With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

Richard Hawley – Museum Gardens York – Saturday 5th July 2025 July 6, 2025


It was great to catch up with friends old and new at another mega gig in the Museum Gardens in York. Headliner for this one was Richard Hawley, a man who was once a member of Longpigs (1993-2000) and a touring member of Pulp (1998–2002, 2011–2012). He released his first solo album ‘Late Night Final’ in 2001. But enough of him for now, because the bill included some fine support acts. First on stage was Hamish Hawk. This is a man who produces classic Scottish pop rock that in my opinion could only be made in Britain. Imagine, if you will, Edwyn Collins travelling back in time to the Middle Ages and coming back as Hamish Hawk. While the wonderfully frantic punk funk of “Caterpillar” closed the show it was “The Mauritian Badminton Doubles Champion, 1973” that was the highlight of the set for me.

Next it was the turn of BC Camplight a Manchester-based American songwriter and multi-instrumentalist (a.k.a. Brian James Christinzio). He released his first album, ‘Hide Run Away’ in 2005 and his latest, ‘A Sober Conversation’ earlier this year. The band were tight and at times sounded like a much rockier early Elton John. The backing vocals occasionally showed great prowess for some doo-wop style vamping. BC Camplight and his band are a fucking awesome unit, how the hell have I never seen them live before? There were way to many high points to mention all of them, but I loved “I Only Drink When I’m Drunk” and “Two Legged Dog”.

Photo from Museum Gardens social media. If you look carefully you can see me and my mate Simon P!

The penultimate band was last year’s Mercury Music prize winners English Teacher. If Indie was a genre (it isn’t) then I am sure some people might suggest English Teacher as a part of the genre definition. But they are so much more than what many see as Indie. The band has some wonderfully deep rock depths overlaid with sometimes intriguing but always gorgeous lyrics. They played a new song, “Tooth Pick” and that has some delightful prog rock overtones. Every song in their set was perfect but “R & B” and “Albert Road” were mountainous. I have been listening to that debut album ‘This Could Be Texas’ again while I have been writing up this review. I can see English Teacher being a force in British music for years.

Photo from Museum Gardens social media

Finally it was time for Richard Willis Hawley to grace the Museum Gardens stage. Including the main man himself there were ten people on stage, the string quartet added some beautiful almost cinematic soundscapes to Hawley’s magnificent songs. While he didn’t play my favourite, “Tonight The Streets Are Ours”, the seventeen song set was so majestic I didn’t really notice it hadn’t been played until I was on my journey home. But he did play the soon to be 20 years old ‘Coles Corner’ album in full and what a delight it was. “The Ocean” actually had me welling up a little. Then when Richard remained on stage to play the traditional lullaby, “Who’s Gonna Shoe Your Pretty Little Feet?”, accompanied just by his acoustic guitar it made me think of my now adult children when they were very young. Hawley’s interaction with his audience was funny, self-deprecating and at times very emotional. He explained the reason that many of the band were wearing was to show support for Dioga Jota, the Liverpool footballer, who died recently. That got a well deserved warm reaction from the crowd. His skit about giving up smoking 40 cigs a day and now saving £15,000 a year as a result was very funny and featured his ace blunt Yorkshire dry humour. It was good to hear “Galley Girl” again, that song was always one of my favourites from his ninth album ‘Further’ (2019). The band closed out on a slightly psych wig out of a rock fest with a towering “Heart Of Oak”. This ranks as one of the best sets I have ever seen. The last time that I saw Richard Hawley was at the V Festival in 2006. I promise not to leave it as long next time!

Big shout out to Futuresounds for pulling together such a great run of shows in the magnificent setting that is the Museum Gardens in York. I am already excited for next year, are you?

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Nile Rodgers and Chic – Museum Gardens York – Friday 4th July 2025 July 5, 2025

Filed under: Review — justwilliam1959 @ 3:19 pm
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After seeing local heroes Shed Seven at the Museum Gardens in York last year I returned to the venue to witness the legend that is Nile Rodgers and Chic. I have seen Chic once before, but that was back in 1979! Was Nile on good form? Read on to find out, I need to tell you about the support acts first! First up it was Durand Bernarr a Cleveland born singer songwriter and producer. He performs like a 21st century descendant of the late great Sylvester. There were shades of George Clinton in the funk fuelled harmonies. The song “Generous” had me thinking of Alexander O’Neal. But throughout his stunning performance I sensed an influence from Marvin Gaye and Bobby Womack. Durand is one of the finest purveyors of modern soul on the planet and has some awesome songs in his canon.

Next it was highly acclaimed soul singer and artist Jalen Ngonda. Perhaps not as entertaining as Durand Bernarr but he has an incredible voice reminiscent of Eddie Kendricks, Philip Bailey (Earth, Wind and Fire), Eddie Holman and Russell Thompkins Jr (Stylistics). Sometimes you could feel the ghost of Prince in his playing and singing too. It was a mostly uplifting set, but it perhaps dipped a little when Jalen took to the keyboard the first time which for me resulted in a stretch of over indulgent jazz vibes. But throughout the playing was impeccable. Later in the set Ngonda performed a deeply soulful take on Bacharach and David’s “The Look Of Love” the song that was a hit for Dusty Springfield in 1967.

Finally it was time for Nile Rodgers and Chic to take the stage. Opening with “Le Freak” it was a night of banger after banger after banger. Every Chic classic was included from “Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)” to “My Forbidden Lover”. There was even a great snippet of their 1982 hit “Soup For One”. Nile shared some great anecdotes about the stellar gang of artists that he has worked with over the years as his set created some Dad dance heaven moments, not just for me. There was also plenty of groups dancing around their handbags too. For those of us at a certain age (some might say old) it was glorious nostalgia. Sister Sledge’s Chic produced discography was represented with “We Are Family”, “Thinking Of You”, “He’s The Greatest Dancer” and “Lost In Music”. The latter received one of the best receptions of the night. The Grammy winning hit that Rodgers had with Beyonce, “Cuff It” went down well. The Daft Punk song “Get Lucky” was one of my favourites along with the lesser known classic “Spacer” originally a hit for French artist Sheila B Devotion in 1980. As expected there were a couple of Madonna songs, two from Diana Ross and a brace of David Bowie tracks from 1983. “Modern Love” was particularly good. He even played the Duran Duran hit “Notorious”, I would have preferred “Skin Trade”, but I guess you can’t win them all, right? Nile closed the showed with a mountainous “Good Times” including some great elements of “Chic Cheer” and “Rappers Delight”. The Sugarhill Gang lifted the main riff of what many consider the first rap hit from Chic’s “Good Times”. This was a magnificent set and my wife Catwoman (a.k.a. Catherine) said that this was the first headline show she had ever seen where she knew absolutely every song.

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Weezer – The Piece Hall, Halifax – Monday 30th June 2025

Filed under: Review — justwilliam1959 @ 11:40 am
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PHOTOCREDIT – THE PIECE HALL HALIFAX (SOCIAL MEDIA)

Those wonderful folks at The Modern Record asked me to review Weezer at the Piece Hall in Halifax last Monday and that was an opportunity I did not intend to miss. It came with two review tickets so I was there with my good buddy Baz. We wrote the review together, check it out on the Modern Record site by clicking here.

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Lost Trends – The Crescent York – Friday 27th June 2025 July 2, 2025


This was another gig pulled together by music promoter extraordinaire, Simon P of Northern Radar and featured some of my favourite bands, notably headliners Lost Trends, but more of them later as I need to talk about the rather stunning support acts. First up it was Saliva Birds. If you are addicted to class A garage rock then this bunch will make you overdose on it. They have some great songs and they are one hell of a tight band. The backdrop visuals were weird, wonky and wonderful and featured monstrous impossible creatures and rather strangely Bjorn Borg! This was the first time I have seen them live and I am quite excited for the release of their new single now.

Next up it was the incomparable Apocalypse Disco. The duo are much louder and more spiritual than the Prodigy. From the opening bars of opener “Welcome To The Disco” the crowd were all ready to sign up to be members of the Apocalypse Disco cult! Keyboard and laptop maestro Ian bashes out more beats than an army could manage while front man Robin works the crowd wonderfully with his energy and madly, manic magnificent performance. There were many stand outs, particularly “Alive”, “Surrender” and “The Bridge”. This was the second time I have seen them live and it won’t be the last. In fact I will be seeing them again on 11th July!

Finally it was time to see the mighty Lost Trends. When I first saw the band back in 2018 they were seen as a dance influenced indie band. Now they have grown into something that is so much more. This was easily the most powerful performance I have seen from them. Recent singles “Antelope” and “Take Down” are masterful rock songs. Lost Trends classic “DJ” still raises the roof and the new hip hop influenced track is ace. Their progress in the eight years since I first came into contact with them is colossal. Imagine how the Who went from a relatively basic 60s R & B band into a humongous rock behemoth. It feels like Lost Trends have the potential to be on a similar trajectory! This was another great night from Northern Radar!

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“Fell In Love With Godx (She Was Really Fit)” – peach|melba June 16, 2025


Last month I reviewed “Worst Trimester” and that was my first experience listening to LA/ Brighton duo peach|melba. In case you didn’t read that piece let me recap a little. They write, record and mix everything themselves. The band have said “We swear on your mother’s life to release a new song every six weeks until world peace has been fully achieved“. So if you want world peace then get some peach|melba in your life. The next scheduled peach|melba releases are; “Dykes” July 21st, “Have A Latte” September 1st and “Sound Of Violence” October 13th.

“Fell In Love With Godx (She Was Really Fit)” is a bass heavy punky song with song great funky drummer vibes. It is hard core lo-fi. It sounds like something the White Stripes might have written for their favourite band and if Jack White listened just once then peach|melba would be his new favourite band. The lyrics are wry, sardonic, sarcastic and wonderful. I guess the words kind of deal with procreation, like “Sleep with your friends for a better selection, Sleep with your friends for a better connection. Sleep with your friends for a better conception, Sleep with your friends for happier children“. The new single comes with a ‘Logic Glitch Remix’ which is as scary as fuck, don’t listen to the remix alone in a darkened room with your headphones on. I did and it scrambled my brain, where the fuck is my strait jacket and why are the walls in this room padded! I loved “Worst Trimester” and “Fell In Love With Godx (She Was Really Fit)” is even better. I am close to drooling for next months release now.

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“Daytime TV” – HerOrangeCoat June 15, 2025

Filed under: Review,Single — justwilliam1959 @ 9:45 pm
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We are huge fans of HerOrangeCoat here at Mayhem Towers, so we are always excited when she releases new material. She has just released a new single, “Daytime TV” and it is darkly gorgeous. A tale of losing your job just before Christmas and getting drawn into shitty daytime TV and the whole range of feelings that align with that kind of feeling of loss. The emotion is powerful and her voice is perfect, like a 21st century folky Karen Carpenter. The harmonies, which I think are multitracked, are exquisite and the finely plucked mandolin brings everything together. What I love about HerOrangeCoat is that she is never afraid to use the silence. You need to listen to this song NOW!

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“Like I Need” – Lloren June 12, 2025

Filed under: Review,Single — justwilliam1959 @ 10:04 pm
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Lloren last appeared on the pages of With Just A Hint Of Mayhem when we reviewed her single “Mad Woman” last September. Back then I sensed an element of the dark side of Lana del Ray in her music. That is still there with new single “Like I Need”. But this time there is a Sophie B Hawkins vibe and Taylor Swift, modern country pop feel. The track is underpinned by a pulsing, bassy synth riff which drives it as the perfect vehicle for Lloren’s impassioned soaring vocals. This is a truly fabulous song and I love it!

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“Stick Up” – SUNBENDR June 11, 2025


SUNBENDR from San Diego are what might be called a super group with Chris Cote (Kut U UP) on bass and vocals, Brandon Parkhurst (Kut U UP and Yovee) on guitar and Frank Dixon (Nancy and Sister Juanita) on drums. The trio are augmented on this track with backing vocals from George Perks (Mogwai and Doves) and Benjamin Ward. Just to add to the stellar cast layers of dynamic cinematic synth are applied by Tom DeLonge. The song was recorded at DeLonge’s home studio in March of this year.

Sonically it rocks and rolls like a song that has been in your head all your life. The drumming is huge and the riffs hit you hard. Vocally I was reminded of Billy Corgan and also Jordan Bell (Avalanche Party). The tune is laden with great hooks and deserves to be a huge hit. The hooray for the B-sides lyric hook is pop rock perfection.

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“Bring Me Back From The Black Beyond” – Erotic Secrets Of Pompeii June 10, 2025


Imagine, if you will, a mad professors laboratory in the Stygian darkness of deepest Transylvania. Then imagine that someone has captured the creative brilliance of Talking Heads, added the essence of My Chemical Romance and sprinkled that with some Mark E Smith. Are you picturing it yet? You are? Well good, but now you no longer have to use the window of your imagination. Out of that laboratory has emerged the stunning new single from Erotic Secrets Of Pompeii, “Bring Me Back From The Black Beyond”. It is their best yet and it gets better with every listen. In their own words the Erotic Secrets of Pompeii are an apocalyptic art rock band from Bristol. Frankly I think they have injected their songs with a tiny dose of the apocalypse in the name of art.

The song is underpinned by a dark disturbing synth riff and Thomas Hawtin’s vocals are on the verge of madness, but seemed to be reigned in for now. Lyrically I believe it describes a journey into some kind of purgatory and a desire to be able to bring someone back from that bad place. There are so many great lines, I particularly love “Life holds no meaning here in the realm of death. As love holds no meaning in the realm of hate”. The video, directed by Saul Knight, is a wonderfully weird fun fest and I love it! I was going to add that this is a band made for the 21st century, but fuck that, this is a band made for the 22nd century! Inject the Erotic Secrets Of Pompeii into your veins right now!

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Robbie Williams – Scottish Gas Murrayfield Stadium, Edinburgh, Scotland – Saturday 31st May 2025 June 9, 2025


Regular readers will know that I have never been a huge Robbie Williams fan and that in fact I have been quite negative towards him over the years. That changed when I went to the cinema to see the Robbie biopic ‘Better Man‘. I saw him in a very different light after that. As soon as we returned from seeing the film my wife Catwoman (a.k.a. Catherine) suggested that we book tickets to see him in Edinburgh, so we did and here we are! So was Robert Peter Williams any good? You will have to read my thoughts on the support acts before you find that out.

First it was the Lottery Winners and this was the first time that they have ever played a stadium. This Manchester band are riding the crest of a wave after two UK number one albums and playing a number of UK festivals. Off the back of that I think they might be the perfect act to open the show on Robbie’s Britpop tour. Frontman Thom was incredibly excited just to be there and that carried through into a sparkling performance from the band. There were many highlights, “You Again” was great but “letter To Myself blew us all away on a wave of emotion. Next up it was Rory Charles Graham a.k.a Rag’n’Bone Man. I have loved his voice from the first time I heard his soulful baritone on his first album ‘Human’ back in 2017. I have seen him a few times since then, but this was the first time for quite a while. His band is incredibly tight and wonderfully funky. “All I Ever Wanted” was good but even that was topped when he ended the set with a two song knockout punch. First it was a supremely powerful “Human” followed by a stomping run through of the huge hit he had with Calvin Harris in 2019, “Giant”. The recorded version is good, but live it takes on a whole new life.

Finally it was time for Robbie to hit the stage. He opened with the first ever live outing for rocking new single “Rocket”. He took the stage bedecked in an astronaut costume and thanks to some excellent wire work soared above the stage while performing. When he came back down to earth and lost the spaceman gear he exploded into “Let Me Entertain You”, what a performance. It is clear that whatever you think of Robbie you cannot deny that he is a towering performer. Then it was time for an eclectic medley which included “Song 2” (Blur), “Seven Nation Army” (White Stripes), “I’m Gonna Be (500 Miles)” (Proclaimers) and “Minnie the Moocher (The Ho De Ho Song)” to name just a few. If anyone in the stadium was for some strange reason not enjoying the show by the time “Rock DJ” was unveiled they would have had to submit then to towering take on a Robbie classic. An emotional highlight for me personally was “I Love My Life”, those words mean so much and I did shed a little tear.

“The Road To Mandalay” was performed while Robbie took a long walk to his C- Stage in the middle of the crowd. He was joined on the C-Stage by Thom from the Lottery Winners for a walk through some songs that might have made the setlist, well technically they all did, right? Anyway that included snippets of a few songs including “Let Love Be Your Energy” and one of my favourites, “Candy”. But the best part of the C-Stage set was the first solo live outing for Robbie doing “Relight My Fire” the Dan Hartman song that became one of Take That’s biggest hits. For the part that Lulu sang on the original Robbie was joined by the winner of the second and final Pop Idol contest in 2003, Michelle McManus. That woman knows how to belt out a song. An epic performance from the girl from Glasgow. Robbie returned to the Main Stage for “Millennium” and “The Theme From New York New York”. By this time I don’t think there was anyone still sitting down. I loved the emotion in “Come Undone” and in “She’s The One”. The latter was dedicated a a delighted and emotional Debbie from Dundee who was picked from the crowd by Robbie to give a personal serenade to. The encore piled on emotion, pathos and soul with “Feel” followed by “Angels”. There were not many dry eyes in the house at this point. Even I enjoyed “Angels”

Robbie made a point about not being cool which was warmly received by the crowd. He implored us to embrace our cringe and to get in touch with our inner twat! I have done both, and probably have done something similar for years. Mr Williams comes across as a supreme showman who knows exactly who he is and it is hard not to love him for that. Confession time, I am most definitely a Robbie fan now. “Angels” is no longer my least favourite song ever. In fact I loved it as the show closer in Scotland. Would I see Robbie again? Certainly I would. It rained a lot through the show but that dampened no one’s enthusiasm. This was a stunning gig, one of the best stadium shows I have ever seen. Finally a big shout out to the organisers for giving us such an easy bus ride back into the city. Thirty minutes after leaving the stadium we were back in our hotel room in the city centre.

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