August 2021


Thanks to Covid this was my first festival in two years and it was great to be back. It was different in a number of ways, notably the two main stages (East and West) to accommodate dual headliners on each day. I am still not sure about this joint headline thing though, surely the final act is the actual real headliner, right? Another thing that felt very different was the sheer number of bands and singers making their Reading/ Leeds debut. This was probably driven by their being hardly any US or other overseas bands on the bill, again thanks to Covid. The fact that it was such a British-centric line up made it more interesting in my opinion though. What did you think, dear readers?

The Struts
Neck Deep
Sophie and the Giants

The first band I caught was Blondes on the Festival Republic Stage. I only caught their last few songs but they appear to be purveyors of quality synthy indie pop with some great guitar riffs too. My first visit to one of the twin Main Stages was the East one for the Struts from Derby. I bloody love this lot, they are bringing back Glam Rock in a wonderful way. A truly great performance. Next it was back to the Festival Republic Stage for the magnificent Sophie and the Giants. This was a real show and Sophie really knows how to play to the crowd. They have some great tunes which at times reminded me of Siouxse and the Banshees, Blondie and Toyah Wilcox. Over on the Main Stage West I caught Neck Deep, one of the UK’s finest pop punk bands. Their style is pop punk, but with a much harder edge. Vocally I felt an influence from Blink 182. Neck Deep are an incredibly powerful live band and they have some epic choruses that Panic At The Disco would kill for.

Meg Ward
Baby Queen

One of my favourite stages at this festival is the BBC Introducing Stage and my first visit there of the weekend was to see Meg Ward. She creates some banging dance tunes which had one of the biggest and liveliest crowds I have ever seen for a new artist at the BBC Introducing Stage. Meg was awesome as fuck and I doubt that anyone else on any stage enjoyed themselves as much as she did! Check her music out, you will not be disappointed. Back to the Festival Republic Stage I had the pleasure of catching a storming set from Belle Latham a.k.a Baby Queen. It is hard to believe that this was only their fifth gig, but it’s true! What are Baby Queen like? If Cyndi Lauper and Kate Nash adopted a daughter and raised her together I believe that daughter would become Baby Queen. Todays secret set was not so secret given that Jake Bugg tweeted about it the day before. The Festival Republic Stage was bursting at the seams as the crowd chanted “Jakey, Jakey, Jakey Bugg” before he appeared. I stayed for a couple of songs but despite the buz from the crowd it felt a little lacklustre. I am not convinced that his new material is as strong as his earlier stuff.

Wolf Alice

Blossoms were up next on Main Stage West and in a faux pas for music nerds they were introduced as “the” Blossoms. This band are beyond well established now and still maintain a fabulous pop sensibility in their songs. This was a great set from Stockport’s finest, Tom Ogden’s vocals really hit the spot. Wolf Alice owned the Main Stage East for the duration of their set. In my opinion they are rapidly developing into one of the best bands on the planet. Ellie, Joff, Theo and Joel played newer material from their excellent current album ‘Blue Weekend’ along with some earlier tunes. Every song was a winner and the crowd were eating out of Wolf Alice’s hands.

YUNGBLUD

Next up on Main Stage West was the inimitable YUNGBLUD. This bloke is special. Think Bowie, think Freddie Mercury, think Alice Cooper, think Gary Numan, think Rage Against The Machine, think Eddie Izzard and then add enough energy to close a black hole. That is YUNGBLUD for me. He tried to create the biggest circle pit of the day and from the cameras overhead it looked like he succeeded. He will definitely be headlining this festival before too long. Holly Humberstone from Grantham played a great set on the Festival Republic Stage. She has a tremendous voice and also comes across as a great human being. Her music is an outstanding dark blend of folk and electronica.

Biffy Clyro

Finally it was time for the first of the joint headliners, Biffy Clyro to rock the Main Stage West. They were a relatively late replacement for Queens Of The Stone Age and maybe that is why the crowd at times felt a little flat and subdued. However, I loved it, this was a stunning set from one of my favourite bands. Was Simon Neil wearing his Mum’s old maternity dress for the first few songs? The light show, projection screens and fireworks were devastatingly good, especially the laser cobweb effect. They drew on songs from across their vast canon of epic tunes. Particular highlights for me were “Biblical”, “Wolves Of Winter”, “Black Chandelier” and “Many Of Horror”. Regular readers will know that I am not a huge fan of the second headliner for Friday at Leeds, it was Liam Gallagher. I still believe that the first two Oasis albums are great, however I reckon they should have knocked it on the head after their defining Knebworth moment in 1996. In my opinion, while Noel Gallagher has produced some somewhat different new tunes, for me Liam has become not much more than an Oasis tribute act. Nearly 70% of the songs in his set were from his Oasis days with a handful from his post Beady Eye solo career. To be fair, “Wall Of Glass” is an ok song. Also to Liam’s credit he did dedicate “Live Forever” to the late, great Rolling Stones drummer Charlie Watts. So overall a great day and wonderful to be back in festival land!

All the pictures were taken using my cheap Chinese phone camera. Videos were all found on YouTube and credited to Callum Wattie.

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Leeds Festival 2021 – A Stream Of Consciousness August 26, 2021


I have grown up with Reading Festival and some time after I moved to the frozen north I switched to the other part of this great festival, Leeds. I went to my first Reading in 1975, me and some mates bunked under the fence and in the limited time we had on the site (we had to catch the last train home) we saw Osibisa. We got in that way for three years in a row, I doubt that is even close to possible these days, but back then we felt like highwaymen or the last gang in town, proper rebels. In truth though, we were a bunch of teenage chancers who thought they knew everything. I was 16 at the time and I did know everything, then I got a bit older and realised quite easily that I really knew nothing and had so much to learn. Even at my advanced years (shhhh….. don’t tell anyone, but I’m 62) I still learn something every day. But one thing I learned back on the fateful night in 1975 is that I bloody love this festival and I still do. I haven’t missed many since 1975. The last year, apart from 2020 when it was Covid cancelled, that I didn’t attend was in 2007. I switched to Leeds in 2015 (I think) after my Reading Festival buddy decided he was too old for three days in a muddy field. I plan to keep going until I physically can’t or until I’m dead! My ashes can be scattered on the fields of Richfield Avenue and at Bramham Park. Anyway the reason for this confusing stream of consciousness is that after 18 months of suffering for everyone thanks to Covid, festivals are back and for the first time in two years I will be stood in a, hopefully not too, muddy field near Leeds watching some incredible bands and artists. Highlights for me will I am sure be those listed below. I hear there is an Oasis tribute act on the Main Stage on Friday too 😉

Biffy Clyro, Yungblud, Wolf Alice, The Hunna, Sophie and the Giants and Baby Queen (Friday)

Stormzy, Mabel, AJ Tracey, the Snuts, Catfish and the Bottlemen, MK, Sam Fender, Yonaka, Boston Manor and Dinosaur Pile-Up (Saturday)

Two Door Cinema Club, Beabadoobe, Disclosure, Slowthai, I Don’t Know How But They Found Me, You Me At Six, Bob Vylan, Bull and Police Car Collective (Sunday)

Who are you looking forward to? Who do you recommend that I haven’t mentioned?

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Mayhem Virgins – Velvet Insane August 18, 2021

Filed under: Mayhem Virgins — justwilliam1959 @ 5:32 pm
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Unlucky for all you triskaidekaphobics out there but this is the thirteenth Mayhem Virgins entry. This time it is the turn of Velvet Insane who have taken Glam Rock, dusted it off, wrung its neck and made it ready for the 21st Century. These Glam Glitterati are from Sweden and take the best of the Sweet, Bowie, Mott The Hoople and others and make a sound that, while still glam based, is uniquely their own. Their social media presence and bio on Spotify describe them as “a 3-piece gang of rockers that reinvented glam rock by mixing the pop harmonies of the 70’s with the heavy sound of today” They add that they “have been moving forwards since their debut album and now they’re ready to deliver a swaggering statement” and “In fact Velvet Insane’s star is shining so bright they might be the next thing to explode!” Having listened to their debut album, ‘Rock ‘N’ Roll Glitter Suit’ a few times those statements are hard to disagree with. I think this bunch would be a brilliant support act on the next Darkness tour, so Justin and the boys, if you’re reading this please give them a shot!

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Play It Again Mayhem – “The World Must Revolve Around Me” – Little Jackie


This is the eighth song in the Play It Again Mayhem series which began earlier this year. Check out the earlier posts by clicking here (Betty Wright), here (Elton John), here (Roxy Music)  here (The O’Jays), here (John Miles) here (Steely Dan) and here (Climax Blues Band). Once I get to the tenth Play It again post there will be a Spotify Playlist! This is the first Play It again Mayhem post so far that isn’t from the 60s or 70s, this one is from the noughties, 2008 to be precise. It is Little Jackie’s “The World Must Revolve Around Me”. It is taken from ‘The Stoop’ which, for me, is one of the finest modern R & B records by a country mile. Despite the name Little Jackie are in fact a duo consisting of of Imani Coppola and Adam Pallin. Both have worked on other musical projects since 2008, but personally I think the Little Jackie work will be hard to top. The duo took their name from the Lisa Lisa versus Cult Jam 1989 hit “Little Jackie Wants To Be A Star”. “The World Must Revolve Around Me” reached the top 30 in the UK and top 30 in Ireland, it remains one of my favourite songs from the noughties, I hope that you enjoy it too.

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