With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

Play It Again Mayhem – “Couldn’t Get It Right” – Climax Blues Band January 27, 2021

Filed under: Play It Again Mayhem — justwilliam1959 @ 7:25 pm
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This is the seventh song in the Play It Again Mayhem series which began earlier this year. Check out the earlier posts by clicking here (Betty Wright), here (Elton John), here (Roxy Music)  here (The O’Jays), here (John Miles) and here (Steely Dan). This one is yet another from the 70s, 1976 to be precise and it is the Climax Blues Band. They were originally known as the Climax Chicago Blues Band, but despite the name and the funky sound of the song I have selected today they do not hail from the USA, they formed in Stafford UK in 1967. “Couldn’t Get It Right” is a delightfully funky rock tinged track that makes me want to dance. It was the band’s biggest hit by a long way reaching number 3 in the US and hitting the top 10 in the UK, Canada, Ireland and South Africa. Apparently the song is about life on the road in the USA. The line “kept on looking for a sign in the middle of the night” refers to looking for a Holiday Inn sign which is where they laid their hats on that particular tour. Enjoy this classic tune and get yourself moving! Incidentally the band are still recording and touring, although obviously not in this strange Covid world.

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Before They Were Famous – 1. Noddy Holder January 25, 2021

Filed under: Before They Were Famous,Trivia — justwilliam1959 @ 11:36 pm
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This is the first in a series of snippets of what rock and pop stars did before they were famous. If you know what your favourite rock star did before they made the big time feel free to give me a shout. You will definitely get a name check. First up is the voice of Slade, Noddy Holder. Apparently one of Neville’s first jobs was as a milkman. Among the customers on his route was Ozzy Osbourne’s dad. Although my research suggests that this tale might not be true. Can you enlighten us Mr. Holder? One story about Noddy’s early career which I found in a few places was that he was a roadie for Robert Plant’s band, the Tennessee Teens, in the 60s. He also used his father’s window-cleaning van to drive Percy Plant and the band to gigs.

The photos and videos were all found online. If they are yours and you would like a credit or for me to take them down please let me know.

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The WJAHOM Interview Podcast – Millie Manders!

Filed under: Interview,Podcast — justwilliam1959 @ 6:00 pm
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Last week I had the honour, privilege and pleasure of interviewing the wonderfully talented Millie Manders of Millie Manders and the ShutUp . What did I learn from interviewing Millie? Well it is clear that she is a smart, affable raconteur and frankly a first class human being! Click here to take a listen to the interview on Spotify and afterwards check out some ace Millie Manders and the ShutUp videos. Then click here to avail yourself of some rather spiffing Millie Manders merch!

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“Mercury Twin” – AP Tobler January 20, 2021

Filed under: Review — justwilliam1959 @ 11:11 pm
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For her new single “Mercury Twin” AP Tobler channels her inner Foo Fighters for some mountain shredding riffs. Once again she plays all the instruments herself and the drums in particular are exquisite. Lyrically I sense that this song is about facing the black dog of depression. I am not sure quite how she does it, but AP gets better with every release and long may it continue. The guitar solo is impeccable and would fit nicely into so many classic 70s rock tunes. If you’re not yet familiar with the immensely talented AP Tobler you need to change that right now. Check out the video for “Mercury Twin” below and click here for our recent interview with AP. You can also find this new single and her previous releases on Spotify, so click here to stream the hell out of them!

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Mike Garson’s “A Bowie Celebration… Just For One Day” – Saturday January 9th 2021 January 19, 2021


I have watched a few streamed shows since this awful pandemic kicked in and like many of us I don’t believe that this type of show can ever replace real gigs. But for now this is all we have so let’s use it. As a huge Bowie fan for nearly 50 years I was obviously looking forward to this show. It was curated by the Dame’s long term piano man Mike Garson and included a wonderful range of Bowie alumni and a stack of special guests performing songs (around 40) from across the Starman’s career. It was an “as live” stream but incredibly well put together. The behind the scenes crew deserve a huge round of applause, they clearly did an amazing job, which in turn helped to provide us punters with three hours of classy Bowie themed entertainment.

First up was Duran Duran with their version of the ‘Ziggy Stardust’ album opener “Five Years”, I have never been a huge fan of Simon Le Bon’s voice, but this was a staggeringly good version of an iconic song. Duran Duran really pulled this off with aplomb. Lzzy Hale off of Halestorm was aided and abetted by Tony award winning actress and singer Lena Hall for a wonderfully theatrical cover of “Moonage Daydream”, very much a star performance from Lzzy and Lena. I have been a Smashing Pumpkins fan for many years, so I was looking forward to Billy Corgan’s piano led take on “Space Oddity”. But I felt it wasn’t a great performance, I am really not sure that Billy’s voice suited the song in this setting. Sorry Mr Corgan! Perry Farrell took on “The Man Who Sold The World” partnered by his wife Etty Lau Farrell and it was a perfect spine tingling take on one of Bowie’s finest tunes. Next there was a bluesy run through a somewhat deep cut, “Bring Me The Disco King” by Anna Calvi. This was originally a track released as a part of 2003’s ‘Reality’ album. Regular readers will know that I am not a fan of Take That’s Gary Barlow, so I cringed a little when I saw his name on the list. But to be very honest the boy did good. Barlow didn’t choose an easy option and went with 1975’s “Fame”. A real Five Star performance from Mr Barlow.

Living Colour’s Corey Glover was spot on with his gorgeous run through of “Young Americans”. This was followed by one of my favourite songs from that period, “Can You Hear Me” performed by the obscenely talented Gail Ann Dorsey who played in Bowie’s band for many years. “Sweet Thing/ Candidate/ Sweet Thing (Reprise)” is a tough song to cover but Bernard Fowler, highly regarded backing vocalist who has supplied backing vox to the Stones among many others didn’t just cover the song, he owned it and frankly, blew me away. Possibly my favourite performance of the whole event. Charlie Sexton, a man who has played with an incredible number of music luminaries appeared next with a funky work out of the 1983 classic “Let’s Dance” the first of four songs by him on the night. Judith Hill, a woman who has worked with Michael Jackson, Prince and John Legend to name just a few was next with a haunting rendition of “Lady Stardust” backed by some beautiful piano from Mike Garson. “Changes” as reimagined by Macy Gray was epic, where have you been Macy, the world needs you. Kevin Armstrong who worked with Bowie in the 80s played a rather excellent version of the Mick Ronson arrangement of Richard Rodgers’ “Slaughter On Tenth Avenue” which was dedicated by Mike Garson, to the memory of Ronson, Bowie and all Bowie alumni that have passed away.

Jazz Singer Catherine Russell sang an arrangement of “Conversation Piece” from the ‘Space Oddity’ album that was completely unrecognisable from the original and for me that made it a perfect cover version, I loved it! Next up was the return of Charlie Sexton with a Stones style take on Bowie’s Stones pastiche “Rebel Rebel”. This is one of my favourite songs from Bowie and Sexton did a great job with it. Def Leppard’s Joe Elliot was on board for two songs and I was a little surprised at his first one, “Win” from 1975’s ‘Young Americans’ album. Surprised but definitely not disappointed, Joe’s voice was immaculate and accompanied by the kind of piano heaven we have come to expect from Mike Garson. For the second song in his brace of Bowie Joe Elliott rocked hard through a powerful performance of “Ziggy Stardust”. Taylor Momsen frontwoman of the Pretty Reckless had a film to accompany her rendition of one of my favourite Bowie songs, especially lyrically, “Quicksand”. She really did the Dame proud it was quite moving at times and I love the subtle touches of her film, and to finish having written Bowie’s name in the sand was special indeed. Charlie Sexton returned for two more songs “DJ” and “Blue Jean”. Both of them fine performances and in fact the latter has moved me to reappraise my view of Bowie’s 80s output which is in my opinion mostly his low point artistically. But on this evidence, perhaps “Blue Jean” isn’t so bad after all. I saw Michael C Hall in the lead role of Thomas Jerome Newton in the Bowie musical ‘Lazarus’ in London in 2016, he was rather wonderful in that and his incredibly moving version of “Where Are We Now” here was wonderful too.

Foo Fighter’s drummer Taylor Hawkins, ably supported by Dave Navarro played a lively and rambunctious “Rock ‘N’ Roll Suicide”. This segued into Corey Taylor doing “Hang On To Yourself” aided and abetted by Dave Navarro, Taylor Hawkins and Chris Chaney. But that segue included a nice little romp through “Little Fat Man” from Bowie’s appearance in Ricky Gervais’ ‘Extras’. Actor Gary Oldman was next accompanied by Mike Garson’s eloquent ivories for “I Can’t Read”. I liked that a lot! Jesse Malin’s “Jean Genie” really was top drawer, he aced it. The return of Gail Ann Dorsey brought with it a touchingly sublime take on “Srangers When We Meet”. The show then rocked out wildly with Peter Frampton on “Suffragette City” duties. This was followed by a brace of songs by a great friend and sometime collaborator of Bowie, Trent Reznor supported by Atticus Roos for “Fantastic Voyage” and “Fashion”. “Fantastic Voyage” which was never played often by Bowie was pretty darned good. Ian Astbury tackle “Lazarus”, he did well and put a lot of emotion into it, but I would also liked to have seen Ian tackle something more rock based, even a Tin Machine track maybe. YUNGBLUD poured his very essence into “Life On Mars” and it payed off in dividends, legendary keyboard player Rick Wakeman supported Mr BLUD. Long time Bowie fan Boy George was on top form for his medley of “Lady Grinning Soul”, “Time” and “Aladdin Sane (1913-1938-197?)”. Mr O’Dowd, great respect from me, you nailed it. I was particularly looking forward to Ian Hunter’s performance and I wasn’t disappointed. He kicked off with his Bowie tribute “Dandy” and finished, obviously, with my favourite Bowie song ever, “All The Young Dudes”. I have never been much of a fan of Adam Lambert but there is no denying that he really did “Starman” well, perhaps enough to make me an Adam Lambert fan, time will tell. Judith Hill returned to support Andra Day as they cranked up “Under Pressure” into something even more anthemic than Bowie and Queen managed originally. Bernard Fowler closed proceedings with a highly charged “Heroes” which included some rather excellent drumming from Nandi Bushell.

The credits rolled with a rather decent “Ashes To Ashes” instrumental. Let us not forget the great band members and Bowie alumni that performed throughout the event too, Mike Garson especially, thank you for putting this together Mr Garson. Other band members throughout the evening, that I haven’t already mentioned, were, I think, Guitar: Earl Slick, Gerry Leonard and Carlos Alomar Bass: Carmine Rojas, Mark Plati, Tony Visconti, Tony Levin, Emir Kasan, Erdal Kizcilcay Keyboards: Richard Cottle, Henry Hey; Drums: Alan Childs, Zach Alford, Sterling Campbell, Matt Chamberlain, Omar Hakim, Mark Guiliana, John Lousteau, Gregg Errico, Andy Newark; Backing vocals: Gaby Moreno, Everett Bradley, Robin Clark, Emm Gryner, Ava Cherry, Simon Westbrook; Percussion: Pablo Rosario; Sax: David Sanborn, Clare Hirst, Stan Harrison. I am sure I have missed some names, but thank you to one and all this was a very special event and Mr Bowie would have loved it!

All the photos and videos were found online. If they are yours and you would like a credit or want them taken down please let me know

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My 2020 On Spotify And Some Deeper Listening Stats! January 17, 2021


I thought I would share some of my Spotify listening habits. Apparently I listened to Spotify for more than 12 days last year, I wish I knew how much time I listened to vinyl, CDs, MP3s, radio and other on line sources too. I discovered 577 new artists, wow! My most listened to song was David Bowie’s version of “Wild Is The Wind” and unsurprisingly Bowie was my most listened to artist once again (996 minutes, nearly 6% of my total Spotify listening time) I was also in the top 0.5% of Bowie listeners. The other artists in my top 5 were Biffy Clyro, the Streets, Ella Fitzgerald and Woke Up Dead. I listened to 1,286 artists. My top decade was the 1970s, again no surprise there. Top genres were Rock, Soul and Dance Rock. Rather fascinatingly my music is more obscure than 80% of UK users, what on earth does that mean? I also found a few rather amusing, to me anyway, graphs and charts to accompany this post!

Since starting on this post I have also discovered a few sites on which you can regularly update your Spotify statistics split between artists and tracks and then last 4 weeks/ current, Last six months and all time within that. My favourites among these sites so far are Favourite Music Guru, Obscurify Music and Stats For Spotify. Have you used any of these or can you recommend others?

In case you’re interested in my warped eclectic taste these are my top artists on Spotify (Current, Medium Term and all time) The top songs follow those lists. Incidentally the Kunts and Jarvis Cocker feaure strongly on the tracks lists simply because I did my bit to get them to be the Christmas number one in the UK these last two years!

Top Artists — Short Term (4 weeks)

  1. The Beatles
  2. Yusuf / Cat Stevens
  3. Eagles
  4. London Symphony Orchestra
  5. Evie Sands
  6. Rumer
  7. Jackson Browne
  8. David Bowie
  9. Bobbie Gentry
  10. Harry Styles

Top Artists — Medium Term (6 months)

  1. David Bowie
  2. Biffy Clyro
  3. Gregory Porter
  4. The Avalanches
  5. John Lennon
  6. Eminem
  7. Stevie Wonder
  8. Stephen EvEns
  9. Ella Fitzgerald
  10. The Beatles

Top Artists — Long Term (years)

  1. David Bowie
  2. Bob Marley & The Wailers
  3. Biffy Clyro
  4. Frank Turner
  5. Bruce Springsteen
  6. Four Tops
  7. Eminem
  8. Johnny Nash
  9. Elton John
  10. The Streets

Top Tracks — Short Term (4 weeks)

  1. Boris Johnson is a Fucking Cunt – Single Edit — The Kunts
  2. Billy the Kid, Ballet Suite: I. The Open Prairie — Aaron Copland, London Symphony Orchestra
  3. True Faith ’94 — New Order
  4. Jamaica Say You Will — Jackson Browne
  5. Everybody Used to Love You — Silverjet
  6. Raison D’Être — Stolen Dead Music
  7. Wear A Mask — Sing Sing Rabbit
  8. Three Points on a Compass — Martin Rossiter
  9. Drag Me to the Light — Miles and the Chain Gang
  10. Alfred – Intro — Eminem

Top Tracks — Medium Term (6 months)

  1. Boris Johnson is a Fucking Cunt – Single Edit — The Kunts
  2. Taking It Slow — Heartsink
  3. Concorde — Gregory Porter
  4. Freakin’ At the Freaker’s Ball — Dr. Hook
  5. Pepper — Butthole Surfers
  6. Career Criminal — Stephen EvEns
  7. Close — The Islas
  8. Belladonna — Spunsugar
  9. Make Us Eat — The Shining Tongues
  10. Smiling — Alanis Morissette

Top Tracks — Long Term (years)

  1. Boris Johnson is a Fucking Cunt – Single Edit — The Kunts
  2. Running the World — Jarvis Cocker
  3. Star Treatment — Arctic Monkeys
  4. (red, white, and blue) Cheerfulness — Perry Farrell
  5. Balance, Not Symmetry — Biffy Clyro
  6. Future Legend – 2016 Remaster — David Bowie
  7. Deep Sea Dreaming — Ocean Flaws
  8. Loser of the Year — Woke Up Dead
  9. Three Points on a Compass — Martin Rossiter
  10. Wild Is the Wind – 2016 Remaster — David Bowie

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AP Tobler – Interview

Filed under: Interview — justwilliam1959 @ 12:58 pm
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Towards the end of last year, I had the honour and pleasure of interviewing a great musical talent from California, AP Tobler. Regular readers will have spotted her on With Just A Hint Of Mayhem before. She gets better with every release and I believe she has a great future in music. If my tech skills had been a little more tech you would have been reading this some weeks ago. But a failure to record properly and then a corrupted audio file for what I did record put a hefty spanner in the works, but I got it sorted and you can now read that interview below.

AP states that her biggest influence is without any doubt or hesitation Dave Grohl! She loves the Foo Fighters and Nirvana. Multi-instrumentalist AP started off playing drums and I can spot the influence at times. She plays a few instruments (drums obviously, guitar, a little piano, some ukulele, bass guitar) and next on her list to master is the banjo. She has also dabbled successfully with Harp. She has always wanted to play saxophone although she doesn’t believe she would be very good at it, but I think time will tell. On top of all that, just like Mr Grohl, AP seems like a really decent human being. Some years ago, AP attended a Jazz Camp at which one of the featured artists was Donny McCaslin the saxophonist who featured on David Bowie’s final album ‘Blackstar’. AP got to play with him, she took the congas and played off against him in a true jazz style. She believes that if she wasn’t trying to make a name for herself as a musician, she would probably be involved somehow in music production. I reckon music must be in her blood. Given how confident AP sounds when I listen to her music, she told me that one thing she is most proud of in her music career to date is having the courage to start singing. I am sure that I am not the only one who feels glad that she did pluck up the courage! While all her releases so far have been singles, she hopes to put an EP together sometime, I am looking forward to that already. Especially if there is going to be a physical release. Her local music scene, certainly before Covid was quite vibrant with a lot of singer songwriters, a lot of alt.acoustic troubadours with a pop sensibility. She would like to see a bigger metal scene develop but says that the musicians and fans are a great community.

An Arnold Palmer, which is iced tea with lemonade is AP’s drink of choice and her favourite confectionery item is a Mounds bar, which is a chocolate covered coconut bar, which sounds like what we call a Bounty Bar in the UK. She is not a big fan of Reese’s Peanut Butter Cups. If there was ever an AP Tobler chat show and AP could choose any guests at all, alive or dead, her first show would have Dave Grohl, John Bonham, Prince, and her Mom. Sounds like a great choice to me, I would certainly watch it. The three top things that AP could not live without are music, Mexican food, and forests. Music would definitely be in my list. I asked her to describe herself in three words and she chose hilarious, stubborn and creative. When I asked her one of my throwaway questions, who is the richest Tony Stark (a.k.a. Ironman) or Bruce Wayne (a.k.a. Batman) her first response was that it was difficult. She eventually plumped for Tony Stark as she like him better and hoped that he was richer than Batman.

AP has written some great songs, “Post Mortem” was her last single of 2020 and her new track “Mercury Twin” has just hit the streets. We spoke about what drives her to write songs and she said sometimes it her anxiety and depression. That is a classic case of turning the lows into highs and the bad into good, right? What does AP think are the best and worst things about the music industry today? The best is how easy it is to find music, especially new music. The worst thing is that the industry is still very dominated by white men. Sadly, I think the latter will take years to change. When I interviewed her AP had Soa Dreams, Weezer and Thundercat on heavy rotation. In fact, thanks to her I discovered and started listening to Soa Dreams. Like many of us during this dreadful time AP is really looking forward to the return of live music in a post COVID-19 world. That includes both playing shows and going to shows. How about ending on AP’s favourite joke? OK then let’s do it. There is a Spanish speaking Magician, and he is on to his final trick, he says “uno dos” and then POOF! He disappeared without a tres! Say it loud, you’ll love it.

COMING SOON! Watch out for a review of AP’s new single “Mercury Twin” on WJAHOM!

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With Just A Hint Of Mayhem – Singles Round-Up 2021 Part 1 January 16, 2021


Welcome to our first singles round up of 2021, this time I am once again joined by a guest co-reviewer. This time it is the turn of one of the newer members of the With Just A Hint Of Mayhem Team, Paul Bamlett. Paul is a self confessed music nut, so he fits in well over here at Mayhem Towers. We kick off this years singles round up series with eight cracking tunes from eight supremely talented artists and bands which found their way into the world during the last few months. Elkyn and Millie Manders and the Shut Up are the only ones to have featured here at WJAHOM before, but I am confident that all eight will be back again sometime. We have artists from all over the UK; Norwich, London, North East England, Leeds, York, Sheffield and Manchester

“Panic” – Millie Manders and the Shut Up

Paul – This is great, they don’t sound like anyone else. Danceable and very current given the powerful message. This song is the perfect package topped off with Millie’s excellent voice. A very, very impressive song and performance.

Bill – A planet saving anthem that is also in possession of a brilliant earworm of a chorus. A wonderful underlay of perfectly played guitar and the use of voice clips is interesting and adds to the gravity of the message. A heavy sound full of passion, especially Millie’s vocals. This is a song that proves Millie Manders and the Shut Up are much broader than ska punk. Like Paul I bloody love Millie’s voice!

“Raison D’etre” – Stolen Dead Music

Bill – Hard, heavy, bluesy and very, very long. Vocals at times reminiscent of Kings Of Leon. Great hooks and riffs and a very 70s rock guitar breakdown at the end.

Paul – Very interesting, a very good song, a touch on Nirvana at times. Why such a long instrumental break? That said this sounds like it will be a great song played live.

“Little Cheryl” – Not Now Norman

Paul – A real old fashioned sound with an incredibly strong chorus. Good double tracking of guitars and some excellent snappy riffs.

Bill – Reminiscent of the Go-Go’s at their peak. A good pop hook and melody, a kind of subdued power pop. Taylor Mitchell has a great voice and at times the guitar underlays the tune in a Johnny Marr kind of way. I want to hear more from this lot. A great band name in my opinion, too.

“We Eat The Buffalo” – Radio Aftermath

Bill – Immense riffs coupled with a great rock vocal. Are there two drummers on this, or has John Bonham been resurrected? This is very punky metal which I think will be ace in a live environment.

Paul – This reminds me of the Misfits or the Damned or maybe early Metallica. Great vocals are definitely in the same vein as early recordings by Dave Vanian and James Hetfield. This is a great song

“Drag Me To The Light” – Miles and the Chain Gang

Paul – Some Joe Strummer style on the vocals. The horns and Dexy’s style brass were a great addition to the track. I felt that the guitar sound reminded me of A Certain Ration or Talking Heads. One of my favorites from this batch.

Bill – Nicely British with a touch of ska, while the harmonies add an almost US West Coast vibe. Funky, choppy Billy Whizz guitar and fantastic production.

“Everybody Used To Love You” – Silverjet

Bill – Tumultuous opening riffage with a classic 70s rock vocal style. I love the guitar solo and the drumming. It feels a bit post punk but heavier and will probably be awesome live.

Paul – A great opening riff with some Kiss style in there. Maybe they should have used that same riff for the chorus. Hats off to them they sound like a great band and I get the feeling that they know how to strut their stuff like Motley Crue or Hanoi Rocks.

“Message From God” – M30

Paul – Great tune, the drums come in perfectly. There were a few moments where the backing vocals made me think of the Arctic Monkeys. I like this one!

Bill – Organ intro was like some kind of religious horror film theme. Very different and understated instrumentation. A very British vocal, none of that affected American style here! I also love the backing vocals on the chorus. One of my favourites of this round up.

“If Only It Was Alright Now” – Elkyn

Bill – A soft chilled acoustic guitar track at the start which builds into a spectacular peak with a sound that emulates bells ringing. Great harmonies too

Paul – Ambient, folky and very original. I like the track but I would like to hear it in a much more basic “unplugged” style without the drums.

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The WJAHOM Interview Podcast – Delilah Bon! January 14, 2021

Filed under: Interview,Podcast — justwilliam1959 @ 11:14 pm
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Towards the end of last year I had a great blast interviewing the fabulously talented Delilah Bon the (not so) secret identity of Lauren Tate. Music fans will also know her as singer with Hands Off Gretel. Delilah will have a first album out in 2021. What I learned from interviewing Delilah/ Lauren is that she is not only a talented artist but also a passionate, funny and caring human being. Click here to take a listen to the interview on Spotify (apologies for a few seconds of silence at the start) and afterwards check out some of Delilah Bon’s ace singles in the videos below. Including a fabulous rap based version of John Lennon’s “Imagine”. Then click here to avail yourself of some rather spiffing Delilah Bon merch!

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With Just A Hint Of Mayhem 2020 Round Up January 4, 2021

Filed under: News,Observation,Trivia — justwilliam1959 @ 11:23 pm
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Personally I find lists of top ten albums, singles etc. for a given year quite subjective so I have decided not to do that for 2020. But I thought that you might be interested in what has been happening on the With Just A Hint Of Mayhem blog page in 2020. The site had more than 30,000 views for the year for the first time since 2016. December hits were 6,449 which is the highest monthly total since May 2015. There were views from 148 different countries. More than 300 people follow us directly from WordPress, the Facebook Page now has 818 followers and we are close to 1,400 followers on Twitter. A total of 2,523. Thank you to each and every one of you. Stick with us in 2021 and beyond, share all our links (you will find them below) and tell all your friends to come and say hi!

We made a total of 164 posts, and wrote 66,693 words that is more than 400 words per post. The most popular post published in 2020 was written by one of our newer contributors Tom Ray and related to Jeffrey Lewis, click here to read it. The most popular post from previous years was viewed a lot this year and it was “We Make Out In Your Mustang To Radiohead” from 2011, click here to read that one.

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