We arrived a bit late for the secret set from Green Day which began at 11 o’clock, but by all accounts it was blisteringly good. So day 2 kicked off for us with a song from Los Campesinos. An excellent band and even the sun came out to enjoy them! Theme Park were very fresh and funky with a singer that looks like Mr Cole a.k.a Cashley. They sound like David Byrne on ecstasy and was that Prince Harry on guitar? Probably not as he had his kit on! We saw Citizens next. They have been produced by Alex Kapranos and seem to be channeling Edwyn Collins. A very good band.
The usual visit to the comedy stage gave us Jimmy McGhie and Reginald D Hunter. Both were very funny, especially McGhie’s mugging story about Ewoks in hoodies! Grimes was next and she gave us some wonderful ethereal trance tunes and a topless blonde dancer too…. he was quite good! We made it to the NME/ Radio 1 stage for Dry The River. They have a very chilled US west coast sound with added psychedelic wig outs and up until that point the weather was Californian too.
Santigold was pure class but what the hell had she made the band wear? Her set had everything; the audience on stage, costume change and a pantomime horse (probably the first time I’ve ever seen one of those on stage at Reading)! We went back to the Main Stage for late afternoon and the Shins were the perfect choice! After the Shins it was the mercurial Enter Shikari. It’s now 4 years in a row at Reading for the Shikari boys who in my opinion are one of the finest bands to grace the main stage. They owned the place!
Some vaccines cure but the Vaccines rock! They are future headliners I think. Florence & the Machine best so far by mile and she did it in heavy rain. Heavy is an understatement, it was pissing down! Not only talented but a trouper too. Ms Welch has a heavenly voice. I am sure that she will be back to headline in the next few years. We watched the first two songs from Kasabian. I think they are far better live than on record but I would still describe them as Leaden Zeppelin. We caught just one song from the bouncy Katy B before a mini tour of the remaining headliners; At The Drive-In were on supreme form and it’s good to see them back, Metronomy provided us with some laid back late night dance grooves and finally we caught a bit of the DJ set from Bassnectar. For that all we were missing were a couple of tabs of E and some glow sticks. And so ended a relatively chilled and slightly damp day 2.
After what seemed ages the Reading Festival is here again and as usual I made the annual pilgrimage with my good friend Nick Horslen. The first band that we saw on day 1 was the Cancer Bats. I would describe them as hardcore heavy screamers from Canada and they were bloody good too! Dead to Me were on the Lock Up stage and they were rather good and certainly not dead to anyone! I wasn’t sire about the jaunty angled baseball cap though. Coheed & Cambria were on the main stage I found them a bit Biffy Clyro-like but not as good! I suppose you might describe them as 21st century prog rock.
Friends sounded good but sadly we missed most of their set. Spector came next with the first mobot of the day, spookily just after I said to Nick I wonder when we’ll see one from the stage. I like these guys a lot, they have some really anthemic songs especially “Never Fade Away”. Are the Hives the ultimate festival party band? Definitely! They have it all; top hats and tails, attitude, great songs and even a ninja stage crew! We saw the Blackout next, hmmmm seems to be a Shikari influence in there. But I would send the red-haired bloke back to Wales he adds nothing to them in my opinion!
I love Scroobius Pip but I thought that the sound mix for him was terrible. Wow the BBC Introducing stage has a mosh circle and the Attention Thieves worked it well. Very hard and very heavy. Next we were at the NME tent for Passion Pit from Boston. They do what it says on the tin; but with loads more passion than you can fit in a tin and far from the pits! A truly great band. But even after that things went up a notch or two with the great Graham Coxon, what a truly awesome guitarist he is. A little less stage presence than Damon but tons more than Liam Gallagher. A brilliant set and he even has a drummer that looked like a bewigged Mel Smith. We passed by Paramore on the Main stage to see the rather spiffing Bastille who closed with a great 90s dance cover.
The BBC introduced us to the Proxies; I think they’ll be back. The Courteeners were a bit identikit indie pop. I’m sure that if you’re a big fan of them you were in ecstasy watching them. For me they were pretty good but not the most exciting band I have ever seen. Then it was off to the Main Stage to round the day off with Bob Smith’s combo, the Cure. They last appeared at the festival in 1979 and I had never seen them before so the prospects were good. Whilst they are clearly a very tight band, featuring Reeves Gabrels on guitar I think, I don’t think I’d see them again. I am glad I had the opportunity this time though. I felt that the first hour was somewhat soporific but the second part really livened up. So that was the end of the first day and the rain held off too.
So the London 2012 Olympics is over, at least until the Paralympics anyway. I truly believe that this has been an amazing Olympics and for me usurps England winning the 1966 football world cup as our greatest sporting achievement. What do you think? OK I know the Scots won’t agree with that in the first place, but I would still like to hear your thoughts.
I realise that this post comes some 24 hours after the closing ceremony, but given the musical nature of that ceremony I felt I had to post something. The Olympic stadium was once again amazing; decked out to show a London skyline that included the London Eye, Big Ben and the Gherkin to name but a few. It all kicked off with the delicious voice of Emilie Sande accompanied only by a pianist, who was playing a piano covered in newspaper. After that the tempo really took off with forty members of the cast of Stomp dancing, drumming and percussing (is that a word?) on the recreated mini London Eye in the stadium. On top of all this there was a choir singing Beatles songs.
Next up was cellist and Churchill appearing out of the top of Big Ben and reciting words from Shakespeare’s ‘The Tempest’ which was a great link back to the superb Opening ceremony. Obviously it wasn’t really Churchill, it was Timothy Spall. This was followed by newspaper clad crowds depicting the hubbub of London. The whole thing then slowed a little for the arrival of the VIPs; Jacques Rogge (President of the IOC) who seems to make even the dullest accountant I have ever met seem exciting and prince Harry representing the Royal family. Clearly he was never going to match his grandmother’s arrival at the opening ceremony! Obviously this was followed by our rather uninspiring, in my opinion, national anthem.
The whole show was a celebration of Britain and the next vignette was real class. It was the 5, 4, 3, 2, 1 countdown by Michael Caine from the ‘Italian Job’ and then the iconic three-wheeled van of Trotter’s Independent Trading blew apart and out jumped, yes you guessed it, Del Boy and Rodney in their Batman and Robin costumes. A sublime moment and a nod to one of Britain’s greatest ever comedy shows; Only Fools And Horses.
The mood then turned very much to party as madness were driven around the arena playing “Our House” from the back of a truck. This tempo was kept up by the Massed Guards Bands with a wonderful rendition of Blur’s “Parklife”. Just when you thought it couldn’t get better the stadium was filled with cyclists wearing the most amazing geometric and fluorescent hats. Two of them on tricycles which had Neil Tennant and Chris Lowe as passengers. So we were treated to a fabulous version of “West Ends Girls” on bicycles and tricycles. Could this happen anywhere but the UK? I doubt it!
One Direction were next, like Madness they were on the back of a truck, which sadly wasn’t headed to the tip. OK I have to begrudgingly admit they were at least in tune, but I still don’t like them. Interestingly they were one of just a few acts whose name was flashed onto the screen when they appeared. After that it was back to another great number from the cast of Stomp. That percussion sounded like “Spice Up Your Life” to me. was that deliberate? Who knows? An incredibly talented dance troupe who I think were called Spelbound were next to take the stage. They performed a great routine to the Beatles Sergeant Pepper classic “A Day In The Life”
To keep up the 60s vibe Kinksmeister Ray Davies came on to sing his timeless and classic love song to London; “Waterloo Sunset”. eliciting some great ‘sha la la-ing’ from the audience in the process. Emilie Sande made a return next, minus the newspaper piano and sang over a film montage of some of London 2012’s most tearful moments. The three hundred or so flag bearers entered the arena after that, including super sailor Ben Ainslie fo Britain. Elbow soundtracked this whole piece with a great little set that included the beautiful “Open Arms”. The athletes followed the arrival of the flag bearers and they were corralled into the sections of the union jack which formed the floor of the stadium. Apparently this version of the flag was designed by Damien Hirst. Indian drummers then accompanied the construction of a large structure made up of more than three hundred white boxes. One to represent each Olympic event. The backing track to this was Kate Bush’s “Running Up That Hill”. I had momentary butterflies while wishing and hoping that Kate might actually appear herself. But alas she didn’t.
Apparently one of the traditions of the closing ceremony is that it contains the last medal presentation. It is for the Mens Marathon which took place earlier in the day and was won by Stephen Kiprotich of Uganda. This was followed by a thank you and recognition for all the volunteers, or Games makers as they were known from all the athletes. This was followed by a spectacular light show to the unmistakable sound of Queen’s mighty “Bohemian Rhapsody” followed by a children’s signing choir singing John Lennon’s “Imagine”. This segued into a film clip of Lennon singing the song himself. Apparently Yoko Ono commissioned a special remaster of the song for the ceremony. At the same time a 3D image of John Lennon’s face was built on stage. This was a prelude to the main musical events.
George Michael took to the stage for his first live performance since his life threatening illness he sang “Freedom 90” his new single “White Light” which is in fact all about his brush with death. He seemed fit and well and on really good form. I’m not sure I like the new facial hair style though, perhaps it will grow on me! Ricky off of the Kaiser Chiefs was driven to the stage as a scooter pillion passenger singing “Pinball Wizard”. I have gone off the Kaisers of late, by I must admit they did a storming version of the Who’s classic. The next part had me positively tingling with anticipation; A series of short film and audio clips of David Bowie. Would he actually appear? Surely not? And surely he didn’t. But his 1980 hit “Fashion” was used as a backdrop to a showcase of British fashion which included a weird march around the stadium from a series of models including Naomi Campbell and Kate Moss.
George couldn’t master Mo Farah’s Mobot so he invented the Georgebot
A huge skeleton of what might have been a viking boat was pulled on stage and the hidden figurehead was none other than Annie Lennox. She performed “Little Bird” which was used on the soundtrack of Coppola’s film version of Bram Stoker’s classic story Dracula. The much rumoured Pink Floyd appearance turned out to be nothing more than Ed Sheerhan, Nick Mason and Mike Rutherford doing the Floyd’s “Wish You Were Here” accompanied by a tightrope walker who recreated the Floyd album cover with the flaming man.
Russell Brand arrived on stage in what looked like the Scooby Doo van and he was singing, he’s not a bad singer either. He got out of the van to perform the Beatles’ “I Am The Walrus”. The van begat a giant inflatable octopus from which Fatboy Slim did a brief DJ set featuring his own hits “Right Here Right Now” and “Rockerfeller Skank”. Jessie J then sang “Price Tag” in an open top car she was joined by Tinie Tempah then Taio Cruz with “Dynamite”. All in open top cars. Then all three of them took the stage for a creditable performance of the Bee Gees disco classic “You Should Be Dancing”. As they were performing in front of a drum kit marked up with the name of Beady Eye it was obvious who was going to be on later!
A group of London Black cabs entered stadium and performed a kind of synchronised dance. Then five of them moved to the centre of the arena and were lit up with some spectacular lighting arrays. This wasn’t the best kept secret of the show, but guess who the passengers in these five cabs were? Yes it was Scary, Sporty, Baby, Ginger and Pouty…. oops sorry I mean Posh. It was the return of the Spice Girl. They kicked off with possibly one of the greatest pop singles of the 90s (OK that doesn’t mean you have to like it); “Wannabe”. They followed this with the samba rhythmed “Spice Up Your Life” which they performed while being driven around the stadium atop the cabs that brought them in. As expected after seeing their drum kit earlier Beady Eye were next. Thankfully they didn’t play any of their own stuff, just a cover of “Wonderwall” which seemed to go down really well as a sing along with the crowd. Liam seemed quite nervous to me and is his voice a little rough these days?
ELO’s “Mr Blue Sky” was played as a backdrop for a section pioneering flight. This included flying bikes and a failed human cannonball who just happened to be Monty Python star Eric Idle who led the audience in a marvellous sing-alonga-python version of “Always look On The Bright Side Of Life”. he even made a great comedic attempt to join in with some Bollywood style dancing. This whole piece was perhaps the equivalent of the Mr Bean set in the opening ceremony. It ended with the real and successful firing of a human cannonball.
Matt Bellamy and the boys from Muse were the next to appear and they performed their song “Survival” which was commissioned for the Olympics. It’s good and their performance was excellent as usual but this is a long way from being my favourite Muse song. Interestingly, as some have likened Muse to Queen they were followed by a film clip of Freddie Mercury performing some improv jazz scat and despite being dead for more than twenty years the audience were enraptured and joined in the whole Freddie call and response thing. This proved to be the overture to Brian May’s appearance and it’s fair to say that he’s quite a good guitarist isn’t he? 😉 As the unmistakable riff to “We Will Rock You” began and Brian was joined by Roger Taylor I was briefly worried that Adam Lambert or someone similar might step onto the stage. Thankfully it was Jessie J, and inspired choice in my opinion. She did a great vocal on the song which never tried to emulate the late, great Mr Mercury.
It was then time to return to the formal activities which meant the Greek national anthem followed by a Welsh Male Choir version of the Olympic Anthem. This was sealed with the Brazilian national anthem and a formal handing over of the Olympic flag from London’s Mayor Boris Johnson to the Mayor of Rio De Janeiro via Jacques Rogge. The Brazilians then put on a samba fuelled show to let the world know what to expect in 2016. This culminated in an appearance by one of their greatest sports ambassadors; Pele. Then we had more formal stuff with speeches from Seb Coe and Jacques Rogge. Seb was quite inspiring Jacque was once again the definition of dull in my opinion. The remaining action was the extinguishing of the flame. This began with Take That (thankfully without Robbie) performing the appropriate “Rule The World”. It continued with Darcy Bussell flying in as a Phoenix to join two hundred other ballet dances for an exciting modern ballet.
The petals of the cauldron where the Olympic flame burned were then lowered and were slowly extinguished and at this point I thought that was the end. However there was more to come in the shape of the Who. They were on top form and for a pensioner Roger Daltrey’s vocal power is still damned good. They closed with a rousing version of “My Generation” accompanied by yet another magnificent firework display.
I fell a little deflated after such a brilliant two weeks but so very proud to be British. I truly believe that we really showed the world what we are capable of as a country. Not just in the Olympic events but by how we put on such a brilliant event in itself. In spite of the little hiccups before the start (G4S etc) we really delivered this in style and won a whole treasure box of medals too. So let me take this opportunity to congratulate and thank everyone in Team GB, the organisers, all the other competitors, the BBC, the volunteers/ Games Makers and anyone else who was involved in this remarkable event.
Was this the best Olympics ever? I believe it as. Rio follow that!
Most of the film clips from the ceremony are IOC copyright and therefore difficult to show. So here are two songs that sum things up in a simple way.
Some months ago when Elton John announced a UK tour of some places that never seem to get big rock stars performing the list included the Great Yorkshire Showground in Harrogate. So as I live just down the road and as Sir Elton is now 65 I thought I had to get tickets for me and my wonderful wife Catherine a.k.a Catwoman to regular readers. I love Elton’s music, especially the early stuff, but until today I had never seen him live. It was well worth the wait and the ticket price.
The support act was the amazing 2Cellos, which does exactly what it says on the tin. The act consists of two cellists from Croatia; Luka Sulic and Stjepan Hauser. If you had said to me before today that two guys playing cello could be really exciting and create an amazing rock sound I may well have laughed at you. But frankly these guys are outstanding. They played three covers; Michael Jackson’s “Smooth Criminal”, U2’s “With Or Without You” and an electrifying version of “Purple Haze” the Jimi Hendrix classic.
Just as we all thought they were about to start another song Elton and his band took the stage and raced right into “Saturday Night’s Alright For Fighting“. 2Cellos remained with the band for that and many other songs during Elton’s incredible two and a half hour set. He seemed to show no sign whatsoever of his recent illness and really seemed to be enjoying himself. The band who included long time Elton stalwarts Nigel Olsson on drums and Davey Johnstone on guitar. These guys have played together for more than 40 years now and I think that trust and knowledge of each other really shows.
The backing vocalists could undoubtedly be an act in their own right including; Rose Stone a founding member of Sly and the Family Stone and the sister of Sly and Freddie Stone and also Tata Vega who produced some terrific albums for Motown in the 70s. Having started the set with a superb rocker the band followed up with “Bennie And The Jets” and “Levon”. I was really pleased with the eclectic set list Elton had chosen. It included many of his biggest hits along with some of those that are not heard as often. Those included two fantastic selections from the ‘Goodbye Yellow Brick Road‘ album; “Funeral For A Friend/ Love Lies Bleeding” and “Grey Seal” and the gorgeous “Mona Lisas And Mad Hatters” from ‘Madman Across The Water‘. I was disappointed to see so many people head for the bar and the toilets when Elton played “Hey Ahab” from his recent collaboration with the supremely talented Leon Russell.
Most of the crowd were out to have a good time and the rain didn’t seem to dampen anyone’s spirits. Although it was quite ironic to be listening to “Don’t Let The Sun Go Down On Me” when the weather had created the effect that the sun had never really come up! There was an element in the crowd that seemed to fit with the stereotypical breed of Harrogate snob. They seemed to be there more for the social occasion, to drink Pimms and most importantly to be seen. One bloke and his wife/ partner asked us to swap seats with him so that he could sit near his friends. We refused largely because they had been getting up and going in and out of the grandstand during the whole show (well the part they stayed for anyway). But it was interesting that five minutes after our refusal all his ‘friends’ left without telling him! I named him Mr Yo Yo Bollocks.
There were two ladies who spent most of the show dancing around and trying to get everyone else up, including the security guards. They were draped in a ‘we love Elton’ Union Jack and seemed to be enjoying themselves immensely, but I suspect that their hangovers may be huge. It took “I’m Still Standing” to get everyone up, most of whom stayed up for the rest of the show. When Elton and the band left the stage it was hard to figure out what the encore would be as they had played some many classics, but of course it was the beautiful “Your Song”. Preceded by Elton signing a whole bunch of autographs for those at the front.
Elton John is a talented musician, a gifted songwriter, a real showman and a consummate performer. There are not many people around that can match him I believe. It is nearly 39 years since I saw my first ever gig (Jackson 5 at the Wembley Empire Pool in 1973 if you’re interested!) and todays show is easily in my top 5 ever. If you are going to one of the shows on this tour I’m sure you’ll enjoy it. If you’re not then do whatever it takes to get a ticket; sell your grannie, send your kits out to clean chimneys or get your dog to wine ‘Britain’s Got Talent’ (OK probably too late on the last one). And finally thank you for a great gig Elton!
I have no film from tonights show (I was enjoying myself too much to get my phone out) so here is a clip of Elton playing “Your Song” from a couple of years back, followed by 2Cellos with their version of “Smooth Criminal”
So here we are again the cultural peak that is the Eurovision Song Contest. This is the 57th contest and it is being held in Baku, Azerbaijan. There are 26 entries in tonight show, with Sweden favourites and the UK fifth with the bookies. I will be writing this blog as it happens and I won’t be going back to edit it, especially my predictions! So you will be getting my first thoughts on each and every song in this years contest. At this stage I’m sticking my neck out and going for Engelbert to make the top three along with the singing grannies from Russia
First up it’s the traditional dancing and singing, that happens in every show doesn’t it? Guess who’s up first? It’s only the Hump himself a.k.a Engelbert Humperdinck with “Love Will Set You Free”. A truly consummate performer but he looks a bit plastic doesn’t he? But he is 76 now, which for me makes it quite amusing that the song has plummeted down the UK charts, apparently because those ‘silver surfers’ of the Hump’s generation don’t seem able to download it! Actually it’s not a bad song for Eurovision either and I reckon plenty more CD versions will be produced for next week if it does well.
Compact Disco performed the Hungarian entry. Not very compact or very disco really. Very 80s and very power ballad is “The Sound Of Our Hearts”. Are leather coats back in vogue? Rona Nishliu sang next for Albania, she is an experimental jazz vocalist, do I need to say more? Other than perhaps was that a real beehive on her head and a snake on her neck? Don’t give up the day job love!
Donny Montell sang “Love Is Blind” for Lithuania, with an oh so contrived blindfold which appeared to have been made from one of Michael Jackson’s old gloves. He whipped it off with a Bucks Fizz skirt type flourish. Bosnia and Herzegovina had a unmemorable ballad, I can’t recall the artist either!
They’re here, it’s those awesome Russian Grannies with “Party For Everybody”. Stop the contest now and hail them the winners. Absolutely spot on Eurovision entry. Twenty million YouTube hits can’t be wrong can they? They’re also raising money to rebuild a church that Stalin destroyed 70 years ago.
Iceland’s entry was a quite interesting song, but not winning material methinks. the song was “Never Forget” by Greta Salóme & Jónsi. A return to very traditional Eurovision Eurodisco values came next from Ivi Adamou for Cyprus. It was called “La La Love”, see what I mean by traditional contest values? She also danced on a table constructed from books, what was that all about?
It’s France with Anggun singing “Echo (You And I)” surrounded by topless male gymnasts. I wonder if it put her off at all? It was hard to tell for me, largely because the song was pretty crap. But there were some English lyrics in it, quite a departure for France. Italy, with their second performance after 14 years away gave us a fabulous Amy Winehouse pastiche from Nina Zilli. I quite like this, probably now my dark horse for winner. The English version is called “Out Of Love”. Great song, great look, great style and no gimmicks!
“Kuula” from Ott Lepland did the business for Estonia. An ok kind of song, reminiscent of many 70s ballads. The voice was very good, but those eyebrows had a life of their own. I’m sure they’ll be preparing to become moths or butterflies very soon. Tooji represented Norway with “Stay”. Apparently he was born in Iran. He also had a hoodie look going on, no chance of him getting into our corner shop then. He’d probably end up with an ASBO or a CRIMBO as they’re now known. The song was identikit and formulaic 80s disco.
Here come the locals! It’s Sabina Babayeva with the rather unfortunately titled “When The Music Dies” Of course the cost means they might not want to win two in a row. The song was pretty lightweight, so unlikely to win. Apparently she is a big fan of the Hump. Sabina is a very nice looking woman, but what was going on with the dress? Did she get dressed during a hurricane in a pillow factory? Mandinga were the Romanian entry and the group is made up of Romanians and Cubans. the song was an everything but the kitchen sink Eurodisco oompah sound production called “Zaleilah”. Was that really bagpipes? Surely not.
Denmark was represented by Soluna Samay with “Should’ve Known Better”, for some reason she was wearing a sailor’s hat, with some manky feathers in it. But the song was good, her voice is strong too. Shades of KT Tunstall. Soluna was supposedly once a busker. This is one of my favourites so far, but as Catwoman pointed out to me; Soluna is probably better than the song. Now is the time for Greece, surely they can’t afford to win can they? Will the IMF bail out the Eurovision Song Contest next year. Somehow with this song I don’t believe the Greek Government or the IMF need to worry. Incidentally the song was “Aphrodisiac” by Eleftheria Eleftheriou.
It’s time for the favourite, here come the Swedes led by Loreen with “Euphoria” which has already been a smash in many European countries. Her performance was clearly influenced by Florence off of Florence and the Machine and perhaps some Kate Bush mime dance moves. But I think I agree with the bookies, this has winner written all over it. But me saying that is probably the kiss of death for the song. But it really is a classy dance track. Can Bonomo sang next for Turkey with “Love Me Back”. I can only assume he is a big fan of English band sailor from the 70s. Well apart from the fact that his song was odd, bewildering and frankly shit! But yes clearly long leather coats are back!
Pastora Soler is a seasoned performer with quite a few albums under her belt, probably not as many as the Hump though. She sang “Quédate Conmigo” for Spain. She does have a superb voice, but this is not really my kind of song. Roman Lob (what a great name that is) stepped up to the plate for Germany with a pretty good song, “Standing Still” which was co written by Jamie Cullum along with Wayne Hector and Steve Robson.
Malta’s representative was Kurt Calleja, does that make him a Malteser? A reasonably competent dance track is what “This Is The Night” is for me. Kurt had a pretty trendy and funky suit and shirt combo, but why was he wearing a driving glove? And was that the ghost of Rick Astley on guitar? The Macedonians pushed forward Kaliopi to sing “Crno I Belo” That title looks like a Welsh road sign to me. The song struggled to make it’s mind up about what it was; ballad, pop song, rock song, dance track? Who the hell knows, but more importantly who cares?
Bloody hell it’s Jedward, their career can’t have much more life left in it surely. But “Waterline” is a pretty good song, so why did the writers waste it on these two talentless dorks? Jedward winning this contest would be on a par with a dog winning Britain’s Got Talent wouldn’t it? “Nije Ljubav Stvar” was the Serbian song from Željko Joksimović. Do you suffer from insomnia? This song might help you to sleep. Were those wellies or cowboy boots he was wearing?
Gaitana was next with a song she had cowritten, that song was “Be My Guest” and was the Ukrainian entry. Not a bad song and a damned good voice. But the dancers were camper than a row of pink tents. The brass intro and sometime refrain in the song did sound a bit like an elephants call though. Moldova had Pasha Parfeny singing “Lăutar” which was no more than just alright for me. As for his supporting dancers, a chimp with wooden legs could have done better.
So that’s it folks, now it’s results time. I won’t bore you with any commentary about the results though. But I will tell you about them in the next few lines. But right now I think the top two might be Sweden and Russia. Well I was right with that last line although some of my earlier predictions were way out! Sweden won the contest with 372 points followed by Russia with 259 and Serbia with 214. The UK finished second from last with just 12 points. Norway were bottom with only 7 points. Luckily Sweden are one of the few countries that can comfortably afford to put the show on in the current economic climate. So next year it will be from Sweden.
Earlier this evening we went to the local Vue multiplex, which frankly isn’t as nice as the Picturehouse City Screen cinema in York. However putting that aside the film we saw was ‘The Woman In Black‘, it is an adaptation of Scarborough born Susan Hill‘s 1983 novel of the same name. Incidentally the book is bloody good too. It is the first production from a newly reincarnated Hammer Studios.
Daniel Radcliffe plays the main character, Arthur Kipps. He is a lawyer sent to a desolate coastal town in the north-east of England to close the estate of a recently deceased woman. I won’t add any spoilers in this post but if you like classic horror in a gothic style take a trip to the cinema as soon as you can. In the UK it is a 12A certificate, but I’m not sure I can think of any 12 year olds that wouldn’t be scared shitless!
Was it scary? Well there were a few ‘make you jump’ moments but personally a film has never scared me and this one was no exception. It did scare the living daylights out of my beautiful wife Catherine a.k.a Catwoman. It is a great film though; excellent acting, brilliant script, perfect casting and wonderful locations and cinematography. On this showing there is clearly a long life after Harry Potter for Mr Radcliffe, he has the makings of an award-winning actor.
Hammer is back with a vengeance with this slice of classic British Horror. (My late uncle, Ron Jackson, would have been proud. He was Production Manager of many of the great Hammer Horror films). Hollywood couldn’t have made this and let’s hope they don’t try. This is not a musical nor is it a music related film, but I felt the need to talk about it. So in keeping with this being a music blog please enjoy a few appropriate songs. Also click here to see a great spoof based on the film.
Last Saturday I had the pleasure of a great night out at the Alhambra Theatre in Bradford with my beautiful wife Catwoman and our good friends Caron and John. We went to see a show that has now been around for more than 20 years. It is a musical with no dialogue or lyrics. It is ‘Stomp‘ and it is an amazing show. We probably benefited from the fact that it was the fifth and final show in Bradford. If you have never seen it you really should go.
It is a performance that is all about percussion, but it’s not played with drums or any other traditional percussive instruments. The entire show is played on household and everyday items; dustbins, dustbin lids, brooms, newspapers, chairs, dustpans, metal signs, buckets, lighters and plenty of clapping. That is most definitely not an exhaustive list either. the scene with the lighters may not be the loudest part of the show, but the coordination is incredible, they effectively recreate a multi function string of Christmas/ fairy lights with various sequence options. When you are watching it is hard to believe that it is being done with just lighters!
If you’re thinking when reading this that it shouldn’t work then maybe you’re right. I agree that it shouldn’t work, but believe me it really does. I am also very pleased to say that it is a British creation too. It began life in Brighton in the UK in 1991 created by Steve McNicholas and Luke Creswell. They met while working with the theatre group Cliff Hanger and the street band Pookiesnackenburger back in the 80s. One of Cresswell’s early successes was an advert for Heineken beer in the mid 80s. This piece is often called the Bins Commercial. You can see it for yourself below along with some clips from earlier productions.
I wondered whether the cast are predominantly percussionists first and dancers second or whether they are a combination. Either way this show will blow you away if you get the opportunity to see it and I recommend that you stomp along to a theatre that is hosting it very soon!
Back in 2009 I had the opportunity to see a band at a charity gig in York. I said some very good things about them in my review of that gig. Click here to read it. In fact I finished my write up of them with ‘My advice is gather up all of your X Factor shite and burn it, then replace it with whatever you can get by 3 Foot Ninja!’ The band have recorded an album which is scheduled for release in March this year and if the new tracks from them that are out there right now are anything to go by, it will be a real scorcher. You can get hold of new track “Fear” for free by clicking here and you can watch them playing another new song; “England Rains Over You” by clicking here. Are these boys the ones to take up a recent clarion call for a new powerful protest song in these dire times? As a big fan of the Clash I certainly hope so. I feel that they have a bit of the Clash about their attitude and that can never be a bad thing.
This music will move you on many levels. You will move your body, your emotions will shake a leg and your mind will tango with your soul. These boys have it all; great songs, great hooks, great lyrics, a social conscience, buckets of talent and a desire and hunger to be the best rock band they could ever be. They will be touring to support the album so if they play anywhere near you do whatever you can as long as it’s legal to raise the money to see them. You will not be disappointed, I intend to be at least one of those gigs myself. So feel free to come and say hi to the Hint Of Mayhem guy after you’ve pogoed and moshed the roof off the venue.
The band consists of Jordan and Joe Bell aided and abetted by Kane Waterfield on skin thumping duties. Did you wonder where their name came from? Well I’m pretty sure it was after a certain member of this powerful trio spent some time playing the original 3 Foot Ninja game on-line. I was also keen to see that they had posted a list of really good bands they have played gigs with on Purevolume. That list is; The Subways, Ash, Wilko Johnson, The Fratellis, Cage The Elephant, The Buzzcocks, Pete and the Pirates, Elvis Presley (they don’t look old enough for that one do they?), British Sea Power, The Airborne Toxic Event, Chico, Twisted Wheel, The Nostalgic Oasis Reverence Band, Little Comets, General Fiasco, Flashguns, Shrug (feat. Barry White). And there was me thinking my musical tastes were eclectic!
So prepare yourself for the arrival of the new album in a few weeks by downloading “Fear” and checking them out on Facebook and MySpace and of course going to see them at a gig near you. I am hoping to bring you more news about this brilliant band very soon; watch this space.
3 Foot Ninja prepare to take the head off of all that bland X Factor style shite!
Firstly let me say thank you to my good friends Andy and Rachel for getting the tickets for this gig. It was only Andy and me that attended though. I never took the opportunity to see Frank Zappa when he was alive although I know quite few people who did. Frank’s widow and his son Dweezil probably curate the Zappa musical estate better than that of any other sadly departed stars. Frank’s music is granted all the respect it deserves, especially when played by a band led by Dweezil. Some critics might say this is just a tribute band and whilst technically that may be true, how many other tribute bands actually share DNA with the original.
I have heard bands described as tight and very accomplished before, indeed I have used those very phrases myself. But this band go way beyond accomplished, it seems that every member is a virtuoso of sorts. Dweezil’s guitar talents are sensational, he is even beginning to look like his father. Overall they played for around two hours and frankly (no pun intended) I don’t think anyone would have complained if they had played on for another two hours.
As promised they began with a complete run through of Zappa seniors ‘Apostrophe (‘)’ album. Having listened to the album init’s entirety on my way home from work I would say it was pretty close to a perfect reproduction. It even included some excellent and supremely well synchronised video and audio of Frank. It was as if he was playing with them. Obviously that album is not two hours long; so they played some other Frank classics after the album was done.
Songs such as “Gumbo Variations”, “What Is The Ugliest Part Of Your Body” and a stupendous version of “Dancing Fool” where they even managed to incorporate a line or two from “Ghostbusters” Then there was a storming version of “Honey Don’t You Want A Man Like Me?” which Dweezil said was inappropriately dedicated to all the ladies in the audience. As we left Dweezil was still sat at the front of the stage talking to fans and signing autographs; There aren’t many artists that can be bothered to do that these days are there?
This was probably one of the best gigs I’ve seen this year and I will definitely go and see Zappa Plays Zappa again in fact I will also check out Dweezil in his own right too. This date in York is the first of this UK tour so you still have plenty of opportunity to see them play. Get yourself along, you won’t be disappointed. You know it makes sense! But remember if the big freeze comes early don’t eat the yellow snow!
Please note that none of the pictures or video used in this post are actually from tonight’s gig. Sadly my phone’s battery died. To finish enjoy a couple of excellent Zappa Plays Zappa videos
The original picture at the start of this post was removed on 30th August 2021 due to copyright infringement.
This was a night I had looked forward to for some time. Catwoman and I had booked the tickets to see Imelda May months ago and the day finally arrived last Friday. This incredibly talented woman was certainly no disappointment, but more of her later. I need to tell you about the superb support act; Big Boy Bloater. I have heard a few of his songs on-line before but they simply hadn’t prepared me for just how good he is in a live setting. The best support act I have seen in years and remember I do have a lot of years! Mr Bloater (I don’t know his real name yet, but I know it isn’t Duncan!) has retro blues style with a splash of contemporary sounds.
Catwoman felt that his music wouldn’t be out-of-place on the True Blood soundtrack next to Jace Everett. He has some great songs. I particularly liked “That Ain’t My Name” and “Big Fat Trap”. He also did a great version of the Platters “My Prayer” in a modern ska style. I met the man himself after the gig and got him to sign the two CDs I bought from the Merchandising stand; one for me and one for Catwoman (aka Catherine). If you’ve not heard him yet you really need to check him out, you will not be disappointed.
After a short break the wait was finally over as the Irish dynamo that is Imelda Mary Higham better known as Imelda May took the stage with her supremely talented band. Every song was a winner; “Love Tattoo“, “Sneaky Freak”, “Psycho”, “Mayhem” and “Johnny Got A Boom Boom” to name just a few. Boom Boom is currently my favourite Imelda May song. Catwoman and I also love “Inside Out” and had that one played after we signed the register at our wedding in September. Who would have thought that a song mentioning wobbly bits would work, but bloody hell it does!
She had the audience eating out of her hands, including us. If she told us to sing along we did, if she told us to clap we did. It’s pretty difficult to ignore an instruction from someone who is not just talented but clearly seems to love what she is doing. The audience participation probably peaked during “Proud And Humble” which she sang largely a capella with help from her audience. To do it all in those killer heels just adds to the admiration! The band was amazing, truly fuelled by rockabilly rocket power. But believe me if you see Imelda and her band as just rockabilly then listen again, you’re wrong. She played a beautiful new song “Gypsy” which I think will be massive. I could also imagine Elvis Presley covering it had he still been around.
The encore was pretty special too; three perfectly executed and well-chosen cover versions. First up was a sparse acoustic cover of “Baby I Love You” (originally by the Ronettes and well covered by the Ramones) accompanied by Al Gare on the ukulele. The whole band returned for their storming version of “Tainted Love” (originally written and recorded by Gloria Jones and made famous by Soft Cell). You can find the studio version on Imelda’s ‘Mayhem’ album. I would love to say that the title of this blog is drawn from that album, but I’m afraid it’s not. The closing number was one that she said she had been singing for years, it was one of Elvis Presley’s biggest hits, “My Baby Left Me“. A great way to close a stonking gig. We left the Barbican with massive smiles as we walked through the rain back to the car. In fact I reckon everyone who was there left in a happy mood!
Would I go and see Imelda again? Absolutely, positively, definitely yes! The same for the Big Boy too!
