So how did the last day of the festival arrive so quickly? Perhaps because two old rockers (that’s me and Mr Horslen) have had a fantastic jolly boys outing! Day 3 kicked off with the highly recommended (by Simon Pattinson) Deap Vally. They were fucking good; like an all girl White Stripes but with a much better drummer! We caught some of the Band Of Skulls set and they served up some pretty good blues rock. The Eagles Of Death Metal who on the previous occasions I had seen them were a superb party band. They were good this time but not as good as usual. I wonder whether the fact that the audience is now a bit further from the stage given the new safety barrier arrangement.
The Gaslight Anthem were next on the Main Stage. These guys definitely get better every time I see them, it must be something about the water in New Jersey because there is definitely at least an injection of Springsteen in their songs. Another comedy break came next and Stephen K Amos was bloody hilarious. His handling of hecklers was the best I have seen in a long while. Alberta Cross don’t sound like they’re from Alberta nor do they sound cross. But they do sound good.
The loudest band ever on the BBC Introducing stage has to be Marmozet. Are they Slipknot without the masks? I think I like them. Next it’s the Lock Up stage for Good Riddance, basically a bit derivative of many US punk bands and therefore not particularly original. Was that Johnny Cash playing guitar in the Mark Lanegan Band? Is Mark receiving messages from beyond the grave from Jim Morrison? We need to know! The Kaiser Chiefs were far better than I expected but I doubt that I’ll ever be a big fan of theirs. Every day I love you less and less; indeed. Everything is average nowadays; double indeed! The Black Keys rocked like motherfuckers; ’nuff said!
So just how good was the send off from Reading 2012? It was the Fucking Foo Fighters, that’s how good it was. Undoubtedly one of the best headline sets I have ever seen at Reading and I have been going since the late 70s. Sadly I haven’t been every year in that time, but I have only missed around two of the last twenty and Nick and me have headed to Reading together for around ten years now. The Foos played for two and a half hours and if the field had a roof on they surely would have blown it off. Dave Grohl is a talented genius and a true superstar. None of the rumoured special guest turned up but they weren’t needed. In the few hours before the Foos Nick and I both thought about toning it down or not going as often. But after the Foo Fighters we were completely fired up for Reading 2013. Bring it on!
So the London 2012 Olympics is over, at least until the Paralympics anyway. I truly believe that this has been an amazing Olympics and for me usurps England winning the 1966 football world cup as our greatest sporting achievement. What do you think? OK I know the Scots won’t agree with that in the first place, but I would still like to hear your thoughts.
I realise that this post comes some 24 hours after the closing ceremony, but given the musical nature of that ceremony I felt I had to post something. The Olympic stadium was once again amazing; decked out to show a London skyline that included the London Eye, Big Ben and the Gherkin to name but a few. It all kicked off with the delicious voice of Emilie Sande accompanied only by a pianist, who was playing a piano covered in newspaper. After that the tempo really took off with forty members of the cast of Stomp dancing, drumming and percussing (is that a word?) on the recreated mini London Eye in the stadium. On top of all this there was a choir singing Beatles songs.
Next up was cellist and Churchill appearing out of the top of Big Ben and reciting words from Shakespeare’s ‘The Tempest’ which was a great link back to the superb Opening ceremony. Obviously it wasn’t really Churchill, it was Timothy Spall. This was followed by newspaper clad crowds depicting the hubbub of London. The whole thing then slowed a little for the arrival of the VIPs; Jacques Rogge (President of the IOC) who seems to make even the dullest accountant I have ever met seem exciting and prince Harry representing the Royal family. Clearly he was never going to match his grandmother’s arrival at the opening ceremony! Obviously this was followed by our rather uninspiring, in my opinion, national anthem.
The whole show was a celebration of Britain and the next vignette was real class. It was the 5, 4, 3, 2, 1 countdown by Michael Caine from the ‘Italian Job’ and then the iconic three-wheeled van of Trotter’s Independent Trading blew apart and out jumped, yes you guessed it, Del Boy and Rodney in their Batman and Robin costumes. A sublime moment and a nod to one of Britain’s greatest ever comedy shows; Only Fools And Horses.
The mood then turned very much to party as madness were driven around the arena playing “Our House” from the back of a truck. This tempo was kept up by the Massed Guards Bands with a wonderful rendition of Blur’s “Parklife”. Just when you thought it couldn’t get better the stadium was filled with cyclists wearing the most amazing geometric and fluorescent hats. Two of them on tricycles which had Neil Tennant and Chris Lowe as passengers. So we were treated to a fabulous version of “West Ends Girls” on bicycles and tricycles. Could this happen anywhere but the UK? I doubt it!
One Direction were next, like Madness they were on the back of a truck, which sadly wasn’t headed to the tip. OK I have to begrudgingly admit they were at least in tune, but I still don’t like them. Interestingly they were one of just a few acts whose name was flashed onto the screen when they appeared. After that it was back to another great number from the cast of Stomp. That percussion sounded like “Spice Up Your Life” to me. was that deliberate? Who knows? An incredibly talented dance troupe who I think were called Spelbound were next to take the stage. They performed a great routine to the Beatles Sergeant Pepper classic “A Day In The Life”
To keep up the 60s vibe Kinksmeister Ray Davies came on to sing his timeless and classic love song to London; “Waterloo Sunset”. eliciting some great ‘sha la la-ing’ from the audience in the process. Emilie Sande made a return next, minus the newspaper piano and sang over a film montage of some of London 2012’s most tearful moments. The three hundred or so flag bearers entered the arena after that, including super sailor Ben Ainslie fo Britain. Elbow soundtracked this whole piece with a great little set that included the beautiful “Open Arms”. The athletes followed the arrival of the flag bearers and they were corralled into the sections of the union jack which formed the floor of the stadium. Apparently this version of the flag was designed by Damien Hirst. Indian drummers then accompanied the construction of a large structure made up of more than three hundred white boxes. One to represent each Olympic event. The backing track to this was Kate Bush’s “Running Up That Hill”. I had momentary butterflies while wishing and hoping that Kate might actually appear herself. But alas she didn’t.
Apparently one of the traditions of the closing ceremony is that it contains the last medal presentation. It is for the Mens Marathon which took place earlier in the day and was won by Stephen Kiprotich of Uganda. This was followed by a thank you and recognition for all the volunteers, or Games makers as they were known from all the athletes. This was followed by a spectacular light show to the unmistakable sound of Queen’s mighty “Bohemian Rhapsody” followed by a children’s signing choir singing John Lennon’s “Imagine”. This segued into a film clip of Lennon singing the song himself. Apparently Yoko Ono commissioned a special remaster of the song for the ceremony. At the same time a 3D image of John Lennon’s face was built on stage. This was a prelude to the main musical events.
George Michael took to the stage for his first live performance since his life threatening illness he sang “Freedom 90” his new single “White Light” which is in fact all about his brush with death. He seemed fit and well and on really good form. I’m not sure I like the new facial hair style though, perhaps it will grow on me! Ricky off of the Kaiser Chiefs was driven to the stage as a scooter pillion passenger singing “Pinball Wizard”. I have gone off the Kaisers of late, by I must admit they did a storming version of the Who’s classic. The next part had me positively tingling with anticipation; A series of short film and audio clips of David Bowie. Would he actually appear? Surely not? And surely he didn’t. But his 1980 hit “Fashion” was used as a backdrop to a showcase of British fashion which included a weird march around the stadium from a series of models including Naomi Campbell and Kate Moss.
George couldn’t master Mo Farah’s Mobot so he invented the Georgebot
A huge skeleton of what might have been a viking boat was pulled on stage and the hidden figurehead was none other than Annie Lennox. She performed “Little Bird” which was used on the soundtrack of Coppola’s film version of Bram Stoker’s classic story Dracula. The much rumoured Pink Floyd appearance turned out to be nothing more than Ed Sheerhan, Nick Mason and Mike Rutherford doing the Floyd’s “Wish You Were Here” accompanied by a tightrope walker who recreated the Floyd album cover with the flaming man.
Russell Brand arrived on stage in what looked like the Scooby Doo van and he was singing, he’s not a bad singer either. He got out of the van to perform the Beatles’ “I Am The Walrus”. The van begat a giant inflatable octopus from which Fatboy Slim did a brief DJ set featuring his own hits “Right Here Right Now” and “Rockerfeller Skank”. Jessie J then sang “Price Tag” in an open top car she was joined by Tinie Tempah then Taio Cruz with “Dynamite”. All in open top cars. Then all three of them took the stage for a creditable performance of the Bee Gees disco classic “You Should Be Dancing”. As they were performing in front of a drum kit marked up with the name of Beady Eye it was obvious who was going to be on later!
A group of London Black cabs entered stadium and performed a kind of synchronised dance. Then five of them moved to the centre of the arena and were lit up with some spectacular lighting arrays. This wasn’t the best kept secret of the show, but guess who the passengers in these five cabs were? Yes it was Scary, Sporty, Baby, Ginger and Pouty…. oops sorry I mean Posh. It was the return of the Spice Girl. They kicked off with possibly one of the greatest pop singles of the 90s (OK that doesn’t mean you have to like it); “Wannabe”. They followed this with the samba rhythmed “Spice Up Your Life” which they performed while being driven around the stadium atop the cabs that brought them in. As expected after seeing their drum kit earlier Beady Eye were next. Thankfully they didn’t play any of their own stuff, just a cover of “Wonderwall” which seemed to go down really well as a sing along with the crowd. Liam seemed quite nervous to me and is his voice a little rough these days?
ELO’s “Mr Blue Sky” was played as a backdrop for a section pioneering flight. This included flying bikes and a failed human cannonball who just happened to be Monty Python star Eric Idle who led the audience in a marvellous sing-alonga-python version of “Always look On The Bright Side Of Life”. he even made a great comedic attempt to join in with some Bollywood style dancing. This whole piece was perhaps the equivalent of the Mr Bean set in the opening ceremony. It ended with the real and successful firing of a human cannonball.
Matt Bellamy and the boys from Muse were the next to appear and they performed their song “Survival” which was commissioned for the Olympics. It’s good and their performance was excellent as usual but this is a long way from being my favourite Muse song. Interestingly, as some have likened Muse to Queen they were followed by a film clip of Freddie Mercury performing some improv jazz scat and despite being dead for more than twenty years the audience were enraptured and joined in the whole Freddie call and response thing. This proved to be the overture to Brian May’s appearance and it’s fair to say that he’s quite a good guitarist isn’t he? 😉 As the unmistakable riff to “We Will Rock You” began and Brian was joined by Roger Taylor I was briefly worried that Adam Lambert or someone similar might step onto the stage. Thankfully it was Jessie J, and inspired choice in my opinion. She did a great vocal on the song which never tried to emulate the late, great Mr Mercury.
It was then time to return to the formal activities which meant the Greek national anthem followed by a Welsh Male Choir version of the Olympic Anthem. This was sealed with the Brazilian national anthem and a formal handing over of the Olympic flag from London’s Mayor Boris Johnson to the Mayor of Rio De Janeiro via Jacques Rogge. The Brazilians then put on a samba fuelled show to let the world know what to expect in 2016. This culminated in an appearance by one of their greatest sports ambassadors; Pele. Then we had more formal stuff with speeches from Seb Coe and Jacques Rogge. Seb was quite inspiring Jacque was once again the definition of dull in my opinion. The remaining action was the extinguishing of the flame. This began with Take That (thankfully without Robbie) performing the appropriate “Rule The World”. It continued with Darcy Bussell flying in as a Phoenix to join two hundred other ballet dances for an exciting modern ballet.
The petals of the cauldron where the Olympic flame burned were then lowered and were slowly extinguished and at this point I thought that was the end. However there was more to come in the shape of the Who. They were on top form and for a pensioner Roger Daltrey’s vocal power is still damned good. They closed with a rousing version of “My Generation” accompanied by yet another magnificent firework display.
I fell a little deflated after such a brilliant two weeks but so very proud to be British. I truly believe that we really showed the world what we are capable of as a country. Not just in the Olympic events but by how we put on such a brilliant event in itself. In spite of the little hiccups before the start (G4S etc) we really delivered this in style and won a whole treasure box of medals too. So let me take this opportunity to congratulate and thank everyone in Team GB, the organisers, all the other competitors, the BBC, the volunteers/ Games Makers and anyone else who was involved in this remarkable event.
Was this the best Olympics ever? I believe it as. Rio follow that!
Most of the film clips from the ceremony are IOC copyright and therefore difficult to show. So here are two songs that sum things up in a simple way.
We are now just over two weeks away from the start of the 2012 Reading Festival. Since I moved north to York in 2007 this has become my annual pilgrimage back south where I meet up with my good friend and festival buddy extraordinaire Mr nick Horslen. Undoubtedly soon to qualify as the oldest rockers in a field in Reading (our combined age is definitely over one hundred!) we have attended the world’s number one rock festival for many years. Although I live nearer to the Leeds end of it I won’t be going there until I can only move by Zimmer frame as I have always seen Leeds as the snotty young brother of Reading.
I have mixed feelings about some of the headliners this year. The Foo Fighters are always awesome an I doubt that will change this year. The Cure, who headline the main stage on the Friday night haven’t played the Reading Festival since 1979 so I’d like to think they’ll have something special up their sleeves for this year. It’s Kasabian that really concern me, I find them a little predictable and almost Spinal Tapesque, like someone said today I’m going to invent a rock band. I may be convinced otherwise but for me they come across as Leaden Zeppelin, Slightly Dark Sabbath or Shallow Purple. I am sure that there are plenty of you out there that disagree with that opinion, so feel free to comment.
There are some great acts lower down the bill on the Main Stage that for me are ‘must see’ performers. Those are; Florence and the Machine, Paramore, Eagles Of Death Metal, Cancer Bats and the truly stupendous Enter Shikari. The Kaiser Chiefs are third on the Main Stage bill on the Sunday, which I find a bit surprising. They have been lacklustre at best lately in my opinion, what do you think?
I am disappointed that I will probably miss Justice in the NME/ Radio tent as they are on the same time as the Foo Fighters. But there are a number of other bands and artists that I want to see on the NME/ Radio 1 stage; notably the Horrors, the Joy Formidable, Hadouken, the Hives, At The Drive In (who are on at the same time as Kasabian) and most of all Graham Coxon.
On the other stages I will do my best to watch Less Than Jake, Me First and the Gimme Gimmes, Azealia Banks and Grimes. But of course I can’t ignore the often excellent BBC Introducing stage where Nick and I often pick a band with the wackiest name to see, but we are also open to recommendations too! So I’m currently considering Wet Nuns, Fish Tank, Dingus Khan and Attention Thieves.
Nick and I often meet some really interesting people at the festival and last year was no exception. In fact last year we met a great bunch of people, mostly South African, but with a smattering of Brits. One of the South Africans was a hilarious bloke called Jason Steyn. (Jason if you’re reading this let me know if you’ll be there this year). They shared their booze, we shared our food and supplied me with a Prince Charles mask! if those guys are back again this year and indeed if you want to meet me and Nick we will be just to the left of the front of the lighting/ mixing tower as you face the main stage, although obviously not if we’re at one of the other stages. You can’t miss us, Nick is very tll and grey haired and his festival nickname is Silver Dude. I am somewhat shorter, slightly older and have hardly any hair, my festival nickname is Billy Baldust. (Actually I just made that one up, but there will be a prize for anyone who comes up with a better one!
Anyway that’s enough wittering on from me. I would love to hear your comments on this post or indeed on any of my posts. I would also love to meet you at Reading and would be more than happy to give you a name check on my posts from the festival! Whetehr I see you or not I hope you enjoy yourself!
Coming home from work today I was listening to Jessie J’s song “Price Tag” Ever since I first heard it I have liked it. But today I must have listened with a different head on, as scary as that sounds! I began wondering whether the lyrics to this little nugget of great pop music were actually Jessie J’s successful attempt to predict the current Euro zone financial crisis. Let me tell you about it by taking small excerpts of the lyrics to explain my reasons. please note that my tongue is lodged somewhat firmly in my cheek ok!
Okay, Coconut man, Moon Heads and pea; you ready Clearly Coconut Man is George Papandreou the current Greek Prime Minister (well at least for tonight anyway). He looks like a coconut and clearly he is nuts. The Moon Heads must therefore be the heads of the G20 nations currently working hard/ living it up in Cannes. As for Pea, that must be a special nickname for President Sarkozy of France, because he is very small isn’t he?
Seems like everybody’s got a price, I wonder how they sleep at night. Obviously the banks and Greece seem to have a price, although I’m not sure what it is. Bankers have no morals so it does make me wonder how they sleep at night
When the sale comes first, and the truth comes second, just stop for a minute and smile. Because when you’ve sold or lost all you have (for the Greeks read dignity and the Elgin Marbles) and the lies of financiers and politicians have dropped you six feet deep in poo you can’t do anything but smile can you?
Why is everybody so serious? Acting so damn mysterious? Got your shades on your eyes and your heels so high. That you can’t even have a good time. This part is about Berlusconi I believe. He is seriously mysterious, wears shades and as a short man I reckon he wears Cuban heels. I think our Jessie got it wrong on the having a good time front, Mr Berlusconi seems to like a bit of Bunga Bunga
Everybody look to their left (yeah), Everybody look to their right (uh) This must refer to the fact that it doesn’t matter what flavour your political party is you’re pretty much all in the shit
Can you feel that (yeah) We’re paying with love tonight. More on Mr Berlusconi methinks only I think it probably should read he’s paying for his ‘love’ tonight.
It’s not about the money, money, money. We don’t need your money, money, money. We just wanna make the world dance,
Forget about the price tag. Well looking at the way Greece appears not to want to accept a massive debt write off from those incredibly generous bankers (NOT!) it can’t really be about the money can it? I’d bloody accept an offer like that. In fact if Greece don’t take it can I have it please? But maybe the Greeks do want to make the world dance, anyone fancy the twelve-inch vinyl DJ Bouzouki remix of ‘Zorba The Greek’ Yo’r probably want to forget about the price tag too if your wages were cut. What’s a Grecian earn? It’s a big old vase isn’t it?
Ain’t about the (uh) Cha-Ching Cha-Ching. Ain’t about the (yeah) Ba-Bling Ba-Bling Back to Berlusconi again, the political leader with the most bling!
Wanna make the world dance, Forget about the price tag. We need to take it back in time, When music made us all unite!
And it wasn’t low blows and video hoes, Am I the only one getting tired? Why is everybody so obsessed? Money can’t buy us happiness. Can we all slow down and enjoy right now. Guarantee we’ll be feeling alright. This is a plea to take us back to the days when we all loved Greek music. How could we forget that classic slab of rock music “Forever And Ever” from the King of Kaftans himself Demis Roussos. The money can’t buy us happiness reference is a topical pointer to Macca’s recent nuptials.
[B.o.B rap]
Yeah yeah. Well, keep the price tag and take the cash back. Just give me six strings and a half stack
And you can, can keep the cars leave me the garage and all I, yes all I need are keys and guitars
And guess what, in 30 seconds I’m leaving to Mars. Yeah we leaving across these undefeatable odds
It’s like this man you can’t put a price on a life. We do this for the love so we fight and sacrifice every night
So we ain’t gonna stumble and fall never waiting to see a sign of defeat Uh uh
So we gonna keep everyone moving their feet
I feel that Mr B.o.B’s rap has missed the point or perhaps he just hasn’t got that same Nostradamus gene that Ms J has. Although he does mention those Bouzoukis and perhaps the dancing is more about Zorba. As for the mention of Mars, well that’s a schoolboy error from Mr B.o.B isn’t it; Mars is a Roman God and a chocolate bar, nothing to do with Greece!
Jessie likes a bit of Greek bubblegum, because the bubble is always about to burst
What do you think and do you know of any pop songs that might predict the future? I won’t accept “I Predict A Riot” from those nice boys from Leeds, the Kaiser Chiefs. That is just too obvious!
Apparently Queen‘s “We Are The Champions” is the catchiest song ever according to researchers from Goldsmiths University and the University of York (my hometown folks!). Now that sounds like a cushy job to me. Anyway the researchers observed a large number of people singing various songs and determined that there are four key components that make a catchy song; Long and detailed musical phrases, multiple pitch changes in a song’s ‘hook’, male vocalists, and higher male voices making a noticeable vocal effort. So bad news for all the great female singers then and whatever happened to a song being catchy if you heard your milkman or postman whistling it?
Last week I had the good fortune of attending an excellent multi band charity gig at the O2 Academy in Islington. It was called ‘London Rocking It For Pakistan‘ and at the time of writing has raised in excess of £3,000 for flood relief in Pakistan. Not only that but four great bands for just £10. The event was sponsored by those very nice people at the NME.
First up were Lazy Lion. Apologies to them for missing their first couple of songs because what I did see was pretty damned good. It would be difficult to compare these guys and girl. The instrumentation was a keyboard player (synthesiser I assume) and an extremely talented guitarist. That combination of instrumentation and some well accomplished rapping and singing worked very, very well. I think this collective has a future!
Next on were a three piece rock ensemble with a name that for me doesn’t really work. However that’s only my opinion. The K Shaped Rooms as they are called were truly stupendous. A classic line up of guitar, bass and drums. Some superb original songs too. But perhaps their secret weapon was the bass player, not just for his excellent playing but also for his massive and effervescent personality. He looked the part too, very rockist fashion sense plus the long hair and beard. He sure knows how to work an audience. I would definitely pay to see these guys again. Reading Festival bookers are you listening?
Second on the bill were the band who for me have by far the best name I have heard in ages; Rockwork Orange. Now ordinarily I’m not too much into covers bands but this lot were brilliant. Everything from Blondie’s “One Way Or Another” to the Kaiser Chiefs “I Predict A Riot” and some T Rex along the way. The female vocalist has a very strong and adaptable voice and the band were one of the tightest I’ve seen in ages. The music appeared to be directed by the bass player who played his instrument with a plectrum. I can’t remember the last time I saw that. He switched to guitar later in the set too. Rockwork Orange know their stuff and certainly know how to rock.
By this time I was thinking can this get any better? Well let me tell you it did! Headliners the Velvetines are something else entirely; looks, sound, songs and energy, they have it all. The rhythm section keep things really well together. The bass player also rocks a really cool eastern look. Then there are the sisters who are the guitarist and the singer. I use the word sparingly but they are truly awesome! The 70s style body suits, wonderful stage presence, well rehearsed playing and really classy vocals. I really want this band to go on to bigger things. Once again are you listening Reading Festival bookers? I would definitely pay to see any of the bands on this bill again, but especially the Velvetines. If they are playing anywhere near you buy a ticket, even if you have to sell your grandmother to do so!
Is this country finally waking up? Are the downtrodden finally kicking back? Are those that consider themselves middle class no longer ignoring the obvious? Are our students finally in control of their rebellious gene? Let’s hope so! This week saw more than 50,000 people on the streets of London to protest at the raising of student fees. This follows protests about the schools building programme cuts in July, another anti cuts rally in Sheffield last month and the occupation of an RBS bank last week. OK I know the Daily Mail readers out there will be getting all sanctimonious about the violence and to a large extent I agree. (Yep me agreeing with a Daily Mail opinion, fucking hell am I getting old?) I do not condone violence of any kind and I truly believe that this was caused by just a small minority as is often the case.
With Nick Laurel and Dave Hardy at the wheel we can't go wrong....... can we?
Bear in mind that these protests have all taken place before the coalition cuts have begun to bite, so I think things will get much worse before they get better. Just look at the housing benefit plans, sure a great way of saving money in the short-term, but with private rents rising far quicker than the government are predicting a recipe for disaster. If it goes to plan it will lead to an exodus of people from London as they can no longer afford to live there. Where will that exodus take them? Why probably into all the areas in the country where there will be no jobs! Now that really makes sense doesn’t it? I do not disagree that cuts are needed in expenditure but there are far better ways of doing it. Over a longer period, with more considered plans etc.
Cameron prepares to throw the baby out with the bathwater
As for those of you that aspire to be or consider yourselves to be middle class, get over it! There are two classes in this country; the filthy rich and the rest of us! Just remember that the current cabinet contains 18 millionaires among its members. These are the people who believe they are leading the country, a mistake which many politicians make (Thatcher, Blair and more). They do not lead us, they serve us and it would be wise of them to remember this.
Clearly this picture proves that Nick Clegg has been David Cameron's ventriloquist dummy all along
I do not believe that this government will see out its full term and therefore we will have the opportunity to voice our opinions through the ballot box again. When the time comes do not bow to apathy, get off your arse and vote. Let’s show the politicians whose country this really is. Anyway, rant over and let me get back to the music. Obviously I have chosen some appropriate stuff for you!
“White Riot” – The Clash. The song is not about race war as many pundits suggested at the time. According to Joe Strummer it is in fact a call to arms of the white youth of Britain to riot against things that were oppressing them in the same way that black youth in the 70s did.
“Let’s Start A Riot” – Three Days Grace. These guys are an Alternative Canadian band who released their 3rd album, ‘Life Starts Here’ last year.
“Panic” – The Smiths This Morrissey/ Marr composition is not really about social unrest, it’s actually about the poor state of pop music at the time. But frankly it still fits on both levels. It was the first Smiths single to feature new member Craig Gannon.
“Walls Come Tumbling Down” – Style Council This is a superb attack on those that govern and I love it. Weller often gets criticised for the Style Council, but I think they were far better than the press thought they were. This song reached number 7 in the UK charts.
“Another Brick In The Wall” – Roger Waters The Wall album is seen by many as close to being Roger Waters solo album. This video is from his current tour playing The Wall in its entirety.
“Going Underground” – The Jam. This song did not feature on any of the bands studio albums although it has been on most Jam compilations. I almost took the title for this post from the song. The couplet, “their lies let you down and their promises rust” would have worked well. This went straight into the UK charts at number 1.
“I Predict A Riot” – Kaiser Chiefs Formed in Leeds in 1997 the band took their name from a South African football team; the Kaizer Chiefs. The band are Leeds United supporters and former Leeds player Lucas Radebe used to play for the Kaizer Chiefs.
“Fight The Power” – Isley Brothers. Written by Ernie Isley this is a really funky protest song. Public Enemy were inspired by it a few years later.
“You Haven’t Done Nothing” – Stevie Wonder This clip appears to be taken from the Andy Williams show. It’s an excellent piece of protest from Mr Wonder. Did you know that the backing vocals on the original studio version were recorded by Motown stablemates at the time, the Jackson 5.
I do worry sometimes that Jedward may be a little more intelligent than Nivid or Dick
With Just A Hint Of Mayhem 