With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

‘Naked Truth’ – Autumn Dawn Leader February 4, 2025

Filed under: Album,Review — justwilliam1959 @ 9:09 pm
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‘Naked Truth’ is the new album from dark, emotional gothic troubadour Autumn Dawn Leader. It is out this Friday, 7th February. Could this be the last release from the Song Mistress? She describes it as “The final album, and the best. This is the magnum opus. This is the legacy. This is the statement of a lifetime and the work of a life“. Personally I hope it isn’t really the end, but in the meantime let me give you my thoughts on ‘Naked Truth’. The album kicks off with “How It Ends” which has a feel of an operatic Siouxse Sioux song with supremely good prog overtones. It is a dark and slow building song and the lyrics are extremely well crafted. Especially the couplet “What began a thought. Is now a beligerent monster.” I have heard many songs about getting old, but none quite as impassioned and brutally honest as “Five Decades”. It was Autumn Dawn Leader turning fifty last year that inspired this track and she said this about it “Life begins at 40′ and other such bullshit that gets said. You’re told that you give less fucks and that you become comfortable and confident in your own skin. Yeah, well, last year saw me turn 50. I’m still waiting. We’re also told that ‘life is short’, and it really, really is NOT.” I agree with much of this, although I do have far less fucks to give now I am 66!

The Songmistress visits her primal force with the magnificent multi-octave epic “Howl” a sound that draws on Kate Bush’s proggiest moments. The emotion is turned up high on this one. At one point in this tune she sings “We howl – and call it music“. Well maybe she does howl but it is a beautiful howl, what a voice! “Howl” is probably my favourite song on this collection. “Up In Smoke” starts with a slow bluesy riff and has a 70s classic rock feel. I know it isn’t about that, but it has made me want to revisit ‘The Mothman Prophecies”. I believe that “The Picayune Dimension” might be the strangest track on the album. Autumn’s deep contralto voice is both mournful and hopeful. The music is full and sometimes choppy. Lyrics like “I take a bus across town to another dimension. I’m not quite sure what I’ve found, nor why I am chosen” add to the sense of strangeness and maybe a vein of foreboding. Picayune, I think, means something of little value or significance. But on listening to this album it is clear that Autumn Dawn Leader has great value and significance. Some songs that talk about sex are often awkward and trite, but “Life Is Unkind (Sex Is Sublime)” is so much more than that. Musically and vocally in places it sounds like a dark Abba from another dimension. It is cinematic in its ambition and needs to be played on the audio equivalent of Imax. Autumn Dawn Leader had this to say about the track, “Unless you are asexual, sex IS a love language and a HEALER. I will die, happily, on this hill. Whether you’re a sex-enthusiast, like me, or not, I hope you’ll enjoy the song. Thanks to all the great artists who added their voices to this sex-positive anthem and made it what it is“.

Chris Conway provides backing vocals and plays magical Theremin on “Slivers & Splinters”. This one made the hairs on the back of my neck rise and tingle. The state of the broken heart is almost palpable. There is a wonderful Latin feel to “I Told The Ravens” and it is probably the happiest track on display here. Autumn apparently loves corvids (a.k.a. the Crow family), especially ravens. I believe that love is very clear on this majestically moving song. The title track, “Naked Truth”, for me speaks of a relationship gone wrong, one that just never worked or a love unrequited. You could slice the exposed emotion on this tune. Have there ever been many songs that openly sing about polyamory? Probably not, but on “Limitless” Autumn Dawn Leader does exactly that. She said this of the song “This is an anthem of Polyamory. Polyamory isn’t about sex; it’s about LOVE. It’s about knowing that you can be in love with more than one person at a time, but instead of hiding it or denying it, you embrace that humans were not meant to be monogamous creatures and there need be no moral wrongness“. The counterpoint vocal from Becky! gives an almost Fleetwood Mac aura. The album closes with the poetic prose and nature sounds of “Splendour”. This could be remixed into an incredible chill out track or maybe even a goth dance anthem. I love this album. If Jim Steinman had ever decided to produce a more considered and less bombastic album than the type he did with Meatloaf and Bonnie Tyler and employed Philip Glass and Brian Eno it might have sounded a little like ‘Naked Truth’. If you love great music give this album a try!

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“Sea Of People” – Archy & The Astronauts

Filed under: Review,Single — justwilliam1959 @ 8:03 pm
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Archy & The Astronauts have a cracking new single out. It is called “Sea Of People” and it rocks like an absolute demon. It draws from deep in classic rock’s motherlode. The song flys in on an undercurrent of mean riffs and I can imagine this song being a mosh magnet. There are elements of the Foo Fighters in their sound, but they are very much an original unit. This young band has already garnered a lot of interest. They reached the last round of the Glastonbury ‘Bread and Roses’ stage final and they were finalists in the Kerrang! Radio/Marshall Records final 10 Competition.

Archy & The Astronauts are Tomás Phipps (the titular Archy) lead singer and guitarist, Nathan Snook on bass and Travis Coyne on drums. Archy had this to say about the song, “This track encapsulates the aspirations we hold as a band—to create a community of fans who can all immerse themselves in the extraordinary world of live music. The song delves into the challenges of feeling like an outsider in life, urging listeners to resist settling for the ordinary and embrace a life of fulfillment and passion“. Get Archy & The Astronauts into your life now, otherwise you might miss them donning spacesuits and hitting the stratosphere in a huge riff powered rocket!

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‘Der Traum Über Alles’ – Avalanche Party February 3, 2025


As a friend of mine once said, “there ain’t no party like an Avalanche Party” (thank you Mr. P) and now it is time for another huge party with the AP boys. Their sophomore album is upon us, well it will be this Friday. It is called ‘Der Traum Über Alles’ which I believe translates to “the dream above all”. Their debut album hit the world in 2019 and they toured like fuck until that big disease with a little name (to paraphrase Prince) stopped them. When the world began crawling out of that bad Covid bubble they hit the road again. This time across Europe in support of …And You Will Know Us By The Trail Of Dead. Eventually the band found themselves in the Joshua Tree National Park in California at Rancho De La Luna studio in 2022 to record their new album. The record was engineered and produced by Dave Catching who has previously worked with Queens Of The Stone Age, Iggy Pop and the Arctic Monkeys.

The album opens with the towering (no pun intended) “John Coltrane’s Moscow Skyscraper”. the song starts in an almost chilled, subdued way and then transforms into an absolute monster as it moves to a mountainous, manic, maniacal conclusion. This is 100% psych-metal with a slight hint of LCD Sound System, but much, much darker. Jordan’s voice sounds like it might be careering up from the depths of hell and the sound might be the band smashing Satan into tiny pieces. Next up it is “Nureyev Said It Best”. This is a humongous tune. It has dance, it has rock, it has psych, it has funk and so much more. It kicks off with mountainous drumming from Kane which seems to be influenced by native American and African Burundi drums. This band sounds like no other right now, Jordan’s vocal take here is perhaps his best yet. Jared’s guitar work feels like it has travelled here from the 1970s and he has then turned it into a 21st Century master class in axe-manship. The whole track is cinematic in scope and it rocks like an absolute bastard. “No Neutral” is classic Avalanche Party and I can see this becoming a regular in their live set. The drums are thunderous and the warped psych guitar and keys give the track a depth that would hit the bottom of the Mariana Trench.

With “Shake The Slack” the band have uncovered their talent for dirty garage blues. It has a punky psychedelic dance edge. This chorus will rock the fuck out of every venue they play this year and many years after! The metronomic drum beat and languid bass and guitar that opens “Ecstasy” is hypnotic and Jordan’s vocal makes the song sound like U2, and I mean that in a good way, like back when U2 were fucking good. The first single to be released from the album was “Serious Dance Music”. You probably wouldn’t play this song at a work event! I sense an Amazing Snakeheads influence in this fast-paced, frenzied, frenetic, funky, feral, fest of a song. The band all seem to be in top form, especially Kane’s drumming. The music on “The Noise Between Us” is frantic and Jordan’s vocal is urgent and emotional. It has an 80s dark rock feel that borders into goth territory. It slows briefly about two thirds of the way in and then has a magnificent long fade with some simple but perfect keys from Glen. This is one of my favourite tracks in this collection.

Joe’s bass feels ready to punch the fuck out of you when it opens glam blues stomper “Slinky”. The brass has a kind of T. Rex vibe and the counterpoint vocal adds a layer of dark weirdness. The 60s psych organ sound and freak out saxophone bursts make this one really stand out. “Chainz” opens with a series of explosive sounds that might make it a rock ‘n’ roll equivalent of Tchaikovsky’s ‘1812 Overture’. But then it moves into a slow groove which would be a perfect soundtrack to one of the creepier scenes in a Wes Craven horror film. The band show their punk and post punk credentials on “Target”. With maybe a bit of added Tin Machine. This is another banger that I believe will be a staple of the band’s live set. The album closes with “Collateral Damage”, a danceable slice of weird twisted pop. It has a deeply dark stygian funk underpinning it through bass and drums that feel like they emanate from somewhere on Dante’s journey below. The keyboard hooks mesmerise while the guitar riffs overpower the listener with ease. Jordan’s vocal is magnificent. The track takes some of the finest tranches of alternative 80s rock and early goth and repurposes them into a shape that perfectly fits the 21st century.

I know it is only February, but Avalanche Party have set the bar for album of the year and they have set it higher than the peak of Sagarmatha! There is no sophomore slump for these boys. ‘Der Traum Über Alles’ is even better than their debut album ’24 Carat Diamond Trephine’. I will be playing the hell out of this album. Especially after my hand made coloured vinyl version arrives!

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Brògeal – Fulford Arms, York – Tuesday 28th January 2025 February 2, 2025

Filed under: Review — justwilliam1959 @ 8:01 pm
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Sadly this was the only Independent Venues Week gig I managed to get to this year, and it was a great one! There was only one support band, and what a great choice that was. It was York’s mighty Pennine Suite. This band are the real fucking deal and they just get better every time I see them. They were firing on all cylinders in this short but explosive set. Nick’s made me think of Lou Reed and the Velvet Underground taking a more pop based turn. Louise’s voice adds huge depth to their already wonderful sound. Meanwhile the pulse of the band was deep and powerful and supplied by Louis on drums and Moe on bass. This was overlaid by some shining guitar sounds and riffs from Harry. Every song was great but the two huge highlights for me were “Make Up” and “Manhattan”.

The headliners Brògeal, (pronounced ‘Bro Gale’), are Falkirk’s finest folk punkers and they blew us away with a fiery set that kept the audience moving the whole time. Brògeal are excellent ambassadors for Falkirk. But more importantly they are an incredible band with full on punk and folk credentials which they were on their sleeves. If the Pogues and the Proclaimers can achieve success with glorious celebratory Celtic rock, folk and punk sounds then Brògeal deserve it too. The band are Daniel Harkins (guitar and vocals), Aidan Callaghan (banjo and vocals), Euan Mundie (bass), Sam MacMillan (accordion) and Luke Mortimer (drums). It was Daniel’s birthday so we celebrated it by singing that well known song to him. The band brought a great following to York with them and that group started the party and made sure we were all involved. A particular highlight for me was “Girl From NYC” to which I danced and sang like a maniac. Their music is wonderfully uplifting and whatever genre gang you feel you are in I reckon you will love this lot. I am half Scots and I am proud of that heritage, even more so when I see such massively talented Scottish bands like this. After this performance I believe that Brògeal have become the first group of Scots to besiege York since the Scottish Covenanter army did during the First English Civil War in 1644.

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“All Night” – Robo – The Video! January 31, 2025

Filed under: Review — justwilliam1959 @ 8:31 pm
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Last weekend it was my pleasure to attend a gig to launch Robo’s new single “All Night”. Check out my review of the single here and the review of the gig here. It was more than just a gig though, it was also a night which saw the premiere of the video that accompanies the song. The film was produced and directed by the abundantly talented Natasha Pugh. On the evidence of this film I believe that Natasha has a great future in film making! So many music videos, with some notable exceptions, in recent years have been formulaic, bland and not something to enhance a track. That is most definitely not the case with the video for “All Night”.

It is vibrant, exciting, a little left field and makes a great song even greater. While it retains some of the classic band performing their song trope it has so much more. At times it feels almost psychedelic and I love the way the visuals of the band jump from on angle to another to add more detail of the song. In particular where the main vocal is “she said” and then it cuts to the band doing the excellent call and response “what did she say” part. The film of the band is wonderfully “in your face” and the colour washes used in some scenes makes it look like a 21st century multi coloured and delightfully grainy homage to the video for A-Ha’s huge 1985 hit “Take On Me”. But what I love most about the film is that parts where the band and others don weird masks and run around the woods. That part could easily be an outtake from a lost 1970’s Dr. Who episode. Then you get dayglo tribal paint markings appearing on faces. As music videos go this one is truly epic!

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“A Stone Only Rolls Downhill” – OK GO January 29, 2025


OK GO had their first chart success back in 2002. How the fuck was it that long ago? Back in those days they had a knack of mixing loads of genres. Everything from dance to slacker rock via punk and classic rock. Well they never really went away and have just released a nifty new single, “A Stone Only Rolls Downhill”. It doesn’t have the harsher heavy edge of 2002’s “Get Over It”, but it is a damned fine track. It is a kind of chilled pop dance song that will be the perfect soundtrack to a hot sunny day in a few months. In places it made me think of the Flaming Lips, but it still has that indelible original stamp of classic OK GO. The song is the first single from their forthcoming album ‘And the Adjacent Possible’ which will hit the streets later in 2025.

The video is one hell of a sight to behold. The clip features 64 videos on 64 phones laid out as a moving mosaic! The band did more than a thousand takes over the course of eight days, and the final video crams over two hours and twenty minutes of single-take clips into one frame. Once again directed by frontman Damian Kulash, this time in collaboration with Chris Buongiorno (Star Wars: Skeleton Crew), the clip showcases the band’s unbridled creativity and signature DIY aesthetic, while exploring the song’s lyrical take on modern split screen life. The band have a history of great videos, do you remember the one with treadmills for “Here It Goes Again“? I bloody love this new tune and I hope that you do too!

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Robo – (Single Launch) – St. Aelred’s Community Centre – Tang Hall, York – Saturday 25th January 2025 January 27, 2025

Filed under: Review — justwilliam1959 @ 7:56 pm
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Robo kindly invited me to this gig for the launch of their new single “All Night” and frankly it would have been rude to refuse! So obviously I went along and I am glad that I did. Community Centres like this one are like a home from home for me after more than 30 years as a mobile DJ. But it was an interesting place for a gig like this. There was some great support before the main event too. First up was Jasmine Lowe, someone I had heard a lot about but had not seen until now. She has a wonderful collection of sad songs that drift in the soft swell on a sea of serene fragility. The songs with spoken word elements reminded me of Kate Nash. In Jasmine’s voice I can hear not just Kate Nash but also Delores O’Riordan and on the saddest of the sad songs a hint of Sinead O’Connor too. Jasmine is a great performer and she knows how to write a great song. I definitely need to see her again.

Next up it was the Unnamed Band. This was the second time that I have seen them, the first was just a couple of weeks ago when they supported Pedestrian at the Fulford Arms. Once again they played mostly covers and as before that selection of classic songs was deliciously eclectic and included the Kaiser Chiefs, the Killers and Chuck Berry. Ace front man took a walk through the crowd during an incredible “Johhny B Goode”. They played a good version of the Hall and Oates 80s smash “Maneater”. The short, saxophone supported, excerpt from “Careless Whisper” dedicated to guitarist Luke and his girlfriend was nicely done. They then played “I Can See Your Face” which Luke actually wrote for said girlfriend. Luke it sounds like she’s a keeper! When I reviewed them earlier I said that I thought their originals were good but that they needed a bit of polishing. I was quite touched when I spoke to Arthur later and he said that they had taken that advice on. In fact that much was evident from their fiery, barnstorming closer “Don’t You Know”.

Finally it was time for Robo. I can tell you that for this performance, their first headline sell out, they were as tight as fuck! Their were shades of Television spliced with the Doors, but without the Ray Manzarek keys. On one song (was it something like “Appalachia”?) it was like hearing the ghost of Jeff Buckley. On the song were the band introduced each other and added each members star sign it took me back to the Floaters “Float On”, not in style, just in sentiment. Robo are far more rock than the Floaters ever were. Some of the band’s songs draw on the blues base of Led Zeppelin and drag it into the 21st Century. When they psych out they do it with style and panache. For one song they were joined on stage by a talented female vocalist who added a Nicoesque layer to the track. The finale was a storming live take on their new single “All Night”. You can find my review of that song here. But essentially if you imagine Tom Verlaine producing the Arctic Monkeys it might sound a little like this new song. This was a short, punchy and absorbing set from a band on top form. After that we were treated to a premiere of the “All Night” video which was produced and directed by Natasha Pugh. The video will have a separate review soon on these very pages. All I will say before that is that it is bloody good!

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“A New Dream” – Gregory Darling and Julian Lennon January 26, 2025

Filed under: Review,Single — justwilliam1959 @ 9:00 pm
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A new collaborative single between long friends and musical partners Gregory Darling and Julian Lennon have just released a new single “A New Dream”. The song was written with their friend Anthony Caligagan. It first appeared on Gregory Darling’s album ‘Shell’ in 2006 in its original form. This re-imagining has a majestic magical feel as it builds from simple musical forms into a gorgeous and emotional crescendo. The voices carry emotion, sincerity and belief. At times the vocal reminded me of Roger Waters but without all the ex Pink Floyd mans pent up anger. Lyrically the song is inspirational. “I’m helplessly waiting, clocking the days of my innocent youth, oh I’m hopelessly romanticizing everything black and white, all the colors seem dark in the night, I need a new dream to get by on“. This couplet made me feel quite emotional. The video is rather beautiful too.

Lennon and Darling have known each other for many years and have collaborated before. Lennon said of the new release “Working with Greg is like working with your brother/best friend… And “A New Dream” is something we both aspire to. The message of “A New Dream” resonates with universal themes that connect all of us- our dreams, fears and insecurities- and it serves as a beacon of hope, reminding listeners that even the impossible can be achieved.” The song holds a greater significance given Lennon’s role as the founder of the White Feather Foundation and Darling’s position as the head of artist outreach for Reluvotion, founded by Professor Nicholas Dungey and founding partner JR Smith, as well as the Gift Of Love Foundation, founded by Jody Folz. Both organizations are committed to global change and supporting human potential, making this song an ideal embodiment of their shared values.

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‘Rave Immortal’ – ALT BLK ERA

Filed under: Album,Review — justwilliam1959 @ 8:00 pm
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It is less than 18 months since I became aware of ALT BLK ERA and what a time that has been. From my perspective I featured them on the Mayhem Virgins series in August 2023. That same month I was lucky enough to see them on the BBC Introducing Stage at the Leeds Festival. I was even luckier to get to interview them that weekend. They have made regular appearances in the Mayhem Charts. From Nyrobi and Chaya’s perspective they have had some amazing festival appearances and support slots (Tom Morello for one). They have collaborated with some great artists including Delilah Bon and Wheatus. This year they are on the BBC’s ones to watch list and will be heading to SXSW. On top of that they have released some incredible singles and the spectacular ‘Freak Show’ EP. Well now the debut album, ‘Rave Immortal’ is here on Earache Records!

The album opens with “Straight To The Heart” a song which has a great 80s pop club night vibe about it with some urgent drum ‘n’ bass beats underpinning it. Next up it is one of a clutch of great singles included in the collection, “Come On Outside”. It has a riotous, riff-laden grunge feel to carry its positive message. The chorus is alive and takes up residence in your brain almost immediately after the first listen. Chaya wrote the song for her sister Nyrobi and had this to say about it “For two years my sister was bed-ridden with a chronic illness that shot waves of pain throughout her body. The doctors couldn’t figure out what it was. I thought I was going to lose her. Thankfully, with lots of support, she is slowly getting better and she now has strong medication that helps her to manage the pain. This song is my message for Nyrobi, for you, and for anyone else who has faced physical or emotional challenges.” There is more great drum ‘n’ bass on “Crashing Parties” coupled with some perfect and incessant synth riffs. It opens with a warped heavenly angelic chorus. Throughout the track the vocals are the star though.

“My Drummer’s Girlfriend” is full of pop-driven punk licks and a gorgeous vocal delivery which reminds me of the Tuts and Kate Nash. Those riffs are mesmeric and stitch their way into your brain easily. I am not sure I am a fan of the potentially insane, drug-fuelled titular girlfriend in this story, but I am a huge fan of this infectious, electric firecracker of a tune. It is not on the album but check out the slacker punk reworking of this track that the band did with Wheatus. “Hunt You Down” has a wonderful dark Madonna feel to it with some stalker lyrics that border on the right side of creepy. this starts off with a deliciously dark vibe. It builds into something that would make Depeche Mode jealous. ALT BLK ERA seem able to tackle any genre. “Upstairs Neighbour” is a classy rave anthem which would sit perfectly along the best of the Prodigy. “Come Fight Me For It” is like an electro powered X Ray Spex which retains the punk attitude. I reckon Poly Styrene would have loved this.

“The track “Run Rabbit” is driven by a persistent and incessant electro riff overlaid with Nyrobi and Chaya’s urgent vocals. Lyrically it feels deliciously dark. This has the makings of a huge club banger, we need an extended remix! The video is rather spiffing too and features ALT BLK ERA running around in the dark to great effect. The opening of “Catch Me If You Can” has a horror film overture sound which I love. The vocals are melodic metal sung over a creepy orchestral synth background. The title track is saved until the end and what a way to finish it is. This is the best of the Prodigy, the Chemical Brothers and Enter Shikari. With some tasteful old school game sounds in the tune. This is rap for the 21st century and an anthemic call to arms for Generation Z and Generation Alpha. Chaya and Nyrobi Beckett-Messam are still young, but as a first album this is a masterpiece. I am excited to hear what they do next. But in the meantime I am sure that ‘Rave Immortal’ will be included in many albums of the year list later this year. It will definitely be on the Mayhem list! If I have any criticism it would be that at around 32 minutes it is quite short. But it doesn’t feel short when you listen to it and some of the greatest punk albums were around that length!

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“All Night” – Robo

Filed under: Review,Single — justwilliam1959 @ 6:49 pm
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Robo are a York band overflowing with talent and that is abundantly clear if you listen to their new single “All Night”. If Tome Verlaine produced the Arctic Monkeys it might have sounded a bit like this. Their is also a mood of 70s classic rock throughout this magnificent tune. I love the call and response element which runs a rich vein through the song. In my opinion this song has future classic written all over it!

I was lucky enough to be invited to the launch show for the “All Night” single and a review of that show will feature on these pages soon. The song is accompanied by a mind blowing video produced and directed by Natasha Pugh. The video is so good it deserves a separate review and that will appear here soon too!

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