With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

“My Lighter Weight” – Varas January 7, 2025

Filed under: Review,Single — justwilliam1959 @ 8:16 pm
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Benjamin Muñoz Varas is a self-taught producer, singer and songwriter. He uses the name Varas. With roots in Chile, Varas grew up in a small town called Götene in Sweden. When he was twelve his father introduced him to Led Zeppelin. At this time he took up the guitar. Having listened to his new single I am glad he got into music. The current single might not contain any guitar but it is a spine-tingling piano driven dark-tinged ballad. This song is the sort of thing I could drown happily in, it is a thing of pure beauty. It has a delicate fragility and the emotion is palpable. The track comes from his upcoming ‘Eaten by Worms’ EP which is due out next month.

Varas said this of the song “It’s about that feeling of embarrassment, but also liberation, when someone close to you points out that you look worn out and tired. I don’t even see that weariness when I look in the mirror, but having it highlighted by another person can be both mortifying and strangely cathartic. There’s a sense of the facade being as thin as rice paper, and a desire to be scrutinised, to be seen in our truest, most unguarded form.” This is a song you sit down in a relaxing environment and listen to. Do that now, you will not regret it!

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“Electric Eel” – KOYO October 22, 2024

Filed under: Review — justwilliam1959 @ 6:10 am
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KOYO‘s new single “Electric Eel” opens with some choppy, funky, dirty, grungey guitar riffs and builds up to some prog-like sounds in the guitar solos. The infectious funk groove from the drum and bass throughout the song drives it perfectly and ensures the listener will never lose interest. The vocals are harmonious and reminiscent of some of the finest 70s classic rock sounds. Electric eels have poor vision, but this song is definitely made from 20/20 vision! “Electric Eel” is one awesome tune! KOYO are alumni of Leeds Conservatoire and a big part of the Leeds music scene.

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“Lo”(Featuring Malahat Haddad) – Hiatus October 21, 2024

Filed under: Review — justwilliam1959 @ 9:58 pm
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“Lo” is another release in advance of British-Iranian producer Hiatus’ fifth album and it is exquisitely different and achingly beautiful. It is built on a subdued and haunting piano motif which feels like Italian House in a classical style. The track seamlessly fuses DnB with classical Iranian music which is what helps to make it so wonderfully different. After the piano refrain and drum and bass kick in a deep, mournful tone is added by Faraz Eshghi Sahraei’s kamancheh (a traditional Iranian string instrument). Just when you thought it couldn’t get any better we are treated to the ethereal, heavenly voice of Malahat Haddad. It creates a sound like a butterfly dancing on stars of honey. Hiatus spoke about the track and said “DnB was what got me into electronic music, I spent my teens and early 20s raving and DJing at house parties. But it has very few followers in Iran, and I was nervous about asking Malahat to sing on this one, because it’s so far from her musical world. But when I played her the track she loved it, and was singing along before it finished. The result is easily my favourite of our collaborations so far. Maybe it’ll even turn a few Iranians onto the form.” This track is simply gorgeous, you need music like this in your life!

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“American Kid” – Straylings October 12, 2024

Filed under: Review — justwilliam1959 @ 4:22 pm
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“American Kid” is the exquisitely gorgeous stunning new single from ace psych-folk duo Straylings on Deadpan Records. If Stevie Nicks had been born in the 90s she might well be producing music like this. The backing is a dazzling display of classic rock styles and tropes reminiscent, particularly in the guitar motifs, of the Byrds. But it is Dana Zeera’s ethereal pop-rock vocals that are the cherry on top of this sublime tune. It is a shame it is autumn (or fall to anyone reading in the US) because this feels like the sort of song I would play a lot in the summer. But frankly, whatever the season or the weather this is an awesome tune. get it in your life now!

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Wow That’s What I Call Mayhem – Volume 4 September 30, 2024


With continued humble apologies to the creators of the iconic NOW series of compilations that began in 1983, I posted and compiled the first WOW That’s What I Call Mayhem collection back in March, with volumes 2 and 3 following just a few weeks ago. So are you ready for volume 4? I certainly hope so, because here it is! This includes the fourth 20 singles we reviewed in 2024 in another maniacal eclectic playlist for your listening pleasure! With more than 60 minutes of music, click the Spotify link below and lose yourself in the music!

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“Tiny War” – amilost September 28, 2024

Filed under: Review — justwilliam1959 @ 9:44 pm
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“Tiny War” is a huge new song from amilost. You know when you have those ridiculously stupid arguments with the one you love, perhaps your soulmate? Well, I think that is what this undeniably awesome slice of synth-driven pop-rock, with some ethereal and heavenly string parts, is all about. Ross Leslie of the duo says “It was written on the day Sigrid broke up with her boyfriend,” vocalist Sigrid added “Tiny War is about the end of a relationship. It’s about trying everything to make it work, including changing yourself so much that you almost don’t recognise who you are anymore. In the end, you realise that you have to let it go.” So not quite what I heard on the first pass, but it is a truly wonderful modern ballad.

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“Breathe Free” – ALFFA August 29, 2024

Filed under: Review — justwilliam1959 @ 9:47 pm
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After a five-year hiatus, Welsh rockers ALFFA return with a hard-as-nails heavy punky anthem called “Breathe Free.” The song is all about inner strength. dealing with your deepest emotions and accepting who you are. ALFFA are Dion Wyn Jones (Guitar and vocals) and Sion Eifion Land (drummer) and this is what they said about “Breathe Free”, “This song invites you on a journey of self-discovery, reminding us all that embracing and celebrating our true selves is the key to true freedom. “Breathe Free” is not just a song for us; it’s a call to break free from internal struggles and celebrate the power within“. This is a band I would love to see live!

Click here to listen to “Breathe Free” on Spotify!

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“Where Flowers Grow” – ORKID August 21, 2024

Filed under: Review — justwilliam1959 @ 10:17 pm
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Swedish future pop powerhouse launched a new single on the world last month and it is deeply sublime and incredibly infectious. The driving slow groove sinks its roots into you like it was always a part of your being. This deserves to be a gigantic hit it is the epitome of perfect, gorgeous summer pop! The song first came to life after ORKID visited her mother’s grave. She says of the track, “My mom’s grave is the one place where I feel closest to her and can sense her presence. Even though she’s the one lying beneath the earth, it feels like a huge part of me is also buried with her. We wanted this song to resonate with anyone who deeply misses someone. Where flowers grow” can symbolise a person or a place, but at its heart, the song is about not being alone in that longing.” You might not know it, but you need this song in your life!

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“Hot Mess” – Johnny Hunter August 20, 2024

Filed under: Review — justwilliam1959 @ 11:32 am
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Aussie punks Johnny Hunter smash it with their new single “Hot Mess”, this is hard-rocking 21st-century punk at its best. It draws on classic 70s punk and some of today’s heavier sounds like Frank Carter and Soft Play. It was produced by Jesse F. Keeler (Death From Above 1979, MSTRKRFT). The band has said a lot about the song’s birth throes.

“Hot Mess” was recorded above The Lord Gladstone Hotel in their Sydney hometown. Of the recording process, lead singer Nick Hutt said “Whenever we needed to go to the bathroom or for a smoke we had to push through crowds of people on their night out, from people hooking up to crying with their friends outside, to pairs of people coming out of cubicles so every time we were in the studio on the weekend we’d be flys on the wall for (and sometimes part of) this exhibition of what we could only describe as hot mess behaviour. We literally recorded the vocals whilst a massive DnB party played downstairs, I’m 95% sure that if you solo the raw stems of the vocal you can hear it in the background. This is the essence of the song, the whole feel, the drums, the lyrics, the mood all of it attested to recording music in the pub”.

the song was inspired by what bassist Dakota Fisher described as “a meth loop” which he describes as “clanging metal in a bathroom whilst dragging your teeth on the tiled floor“, the band initially explored an 808-driven beat. However, this direction felt too techno, leading them to pivot towards a more organic, LCD Soundsystem-inspired groove that producer Jesse helped refine. To capture a specific dancefloor energy, the band wrote the verse while Groove Armada’s “Shakin’ That Ass” was on repeat. Though they admit to only knowing one verse of the song, it provided the perfect foundation for their own track’s rhythmic delivery. Whilst the rest of the band then joined the party downstairs at the Lord Gladstone drummer Gerry Thompson (Gez) the band’s resident hardcore enthusiast, channelled his love of harmonics into the song’s wild energy. Instantly ripping the guitar part through a Big Muff pedal, he creates a layer of chaos that perfectly complements Dakota’s initial inspiration. Like me, you might be very pleased to learn that Johhny Hunter has permanently moved to the UK!

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“Two Sips” – Revivalry August 19, 2024

Filed under: Review — justwilliam1959 @ 10:18 pm
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Revivalry has become the youngest band to play the Main Stage at Kendal Calling and to cement their growing power they released a classy new song, “Two Sips” last week. It is a superpowered riff fest with some great vocals and harmonies and it overflows with sublime alt.rock, pop, and punk hooks. This bunch can go all the way and on the evidence of this single, they are more than ready for the journey. Here is the band explaining how “Two Sips” came to life. “It started with a riff, as it nearly always does. Ben brings that and everything follows from there. Because we are a 3-piece we use sonics around the bass instead of a rhythm guitar so Josh builds around the riff and Lewis sets the beat – the structure of the song tends to just build from here with all 3 of us in a room together. At times it can be painful, Ben is a perfectionist, Josh is keen to keep the flow of writing going and Lewis is pretty laid back – somewhere in the middle of that triangle is the sweet spot.” One of the best singles of the year in my humble opinion.

If you want to catch them live check out the dates below

23rd August, Victorious Festival (Seaside Stage), Portsmouth TICKETS

24th August, Camper Calling Festival, Warwickshire  TICKETS

31st August, The Imperial, Mexborough TICKETS

15th September, Garristonbury, Barnsley (SOLD OUT)

27th September, The Troubadour, London (supporting A.R.T) TICKETS

2nd November, The Leadmill, Sheffield, (supporting The Denabys) TICKETS

6th December, Deaf Institute Lodge, Manchester TICKETS

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