This post is very late largely because the whole COVID-19 somewhat dampened my enthusiasm for writing. This is now the last gig for me and all of us for weeks, maybe months. So I feel a need to document it. It was another great looking line up from Simon Pattinson head honcho of Northern Radar. First up were Fawn, a musically talented bunch and the pet project of Ilana Zsigmond, a transatlantic singer-songwriter who moved to the UK a few years ago. Her band featured Crispin Halcrow who has featured on this blog before as a solo performer. Ilana reminds me of Linda Ronstadt in her early, in which case are her band a fledgling Eagles? Who knows? Crispin is more Glen Frey than Joe Walsh in style, so maybe! Ilana’s between-song banter was intelligent, amusing and frankly spot on. Her song about York (apologies I missed the title) was close to sublime while “Skin” was truly stunning, a really beautiful song. For me, it encapsulates perfectly that journey of understanding who you are and getting to know and understand yourself. Lyrically it is faultless, with my favourite line being ““But I still build forts and I still skip stones and I still haven’t read every book that I own”. That sums me up to a degree, although I probably need to start building more forts!
Next up is the extraordinarily talented Kitty VR. I have seen her previously with a band and also solo acoustic, tonight was with a full band. In this environment, Kitty loses a little of her solo acoustic fragility. But that is more than compensated for by the deeper and more expansive sound that a band brings to her growing canon of great songs. “My Kind” is an open-hearted lament when performed solo acoustically. But here it felt like an amazing collaboration between Massive Attack, Portishead and the Cocteau Twins with Jimmy Page producing. this was not just a highlight of Kitty’s set for me, it was also the highlight of the night! Kitty, whether with band or solo retains that elusive Jeff Buckleyesque style that since Jeff’s sad demise I have only ever heard through Kitty and her supremely talented contemporary Laura Kindelan.
This was the first time that I had come across Julia Bardo and I was pretty impressed. She has great songs with elements that sit on the softer side of Patti Smith and maybe a little Justine Frischmann (Elastica) and Louise Wener (Sleeper) seeping into Julia’s tonal quality. She has some soaring, heartfelt and soul pouring ballads in her powerful song repertoire. There is also a Stevie Nicks comparison which wasn’t apparent until Julia and her band launched into an awesome cover of Fleetwood Mac’s “Dreams”. But this was not just a carbon copy cover the song evolved into an extended guitar fade, jam, wigout that matched the Velvet Underground at their peak. Julia Bardo is well worth checking out if you like great music and classy tunes you will love her stuff! Interestingly given the focus on gender equality festival line ups all three of tonight’s acts were incredibly talented women. Festival organisers take note for 2021 (on the assumption that the 2020 festival season will be canned).
After the gig, I went for a few drinks with the aforementioned Simon Pattinson and Jared, Joe and Jordan from Avalanche Party who were punters at the show. That is another band that I am looking forward to seeing again once this virus is history. Given that was my final pub visit before close down I can think of far worse people to spend it with. Simon, Jared, Joe, and Jordan thanks for a great night and I look forward to meeting up again on the other side of all this!
All the photos apart from the gig poster were taken by me on my cheap Chinese android phone. The videos were all found on YouTube if one of them is yours and you would like a credit or for me to remove it please let me know.
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