With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

“Ghost Within” – The Fair Attempts January 25, 2026


“Ghost Within” is the new single from Finnish dark electro powerhouse the Fair Attempts. It rides on the crest of a darkwave tsunami on a surfboard constructed from Stygian gothic tones, solid industrial hooks. It is haunted by the living spirits of Trent Reznor, later Depeche Mode and Gary Numan. The opening few bars drive into your very being with an insistence that it is impossible to resist. I am still singing the chorus in my head even hours after listening. I am reliably informed that the song examines your internal monsters: negative self-talk, doubts, pride before collapse, and the subtle ways the human mind feeds on its own fear. The song portrays self-awareness as a mirror maze, where reflection offers no clear exit. The Fair Attempts frontman Timo Haakana says this of the track “This is a theme I’ve touched on in other songs because it’s something I struggle with. Ghosts may be coming to get you, but there’s one already inside you“. This hard hitting and heavy rocking tune fits the band’s dystopian aesthetic perfectly.

The Fair Attempts was founded by Finnish artist and producer Timo Haakana and his wife Starwing. Apparently every song from the Fair attempts is rooted in the fictional universe created in Starwing’s novel ‘Dreaming Your Dream’. This song is cinematic in scope and ambition. It is the perfect soundtrack toe keep us safe and entertained as the world in its current state drifts towards an inevitable apocalypse. Let’s hope that we don’t experience that apocalypse, but if we do listening to the Fair Attempts and “Ghost Within” will certainly help to sweeten the pain. You need to experience the “Ghost Within” to help you banish and exorcise your own ghosts within!

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‘i miss when monsters were only shadows’ EP – tiLLie January 15, 2026

Filed under: Review — justwilliam1959 @ 9:31 pm
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tiLLie’s new five track EP is out now and it contains some of her best music to date. It opens with “off the hook” a lo-fi instrumentally sparse track with a brutally honest lyric which, for me, describes someone on the edge of a mental breakdown. Next up is “steve” which I believe is a perfect musical painting of the music industry patriarchy. The titular Steve is the everyman male musician who has it easy, certainly a damned sight easier than equally or more talented women in the industry. The riffs rise high and hard and there is a palpable anger in the song. Lyrics like “Wonder what it’s like to live a day in his life. I was born barefoot and he got a hot ride. I just hope I wake up as Steve in my next life” sum up the difficulty of being a talented female in today’s music industry.

The remaining three tracks collect three classy singles originally released last year, kicking off with “wake up and smell the bacon”. The vocal hooks in the chorus scream emo driven punk and stay with you long after the song stops. Is the subject what it’s like to live in this mad world we find ourselves in and that many of us struggle to cope with? I think it is. “earn a living” is currently my favourite song of the five. It showcases tiLLie dealing with the haters and downturns with the confidence of her obvious ability and great friends. The words here are powerful, I particularly love the lines “Maybe I Should Sacrifice The Very Thing That Saved My Life. Nah Fuck That, Something That Good Doesn’t Come With A Price“. The EP closes with “superhero” which is perhaps the poppiest tune on the collection. This is a dark love song which is about a love that is wanted but not yet attainable. This is a classy EP and it is clear that there is a great and bright future in tiLLieworld!

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“Sail (Lady In Waiting) – Sunnan January 13, 2026

Filed under: Review,Single — justwilliam1959 @ 8:45 pm
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According to their story Swedish band Sunnan came about by accidents of fate and a series of unlikely encounters during and post pandemic. Their sound is cinematic in inspiration and ambition. They describe their new single, “Sail (Lady In Waiting)” as “the manifestation of a new genre“. I am not sure that I agree with that statement, at least not yet. Their influences seem to draw on a wide range of great music; US West Coast rock, Dance music, Byrdsian harmonies, ELO style hooks and classic blue eyed soul (think early Hall and Oates and perhaps Robert Palmer). This track is sophisticated soul music at its finest. It evokes old school but is clearly set in the 21st century. This track is from their second album ‘Spaghetti Soul’ due out sometime later this year. Based on “Sail (Lady In Waiting)” I reckon the album will be rather special!

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The Bowie Experience – Grand Opera House, York – Sunday 11th January 2026 January 12, 2026

Filed under: Review — justwilliam1959 @ 9:33 pm
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I think this is perhaps the third or fourth Bowie tribute act I have seen since I first dipped my toe into the Bowie tribute waters back in 2016. This is the first I have seen that comes direct from the west end. Based on my poor experience at the music of Fleetwood Mac Concerts by Candlelight in Ripon a couple of days ago, the west end badge is not necessarily a good thing. However the Bowie Experience were stunning. The seven piece band were supremely talented and pulled off the Bowie sounds wonderfully. The set was obviously full of the big hits but also some lesser played songs like “Station To Station”, “TVC15” and “Blue Jean”. The songs ranged from 1969 to 1986 and given the proximity to the tenth anniversary of Bowie’s passing it was an emotional night.

The costume changes ranged from Ziggy through the Thin White Duke to the Serious Moonlight look and were carried out in perfect time and Laurence Knight who is Bowie in this group even gave a shout out credit to his dresser. The costumes were classy and looked pretty authentic too. Knight pulls off the idiosyncratic Bowie dance moves better than most. It was a show full of huge highlights and energetic singalongs. The obvious crowd pleasers were drawn from Bowie’s superstar phase (“Let’s Dance” and “China Girl”) but the best moments for me were the previously mentioned deep cuts and a soulful “Sorrow”, an ace “Young Americans”, a full on glam stomping “Rebel Rebel” and a towering, emotional romp through “All The Young Dudes” to close a fabulous night. I would certainly come to another Bowie Experience gig and if you’re a Bowie fan the you should too.

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The Music Of Fleetwood Mac By Candlelight – Ripon Cathedral – Friday 9th January 2026 January 11, 2026

Filed under: Review — justwilliam1959 @ 6:08 pm
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This was my first gig of 2026 and after witnessing Bowie by Candlelight at this same magnificent venue last year I was looking forward to it. According to the publicity this is a show “direct from London’s West End” and would feature “a spectacular cast of West End Singers and epic live band” providing “a landslide concert, jam packed with Fleetwood Mac hits as you have never heard them before!” Having been there, at least for the first half of the show I can agree with some of those statements. It was indeed an epic and extremely talented live band. However vocally it was hit and miss. The female vocalist (I think her name may be Georgia Carling) was superb and pulled off some great Stevie Nicks sounds. The male singer with the long hair was pretty good too. But the other two male vocalists were, in my opinion, superfluous and often struggled to hit the vocal highs of the other two singers. This hugely lowered the quality and excitement of what I was hoping was going to be stunning and memorable night. These two gentlemen appeared to have the stage presence of a pair of mannequins. While the band and two of the singers were very good this was overall an incredibly disappointing evening. We left the show after the interval and there were a few other people who did the same. Maybe this show should have stayed in the west end of London!

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The Apocalypse Disco – Fulford Arms, York – Friday 5th December 2025

Filed under: Review — justwilliam1959 @ 5:10 pm
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This was not the first time I had the opportunity to witness the musical phenomenon that is the Apocalypse Disco so I knew what to expect. Where they as great as usual? Read on dear reader to find out. First I need to tell you about the rather spiffing support bands.

First up it was Still Moving, an incredibly talented band. The drummer strived for absolute perfection and probably came within a hairs breadth of it. The lead singer’s voice reminded me of a young Grace Slick at times. Their original songs, particularly “Through It All” were very promising. The band’s choice of covers were very Marmite for me. Their take on “Can’t Take My Eyes Off You” was fabulous, mesmerising and lava hot. Meanwhile their Oasis cover, while technically great, was bland. Why do so many bands feel the need to cover Oasis? Anyway aside from that Still Moving are undoubtedly an excellent band. Their closing song nailed their burgeoning reputation. It was a tumultuous finish with a strong Jefferson Airplane vibe flowing through it.

Next up in the penultimate slot it was Forever Texas, a band who supposedly don’t play very often. That is not apparent in the powerful punchy set. This was metal tinged punk full of power, passion and a healthy pinch of anger at the world. Musically it was as if John Cooper Clarke wrote the lyrics and Lemmy wrote the choruses. This was a tsunami of mighty riffs which laid siege to your ears in a very good way. The drummer was a talented and tasty performer and held the band together well. I loved their song about flag shaggers. (In case you wondered it was certainly not in favour of flag shaggers!) I am most definitely a Forever Texas fan!

Finally it was time for the Apocalypse Disco to hit the stage. They delivered a tight, high‑energy show that feels more like a late‑night rave ritual, although there was a distinct lack of glow sticks. The musically superpowered duo of Robin and Ian gave a relentless and cohesive set, turning the room into a sweaty, locked‑in dancefloor full of acolytes of the band and their ethos. They are more than the sum of their parts, layering thick synths, driving beats and distorted textures into a dense, physical sound. Robin’s vocals ooze passion and urgency and he performs with a Jagger swagger. This towering performance played into a darkly gorgeous, neon‑lit, end‑of‑the‑world aesthetic. While their name an many of their songs communicate current and impending dystopia there is also strong theme of hope and euphoria. This is protest music you can dance to, and it implores the audience to lose themselves while still feeling that something meaningful is at stake and life is always worth living. The Fulford Arms played host to a show that was intense, sweaty and immersive. If you like your loud, cathartic and unafraid of the dark then seeing the Apocalypse Disco live is definitely for you!.

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“Christmas Is The Deadline” – Party Nails December 14, 2025

Filed under: Christmas,Review,Single — justwilliam1959 @ 10:09 pm
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We are big fans of Party Nails here at Mayhem Towers, she has featured on these pages a few time in 2025. So when we saw that she had released a Christmas song we, of course, had to give it a spin. It is called “Christmas Is The Deadline” and it is the kind of song that will not only be played this Christmas, but many future Christmases too. It is quite a jolly kind of lo-fi electronica song and the hooks are excellent. I think it tells the tale of how, for many people, Christmas is a huge deadline; getting food in, sending invites to family, buying presents, wrapping presents and so much more. If you get to Christmas day and you find that maybe you have forgotten one vital ingredient for Christmas dinner, just play this song, it will make you feel better, I promise you! Will Party Nails feature on these pages again before 2026? Keep reading, I know she will feature on at least one more post this year! Will it be as a part of Mayhem’s top 50 albums of the year? Maybe! 😉

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“Peace” – Pick The Flowers December 12, 2025

Filed under: Review,Single — justwilliam1959 @ 5:08 pm
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Hot on the heels of winning the Fulford Arms Battle of the Bands a few weeks ago Pick The Flowers have released a new single, “Peace”. It is haunting and ethereal with a dark vocal from Chloe that seeps deep into your soul. The track feels cinematic in scope and ambition. The production has a cut glass clarity and with added orchestration this is the kind of song that would make a classy James Bond theme. I thought Chloe might have peaked with her last single, “Wednesday”, but with “Peace” she proves that she is willing and able to go even higher! Get Pick The Flowers on your playlists now, you will not be disappointed. Also keep a look out for an interview with Pick The Flowers on these very pages very soon.

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“It’s All Right (It’s Christmas)” – Grape


Grape have released a rather fab Christmas song. It starts out with a lovely, unassuming jolly vibe and then the magnificent hook and full band come crashing in perfectly after 70 seconds. But not only is it a good song it is raising money for St Mungo’s, a charity whose purpose is to end homelessness and rebuild lives after homelessness. Grape is a veritable supergroup made up of members of Alt-J, Gang Of Youths and Tellison. You can stream the track for free, but why would you do that when for just £1.50 you can download it and contribute to a great charity. Check out more details on Bandcamp here. Alternatively you can donate direct to St. Mungo’s here. If you can spare even the smallest amount it will help a great cause.

Gus Unger-Hamilton who is a member of Alt-J and also a St Mungo’s ambassador said this about the release “I am extremely proud to be an ambassador for St Mungo’s and, as Londoners, we in GRAPE all feel an acute desire to help people sleeping rough as much as we can. With this song’s lyrical themes of a difficult life in the process of being rebuilt at Christmas, it felt like a no-brainer to release this song in support of the charity.”

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Absolute Bowie – The Crescent, York – Friday 28th November 2025 November 29, 2025


This would be the sixth time that I have seen Absolute Bowie perform since my first experience back in 2017. Regular readers will know that I have never been a huge fan of covers bands, however there are always exceptions and Absolute Bowie are not just the exception they are exceptional. I have seen two other Bowie tributes, David Live, is slightly closer to the Dame vocally and the Bowie Contingent are better than all the competition musically. However John O’Neill’s Absolute Bowie blow everyone away for entertainment value. You get the costumes, the costume changes, the make up, a superb very tight band and the huge talent and charisma of O’Neill himself. Tonight’s set once again began with a Ziggy Fest with the main man making all the right Ziggy moves and rocking through some seventies classics.

The band kicked off with a wonderfully dark take of “The Man Who Sold The World” and delivered some classic audience sing along moments with “Starman”, “All The Young Dudes”, “Changes” and “Rock n Roll Suicide”. The latter was apparently included after many requests from fans online. Did no one request “The Laughing Gnome”? 🙂 The band wigged out and showed just how good a rock band they are as they stormed through an extended instrumental work out on “Moonage Daydream” while O’Neill took time out for a costume change. The band behind O’Neill are Andy Marr on guitar, Telegram Sam on bass, Danny Mattin on keyboards and Alex Face on drums.

For the second set they returned without the 70s wigs and glitter while O’Neill sported a jacket that kind of took us back to the 1974 American tour and he performed “Cracked Actor” and “Fame” back to back with an immense and superb sonic assault. After he dropped that jacket we were transported to the superstar pomp of the Serious Moonlight period. Inevitably “China Girl” and “Let’s Dance” were given an airing, but for me the stand out song of the second set was a hauntingly good “Ashes To Ashes”. The band returned for the now obligatory encore and stepped up another gear and set the scene with a fine take on “Space Oddity” before raising the roof with the double punch of “Heroes” and “Rebel Rebel”. If, like me, you are a Bowie fan with an aversion to Bowie tribute acts just put away you negativity, put on your red shoes and dance the blues to the magnificent Absolute Bowie!

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