With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

Flip Top Head – Fulford Arms, York – Wednesday 8th February 2023 February 11, 2023


It was weeks between my last gig of 2022 and my first of 2023, but only five days between my first and second gig of 2023. I was back at one of my favourite establishments, the Fulford Arms to see Flip Top Head, a band I had never seen before take the headline spot. In fact, I had never seen any of the five acts on the bill before, which is quite rare for me these days. The lineup was put together by the uber-talented Tom Beer of one of York’s finest bands, Bull. First up it was Cat Redfern and if Bjork made eerie, ethereal folk-rock influenced by Radiohead it might sound like Cat Redfern. I believe that some of Cat’s songs might fit perfectly on a Twin Peaks soundtrack, check her out. The second act to play was Big Rain In The Morning, a band that plays psychy, proggy, and folky sounds with a slight nod to the Velvet Underground and Lou Reed. Their vocal harmonies are phenomenal. The band featured the aforementioned Cat Redfern on bass and Tom Beer off of Bull on drums (is there any instrument that this man is unable to play?) Is there a band around now that is anything quite like Big Rain In The Morning? Probably not, this lot are a true bunch of originators.

Cat Redfern by Aron Murray of Vexed Music Photography

Third, onto the stage was Ellis D, that is a great name and a fab pun on the hallucinogenic drug lysergic acid diethylamide a.k.a. LSD. Ellis D brings some psychedelic funky fun all the way from Brighton. “Homecoming Queen” rocks big time. Vocally I was reminded of David Byrne, Jonathan Richman and on the higher notes perhaps even Russel Mael. The drummer is like a more controlled Keith Moon, if he was a super hero he would be called Metronome Man. The band encountered a few technical issues during their set but they didn’t let them phase it at all. This lot are great and very difficult to drop into any particular genre box. The penultimate act was a band called Victory Samosa who have megatons of organic pop hooks. Yes, I did say organic, there is none of that battery farmed pop shite here. Victory Samosa reminded me strongly of Daryl Palumbo in his Head Automatica side project from a few years ago. This is underpinned by some shades of early Franz Ferdinand and Rich Kids with Midge Ure. “Equinox”, “Little Miss Golden Fleece” and the song that probably isn’t called Cecilia prove that Victory Samosa have an amazing cache of great songs. When will there be a Victory Samosa album? I hope it’s soon. I can say categorically that this band are definitely one of my new favourites.

Ellis D by Aron Murray of Vexed Music Photography

Finally, it was time for the headliners, also from Brighton, Flip Top Head. Michael Jackson once said something along the lines of “bad is good”, well I think something similar applies to Flip Top Head, wait, scrub that, with this bunch it is more like “mad, is good”, or even “Mad is GREAT”. This band issue forth a colourful cacophony of sound that at times feels like it may have originated extraterrestrially. The lead female vocals evoke the weirdness and beauty of the Cocteau Twins and the soul and feeling of Clare Torry’ wailing vocal on Pink Floyd’s “The Great Gig In The Sky”. How many bands promote the trombone to the lead instrument in a few songs? Hardly any in my experience, but Flip Top Head do that with style and panache. Their songs are wonderful and I really like the contrast to the vocals with an almost spoken word narration, similar to “Private Investigations” era Dire Straits. I am looking forward to the release of their new single “Seventh Bell Number” next week. Incidentally, the song sounds excellent live. Alongside Victory Samosa I can confirm that Flip Top Head are another of my favourite bands. This was another banger of a night at the Fully Arms.

All the photos, apart from the gig poster, are by Aron Murray of Vexed Music Photography

Flip Top Head by Aron Murray of Vexed Music Photography

If you have enjoyed this article feel free to follow the blog, or follow us on;

Facebook

Twitter

Instagram

EMail

Are you interested in writing and reviewing for With Just A Hint Of Mayhem? If so then please get in touch.

 

Trueman And The Indoor League – Fulford Arms, York – Saturday 26th March 2022. March 30, 2022


This was originally planned, with a slightly different lineup, as Shezza’s Leaving Do. Shezza is of course Chris Sherrington who has decided to move on to different pastures after being at the rather wonderful Fulford Arms for quite a few years. And like many of us, Covid caught up with Chris so he was unable to be there for his leaving do! I am sure we all wish him a speedy recovery. Emerson, Lake and Palmer once said “Welcome back, my friends, to the show that never ends” (“Karn Evil 9” from the 1973 album ‘Brain Salad Surgery). Maybe the show that never ends will be Shezza’s Leaving Do. If it is I am sure it will be an absolute blast! A big shout out to Aron Murray of Vexed Music Photography for all the excellent pictures below.

Rowan – Photo by Aron Murray of Vexed Music Photography
Amy May Ellis – Photo by Aron Murray of Vexed Music Photography

Unfortunately, Luke Saxton had to pull out, so I hope you are better soon sir! First on stage was Rowan. This bloke does folk with a punk attitude. His songs are full of anger, sadness, and also fun, even though some of those tunes are incredibly short. He makes his acoustic guitar talk and the way he attacks it gives it a real percussive element too. “Scrap Heap Man”, now that is a song! Following Rowan was singer-songwriter Amy May Ellis, who I first saw at the York City Screen Basement back in 2016. I said this about her nearly six years ago, “She is a great talent with a haunting and siren-like voice which weaves the words of her songs with a soaring grace.” that comment remains true. Musically she writes and performs 21st Century ethereal folk music with one foot in the long history of English folk storytellers. Amy has a gorgeous voice that reminded me of Laura Kindelan and on some occasions, her vocal phrasings were reminiscent of Bjork. She also has a great style of banter with her audience too. Why did I wait nearly six years before seeing the immensely talented Amy May Ellis again? I don’t plan on leaving it to 2027 for my next live show from her!

50% of Seattle On The Mantle – Photo by Aron Murray of Vexed Music Photography
What the Dickens? 50% of Seattle On The Mantle – Photo by Aron Murray of Vexed Music Photography

Next was Seattle On the Mantle, this was the second time I have seen them. The first being in November last year when they were supporting Seagoth. Back then they were a four-piece but they seem to have lost a couple of band members since then as they appeared here as a two-piece. It definitely sounds like the split with the most recent bass player was somewhat acrimonious, but I won’t dwell on that, this is a gig review, not a gossip column right? The two members left played an absolute blinder of a set. This is a band quite like no other, although, that said, I did detect some small pockets of influence from the Libertines and the Velvet Underground. The only song from their drunkenly planned concept album (how prog it would be to make a one-song concept album?) was a musical highlight for me. Another highlight was perhaps having an ace drummer stood up behind an economical drum set which he played like a sticksman possessed while dressed as a character from a Dickens novel. Great songs from a truly entertaining band, a Seattle On The Mantle album, concept or not, is needed methinks!

Trueman – Photo by Aron Murray of Vexed Music Photography
The Indoor League’s very own Clarence Clemons – Photo by Aron Murray of Vexed Music Photography

In a recent review, I described tonight’s headliners Trueman and the Indoor League as a Pound Shop E-Street Band. When I first wrote that my wife said “you can’t say that, it’s mean”. I replied that I meant it in a good way and thankfully that is the way the band took it, something I discovered after speaking to a few of them. Anyway, after a stupendous set, it is fair to say that they are definitely more E-Street than Pulp. They are evolving into a band that puts on more of a full-on entertaining review than just a gig. “Flares” and “Frivolous Things” were my top picks from tonight’s show, but it was a hard choice indeed. Trueman is a veritable cultural commentator through his songs which are in most cases astute observations of ordinary life. I believe that this band has the potential to outgrow intimate grassroots venues and ultimately move up to Arenas. So in case that happens, and I hope it does, then you need to get out and see Trueman and the Indoor League at wonderful places like the Fulford Arms while you still can. I am really hoping for an album from this lot soon. One final question, if the band ever graduates to playing stadiums will they have to rename themselves Trueman and the Outdoor League?

All pictures, except the gig poster, were taken by Aron Murray, Head Honcho of Vexed Music Photography. The videos were found on YouTube. If the video is yours and you would like a credit or for it to be removed please let me know.

If you have enjoyed this article feel free to follow the blog, or follow us on;

Facebook

Twitter

Instagram

EMail

Are you interested in writing and reviewing for With Just A Hint Of Mayhem? If so then please get in touch.

 

 
%d bloggers like this: