Hillingdon has never really been known for its contribution to the rich history of British rock and pop music. Sure there is Ronnie Wood born in West Drayton, Steve Priest bass player from the Sweet, Bryan Connolly of that band lived in Harefield and course there is Claire Richards of Steps. So it is so refreshing that now there really is a band to be proud of from that often ignored area of west London, yes the Tuts have finally got around to releasing their début album, ‘Update Your Brain’, following a really successful campaign on Pledge Music. I for one can hardly wait for my physical copies to arrive having made my pledge months ago. But I have listened to the album on download and Spotify since Friday.
The Tuts as we now know them with Nadia Javed on guitar and vocals, Beverley Ishmael on drums and Harriet Doveton on bass formed back in 2010. This album is the culmination of their hard-working DIY approach to what they do. They really know their fans and use social networking to engage excellently with them. They have had some inspirational support slots notably with Kate Nash back in 2013, which was when I first saw them at dear old Fibbers in York. They have also toured with the Selecter and played support to the Undertones and Adam Ant among others. They really are a proper band in that they work well off and with each other and everything that they have done so far is a step up from what came before. ‘Update Your Brain’ is no exception and twenty or thirty years ago it would have been a banker for the album chart top ten. But sadly the music industry no longer works like that. But charts or no charts this is a bloody good album.
Tuts fans will have heard many of the tracks before but as a cohesive set of twelve tracks that makes no difference. From opener “Let Go Of The Past” right through to the albums final track “Back Up” the punk, the power and the pop are turned up to eleven. It is great to see a young band with no fear of wearing their beliefs on their sleeves; hitting out at music industry sexism on one of my favourites “tut Tut Tut” and the uncaring one party state we have in the UK “Give Us Something Worth Voting For”. They also put their money where their mouth is with an anti Boris Johnson protest at Uxbridge Library a while back. Sadly it wasn’t enough to prevent arch moron Boris from being parachuted in to become their local MP. But perhaps having such an arse as their member of parliament will lead to more excellent anti Tory songs from Nadia, Bev and Hat Tut!
“Con Man” is a proper rock out song and “Dump Your Boyfriend” has become a Tuts classic and is a certainty for inclusion on the Tuts Greatest Hits when it is released five or ten years from now. To paraphrase that song if you have a shit favourite band that never delivers then dump that band and start getting to know the Tuts. You will not regret it. They are touring the UK in support of the album I will be seeing them in Leeds later this month. Where are you seeing them? If you’re not planning on seeing them then I suggest that you change your plans now and that is an order. If you don’t follow that order then I will have no choice than to send the Tuts round to sort you out!
Many of you reading this review will be among the many pledgers who will already have the album. But don’t worry if you’re not, you can still get your hands on it. I don’t usually give stars or marks out of ten for albums on this blog. But I will make an exception for the Tuts with an 8 and a half out of ten. Why not ten? Well first I never give a ten and secondly I expect their next album to be even better so I want to leave room for a higher mark! We should also start a campaign to have the Tuts appear at Reading and Leeds Festivals next year. It will be a big start in breaking the male domination of the bill. Now stop reading this shit and get listening to ‘Update Your Brain’……… NOW!!!!
[…] Brain’. That album is getting some great reviews; 9 out of 10 from Vive Le Rock Magazine, click here for my review of the album. They opened with the rousing put down of sexism in the music industry […]
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