With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

‘Cloth Bound’ – Sonder Bombs February 14, 2021

Filed under: Review — justwilliam1959 @ 10:01 pm
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The Sonder Bombs have a strong sense of melody and they use it to excellent effect on this absolute gem of an album “Crying Is Cool” is a great pop song which bounces along and carries you with it. “Papillon” slows the pace but keeps the melodic sense firmly in place. “Vegas Baby” has some of the pop feel of the Go Gos and the vocals are fabulous. “What Are Friends For” keeps up the pace and quality and the drumming is key to this track. “Scattered” slows things down and the vocal is less intense but still with beautiful timbre and a lovely guitar melody. I think this is one of the most poignant songs here . “The Brink” takes us back to the more frantic but bouncy feel we have got used to early on. “Swing On Sight” is great punk pop and as with everything else here is very strong; lyrics, melody, playing …the whole enchilada! “The One About You” is a truly beautiful piece of melodic pop with a superb arrangement. The Sonder Bombs are a revelation to me and I will certainly be searching out more of their fabulous music and looking forward to seeing them live, soon we hope!

Written by Paul Bamlett

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‘Follow Me’ – Kristina Stazaker

Filed under: Review — justwilliam1959 @ 4:11 pm
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This album has a raw and honest feel that is often hard to locate in current music. “Follow Me” has some essence of Patti Smith with a folk twist. Kristina’s voice is rich and she inhabits each song in a gripping and fascinating way. “Journey Part 1” carries the same feel and a similar insistent guitar backing. “Goddess” introduces a loping time signature and wonderful vocal interplay which is once again powerful and deep. “In A Previous Life” has a more melancholy feel. It is the great vocal sound which draws you in to every song. “Everyday” has a touch of Michelle Shocked and the lyrics are fierce and powerful. “Judgement Day” travels at breakneck pace and actually seems to increase in speed . “Silence And Slumber” is the strongest song here. Once again the voice , the tempo and the fascinating personality of the singer are set out clearly. This album is a powerful statement of intent and it will be extremely interesting to see where this truly original artist goes next!

Written by Paul Bamlett

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With Just A Hint Of Mayhem – Singles Round-Up 2021 Part 2 February 1, 2021


It’s February and time for our second singles round up of 2021. Eight classy tunes from eight proper talented bands and singers, none of whom have featured on With Just A Hint Of Mayhem before. This bunch come from Essex, Norfolk, Rotterdam, Liverpool, Lancaster and Manchester. Crank your volume up to 11 and dive into a sea of wondrously great tunes!

“Story Of Strife” – Gloria

Austin Woodcock, Evan Butcher and Will Eagles are Gloria. They formed in 2018 in Lancaster. They claim that they write music for the soul. On the evidence of “Story Of Strife” I think that I believe them. This has deep feeling embedded in every part of it. At times I am reminded of Richard Ashcroft at his most introspective. The line “Freddie and Ziggy are in paradise now helping me write this song” is an absolute killer. “Story Of Strife” is an anthem we didn’t know we needed, but we really do!

“Soho” –  Ben Wood & The Bad Ideas

Essex boy Ben Wood has been putting out great tunes since 2012. He has a very British sound with fragments of Paul Weller, Blur and the Arctic Monkeys among others. His lyrics for “Soho” can probably stand on their own as modern poetry. It is very much a story song and frankly if you are able to successfully mention Marianne Faithful in your song lyrics then you definitely get my vote!

“Gobshite” – Das Kapitans

A wonderful punky riff-fest from Das Kapitans with delightful punk harmonies throughout. The backing vocals are reminiscent of Steve Jones back in his Pistols prime. The video is a psychedelic jamboree and probably not for anyone who suffers from epilepsy. This is a great single and I reckon it will sound even better live. On his BandCamp biog Norfolk based Das Kapitans main man Stephen Potter describes himself as a Potato expert. Well if this song was a potato I believe it would be a Russet Burbank, probably the best potato in the world!

“Looking For Faces” – The Vices

Recently signed to Rotterdam based Mattan Records this lot are pretty ace. They sound like a punked up, funked up and fucked up version of the Strokes with a dash of Talking Heads. I reckon this band is an instant party machine live. This track has taken up residence in my head and it doesn’t seem to want to leave anytime soon!

Roses” – Karl McCann

With it’s dark and sparse video “Roses” makes its whispered way into the world. It seems, to me, to be about a broken, abandoned relationship. Karl’s delivery oozes emotion and the song resonates long after it is over. It makes me want to hear much more from Liverpool based Karl McCann.

“Getting Better” – Flowers Of Evil

Positive Indie Lounge Core from Manchester’s Flowers Of Evil. “Getting Better” is essentially a positive tune and one that would be ideal to accompany us on the journey out of this Covid hell. Lead vocal and well drilled harmonies drift wonderfully over subdued but close to perfect instrumentation. I sense that you will be hearing a lot more from Flowers Of Evil!

“Rain’s Gonna Fall Where We Walk” – Hurray For Tuesday

Manchester’s Hurray For Tuesday refer to themselves as anti-folk. I assume that they mean they are anti folk music rather than just anti folk as in people. Either way it won’t work, this tune is steeped in the history of folk with a modern twist that evokes the Pogues and for me there is an undercurrent of glam rock in the driving incessant and fabulous beat. In the days when the charts mattered this would be instant top ten. It made me want to dance around the room, so I did! Based on this I want to see them on a festival stage when festivals are reborn! They make me want to shout Hurray for Tuesday, Wednesday, Thursday and every fucking day of the week.

“Slow It Down” – Doozer McDooze

Doozer’s new single is the perfect sound to chill to after a heavy night out, do you remember what they were like? It is a hypnotic lofi style tune which stays with you like your favourite pillow or that old teddy bear you’ve had since you were a kid. I cannot think of a nicer tune to end this singles round up with. Doozer McDooze is, put simply, bloody ace!

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Below is a play list of all these great tunes, apart from Karl McCann’s “Roses” which I can’t find on Spotify.

 

“Everyone Says Hi” – The Dead Zoo January 27, 2021

Filed under: Review — justwilliam1959 @ 8:54 pm
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Many of you regular readers know that I am a big fan of the Dead Zoo, they are a band with a very bright future. They have a new single “In The End” lined up for release on 26th March, I reckon it will be their best yet from what the band have told me. But in the meantime they took the rather strange, but rather wonderful decision to release the B-Side early. It was released on January 10th, the fifth anniversary of the passing of David Bowie. It is a cover of one of my favourite later period Bowie songs, “Everyone Says Hi” from 2002’s ‘Heathen’. It is a faithful take on the tune but singer Kaoru adds a hauntingly beautiful and respectful vocal to it. Their is an undercurrent of emotion in her voice, maybe she is channelling her inner Bowie, I know she is a huge fan of the Dame. I also love the sublime vamping backing vocals too. It was a brave cover to attempt, but the Dead Zoo nailed it! I am looking forward even more to the A side now 🙂 keep your ears peeled for it good people! If you love this track like I do, I also urge you to check out Kaoru’s fabulous covers album released last year on BandCamp, click here to find it.

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“Mercury Twin” – AP Tobler January 20, 2021

Filed under: Review — justwilliam1959 @ 11:11 pm
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For her new single “Mercury Twin” AP Tobler channels her inner Foo Fighters for some mountain shredding riffs. Once again she plays all the instruments herself and the drums in particular are exquisite. Lyrically I sense that this song is about facing the black dog of depression. I am not sure quite how she does it, but AP gets better with every release and long may it continue. The guitar solo is impeccable and would fit nicely into so many classic 70s rock tunes. If you’re not yet familiar with the immensely talented AP Tobler you need to change that right now. Check out the video for “Mercury Twin” below and click here for our recent interview with AP. You can also find this new single and her previous releases on Spotify, so click here to stream the hell out of them!

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Mike Garson’s “A Bowie Celebration… Just For One Day” – Saturday January 9th 2021 January 19, 2021


I have watched a few streamed shows since this awful pandemic kicked in and like many of us I don’t believe that this type of show can ever replace real gigs. But for now this is all we have so let’s use it. As a huge Bowie fan for nearly 50 years I was obviously looking forward to this show. It was curated by the Dame’s long term piano man Mike Garson and included a wonderful range of Bowie alumni and a stack of special guests performing songs (around 40) from across the Starman’s career. It was an “as live” stream but incredibly well put together. The behind the scenes crew deserve a huge round of applause, they clearly did an amazing job, which in turn helped to provide us punters with three hours of classy Bowie themed entertainment.

First up was Duran Duran with their version of the ‘Ziggy Stardust’ album opener “Five Years”, I have never been a huge fan of Simon Le Bon’s voice, but this was a staggeringly good version of an iconic song. Duran Duran really pulled this off with aplomb. Lzzy Hale off of Halestorm was aided and abetted by Tony award winning actress and singer Lena Hall for a wonderfully theatrical cover of “Moonage Daydream”, very much a star performance from Lzzy and Lena. I have been a Smashing Pumpkins fan for many years, so I was looking forward to Billy Corgan’s piano led take on “Space Oddity”. But I felt it wasn’t a great performance, I am really not sure that Billy’s voice suited the song in this setting. Sorry Mr Corgan! Perry Farrell took on “The Man Who Sold The World” partnered by his wife Etty Lau Farrell and it was a perfect spine tingling take on one of Bowie’s finest tunes. Next there was a bluesy run through a somewhat deep cut, “Bring Me The Disco King” by Anna Calvi. This was originally a track released as a part of 2003’s ‘Reality’ album. Regular readers will know that I am not a fan of Take That’s Gary Barlow, so I cringed a little when I saw his name on the list. But to be very honest the boy did good. Barlow didn’t choose an easy option and went with 1975’s “Fame”. A real Five Star performance from Mr Barlow.

Living Colour’s Corey Glover was spot on with his gorgeous run through of “Young Americans”. This was followed by one of my favourite songs from that period, “Can You Hear Me” performed by the obscenely talented Gail Ann Dorsey who played in Bowie’s band for many years. “Sweet Thing/ Candidate/ Sweet Thing (Reprise)” is a tough song to cover but Bernard Fowler, highly regarded backing vocalist who has supplied backing vox to the Stones among many others didn’t just cover the song, he owned it and frankly, blew me away. Possibly my favourite performance of the whole event. Charlie Sexton, a man who has played with an incredible number of music luminaries appeared next with a funky work out of the 1983 classic “Let’s Dance” the first of four songs by him on the night. Judith Hill, a woman who has worked with Michael Jackson, Prince and John Legend to name just a few was next with a haunting rendition of “Lady Stardust” backed by some beautiful piano from Mike Garson. “Changes” as reimagined by Macy Gray was epic, where have you been Macy, the world needs you. Kevin Armstrong who worked with Bowie in the 80s played a rather excellent version of the Mick Ronson arrangement of Richard Rodgers’ “Slaughter On Tenth Avenue” which was dedicated by Mike Garson, to the memory of Ronson, Bowie and all Bowie alumni that have passed away.

Jazz Singer Catherine Russell sang an arrangement of “Conversation Piece” from the ‘Space Oddity’ album that was completely unrecognisable from the original and for me that made it a perfect cover version, I loved it! Next up was the return of Charlie Sexton with a Stones style take on Bowie’s Stones pastiche “Rebel Rebel”. This is one of my favourite songs from Bowie and Sexton did a great job with it. Def Leppard’s Joe Elliot was on board for two songs and I was a little surprised at his first one, “Win” from 1975’s ‘Young Americans’ album. Surprised but definitely not disappointed, Joe’s voice was immaculate and accompanied by the kind of piano heaven we have come to expect from Mike Garson. For the second song in his brace of Bowie Joe Elliott rocked hard through a powerful performance of “Ziggy Stardust”. Taylor Momsen frontwoman of the Pretty Reckless had a film to accompany her rendition of one of my favourite Bowie songs, especially lyrically, “Quicksand”. She really did the Dame proud it was quite moving at times and I love the subtle touches of her film, and to finish having written Bowie’s name in the sand was special indeed. Charlie Sexton returned for two more songs “DJ” and “Blue Jean”. Both of them fine performances and in fact the latter has moved me to reappraise my view of Bowie’s 80s output which is in my opinion mostly his low point artistically. But on this evidence, perhaps “Blue Jean” isn’t so bad after all. I saw Michael C Hall in the lead role of Thomas Jerome Newton in the Bowie musical ‘Lazarus’ in London in 2016, he was rather wonderful in that and his incredibly moving version of “Where Are We Now” here was wonderful too.

Foo Fighter’s drummer Taylor Hawkins, ably supported by Dave Navarro played a lively and rambunctious “Rock ‘N’ Roll Suicide”. This segued into Corey Taylor doing “Hang On To Yourself” aided and abetted by Dave Navarro, Taylor Hawkins and Chris Chaney. But that segue included a nice little romp through “Little Fat Man” from Bowie’s appearance in Ricky Gervais’ ‘Extras’. Actor Gary Oldman was next accompanied by Mike Garson’s eloquent ivories for “I Can’t Read”. I liked that a lot! Jesse Malin’s “Jean Genie” really was top drawer, he aced it. The return of Gail Ann Dorsey brought with it a touchingly sublime take on “Srangers When We Meet”. The show then rocked out wildly with Peter Frampton on “Suffragette City” duties. This was followed by a brace of songs by a great friend and sometime collaborator of Bowie, Trent Reznor supported by Atticus Roos for “Fantastic Voyage” and “Fashion”. “Fantastic Voyage” which was never played often by Bowie was pretty darned good. Ian Astbury tackle “Lazarus”, he did well and put a lot of emotion into it, but I would also liked to have seen Ian tackle something more rock based, even a Tin Machine track maybe. YUNGBLUD poured his very essence into “Life On Mars” and it payed off in dividends, legendary keyboard player Rick Wakeman supported Mr BLUD. Long time Bowie fan Boy George was on top form for his medley of “Lady Grinning Soul”, “Time” and “Aladdin Sane (1913-1938-197?)”. Mr O’Dowd, great respect from me, you nailed it. I was particularly looking forward to Ian Hunter’s performance and I wasn’t disappointed. He kicked off with his Bowie tribute “Dandy” and finished, obviously, with my favourite Bowie song ever, “All The Young Dudes”. I have never been much of a fan of Adam Lambert but there is no denying that he really did “Starman” well, perhaps enough to make me an Adam Lambert fan, time will tell. Judith Hill returned to support Andra Day as they cranked up “Under Pressure” into something even more anthemic than Bowie and Queen managed originally. Bernard Fowler closed proceedings with a highly charged “Heroes” which included some rather excellent drumming from Nandi Bushell.

The credits rolled with a rather decent “Ashes To Ashes” instrumental. Let us not forget the great band members and Bowie alumni that performed throughout the event too, Mike Garson especially, thank you for putting this together Mr Garson. Other band members throughout the evening, that I haven’t already mentioned, were, I think, Guitar: Earl Slick, Gerry Leonard and Carlos Alomar Bass: Carmine Rojas, Mark Plati, Tony Visconti, Tony Levin, Emir Kasan, Erdal Kizcilcay Keyboards: Richard Cottle, Henry Hey; Drums: Alan Childs, Zach Alford, Sterling Campbell, Matt Chamberlain, Omar Hakim, Mark Guiliana, John Lousteau, Gregg Errico, Andy Newark; Backing vocals: Gaby Moreno, Everett Bradley, Robin Clark, Emm Gryner, Ava Cherry, Simon Westbrook; Percussion: Pablo Rosario; Sax: David Sanborn, Clare Hirst, Stan Harrison. I am sure I have missed some names, but thank you to one and all this was a very special event and Mr Bowie would have loved it!

All the photos and videos were found online. If they are yours and you would like a credit or want them taken down please let me know

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With Just A Hint Of Mayhem – Singles Round-Up 2021 Part 1 January 16, 2021


Welcome to our first singles round up of 2021, this time I am once again joined by a guest co-reviewer. This time it is the turn of one of the newer members of the With Just A Hint Of Mayhem Team, Paul Bamlett. Paul is a self confessed music nut, so he fits in well over here at Mayhem Towers. We kick off this years singles round up series with eight cracking tunes from eight supremely talented artists and bands which found their way into the world during the last few months. Elkyn and Millie Manders and the Shut Up are the only ones to have featured here at WJAHOM before, but I am confident that all eight will be back again sometime. We have artists from all over the UK; Norwich, London, North East England, Leeds, York, Sheffield and Manchester

“Panic” – Millie Manders and the Shut Up

Paul – This is great, they don’t sound like anyone else. Danceable and very current given the powerful message. This song is the perfect package topped off with Millie’s excellent voice. A very, very impressive song and performance.

Bill – A planet saving anthem that is also in possession of a brilliant earworm of a chorus. A wonderful underlay of perfectly played guitar and the use of voice clips is interesting and adds to the gravity of the message. A heavy sound full of passion, especially Millie’s vocals. This is a song that proves Millie Manders and the Shut Up are much broader than ska punk. Like Paul I bloody love Millie’s voice!

“Raison D’etre” – Stolen Dead Music

Bill – Hard, heavy, bluesy and very, very long. Vocals at times reminiscent of Kings Of Leon. Great hooks and riffs and a very 70s rock guitar breakdown at the end.

Paul – Very interesting, a very good song, a touch on Nirvana at times. Why such a long instrumental break? That said this sounds like it will be a great song played live.

“Little Cheryl” – Not Now Norman

Paul – A real old fashioned sound with an incredibly strong chorus. Good double tracking of guitars and some excellent snappy riffs.

Bill – Reminiscent of the Go-Go’s at their peak. A good pop hook and melody, a kind of subdued power pop. Taylor Mitchell has a great voice and at times the guitar underlays the tune in a Johnny Marr kind of way. I want to hear more from this lot. A great band name in my opinion, too.

“We Eat The Buffalo” – Radio Aftermath

Bill – Immense riffs coupled with a great rock vocal. Are there two drummers on this, or has John Bonham been resurrected? This is very punky metal which I think will be ace in a live environment.

Paul – This reminds me of the Misfits or the Damned or maybe early Metallica. Great vocals are definitely in the same vein as early recordings by Dave Vanian and James Hetfield. This is a great song

“Drag Me To The Light” – Miles and the Chain Gang

Paul – Some Joe Strummer style on the vocals. The horns and Dexy’s style brass were a great addition to the track. I felt that the guitar sound reminded me of A Certain Ration or Talking Heads. One of my favorites from this batch.

Bill – Nicely British with a touch of ska, while the harmonies add an almost US West Coast vibe. Funky, choppy Billy Whizz guitar and fantastic production.

“Everybody Used To Love You” – Silverjet

Bill – Tumultuous opening riffage with a classic 70s rock vocal style. I love the guitar solo and the drumming. It feels a bit post punk but heavier and will probably be awesome live.

Paul – A great opening riff with some Kiss style in there. Maybe they should have used that same riff for the chorus. Hats off to them they sound like a great band and I get the feeling that they know how to strut their stuff like Motley Crue or Hanoi Rocks.

“Message From God” – M30

Paul – Great tune, the drums come in perfectly. There were a few moments where the backing vocals made me think of the Arctic Monkeys. I like this one!

Bill – Organ intro was like some kind of religious horror film theme. Very different and understated instrumentation. A very British vocal, none of that affected American style here! I also love the backing vocals on the chorus. One of my favourites of this round up.

“If Only It Was Alright Now” – Elkyn

Bill – A soft chilled acoustic guitar track at the start which builds into a spectacular peak with a sound that emulates bells ringing. Great harmonies too

Paul – Ambient, folky and very original. I like the track but I would like to hear it in a much more basic “unplugged” style without the drums.

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Avalanche Party – The Crescent, York – Friday 18th December 2020 December 23, 2020


Thanks to Covid this is only the third gig I have been to since March 14th, well that is if I count the Receivers set outside Vinyl Eddie’s for Record Store Day Drop 1 in August, and frankly I do count that one!. The second was an outdoor socially distanced show at the Centre for Early Music in York, Elkyn and Fawn played that one in September. But this is the first socially distanced indoor gig I have been to and huge praise and respect to Joe, Chris, Harkirit and all the staff who worked that night. It felt safe, drinks delivered direct to your table. Sure the rules on not singing, shouting and dancing were a bit weird, but it meant we were at a real gig at last. Special thanks and respect to the security guy who had to eject two people for blatant disregard of the rules. Even in these times some people are just dickheads!

Anyway on to the show, Avalanche Party are probably my favourite band in the world right now and 2020 should have been huge for them off the back of the release of their stunning debut album, ’24 Carat Diamond Trephine’ last year. But Covid and the ensuing shitstorm of a year has laid all the best plans to waste. I have seen Avalanche Party more than anyone except for Frank Turner and David Bowie so obviously I had high hopes for this show. I knew we wouldn’t get the usual raucous, sweaty, passionate, punky performance that we have come to expect, but I still had high hopes for the night.

They opened their first set with “Bugzy” with Jordan on keys and vocals, Jared on saxophone, playing in a very Bowie style and Harry from the Black Lagoons on acoustic guitar. This was followed by a magnificent electronic noisefest run through ace single “I’m So Wet”. “Johnny Dream” was like an outtake from ‘Lodger’ period Bowie. Some awesome bass runs from Joe on this one. Jared’s sax was also very Bowiesque too. Kane the drummer finally arrived for “Praise”, an older song, but one that remains epic and anthemic. Hot on the heels of praise was “Money” another true Avalanche Party anthem, and it seemed even more soulful and anthemic in this setting. It was turning into a wonderful Avalanche Party oldies fest as they closed the first set with “Let’s Get Together”, which makes me think that they have always had a bit of glam rock in them.

Perhaps the highlight of the second set were two cover versions, the Beatles “Tomorrow Never Knows” and a stunning take on the gospel classic “Wade In The Water” that one gave me goosebumps. “Howl” is a stupendous song and perhaps the bands finest single to date, it was great to hear it in such a stripped back form. Jordan sang a couple of songs solo on stage with only his keyboard to accompany him, one of these was “Rebel Forever” I think. Those two songs really showcased what a fantastically versatile vocalist he is, the bloke oozes soul and passion. “Every Last Drop” featured Harry from the Black Lagoons on violin and Jordan joked that this was Harry’s GCSE violin exam. Next was another great almost doo wop style cover of “It’s A Sin” by Canadian artist Tonetta, check him out he is bloody good. The band out did the Flying Pickets and the Housemartins for their classy acapella skills on this number. They closed with a barnstorming, consider it was a stripped back show, take on yet another classic, “Solid Gold”

This is a band who improve every time you see them. They are still on an upward trend and a long way from reaching their peak. They proved tonight that they can perform in any environment and if this type of show is the future of gigs for the foreseeable future then Avalanche Party have it nailed. A true joy to experience, even my wife, who has never seen them before, and to be fair this is not her usual taste in music, absolutely loved it!

All the photos were taken on my cheap Chinese phone, with the exception of the set list which was taken by Avalanche Party’s Joe Bell!

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Comfort And Joy – A Shiny Happy Christmas Compilation December 17, 2020


Comfort And Joy – A Shiny Happy Christmas Compilation is a beautiful new compilation of Christmas songs for the 21st century put together by those delightful and delectable elves over at Shiny Happy Records. It features 23 classy bands from across the globe and it really is a compilation that makes you feel good and eases you into a nicely chilled Yuletide spirit. Do I have a favourite track on here? Yes, but it has so far been different every time I have listened to it.

“Winter Time” by Denbaron is like something that might have featured on a Chrimbo version of the NME C-81 collection. The Phantom Handshakes sound like a side project from Clare Grogan at the height of Altered Images fame, and I am a huge fan of Clare, so I mean that in a really good way! Can you imagine an early 80s post punk, slightly pop infused band fronted by Jona Lewie? You can? then I think you will love the 100% feel good vibes of “Snowman” by Tampopo. Are there many great songs about games featured in cartoon series? I have no idea, but “Buy Me Bonestorm (Or Go To Hell)” by Teenage Angst is definitely in that category as I believe it is a song about a violent game that once featured in the Simpsons. If you like your Christmas covers shoegazey and very slightly smiley then the bravely named the Lousy Pop Group with their rather different take on “When Santa Got Stuck Up The Chimney” will definitely be your thing. Incidentally they might be a pop group, but they are not lousy in real life I suspect.

“Working On A Christmas Day” perfectly expresses the gloom I would feel if I had to work on a Christmas day. It also makes me want to hear more from the songs architects, Archaster. If any of the old classic kids TV shows featured an “out there” indie band it would probably be the originally, immaculately and wonderfully named Vegetablets. I can imagine “Christmas Dream” resonating over the closing credits for a Christmas edition of Trumpton. The Death Of Pop’s “Christmas In Suburbia” owes a small debt to Jonathan Richman and Damon Albarn, but it it also sounds very different and original too. There are a few covers on this record and perhaps the finest is a gorgeous lofi take on Wham’s Christmas classic “Last Christmas” by Teen Idles. My second favourite track on this fine collection is “December Girl” by the Suncharms which adds a sublime seasonal stamp to their magnificent chilled indie signatures. Regular readers will definitely be familiar with Suncharms! Currently my favourite song here is “Happy Xmas (Plague Is Over)” by the Fisherman And His Soul. Definitely a song for 2020 and frankly if Yuletide 2020 needed a Christmas compilation it needed this one!

Sadly I don’t have the time or space to mention every song and every artist, but here is the track list and the BandCamp list is below;

  1. The Skating Party – Brothers in Our World
  2. Day & Dream – December
  3. The Suncharms – December Girl
  4. Denbaron – Winter Time
  5. Phantom Handshakes – Winter Is Blue
  6. Red Go Cart – Winter Work
  7. Tampopo – Snowman
  8. Caramel Snow – Put Me On Your Wish List
  9. Teen Angst – Buy Me Bonestorm ( Or Go To Hell)
  10. Apple Orchard – One Christmas Catalogue
  11. The Lousy Pop Group – When Santa Got Stuck Up The Chimney
  12. Nixon – Silent Night
  13. Starry Eyed Cadet – Good Night
  14. Archaster – Working On a Christmas Day
  15. Subterfuge – Christmas Meadow
  16. H! – Christmas (Brighter Cover)
  17. Vegetablets – Christmas Dream
  18. 1Cinéma Lumière featuring Megumi Acorda- Under the Mistletoe
  19. The Death of Pop – Christmas In Suburbia
  20. Sushi Backpack – Christmas Lights
  21. Teen Idle – Last Christmas
  22. The Caraway – A Very Merry Christmas
  23. The Fisherman And His Soul – Happy Xmas (Plague is Over)

Click here to check out this ace collection on Bandcamp.

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“Impatience” – The Receivers December 10, 2020


This is the 8th time the mighty Receivers have featured in the virtual pages of With Just A Hint Of Mayhem and this time it is because they have a new single out now. Well technically to those of us who purchased their “Only Human” single on striking magenta vinyl earlier this year it is not so new, as it was the flip side of that fine 7 inch release on Vinyl Eddie Records. But now “Impatience” is available on all major channels and you can still grab a copy of the vinyl single too, just click here to grab one for yourself or as a Chrimbo pressie for your Nan.

I loved “Only Human” but also felt that an even better track lurked on the B-Side and it is great to see “Impatience” begin to get the airplay and recognition that it deserves in it’s own right. It is a psyched up slab of atomically charged garage rock. The magnificent, mesmerising and magical guitar riffs and licks from lead guitarist Alex give the song a dark edge which is supported by a megaphonic Stygian, almost shouted vocal from Nick. Meanwhile the finely tuned rhythm section of Louis and Harry drive the track like a freshly serviced Rolls Royce. I think that his is a step away from the Receivers comfort zone and personally I love a band or artist that is prepared to step over the line and out of the box. This is a stunningly catchy shadowy punk-infused, apocalyptic indie anthem bodes so very well for a Receivers album when it arrives!

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