With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

‘We Live In Strange Times’ – Ian M Bailey January 6, 2024

Filed under: Review — justwilliam1959 @ 11:07 pm
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Lancashire-based Ian M Bailey recently released his third album on the USA label Kool Kat Musik, following ‘You Paint The Pictures’ (2022) and ‘Songs To Dream Along To’ (2021). Ian has again been working with Scottish songsmith Daniel Wylie to write and produce the new record. Ian plays guitar, bass, drums, and some keyboards and provides the heavenly harmonies. Meanwhile, Alan Gregson adds string sections, Hammond, Rhodes, piano, and lap steel sounds.

The opening track “The Last Chime” is Beatlesesque with fine Byrdsian harmonies. This is a far better song than the awful “Now And Then” which was scraped from the bottom of the Fabs barrel last year. If you like sad-feeling songs with an underlying happy tone you will love “It’s Summer Rain”. I do, especially the ethereal jangly guitar sounds. I felt the ghost of an eastern influenced George Harrison on the delicious and delightful “Mother Nature (Giving Out Signs)”. Ian laments the fate of our planet in “The Clock Is Ticking” and adds his own positive message. It is a tune that feels like the Small Faces fronted by Just Hayward. The organ is also reminiscent of classic Inspiral Carpets. Classic blues rock sounds, maybe a bit of Deep Purple, help deliver the wonderful “She Waltzes With The Devil”. But the waltz elements give the track a nightmarish circus feel. If Ian added some yodelling to this instrumental track it might sound like something that Focus would be proud of. “Dance Around The Room” is the kind of song that leaves you with a smile and a happy feeling, and yes, I did dance around the room while it played.

One of the rockier Byrds-style tracks on the album is the hook-laden “Pray For Me”, my second favourite song on the album. A sad song about divorce, but it has such a vibrant tune. “California Desert Sundown” is a laid-back, chilled song that has an Eagles feel to it. I can imagine sitting after a long day, sipping wine while that song plays, the perfect wind-down soundtrack. Country-style rock is back in the truly heartfelt “The Sweet Smell Of Roses”, once again the harmonies are ethereal and perfect. The title track, “We Live In Strange Times” is probably my favourite track on the album. Everything is perfect here the music, the vocals, and a cracking tune. While “Country Girl” does have a beautiful country feel to it, I felt it would fit well on a playlist alongside some of Ronnie Lane’s great songs with Slim Chance. The strings are spot on here. The album closes with a kind of lament story song called “The Moon Floats On A Cloud”. This evokes folk, the best story songs, and showcases Ian’s writing talent. This is a fine album from a very talented artist. Give it a spin!

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The Mayhem Charts – December 2023


Here is the Mayhem chart for December 2023. Regular readers will know the chart is based on my Spotify listening habits over the last month. The chart remains contemporary-ish, rather than just an oldies chart However, the top three “Legacy” artists are Elvis Costello, Kate Bush, and Bobby Darin, and surprisingly David Bowie is not in the top 3. There is a top ten artists chart and a top 5 songs chart. There is the usual eclectic mix of artists, including three who were in the top ten last month (ALT BLK ERA, Delilah Bon, and tiLLie). In fact, this is now the fifth month in a row that ALT BLK ERA has featured in the artist’s top ten. Only two of the top five songs are by artists which feature in the top ten artist chart. Those two are Rebecca Ferguson and Jazmin Bean. girli and UGLY CLUB remain in the song top five from last month with UGLY CLUB moving up from 5 to 2 and girli moving from 3 to the summit! In case you are interested the top three Christmas tunes for December were “Christmas (Baby Please Come Home)” by Darlene Love, “Christmas Time (Don’t Let The Bells End)” by the Darkness, and “Proper Christmas” by the Krackpots. So without further ado here are those charts! Click on the header of the song chart for the playlist on Spotify.

MAYHEM ARTIST CHART DECEMBER 2023

1 Jazmin Bean
2 Rebecca Ferguson
3 Poppy
4 100 gecs
5 Yussef Dayes
6 tiLLie
7 HANDSHAKE IN SPACE
8 Scott Bradlee’s Post-Modern Jukebox
9 Delilah Bon
10 ALT BLK ERA

MAYHEM SONG CHART DECEMBER 2023

1 Nothing Hurts Like A Girl – girli
2 What’s Wrong – UGLY CLUB
3 Digging For Gold – Rebecca Ferguson
4 Terrified – Jazmin Bean
5 SAOKO – Rosalía

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“Jigsaw” – Pick The Flowers January 5, 2024

Filed under: Review — justwilliam1959 @ 10:08 pm
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Chloe Munt oozes talent and following some absolutely stunning tracks in recent years when fronting My Wonderful Daze and Please Remain Calm she is back as her solo alter ego Pick The Flowers. Her new single, “Jigsaw”, is haunting and emotional. Chloe’s musical versatility has no bounds and this new song shows her skill as an electronic artist. She certainly doesn’t allow herself to be genre-boxed, this tune is very, very different from her previous bands’ much heavier output. I would love to hear a dance remix of “Jigsaw”. I think it would work really well. Check out this gorgeous tune now! It is available on all streaming platforms.

The photo is from a photo shoot by Visionarhi.

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‘Heaven, Pt. II’ – Rebecca Ferguson

Filed under: Review — justwilliam1959 @ 4:29 pm
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Regular readers know I have shown disdain and been somewhat disparaging about X-Factor and its predecessors and similar “talent” shows. However, there have been a few exceptions that came close to making me rethink those views. But even Harry Styles, who I believe is an incredibly talented artist has moved me to change my mind. He is one of the exceptions produced by the show in my opinion. Have there been others? Will Young is excellent and, Girls Aloud were ok, but the new album by Rebecca Ferguson, who finished second to Matt Cardle on X-Factor in 2010 and pushed One Direction to third place, is bloody good. More of that in a moment. As with all finalists she released a top-ten single, “Nothing’s Real But Love” off the back of the show. She followed that with four UK top-ten albums from 2011 to 2016.

Rebecca performed at the Eurovision Song Contest in Liverpool, her home city, last year

Since then she has suffered terribly thanks to the extreme misogyny that sadly still exists within the music industry. She has used that experience to push for change in the industry and has appeared before a House Of Commons Women and Equalities Committee, whom she told that she was “fleeced” both “financially and morally” by executives and others in positions of power, whose “disgusting” conduct was part of a “rotten” culture. She added, “Unfortunately there is a bullying culture to make artists behave how people want them to, often for others’ commercial gains.” The committee heard that Rebecca was pressured into signing contracts; was denied royalties and medical attention; had personal and professional relationships deliberately wrecked; and was forced to carry on working after collapsing through exhaustion and having a miscarriage. She is one of the driving forces and key voices behind a new body called the Creative Industry Independent Standards Authority (Ciisa), which will investigate complaints in the music, film, theatre, and TV industries. Rebecca has also said “For so long, I harboured those secrets for very powerful men about what they were doing to me, and the truth of what was happening to me is it was a form of abuse. In fact, it wasn’t a form of abuse, it was abuse.” adding “The sad reality is it is an abuse that many creatives – be it models, actors, musicians or singers – go through, and we harbour the secrets“.

Rebecca has written, recorded, and released the new album, ‘Heaven Pt. II’ independently. I exchanged a few comments with Rebecca on Twitter when I saw her announce the album’s release. I said that I have huge respect for what she has done in calling out the misogyny, abuse, and vileness that exists in the music industry, but that I wasn’t a great fan of her music. She suggested that I at least give the album a spin, so I did. If I had listened to it earlier it might have made it into Mayhem’s top 20 albums for 2023. It is an album that exudes emotion, and highlights struggle but has incredible strength and positivity throughout. This suggests to me that Rebecca Ferguson is not just a talented singer-songwriter and performer but also a wonderful human being. Overall the album is a fabulous slice of modern R&B, but it has so many other influences and themes. There is also pop, electronic, and hip-hop among others.

I think I might target one of these dates!

The album kicks off with “Digging For Gold” a song with a message of hope in adversity. The lyrics are inspirational, “I’m just surviving by the skin of my teeth but tomorrow’s just another day” kicks off the chorus. The production on this track is perfect. Next comes “I’m Going To Love You” which wears it’s gospel influences with pride. Rebecca’s voice is deeply soulful here and at times has a feel of one of her heroines, Aretha Franklin. “From Now On” has a guitar sound that made me think of New Order. Lyrically it perhaps deals with some of the things that Rebecca has been through, “I figured I’ll take my chance and choose the life I want“. “Shallow Breathing” is an epic power ballad and it feels like a celebration of being loved. The vocal performance from Rebecca on this song is stupendous, it made the hairs on the back of my neck stand up and I even shed a little happy tear. If you like listening to songs with a 100% positive vibe, then play “I Have A Dream” It will lift you, I promise. If the Spice Girls ever decided to reform and record new songs they should definitely cover “Diamonds In Her Shoes”, although they might do the song justice I doubt that they would be able to top Rebecca Ferguson’s supreme performance. The hook and chorus stick with you long after the song has ended and I love the strings. I felt that “Found My Voice” sums up how Ferguson felt when she finally decided to move on up and do things her way. Once again there is a magnificent gospel feel and how can you not love this track. I am not sure how personal “Hollywood” is, but is a cinematic pop-rock tune that would make a great single. “Run Rebecca” is a fun song with some wonderful rap input and feels like Rebecca is showcasing her lack of fear in her life now. The album closes with “You Don’t Have To Leave” and frankly I didn’t want to leave this collection of gorgeous tunes, so I played the album again and again! I don’t know who the musicians who played on the record are but the music throughout is spot on. Ferguson appears to have worked with several co-writers and producers on the album, but for me, that simply enhances her own talent. Give this album a try, you will not regret it! Rebecca says that this will be her last album, I hope that is not true.

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On This Day There Were Two Virgins An Audition And A Producer! January 3, 2024

Filed under: On This Day — justwilliam1959 @ 8:32 am
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The original post had the album cover, but it was against Facebook’s community standards, so I have updated it!

When I started this blog nearly fifteen years ago the early posts were largely music trivia, often “on this day” related. Then I went on to focus more on reviews. So as a treat and inspired by receiving Justin Lewis‘ excellent almanac ‘Don’t Stop The Music – A Year Of Pop History One Day At A Time‘ as a Christmas present from my fabulous wife Catwoman (a.k.a. Catherine) I plan to add in quite a few on this day style posts in 2024. The first few will be from that book, but not all will. I will kick off with a bonus of three, one for 1st January, one for 2nd January, and another for today (3rd January). All three are Beatles-related, just “Because…” The first of these facts is that acclaimed music producer and the man often referred to as the fifth Beatle, George Martin was born on 3rd January 1926.

On 2nd January 1968, The entire shipment of John Lennon and Yoko Ono’s album ‘Two Virgins’ was seized by authorities in New Jersey due to the controversial full-frontal nude photograph of the pair on the cover. The album was eventually wrapped in plain brown paper in record stores. The album is a venture into the avant-garde side of music by Lennon, which is interesting because he once declared that the phrase avant-garde was “French for shit”

On 1st January 1961 the Fabs recorded some songs as a demo for Decca Records and were turned down in favour of Brian Poole and the Tremeloes. Five of those songs were eventually released officially on ‘Anthology Volume 1’ in 1995. The songs included there were “Searchin'”, “Three Cool Cats”, “The Sheik Of Araby”, “Like Dreamers Do” and “Hello Little Girl”.

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