With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

York Life Festival 2022 – Saturday 2nd April/ Sunday 3rd April – York City Centre April 11, 2022


On Saturday 2nd April and Sunday 3rd April, the first (and hopefully not the last) York Life Festival took place on Parliament Street in the centre of York. It was free for all residents and visitors and was organised by Make It York. Activities took place for up to ten hours each day and included music, poetry, theatre workshops, instrumental workshops, face painting, comedy, and dance. Sadly I only made it for the last part of the second day but I couldn’t let it go unnoticed by With Just A Hint Of Mayhem. I arrived just after the magnificent Hyde Family Jam finished their set on Sunday. The turnout was pretty big, despite the somewhat chilly temperature. It was nice to see all of York’s fabulous range of music venues getting some good promo with posters and handouts throughout the weekend; The Fulford Arms, the Crescent Community Venue, the Vaults, the National Centre for Early Music (NCEM), York Barbican and Forty Five Vinyl Cafe. The crowd contained a veritable who’s who of anyone who is involved in the York music scene. Firstly three of the key players behind this event were there, obviously, Simon Pattinson (Northern Radar), Chris Sherington (Fulford Arms), and Harkirit Boparai (The Crescent), and I bumped into all of them! As well as meeting many of the band members of the Sunday performers (Trueman and the Indoor League, Bull and the Howl and the Hum) I also ran into Pennine Suite (who had played the previous day), Chloe (Please Remain Calm), Zac (Heartsink and Fulford Arms ace doorman), Andy and Paula (PERCY), Nathan (rock photographer extraordinaire) and many others. The incredibly cold temperature meant that I didn’t take my usual copious notes, however here are my recollections of the three bands that I did see.

First for me were Trueman and the Indoor League. Fronted by the titular Sam Trueman this band gets better every time that I see them. They really put on a show in almost a revue-style akin to the E Street Band. Regular readers will know that I have referred to them as like a pound shop E Street Band, but that was meant as a compliment. With more of the blood, sweat, and tears they put into their performances and some lucky breaks I can see them playing arenas one day. Next up was another fine York band, Bull, who released their wonderful debut album ‘Discover Effortless Living’ last year. As well as selections from that first class platter the band treated us to a few new songs, one of which suggested that Bull have hidden talents as an ace party band! The headliners on Sunday were perhaps York’s greatest band, although there is plenty of competition. I am talking about the Howl and the Hum. They played an amazing set at the iconic Minster last year which is available on most streaming platforms and frankly it is a scale above awesome. Their set was out of this world with the whole band firing on all cylinders. The new tunes bode really well for the sophomore album when it materialises. The highlight for me though was perhaps one of the best songs ever written, “Hostages”. This festival definitely needs to be an annual event going forward, where do we sign up to make that happen? We need to know! Bring on York Life 2023!

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Trueman And The Indoor League – Fulford Arms, York – Saturday 26th March 2022. March 30, 2022


This was originally planned, with a slightly different lineup, as Shezza’s Leaving Do. Shezza is of course Chris Sherrington who has decided to move on to different pastures after being at the rather wonderful Fulford Arms for quite a few years. And like many of us, Covid caught up with Chris so he was unable to be there for his leaving do! I am sure we all wish him a speedy recovery. Emerson, Lake and Palmer once said “Welcome back, my friends, to the show that never ends” (“Karn Evil 9” from the 1973 album ‘Brain Salad Surgery). Maybe the show that never ends will be Shezza’s Leaving Do. If it is I am sure it will be an absolute blast! A big shout out to Aron Murray of Vexed Music Photography for all the excellent pictures below.

Rowan – Photo by Aron Murray of Vexed Music Photography
Amy May Ellis – Photo by Aron Murray of Vexed Music Photography

Unfortunately, Luke Saxton had to pull out, so I hope you are better soon sir! First on stage was Rowan. This bloke does folk with a punk attitude. His songs are full of anger, sadness, and also fun, even though some of those tunes are incredibly short. He makes his acoustic guitar talk and the way he attacks it gives it a real percussive element too. “Scrap Heap Man”, now that is a song! Following Rowan was singer-songwriter Amy May Ellis, who I first saw at the York City Screen Basement back in 2016. I said this about her nearly six years ago, “She is a great talent with a haunting and siren-like voice which weaves the words of her songs with a soaring grace.” that comment remains true. Musically she writes and performs 21st Century ethereal folk music with one foot in the long history of English folk storytellers. Amy has a gorgeous voice that reminded me of Laura Kindelan and on some occasions, her vocal phrasings were reminiscent of Bjork. She also has a great style of banter with her audience too. Why did I wait nearly six years before seeing the immensely talented Amy May Ellis again? I don’t plan on leaving it to 2027 for my next live show from her!

50% of Seattle On The Mantle – Photo by Aron Murray of Vexed Music Photography
What the Dickens? 50% of Seattle On The Mantle – Photo by Aron Murray of Vexed Music Photography

Next was Seattle On the Mantle, this was the second time I have seen them. The first being in November last year when they were supporting Seagoth. Back then they were a four-piece but they seem to have lost a couple of band members since then as they appeared here as a two-piece. It definitely sounds like the split with the most recent bass player was somewhat acrimonious, but I won’t dwell on that, this is a gig review, not a gossip column right? The two members left played an absolute blinder of a set. This is a band quite like no other, although, that said, I did detect some small pockets of influence from the Libertines and the Velvet Underground. The only song from their drunkenly planned concept album (how prog it would be to make a one-song concept album?) was a musical highlight for me. Another highlight was perhaps having an ace drummer stood up behind an economical drum set which he played like a sticksman possessed while dressed as a character from a Dickens novel. Great songs from a truly entertaining band, a Seattle On The Mantle album, concept or not, is needed methinks!

Trueman – Photo by Aron Murray of Vexed Music Photography
The Indoor League’s very own Clarence Clemons – Photo by Aron Murray of Vexed Music Photography

In a recent review, I described tonight’s headliners Trueman and the Indoor League as a Pound Shop E-Street Band. When I first wrote that my wife said “you can’t say that, it’s mean”. I replied that I meant it in a good way and thankfully that is the way the band took it, something I discovered after speaking to a few of them. Anyway, after a stupendous set, it is fair to say that they are definitely more E-Street than Pulp. They are evolving into a band that puts on more of a full-on entertaining review than just a gig. “Flares” and “Frivolous Things” were my top picks from tonight’s show, but it was a hard choice indeed. Trueman is a veritable cultural commentator through his songs which are in most cases astute observations of ordinary life. I believe that this band has the potential to outgrow intimate grassroots venues and ultimately move up to Arenas. So in case that happens, and I hope it does, then you need to get out and see Trueman and the Indoor League at wonderful places like the Fulford Arms while you still can. I am really hoping for an album from this lot soon. One final question, if the band ever graduates to playing stadiums will they have to rename themselves Trueman and the Outdoor League?

All pictures, except the gig poster, were taken by Aron Murray, Head Honcho of Vexed Music Photography. The videos were found on YouTube. If the video is yours and you would like a credit or for it to be removed please let me know.

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