With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

Pedestrian – Fulford Arms, York – Friday 10th January 2025 January 13, 2025


Four bands in one night is how I kicked off my gig journey for 2025. All at the fabulous Fulford Arms and promoted by Northern Radar. Simon P, head honcho of Northern Radar, has never let me down with his choice of bands. Would tonight be that moment? Read on to find out dear reader. The evening kicked off with the Unnamed Band. It’s not that they don’t have a name, the Unnamed Band is their actual name, genius! They played mostly covers, but they played them damned well. The selection of covers was gloriously eclectic. It ranged from Chuck Berry to the Killers. They also included the Red Hot Chili Peppers, Kaiser Chiefs, the Fratellis, and Queen along the way. The band’s original songs are good, but probably need a bit of polishing. Arthur Kay is a great frontman and I believe that this bunch have potential.

Second on stage were Sweeping Statement. I would describe their sound as Post Punk Prog. I suspect that if you used Artificial Intelligence to create a band that mixed largely unrelated genres and encouraged moshing it might well deliver Sweeping Statement. At one point I thought that this band were very good but probably wouldn’t set the world on fire. Then they did a Pixies cover and an original called “Working Man”. Those two blew me away! They also get a bunch of extra points from me for hating Reform UK and GB News. Check them out!

The penultimate band was Birdlands. I reviewed their debut album ‘Season Of Loss’ back in October. I love that album and I have an apology to make to the band. Due to a clerical error it never made it onto Mayhem’s Top 20 albums of 2024. John Peel would have loved Birdlands. They are very much post, post, post, post punk with an added pinch of funk, punk and jazz. The band were on fire. At times, their sound reminded me of David Bowie’s touring band from 1978’s Isolar 2 tour. Frontman Billie’s vocals were a little Bowieesque at times too. Evoking the Bowie of Tin Machine and ‘1: Outside’. Billie’s angular, motorik, Ian Curtis style dancing was a sight to behold. This was an almost perfect set. What would have moved it to absolute perfection? More time! Apparently they only rehearsed once for this show, now that is fucking awesome!

Finally it was time for the headliners, Pedestrian. They might be called Pedestrian but you could never describe their music or performance as such. They absolutely fucking smashed it with their delicious funky, angular art rock sounds. Flo’s vocals are truly ‘out there’ in a simply perfect way. Her performance was powered by some kind of perpetual motion. They have been a band for just over a year and this was, surprisingly, their first headline show. One of their songs gave birth to a mosh conga, I kid you not! Their is a dark funk vibe to some of their songs, particularly the slower numbers, and I love this. There was also some classy threads of Lene Lovich in Flo’s performance too. The cover of the Beatles “She Loves You” was great. Did they perform that one for Battle Of The Bands at the Fully last year? “What’s In The Box” and “Rush Hour” were two massive highlights in an awesome set. The latter turned the funk up to 11. Personally I would not have fancied following Birdlands onto the stage, but Pedestrian blew the fucking roof off. In a sad footnote Pedestrian will be bowing out as a band. (is that why the grim reaper style character was the centrepiece of the gig poster?) This was their penultimate gig. But I suspect that the individual members will go on to new musical projects. I certainly hope so!

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“IT Girl” – Jade January 12, 2025

Filed under: Review,Single — justwilliam1959 @ 7:48 pm
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This is an unusual one to feature for me, but I have to say that I love “IT Girl”. It is the new single from Jade, former member of Little Mix. This is her third solo single since leaving the group with which she had five UK chart toppers. “IT Girl” tells the story of how extremely misogynistic the music industry still is. It has some very dark emotions: anger, frustration and perhaps hope too. The track starts of relatively subdued for a very short while then kicks into a glorious electronic dance psych out. Jade gives a great performance in the video too. Lyrically it is wonderfully venomous. I particularly like “Kitty got fangs and kitty got claws. Clause in the contract, contract gone. Gone is the girl that you could con“. This is a co-write from Jade and I suspect that this is a deeply autobiographical song from her. Maybe I am becoming more accepting of pop in my old age. I love Harry Styles. I am growing to appreciate Robbie Williams. Now, I absolutely adore the new song from a former member of Little Mix. Become less of a music snob (I am trying), accept the inevitable, songs like “IT Girl” paint the future brightly! If this does not top the charts everywhere then the world is even more broken than I thought!

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“Blood Curse” – FangSlinger


I was sent the first FangSlinger’s single, “The Lost Souls Saloon”, for review back in October. Sadly I never got around to it. Which is a pity because it was a truly colossal track! I believe that the first single began a tale which may run for some time. The blurb for single number one was “In the heart of Death Valley, an ancient evil roams. FangSlinger, once a man seeking fortune during the California Gold Rush, now leads a band of outlaws terrorising the West. The band’s lore is rich and immersive, drawing fans into a world where reality and myth blur.” This story deserves a graphic novel! Apparently each member of FangSlinger has their own dark story. They each have a reason for joining the quest. This makes their performances more than just music. It becomes a theatrical experience. FangSlinger, the lead vocalist, Hangman Frost on guitar and backing vox are joined by on backing vocals, keys and percussion by BloodRose.

I am pleased to announce that I have heard their second single “Blood Curse.” It was released a few days ago and is phenomenal. It carries the story along really well. It rocks like a beast from hell, hard enough to wake the undead! Apparently it is about a deal struck by FangSlinger with an ancient evil which led to their condemnation to eternal life and a debt of 100,000 souls to the Devil. It has metal, melody, grunge and riffs and hooks to die for. It reminded me at times of Led Zeppelin, Pearl Jam, Alice Cooper and Evanescence to name just a few. It has some great spaghetti western horror vibes going on. If the vampire TV series ‘True Blood’ ever returns, FangSlinger should provide the soundtrack. They should at least write the theme tune. The video for “Blood Curse” directed by O. D. Collins is rather good too. I am truly hooked on this band and the ever unfolding tale. I am proper excited for the next single!

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“Devil’s A Day Away” – Jellybricks January 11, 2025

Filed under: Review,Single — justwilliam1959 @ 9:46 pm
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Probably Harrisburg, PA’s finest band, Jellybricks are rapidly becoming one of my favourite bands. This is the third of their singles that I have reviewed so far and every one has been high class. the other two were “That Way” and “Age Of Stupid“. The new one, “Devil’s A Day Away”, was released on January 3rd. It is delightful pop punk with some almost Beach Boyesque harmonies. I know it is still January, but I can see this one featuring on my summer playlist. But it is not just great harmonies, musically it rocks like a motherfucker. Lyrically it might seem a little dark, but I also sense a lot of hope too. On the chorus I was reminded of Semisonic in their prime. The emotion is switched up to 11 too. Everyone needs some Jellybricks in their life. Why not build your music house out of Jellybricks?

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“New Waves” – Used To Be Apes January 9, 2025

Filed under: Review,Single — justwilliam1959 @ 8:49 pm
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Milan rock band Used To Be Apes have just hit the streets with a new single, “New Waves”. It is a classy emotive three and a half minutes of perfect pop rock. The track is fuelled by melancholy but hopeful lyrics. I can sense elements of REM, Prefab Sprout and New Order. But this band are not copyists, they are very original. I can see this song making my songs of the year list in December. In the olden days when pop charts mattered this would have been a huge hit.

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“Gravity” – Lacuna Coil

Filed under: Review,Single — justwilliam1959 @ 8:11 pm
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Italian metal legends Lacuna Coil have just released “Gravity.” It is the fifth single from their forthcoming album ‘Sleepless Empire.’ The album will be available via Century Media Records. I believe that the song explores the rise and fall of life, the importance of resilience and fate. I felt that it conveys hope and that things will get better if you stay strong. The band said this of the new song: ““Balance is so difficult to keep as we navigate through desperate times, feeling lost and gasping as we ask for help. How do we deal with tough times? Do we ask for a hand? Or do we isolate ourselves from everything else to recollect in our own misanthropic golden cage? I hope you will love Gravity as much as we do and that it will help you to reflect on the time we have left and how to use it wisely.” The video that accompanies the release is monumentally epic, I love it! Live your life well good people and soundtrack it with Lacuna Coil!

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‘Pillow Talk’ – Party Nails

Filed under: Album,Review — justwilliam1959 @ 7:24 pm
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Elana Carroll from Chatham, New York is a singer-songwriter, artist, musician and producer. She goes by the name of Party Nails. She has just released her third album, ‘Pillow Talk,’ on Eye Knee Records. The album kicks off with “Same Old Song”. It is a mid paced ballad style song. It evokes early Taylor Swift and oozes emotion, from blues to ultra happy. This is one of the three singles taken from the album so far. Next up is another single, “First Responder”. This is a gorgeous slice of percussive synth pop with some great vocals. I really love “D.R.A.M.A.” it is a quasi rap beat driven pop construction. It reminded me equally of Kelis, Gwen Stefani and Charli XCX. The call and response elements and harmonies with Emma Kern elevate this song into something very special. If you like classy pop with 80s synth styling you will love “Movie Scene”. I can imagine Abba covering this, or if not the Swedish megastars then maybe Erasure! The dark synth riffs of “Bull In A China Shop” add some great musical tension to a fabulous brooding tune. This track was included on the 2023 Party Nails EP ‘Someway Somehow’.

Another single, “Trigger Warning” is next and this is probably my favourite track on the album. It features some delightful electronic sounds. These perfect sonic explosions ebb and flow like the best early Giorgio Moroder forays into pop music. Party Nails finds time for a mostly acoustic guitar driven ballad with “Dirty Water”. This showcases the fragility that Elana can project in an almost ethereal vocal performance. If grunge had embraced more synth sounds, it would have sounded like the title track of the 2023 EP ‘Someway Somehow’. This track would have led the way. The hard edged riffage is offset by a voice that has the clarity and honesty of Karen Carpenter’s best moments. “Do You Know How?” gives the album its most rock moment. There is a frantic, frenetic feel that harks back to the early releases of Lene Lovich. The incessant post punk style riff is mesmerising. The album closes with “Puppet.” It feels like a Stevie Nicks outtake. But it’s one that Stevie really ought to have used. The PR blurb that arrived with the album for review described it as “a genre-bending timeless yet forward thinking album featuring an intoxicating mix of retro synthwave, futuristic electro-pop, and lush indie rock.” It is hard to disagree with that description. It is only January 9th as I type this, but I believe this is a potential contender for album of the year!

If you are in the USA you can catch her supporting Bad Bad Hats on the following dates. You should go it will take you away from the prospect of four more years of the orange moron. Can we get Party Nails to come to the UK please?

Jan 09 Los Angeles CA at The Echo
Jan 10 San Francisco CA at Bottom of the Hill
Jan 11 Sacramento CA venue TBA
Jan 12 Bend OR at Volcanic Theatre Pub
Jan 14 Baker City OR at Churchill School
Jan 15 Tacoma WA at Elks Temple (Spanish Ballroom)
Jan 16 Seattle WA at Barboza
Jan 17 Portland OR at Mission Theatre
Jan 18 Boise ID at Neurolux
Jan 19 Salt Lake City UT at Kilby Court
Jan 21 Cheyenne WY at The Lincoln
Jan 22 Denver CO at Lost Lake Lounge
Jan 23 Colorado Spring at Vultures
Jan 24 Omaha NE at Reverb Lounge

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“My Lighter Weight” – Varas January 7, 2025

Filed under: Review,Single — justwilliam1959 @ 8:16 pm
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Benjamin Muñoz Varas is a self-taught producer, singer and songwriter. He uses the name Varas. With roots in Chile, Varas grew up in a small town called Götene in Sweden. When he was twelve his father introduced him to Led Zeppelin. At this time he took up the guitar. Having listened to his new single I am glad he got into music. The current single might not contain any guitar but it is a spine-tingling piano driven dark-tinged ballad. This song is the sort of thing I could drown happily in, it is a thing of pure beauty. It has a delicate fragility and the emotion is palpable. The track comes from his upcoming ‘Eaten by Worms’ EP which is due out next month.

Varas said this of the song “It’s about that feeling of embarrassment, but also liberation, when someone close to you points out that you look worn out and tired. I don’t even see that weariness when I look in the mirror, but having it highlighted by another person can be both mortifying and strangely cathartic. There’s a sense of the facade being as thin as rice paper, and a desire to be scrutinised, to be seen in our truest, most unguarded form.” This is a song you sit down in a relaxing environment and listen to. Do that now, you will not regret it!

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‘Sydereal’ EP – Eugene January 6, 2025


Eugene is Eugenio Valente from Rome. He is described as an eclectic artist and producer with a special focus on electronic sounds. He also works as a remixer and soundtrack composer. His new EP is called ‘Sydereal’. I imagine that many of you are thinking, why is it called that. Well it contains some electro styled covers of some classic Syd Barrett tracks. There are two tracks from ‘The Madcap Laughs’ (1970). One track is from ‘Barrett’ (1970). Another one is from Pink Floyd’s debut album ‘Piper At The Gates Of Dawn’ (1967). Eugene captures the wonderful whimsy sound and feel that filled many of Syd’s songs. But he brings them neatly and nicely into the 21st Century.

The EP kicks off with two tracks from ‘The Madcap Laughs’. “Golden Hair” and “Love You”. “Golden Hair” has a really dark tone. It possesses an almost light horror quality. In some ways, it haunts you long after it has finished. Eugene gives “Love You” a wonderful electro pop style makeover which in some ways made me think of Mika. This is the first single to be taken from the EP, and given how catchy the sound is I am not surprised. Could anyone other than Syd Barrett have written a song called “Effervescing Elephant”? I suspect not. Eugene keeps the spirit of Syd well and truly alive with such a fun take on a fun song. The EP closes with an ethereal, fairground like, chilled dance spin on “Astronomy Divine”. I felt like I could drown or drift away in the cinematic waves of sound in this song. This is probably my favourite track of the four, but it is a close competition.

Eugene had this to say about why he likes Syd and why he decided to do this EP. “Barrett has always represented the purest example of creative freedom to me. He transcends time and evokes something cosmic—something ‘sidereal’—that gives life to unimaginable dreams, just like the cover artwork, where an electronic circuit is brought to life by a magnificent diamond through what feels like magic or alchemy.” Please check out ‘Sydereal’ I love it and I hope that you will too!

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“Stanley” – Camille Schmidt January 5, 2025

Filed under: Review,Single — justwilliam1959 @ 7:55 pm
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“Stanley” is the current single from queer Brooklyn-based singer/songwriter Camille Schmidt. It kicks off with some perky metronomic percussion before bringing in some super insistent riffs. Then the piece de resistance of the song is Camille’s voice. She captures the dark humour of lives observed in the lyrics. Jarvis Cocker used to do this so well. Camille had this to say about the track: “I started thinking about my plane ride the night before. This woman in front of me had been texting a friend about her boyfriend, Stanley (who I later discovered was a few rows behind us). I was thinking about the loneliness you feel when you’re alone, but also the deeper loneliness when you’re with someone, and that person doesn’t fill the hole inside you the way you’d hoped. It was a time when I was searching for comfort in anything – overheard conversations, interactions with strangers, little jokes I would make to myself.”

The lyrics make it very clear that the titular Stanley is not very nice, certainly a bit of a loser. These lines really describe that Stanley bloke! “Stanley sits and Stanley drinks. When he takes off his shoes he stinks. He’s going nowhere, going nowhere“. Having heard this rather ace song and watched the weird, warped and wonderful video I will be seeking out more of Camille Schmidt’s music. You should do the same!

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