With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

Lost Trends – The Crescent York – Friday 27th June 2025 July 2, 2025

Filed under: Review — justwilliam1959 @ 8:31 pm
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This was another gig pulled together by music promoter extraordinaire, Simon P of Northern Radar and featured some of my favourite bands, notably headliners Lost Trends, but more of them later as I need to talk about the rather stunning support acts. First up it was Saliva Birds. If you are addicted to class A garage rock then this bunch will make you overdose on it. They have some great songs and they are one hell of a tight band. The backdrop visuals were weird, wonky and wonderful and featured monstrous impossible creatures and rather strangely Bjorn Borg! This was the first time I have seen them live and I am quite excited for the release of their new single now.

Next up it was the incomparable Apocalypse Disco. The duo are much louder and more spiritual than the Prodigy. From the opening bars of opener “Welcome To The Disco” the crowd were all ready to sign up to be members of the Apocalypse Disco cult! Keyboard and laptop maestro Ian bashes out more beats than an army could manage while front man Robin works the crowd wonderfully with his energy and madly, manic magnificent performance. There were many stand outs, particularly “Alive”, “Surrender” and “The Bridge”. This was the second time I have seen them live and it won’t be the last. In fact I will be seeing them again on 11th July!

Finally it was time to see the mighty Lost Trends. When I first saw the band back in 2018 they were seen as a dance influenced indie band. Now they have grown into something that is so much more. This was easily the most powerful performance I have seen from them. Recent singles “Antelope” and “Take Down” are masterful rock songs. Lost Trends classic “DJ” still raises the roof and the new hip hop influenced track is ace. Their progress in the eight years since I first came into contact with them is colossal. Imagine how the Who went from a relatively basic 60s R & B band into a humongous rock behemoth. It feels like Lost Trends have the potential to be on a similar trajectory! This was another great night from Northern Radar!

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Catch! – Fulford Arms, York – Monday 24th February 2025 March 4, 2025

Filed under: Review — justwilliam1959 @ 6:56 pm
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I try to never pass up the chance to see a band or artist that I have never seen before, so this was an easy choice. There were four bands on the bill, none of which I had seen before. This was another gig put together by the delightful human known as Simon P for Northern Radar. I have been going to Northern Radar gigs for many years now and Mr. P has never let me down with the bands and singers he puts on. Did that change with this gig? Read on to find out!

The first to take the stage was the Expression, vocally they made me think of Lene Lovich and Siouxse Sioux to name just two. The band were as tight as hell with a dark post punk feel to their sound. Their original songs were good and show a potential for greatness with perhaps a little more work. The cover of the Stone Roses “I Wanna Be Adored” was superb, but the Mazzy Star cover was an absolutely sublime highlight. They closed their set and nailed their grunge credentials to the wall with an immense cover of Nirvana’s “Heart Shaped Box”. This was a great set to kick the night off.

Next up it was the Fruity Pebbles, a band largely born from the remnants of some Huntington School 6th Form bands from recent years. A truly eclectic range of covers which ranged from Abba to Chappell Roan via Stevie Wonder, Amy Winehouse and others. Their original tune “Smooth” is a neat, summery, jazzy pop song which is likely to get better and better the more they play it. They showed their chops as a great band, once again very tight. But it was the brass section that showed themselves to be tighter than the proverbial duck’s arse. Front man Oscar, who wasn’t meant to be fronting this set, is a true trouper and a born performer. If he is not working in music or entertainment in the future then frankly the world is fucked! The Fruity Pebbles know how to party and they party hard!

Strip were next and they are full of effervescent pop punk energy. While their originals were good their covers were truly stunning, especially the bombastic opener, a fiery run through of Green Day’s “American Idiot”. Who knew that song would still be so relevant now, some twenty years later. Strip delivered perhaps the best mosh fest of the night. This lot are fucking good indeed!

Finally it was the turn of Catch! to hit the stage. They are a York Uni band that are talented purveyors of melodic pop rock with an undercurrent of prog in some songs. They have an additional vein of classic 90s bands like Republica and Elastica running through a number of their songs too. Overall they have a wealth of close to awesome songs in their cannon. Sadly by the time Catch! arrived on stage the crowd had shrunk a little. Why do so many people up and leave after “their” band has played? But who cares, Catch! truly captivated everyone who chose to stay. The vocals were perfect as was the more than tidy rhythm section. A special mention to the lead guitarist who never dropped below stunning with his magnificent arsenal of riffs and solos. Party driven fun made the moshing last a long while and the A Simple Plan cover was anthemic and delightful. Apologies in advance for the bad Dad joke/ pun, but you really need to catch Catch! soon! Click here to check out their latest EP on Spotify.

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Pedestrian – Fulford Arms, York – Friday 10th January 2025 January 13, 2025

Filed under: Review — justwilliam1959 @ 9:22 pm
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Four bands in one night is how I kicked off my gig journey for 2025. All at the fabulous Fulford Arms and promoted by Northern Radar. Simon P, head honcho of Northern Radar, has never let me down with his choice of bands. Would tonight be that moment? Read on to find out dear reader. The evening kicked off with the Unnamed Band. It’s not that they don’t have a name, the Unnamed Band is their actual name, genius! They played mostly covers, but they played them damned well. The selection of covers was gloriously eclectic. It ranged from Chuck Berry to the Killers. They also included the Red Hot Chili Peppers, Kaiser Chiefs, the Fratellis, and Queen along the way. The band’s original songs are good, but probably need a bit of polishing. Arthur Kay is a great frontman and I believe that this bunch have potential.

Second on stage were Sweeping Statement. I would describe their sound as Post Punk Prog. I suspect that if you used Artificial Intelligence to create a band that mixed largely unrelated genres and encouraged moshing it might well deliver Sweeping Statement. At one point I thought that this band were very good but probably wouldn’t set the world on fire. Then they did a Pixies cover and an original called “Working Man”. Those two blew me away! They also get a bunch of extra points from me for hating Reform UK and GB News. Check them out!

The penultimate band was Birdlands. I reviewed their debut album ‘Season Of Loss’ back in October. I love that album and I have an apology to make to the band. Due to a clerical error it never made it onto Mayhem’s Top 20 albums of 2024. John Peel would have loved Birdlands. They are very much post, post, post, post punk with an added pinch of funk, punk and jazz. The band were on fire. At times, their sound reminded me of David Bowie’s touring band from 1978’s Isolar 2 tour. Frontman Billie’s vocals were a little Bowieesque at times too. Evoking the Bowie of Tin Machine and ‘1: Outside’. Billie’s angular, motorik, Ian Curtis style dancing was a sight to behold. This was an almost perfect set. What would have moved it to absolute perfection? More time! Apparently they only rehearsed once for this show, now that is fucking awesome!

Finally it was time for the headliners, Pedestrian. They might be called Pedestrian but you could never describe their music or performance as such. They absolutely fucking smashed it with their delicious funky, angular art rock sounds. Flo’s vocals are truly ‘out there’ in a simply perfect way. Her performance was powered by some kind of perpetual motion. They have been a band for just over a year and this was, surprisingly, their first headline show. One of their songs gave birth to a mosh conga, I kid you not! Their is a dark funk vibe to some of their songs, particularly the slower numbers, and I love this. There was also some classy threads of Lene Lovich in Flo’s performance too. The cover of the Beatles “She Loves You” was great. Did they perform that one for Battle Of The Bands at the Fully last year? “What’s In The Box” and “Rush Hour” were two massive highlights in an awesome set. The latter turned the funk up to 11. Personally I would not have fancied following Birdlands onto the stage, but Pedestrian blew the fucking roof off. In a sad footnote Pedestrian will be bowing out as a band. (is that why the grim reaper style character was the centrepiece of the gig poster?) This was their penultimate gig. But I suspect that the individual members will go on to new musical projects. I certainly hope so!

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Asylum – Fulford Arms, York – Friday 6th December 2024 December 10, 2024

Filed under: Review — justwilliam1959 @ 9:52 pm
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This was yet another show put together by Mr. Northern Radar, Simon Pattinson. He has never let me down yet, would this show change that? Read on to find out. First up was Vagabonds, a band that felt very much like a good school band. To put that into context I had been a judge at the school I work at Battle of the Bands contest the day before this show. They hit the ground running with a fiery cover of the Beastie Boys huge hit “Fight For Your Right”. The first original they played had the feel of early Sex Pistols recordings like the tracks on the ‘Spunk’ bootleg album. Soon after that Vagabonds chose to cover the Oasis song “Rock ‘n’ Roll Star” – NOOOOOOOOOOOO you don’t need Oasis songs in your set, you are so much better than that. The covers of Green Day, Blink 182, Kiss and the Sex Pistols were ace and closing with a raucous cover of Slade’s “Merry Christmas Everybody” was a master stroke. This band has great potential and my advice is ditch the Oasis cover and get some more original songs.

The second band to take the stage was the Double Yellows. Their originals were reminiscent of two bands that I have never been a huge fan of, the Pigeon Detectives and Scouting For Girls, however the saving grace is they the Double Yellows took a much deeper and effective post-punk direction. The band clearly brought a great following with them and they were all ready to party. Their fans seem to be mounting a campaign to bring the mullet back, yes really! Their bass player is incredibly talented with shades of Jah Wobble, Stanley Clarke and Mark King in his style. The have the swagger and confidence of a good rock band and just like the Vagabonds they have great potential, but again please ditch Oasis, the closing cover of “Supersonic” really wasn’t needed.

I find it shocking and sad that so many people come to a gig and fuck off after “their band” has played. Quite a lot of punters seemed to do just that after the Double Yellows. If you were among them you missed an absolute treat of a funky, heavy and fun set from Asylum. Musically this bunch were faultless and seemed to be enjoying themselves immensely. They whipped the crowd that remained into a minor, but absolute frenzy. Thankfully their set did not include an Oasis cover! This is the only Asylum you need in your life and with them there is no need to wear a strait jacket or live in a padded cell, unless that kind of thing floats your boat! Some of the punters who left earlier did return, somewhat rain soaked, later in the set. It was clear that Asylum came to bring a party to the Fulford Arms and they had one, they even threw in some Christmas songs! Once again Northern Radar pull off a great night, cheers Simon P!

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King Nun -Fulford Arms, York – Saturday 10th February 2024 February 11, 2024

Filed under: Review — justwilliam1959 @ 6:04 pm
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This was another Northern Radar show and as I have said before, Simon P, Head Honcho of that splendid promotions company has never let me down with a dud band…..yet! Did that change at this gig? read on to find out. First up it was King Thieves with some anthemic rock with a sprinkling of blues. This was coupled with soaring and soulful vocal contributions from the guitarist and drummer. The rumbling bass lines were sometimes evocative of New Order’s Peter Hook. They played a new song, “Lucifer” which was fantastic and made me think of early-period Manic Street Preachers. A great band that is new to me.

Next was the Hangnails, a band I had seen in a previous incarnation, as a two-piece in 2014. They were called And The Hangnails back then. They have developed so much and moved forward tremendously since then, they are now playing as a three-piece. Was that Mr. Blackwell on bass and keys? The Hangnails’ new material is spectacularly good and in describing their performance I will need to use the word anthemic once again. The vocals hint at Bono, Ian McCulloch, and Tim Booth. Their songs ooze emotion and are filled with hooks to die for. A phenomenally good band!

Finally, it was time for the headliners, King Nun, who apparently have been around for eleven years. How the fuck is that possible? Were they formed in primary school? This was their first gig in York and I hope it won’t be their last. I spoke to four people in the audience tonight who had come to see them here off the back of the support slots they did for Nothing But Thieves. Their sound has some Nirvana and Pixies influences with some classic punk sound, attitude, and poses thrown into the mix. Their multiple guitar assault fired riff, after riff, after riff into the happily shellshocked crowd. They packed the power of a Panzer Division in World War Two. If they turned their power up even half a notch they might have laid waste to the venue. I am pleased to say that didn’t happen. The band’s excursions into the crowd ignited the already excited punters. They cheekily threatened jazz, but thankfully they didn’t deliver on that. But one of the guitarists was so committed to the cause he gave his blood up in the final song! After tonight I am now a huge fan of King Nun! Oh and just to confirm, Simon from Northern Radar still hasn’t let me down! It was also great to catch up with so many people that I know at this fab venue (Simon, Joe, Chris, Billie, Tim, Amelia, and many more!)

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Wooze – Fulford Arms – Sunday 5th November 2023 November 28, 2023

Filed under: Review — justwilliam1959 @ 7:43 pm
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I love it when a gig comes up and includes at least one band that I have never seen before. and tonight it is Wooze‘s turn. Additionally, I had never seen the opening act Joe Haydon and the Ghost Ship before either. In the first part of their set, I was getting a kind of Beatlesesque, the Coral and Zutons vibe. But after that, they went down a wonderfully funky road, like Haircut 100 with heavier rock credentials. “Evergreen” was a fabulous track, especially the full-on guitar wig-out at the end. Ghost Ship is a mesmerisingly good band that defies genre boxing completely. The rhythm oozes funk and the guitarist could give Ernie Isley some competition. I will definitely be checking out their new album when it hits the streets.

Next up it was the rather immaculate Hærtstrings, Fulford Arms Battle of the Bands champions 2023. This was just their fifth gig and given that their first was heat 1 of the Battle of the Bands it would be played five and won two! These lads are another band that defy genre pigeon-holing too. So much do they defy it that I wonder if we need to create a brand new genre just for them. They have slam poetry, jazz, punk, funk, heavy rock, disco (yes!) and much more. Almost everything but opera, at least not yet anyway. For a band that has only existed for 4 or 5 months, they are incredible. I believe that the future will be so bright for Hærtstrings we won’t only have to wear shades, but possibly a radioactive-proof onesie. Every song was a banger but for me “Continue” and “Talk It Out” were particular highlights.

Finally, it was time for London-based Wooze to hit the stage. Three members of the band were masked and that added a dark element of generic menace to proceedings. Their sound was grungey, punky and occasionally there was a feel of peak power Devo. Vocally it was a delicious splice of Andrew Eldritch and Tin Machine era David BowieWooze know how to put on a show. This was a stupendous performance and possibly one of the loudest sets that I have experienced at the Fulford Arms. There were some stand-out moments. “Good Old Fashioned Fan” was like Iggy Pop fronting Duran Duran in a weird and warped alternative universe. At the end, the crowd demanded one more song and Wooze delivered with a horror disco glam stomper that had beats big enough to raze Dracula’s Castle to the ground. So this is perhaps another band that is difficult to genre-ise, but I will try. Goth Funk Punk, is that a thing? It fucking is now!

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Jordy Maxwell – Fulford Arms, York – Wednesday 23rd August 2023 August 24, 2023

Filed under: Review — justwilliam1959 @ 3:00 pm
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This gig looked like another wonderfully fun-packed Northern Radar night with some great music and musicians. Was it that kind of night? Read on to find out. First on stage was Jonny Cole with a set full of covers, but not just the usual covers suspects. He bravely chose some relatively obscure and quite difficult songs for the early part of his set. Later there were some great audience singalongs with “Stuck In The Middle With You” and “Proud Mary”. Jonny brought his old guitar teacher on stage for a couple of songs, including a rollicking take on Chuck Berry’s “Johnny B Goode”.

Next up it was the turn of the enigmatically named Moongate. There is no mystery, she saw the name on a house on her regular route to the recording studio. Most of her songs are relatively sad laments. Including the song about not being able to sleep, which while being sad was a great lullaby-style ballad and probably my favourite track from Moongate’s set. Her cover of Richard Hawley’s “Don’t Stare At The Sun” was fabulous. She was also joined by a full band for her last two songs, well not the actual band, but the music was on her Apple Mac. Those songs were great. The first one, “Midnight Air” was a moderately happy tune too.

Next, it was the turn of Lewis Ross Robson who struck me, via his style and manner as a kind of alt.folk Noel Gallagher. He has a collection of relatively downbeat tunes, but his lyrics are intricate and weave some great tales. I loved his voice. It has the feeling of someone who has really lived through the stories in his songs. In a couple of songs, I sensed the guitar stylings of Paul Simon in some of his sparser more stripped-back tracks.

Finally, it was time for the main attraction, all the way from Perth, Western Australia, Jordy Maxwell. He is a true raconteur and troubadour with some great tunes and wonderful stories to go with them. Some hilarious and some deeply poignant. One tale was about a huge Aussie bloke wearing sunglasses at night approaching Jordy some years ago after hearing the sublime song “See You Again” and telling Jordy that he was “cutting onions mate“. Apparently, it took Mr. Maxwell a few hours to figure out that the bloke had been crying. Having heard the song, I can understand why, it works on a deep emotional level. Jordy‘s great at self-deprecation, but without taking it too far. At one point he forgot some of the lyrics to “This Old Place” but seemed to get back on track by the medium of telling us more tales, sometimes using what he called his “weird chord”. When he was speaking about his Nan, I suspect there were only a few dry eyes left in the house. He played a little bit of John Denver’s “Take Me Home Country Roads”, one that Jonny Cole had played earlier.

At the start of his set, Jordy spilled his pint of Beavertown Neck Oil and within minutes five people had bought him a pint which were all lined up on stage with him, I don’t know if he eventually downed them all. But the fact that so many people responded to his lack of beer plight says how much of a great human being Jordy Maxwell is. This really was another wonderfully fun-packed Northern Radar night with some great music and musicians. It had the relaxed feel of a classy and chilled open mic night. Thanks to Simon P of Northern Radar for putting this on and to Lizzie, who “discovered” Jordy and persuaded Simon to bring him to York for a gig. This proves that behind every great man, there is always an even greater woman!

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Everything After Midnight – Fulford Arms, York – Friday 23rd June 2023 July 6, 2023

Filed under: Review — justwilliam1959 @ 9:26 pm
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Everything After Midnight is a band that has grown in strength and confidence since forming four years ago. This gig was a showcase for the launch of their new single “I Guess,” and promoted by the talented Mr. P at Northern Radar. How did Everything After Midnight perform? You will need to read on to find out as there were two great support bands, neither of which I had seen before. Starting with PH7, they kicked off like the 60s Fleetwood Mac but with more of a Heather Baron-Gracie (Pale Waves) vocal sound. It would not be easy to put PH7 into a specific genre and they have some great tunes. “Botheration” was ace. Their cover of Coldplay’s “Viva La Vida” really kicked arse and rocked harder than Chris Martin and the lads have ever done. The PH7 guitarist was stunningly good, but sadly he is leaving the band. If you get a chance to see PH7 live, take it!

Next, it was the wonderfully named Mollie Coddled. If you can imagine Cydi Lauper fronting a jazz-funk/post-punk hybrid then you might come close to how Mollie Coddled sounded to me. The bass sound and playing was immense and skillful. Sadly, just like the PH7 guitarist the Mollie Coddled bass player is leaving, this was his final gig. “Guilt Trip” gave me some Hooray For The Riff Raff and Bran Van 3000 vibes. Meanwhile, “Lonely Bitch” was like a 60s girl group and punk crossover, like classic early Blondie.

Finally, it was time for the future legends known as Everything After Midnight. They took to the stage while the jaunty and jolly theme from The Simpsons was playing. That really had to be their walk-on music didn’t it, given the gig poster. The big question was whether Lisa Simpson might play some saxophone for them, sadly she didn’t, but maybe next time. This was a really imaginative set that bordered on epic in both style and content. The band was in top form and showed super-powered control and command of the depth and dynamics of their sound. Everything After Midnight have continued to develop a real melting pot of musical styles and influences with which they create that distinctive and idiosyncratic Everything After Midnight soundscape. They have matured relatively quickly for a band, and remain hard, or more likely, impossible to drop easily into a specific genre box. There is alt.folk, electric folk, prog, post-punk, classic rock, and even some melodies that would not be out of place in a classical music score.

Jacob’s guitar playing moves from Mick Ronson to Johnny Marr and most things in between. Then there are Steph’s soaring, confident vocals, she has grown hugely as a singer since I first saw the band back in February 2022. In this set, I felt that she had the sweetness and clarity of Sandy Denny’s voice and in the heavier moments more like Kiki Dee on steroids or Lulu fronting a metal band. The highlights were plentiful and bounteous, but among that crop of great songs “Real Estate” and new single “I Guess,” stood out for me. Check this band out NOW, that is an order!

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The Corsairs – Fulford Arms, York – Friday 10th March 2023 March 21, 2023

Filed under: Review — justwilliam1959 @ 7:33 pm
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This was another gig put together by that wonderful human being Simon Pattinson for Northern Radar at the equally fabulous Fulford Arms. It was all for a great cause too and raised loads of dosh for St. Leonard’s Hospice. It was headlined by the Corsairs, but more of them later. Proceedings were opened by Everything After Midnight, this would be the second time that I have seen them this year. There is a portion of Wolf Alice and a dash of Pale Waves here. There is also a sprinkling of electric folk (think Traffic with a female singer), soft metal (maybe Evanescence), a pinch of British Prog, and obviously a huge amount of Everything After Midnight. Steph’s voice was always good and now she takes it towards greatness. I have previously suggested that Steph has vocals that remind me of Tori Amos and Ellie Roswell, and that remains true. This was a four-band gig and the second to take the stage was Lost Trends, who are clearly no longer lost and I am glad they have been found again. They have not tiptoed their way back, they came with a multi-megaton blast of sound. A long layoff for the Lost Trends boys, mostly driven by Covid, has not dimmed their power and passion one iota. They still have their usual “we can be better than New Order” sound, but now it is overlayed with some magnificent layers of Talking Heads-style NYC electro-funk. The north has produced some great guitarists, notably Mick Ronson and Bill Nelson, I think that we can safely add Pete Knaggs to that gang now!

Third, it was the turn of yet another fine York band, the Rosettas. Frontman Benji had a cold, but he didn’t let that get in the way of a pulsating set from a band that not only knows how to rock but also knows how to party hard. They are clearly all enjoying themselves and that infectious joy is shared by the crowd with some great dancing and singalong opportunities. “I Don’t Like This” is a great song for bringing the crowd together. Their choice of Blur’s “Song 2” as a cover was inspired and went down an absolute storm. A great band and most certainly one to watch for the future. The Corsairs may be a very young band, but this does not get in the way of their stunning ability to produce an absolute belter of a set. They may have started off a little understated but they really grew into this set and eventually knocked it out of the park. Current single “Jackie The Know It All” is a classy slab of prime Arctic Monkeys styling. There are some Kooks and Wombats influences in their songs too. These lads seemed to love their time on stage and undoubtedly converted many people that had not seen them before into fans. I hope that the Corsairs are around for a long while and I hope their first album, when they get to it lives up to the promise of their live set. I 100% believe that it will! As a footnote, I want to mention that someone actually left this gig early because it wasn’t “indie” enough for them. Seriously? What the actual fuck is indie anyway? Click here to take a look at Indie Chart number ones from the 80s. The usual suspects like the Smiths are included, but so is Jason Donovan. I can really feel a What The Fuck Is Indie Anyway article coming soon!

All the pictures, except the gig poster, were taken by Martin Swarbrick

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Erotic Secrets Of Pompeii – Fulford Arms, York – Thursday 9th March 2023 March 19, 2023

Filed under: Review — justwilliam1959 @ 10:42 pm
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This was another show from the Northern Radar stalwart Simon Pattinson, he has never let me down with any of the lineups he has created so far. Would this gig be the first letdown? Read on to find out good people. First up was one of York’s finest young bands, City Snakes (look out for an interview with them here very soon). They were a relatively last-minute addition to the bill after the mighty Sun King had to drop out due to illness. and I have seen them in that position before. It never deters them in the slightest and I always feel that they play every gig as if they were headliners and they always look like they are having megatons of fun. This was an incendiary set to kick off the proceedings at the marvellous Fulford Arms. City Snakes get better every time that I see them. The rhythm section could be parachuted into the Red Hot Chilli Peppers and I think it would be hard to spot the change. “Spin Me Round”, “Paranoia” and “Mayfly” are awesome songs but the new single “Black And White” tops those with its fabulous blues-infused garage punk vibe. Get City Snakes in your life now!

Next, it was the turn of Black Skies, a band who have up to now played just a handful of gigs, although for me they sound like they have been playing together for years. They sound a little grungier, heavier, and probably better than Reef. There are also some slivers of the Spin Doctors in there too. They have some staggeringly good songs, notably “Soul” and “Reason”. Their drummer has all of Dave Grohl’s finest tropes and is clearly a key element of Black Skies’ engine room. One particular highlight in a great set was their smoky, heavy, swampy take on Nina Simone’s “Feelin’ Good”. This version problem took back ownership of the song after Matt Bellamy’s somewhat histrionic and over-the-top take on the tune.

I love the name of headliners Erotic Secrets Of Pompeii and until this gig, I had never heard of or seen them before. How can I tell you exactly what they are like? Well, I will attempt to do that by borrowing one of Rod Serling’s opening narrations from the original Twilight Zone TV series. “You unlock this door with the key of imagination. Beyond it is another dimension – a dimension of sound, a dimension of sight, a dimension of mind. You’re moving into a land of both shadow and substance, of things and ideas. You’ve just crossed over into the Twilight Zone“. Believe me, that sums up this great band really well. Imagine a laboratory that stores the DNA of thousands of rock stars. A lab assistant, unfortunately, or perhaps fortunately, spills the vials containing Jim Morrison, Richard Jobson, Gary Numan, and Ian Curtis. The cleaner then accidentally blends them all in the dustpan and creates the Erotic Secrets Of Pompeii frontman. The band behind him could be a reincarnation of Bowie’s Isolar 2 touring band from 1978 but with Robert Fripp and Tom Verlaine added on guitar. Erotic Secrets Of Pompeii are a truly and wonderfully different band and one that is perfect for this century and this sad, mad world that we live in.

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