Well it’s been a long wait but Felix Baumgartner has done it. he has jumped from a balloon some 128,000 feet above the earth. He has broken a record that has been held since 1960 by Colonel Joe Kittinger. Felix appeared to have a spot of bother at the start of his jump when he was spinning over and over for a short while. He reached a top speed of more than 700 miles an hour. Click here to read the BBC report of his successful jump. I also found it a little interesting that he jumped over Roswell, site of the alleged crash landing of an alien spacecraft in 1947.
To celebrate Mr Baumgartner’s success I thought that you might like to listen to some jump related songs.
I am sure that most of you are familiar with the ELO classic “Mr Blue Sky” which reached number 6 in the UK charts in 1978. It was taken from the band’s 1977 double album ‘Out Of The Blue‘. I had always thought that the vocoder part at the end of the song said ‘Mr Blue Sky’s gone’. However as my good friend Stuart O’Hara pointed out, having heard Jeff Lynne interviewed on the One Show on the BBC, it actually says ‘please turn me over’. I can hear you ask why, well the answer is simple. The song was the last track on side one of the second disc of the album and it was an instruction to turn the record over. To those of you who don’t know what records are I would suggest that you ask your parents or your grandparents!
In the meantime enjoy once again an ELO classic and a very happy song indeed!
There was a news article on the BBC website this week about the Drifters. Apparently they are touring the UK at the moment and they have sadly had a lot of their possesions and kit stolen during a meal stop in Nottingham. Obviously that is not good news and I certainly hope that they get their stuff back. However what really interested me was what almost appeared like a throwawy line in the report. It said that the group have had 65 different members since they formed in 1953. That must be some kind of record surely. if you know of a group who have had more members then I’d love to know. Acts like the Mormon Tabernacle Choir or the London Symphony Orchestra and probably the So Solid Crew clearly do not qualify!
If I had lost my job would I be in line for a royal honour? Probably not, unless of course I had been a member of Call Me Dave and Bad Egg Clegg’s cabinet. Apparently a number of people who were shuffled towards the exit during Cameron‘s recent reshuffle are likely to be recommended to receive an honour in the Queen’s New Years Honours list.
Personally I really dislike this whole honours system anyway and in the remote likelihood I was ever offered one I would turn it down. But to effectively get one for being made redundant because presumably your performance could have been better, that really sucks the big one doesn’t it? Click here to read the BBC report on this blatant act of nepotism. Am I the only person who is a bit perplexed and annoyed by this? I’d love to know what you think.
But of course this is a music blog, so I thought I’d let you hear a song that has a cryptic message about what I think of the majority of politicians. At the risk of sounding like Rolf Harris; ‘can you guess what it is yet?’
So the London 2012 Olympics is over, at least until the Paralympics anyway. I truly believe that this has been an amazing Olympics and for me usurps England winning the 1966 football world cup as our greatest sporting achievement. What do you think? OK I know the Scots won’t agree with that in the first place, but I would still like to hear your thoughts.
I realise that this post comes some 24 hours after the closing ceremony, but given the musical nature of that ceremony I felt I had to post something. The Olympic stadium was once again amazing; decked out to show a London skyline that included the London Eye, Big Ben and the Gherkin to name but a few. It all kicked off with the delicious voice of Emilie Sande accompanied only by a pianist, who was playing a piano covered in newspaper. After that the tempo really took off with forty members of the cast of Stomp dancing, drumming and percussing (is that a word?) on the recreated mini London Eye in the stadium. On top of all this there was a choir singing Beatles songs.
Next up was cellist and Churchill appearing out of the top of Big Ben and reciting words from Shakespeare’s ‘The Tempest’ which was a great link back to the superb Opening ceremony. Obviously it wasn’t really Churchill, it was Timothy Spall. This was followed by newspaper clad crowds depicting the hubbub of London. The whole thing then slowed a little for the arrival of the VIPs; Jacques Rogge (President of the IOC) who seems to make even the dullest accountant I have ever met seem exciting and prince Harry representing the Royal family. Clearly he was never going to match his grandmother’s arrival at the opening ceremony! Obviously this was followed by our rather uninspiring, in my opinion, national anthem.
The whole show was a celebration of Britain and the next vignette was real class. It was the 5, 4, 3, 2, 1 countdown by Michael Caine from the ‘Italian Job’ and then the iconic three-wheeled van of Trotter’s Independent Trading blew apart and out jumped, yes you guessed it, Del Boy and Rodney in their Batman and Robin costumes. A sublime moment and a nod to one of Britain’s greatest ever comedy shows; Only Fools And Horses.
The mood then turned very much to party as madness were driven around the arena playing “Our House” from the back of a truck. This tempo was kept up by the Massed Guards Bands with a wonderful rendition of Blur’s “Parklife”. Just when you thought it couldn’t get better the stadium was filled with cyclists wearing the most amazing geometric and fluorescent hats. Two of them on tricycles which had Neil Tennant and Chris Lowe as passengers. So we were treated to a fabulous version of “West Ends Girls” on bicycles and tricycles. Could this happen anywhere but the UK? I doubt it!
One Direction were next, like Madness they were on the back of a truck, which sadly wasn’t headed to the tip. OK I have to begrudgingly admit they were at least in tune, but I still don’t like them. Interestingly they were one of just a few acts whose name was flashed onto the screen when they appeared. After that it was back to another great number from the cast of Stomp. That percussion sounded like “Spice Up Your Life” to me. was that deliberate? Who knows? An incredibly talented dance troupe who I think were called Spelbound were next to take the stage. They performed a great routine to the Beatles Sergeant Pepper classic “A Day In The Life”
To keep up the 60s vibe Kinksmeister Ray Davies came on to sing his timeless and classic love song to London; “Waterloo Sunset”. eliciting some great ‘sha la la-ing’ from the audience in the process. Emilie Sande made a return next, minus the newspaper piano and sang over a film montage of some of London 2012’s most tearful moments. The three hundred or so flag bearers entered the arena after that, including super sailor Ben Ainslie fo Britain. Elbow soundtracked this whole piece with a great little set that included the beautiful “Open Arms”. The athletes followed the arrival of the flag bearers and they were corralled into the sections of the union jack which formed the floor of the stadium. Apparently this version of the flag was designed by Damien Hirst. Indian drummers then accompanied the construction of a large structure made up of more than three hundred white boxes. One to represent each Olympic event. The backing track to this was Kate Bush’s “Running Up That Hill”. I had momentary butterflies while wishing and hoping that Kate might actually appear herself. But alas she didn’t.
Apparently one of the traditions of the closing ceremony is that it contains the last medal presentation. It is for the Mens Marathon which took place earlier in the day and was won by Stephen Kiprotich of Uganda. This was followed by a thank you and recognition for all the volunteers, or Games makers as they were known from all the athletes. This was followed by a spectacular light show to the unmistakable sound of Queen’s mighty “Bohemian Rhapsody” followed by a children’s signing choir singing John Lennon’s “Imagine”. This segued into a film clip of Lennon singing the song himself. Apparently Yoko Ono commissioned a special remaster of the song for the ceremony. At the same time a 3D image of John Lennon’s face was built on stage. This was a prelude to the main musical events.
George Michael took to the stage for his first live performance since his life threatening illness he sang “Freedom 90” his new single “White Light” which is in fact all about his brush with death. He seemed fit and well and on really good form. I’m not sure I like the new facial hair style though, perhaps it will grow on me! Ricky off of the Kaiser Chiefs was driven to the stage as a scooter pillion passenger singing “Pinball Wizard”. I have gone off the Kaisers of late, by I must admit they did a storming version of the Who’s classic. The next part had me positively tingling with anticipation; A series of short film and audio clips of David Bowie. Would he actually appear? Surely not? And surely he didn’t. But his 1980 hit “Fashion” was used as a backdrop to a showcase of British fashion which included a weird march around the stadium from a series of models including Naomi Campbell and Kate Moss.
George couldn’t master Mo Farah’s Mobot so he invented the Georgebot
A huge skeleton of what might have been a viking boat was pulled on stage and the hidden figurehead was none other than Annie Lennox. She performed “Little Bird” which was used on the soundtrack of Coppola’s film version of Bram Stoker’s classic story Dracula. The much rumoured Pink Floyd appearance turned out to be nothing more than Ed Sheerhan, Nick Mason and Mike Rutherford doing the Floyd’s “Wish You Were Here” accompanied by a tightrope walker who recreated the Floyd album cover with the flaming man.
Russell Brand arrived on stage in what looked like the Scooby Doo van and he was singing, he’s not a bad singer either. He got out of the van to perform the Beatles’ “I Am The Walrus”. The van begat a giant inflatable octopus from which Fatboy Slim did a brief DJ set featuring his own hits “Right Here Right Now” and “Rockerfeller Skank”. Jessie J then sang “Price Tag” in an open top car she was joined by Tinie Tempah then Taio Cruz with “Dynamite”. All in open top cars. Then all three of them took the stage for a creditable performance of the Bee Gees disco classic “You Should Be Dancing”. As they were performing in front of a drum kit marked up with the name of Beady Eye it was obvious who was going to be on later!
A group of London Black cabs entered stadium and performed a kind of synchronised dance. Then five of them moved to the centre of the arena and were lit up with some spectacular lighting arrays. This wasn’t the best kept secret of the show, but guess who the passengers in these five cabs were? Yes it was Scary, Sporty, Baby, Ginger and Pouty…. oops sorry I mean Posh. It was the return of the Spice Girl. They kicked off with possibly one of the greatest pop singles of the 90s (OK that doesn’t mean you have to like it); “Wannabe”. They followed this with the samba rhythmed “Spice Up Your Life” which they performed while being driven around the stadium atop the cabs that brought them in. As expected after seeing their drum kit earlier Beady Eye were next. Thankfully they didn’t play any of their own stuff, just a cover of “Wonderwall” which seemed to go down really well as a sing along with the crowd. Liam seemed quite nervous to me and is his voice a little rough these days?
ELO’s “Mr Blue Sky” was played as a backdrop for a section pioneering flight. This included flying bikes and a failed human cannonball who just happened to be Monty Python star Eric Idle who led the audience in a marvellous sing-alonga-python version of “Always look On The Bright Side Of Life”. he even made a great comedic attempt to join in with some Bollywood style dancing. This whole piece was perhaps the equivalent of the Mr Bean set in the opening ceremony. It ended with the real and successful firing of a human cannonball.
Matt Bellamy and the boys from Muse were the next to appear and they performed their song “Survival” which was commissioned for the Olympics. It’s good and their performance was excellent as usual but this is a long way from being my favourite Muse song. Interestingly, as some have likened Muse to Queen they were followed by a film clip of Freddie Mercury performing some improv jazz scat and despite being dead for more than twenty years the audience were enraptured and joined in the whole Freddie call and response thing. This proved to be the overture to Brian May’s appearance and it’s fair to say that he’s quite a good guitarist isn’t he? 😉 As the unmistakable riff to “We Will Rock You” began and Brian was joined by Roger Taylor I was briefly worried that Adam Lambert or someone similar might step onto the stage. Thankfully it was Jessie J, and inspired choice in my opinion. She did a great vocal on the song which never tried to emulate the late, great Mr Mercury.
It was then time to return to the formal activities which meant the Greek national anthem followed by a Welsh Male Choir version of the Olympic Anthem. This was sealed with the Brazilian national anthem and a formal handing over of the Olympic flag from London’s Mayor Boris Johnson to the Mayor of Rio De Janeiro via Jacques Rogge. The Brazilians then put on a samba fuelled show to let the world know what to expect in 2016. This culminated in an appearance by one of their greatest sports ambassadors; Pele. Then we had more formal stuff with speeches from Seb Coe and Jacques Rogge. Seb was quite inspiring Jacque was once again the definition of dull in my opinion. The remaining action was the extinguishing of the flame. This began with Take That (thankfully without Robbie) performing the appropriate “Rule The World”. It continued with Darcy Bussell flying in as a Phoenix to join two hundred other ballet dances for an exciting modern ballet.
The petals of the cauldron where the Olympic flame burned were then lowered and were slowly extinguished and at this point I thought that was the end. However there was more to come in the shape of the Who. They were on top form and for a pensioner Roger Daltrey’s vocal power is still damned good. They closed with a rousing version of “My Generation” accompanied by yet another magnificent firework display.
I fell a little deflated after such a brilliant two weeks but so very proud to be British. I truly believe that we really showed the world what we are capable of as a country. Not just in the Olympic events but by how we put on such a brilliant event in itself. In spite of the little hiccups before the start (G4S etc) we really delivered this in style and won a whole treasure box of medals too. So let me take this opportunity to congratulate and thank everyone in Team GB, the organisers, all the other competitors, the BBC, the volunteers/ Games Makers and anyone else who was involved in this remarkable event.
Was this the best Olympics ever? I believe it as. Rio follow that!
Most of the film clips from the ceremony are IOC copyright and therefore difficult to show. So here are two songs that sum things up in a simple way.
This post is my 501st, so I thought to myself what can I do to celebrate such a milestone? Actually the 500th post would have been a better one to celebrate but I missed that with all the excitement of the Olympics clouding my view. So is the number 501 meaningful in any way? well yes it is; it’s the score that most darts matches count down from. So does that help me come up with a theme for a celebratory 501st post on this blog? A darts theme on a music blog? Is it possible? Can it be done? Will this idiot stop rambling and get on with it? Well indeed I will. Welcome to my special darts themed post to celebrate issue 501! Let me add that when I say darts-themed I do mean that in the loosest sense possible!
So I thought I’d choose three darts related songs, one to represent each of three darts used in every turn at the oche. With the first dart I have hit, rather obviously, Darts the group. This band had quite a bit of chart action in the late 70s. They had a run of seven consecutive UK top 20 hits from 1977 to 1979. This included three that stalled at number two, sadly this meant they never reached the top spot. Those nearly number ones were; “Come Back My Love”, “The Boy From New York City” and “It’s Raining”, all from 1977. Their cover of the classic “Duke Of Earl” was produced by none other than Roy Wood off of the Move, Electric Light Orchestra and Wizzard. Another glam period connection is that Rob Davis the guitarist from Mud was briefly a Dart. That was before he went on to reach amazing heights as a songwriter including song such as Kylie’s “Can’t Get You Out Of My Head”. The song I have chosen from Darts is one that also sums up summer so far in the UK this year; “It’s Raining”
For my second dart I am selecting Franz Ferdinand, the band as opposed to the famous Archduke. Their first single was released in 2003 and was called “Darts Of Pleasure“. Interestingly it was released on the Domino label, another popular pub game. Alex Kapranos of the band has said in interviews that the song is actually about seduction and that the darts of pleasure that hit you are in fact words. It was written by Kapranos and band colleague Nick McCarthy. The single peaked at number 44 in the UK charts in 2003. however their follow-up, the festival friendly “Take Me Out” was a smash. It was their biggest UK hit reaching the heady heights of number three. It also made the top twenty in Canada, Ireland and New Zealand, along with a creditable number 66 on the US Billboard chart. So now you can enjoy “Darts Of Pleasure”
For my last dart I had no other option in my opinion other than Dexys Midnight Runners. In 1982 the band released a cover version of Van Morrison’s song in praise of the late, great Jackie Wilson; “Jackie Wilson Said” (I’m In Heaven When You Smile)” The song reached number 5 in the UK charts, Morrison’s version was never a hit in the UK but did make the US top 75. Dexys played the song on the BBC’s Top Of The Pops show in 1982 and the screen behind them displayed a picture of darts player Jocky Wilson rather than supreme soul singer Jackie Wilson. For many years it was thought that this was a cock-up on the part of the Top Of The Pops production team. However Kevin Rowland has subsequently revealed that it was the band who asked for a picture of Jocky Wilson. Apparently they often referred to the song as Jocky and if this is true it just goes to prove that underneath that supposedly serious demeanour Mr Rowland has a damned good sense of humour! So here is my final dart, hitting a double top to win with a classic from Dexys!
Some recent research by Ofcom the UK’s communications industry regulator has provided some really sad news. We now communicate more using text and e mail than we do actually speaking on the phone or face to face. More people interact with each other via texts and social networking sites than speak to each other.
I find that very disappointing. Whilst a lot of my communication at work is via e mail I still regularly use the desk phone or mobile phone. I als prefer to meet someone in person when I can, especially as in most cases they are in the same building as me. Does this news ultimately mean that evolution will lead to human vocal cords shrivelling away and becoming as useful as an appendix?
You can read the news story here on the BBC site. As usual and as I have mentioned many times before this is a music blog so now I need to share some, hopefully appropriate, songs with you. But I should warn you that I have even more sad news……. one of them is by Cliff Richard!
“Don’t Speak” – No Doubt. This was the biggest single taken from the bands 1995 album ‘Tragic Kingdom‘ and was a UK number one early in 1997. It reached number one in at least twelve other countries.
“It’s Oh So Quiet” – Bjork. The song was written in German and the first English version appears to be by betty Hutton in 1951. But in my opinion Bjork has made it her own!
This is a record-breaking but sad kind of story. One of the largest foxes ever found in the UK was shot on a farm in Aberdeen. It wasn’t killed because it was large, but simply because it was allegedly attacking lambs on a farm. At least it was killed by a working farmer and not some bunch of red jacketed toff twats supported by a cast of hundreds and packs of vicious dogs. Click here to read the story on the BBC site.
Anyway what is this story doing on my music blog? Well it gives me a chance to share some of my favourite fox related songs 🙂 Feel free to submit your own fox songs.
Sorry bunnies, my aim is better now, next time the farmer gets it
Fox On The Run – Manfred Mann – A UK number 5 hit from 1968. The lyrics were from English writer Tony Hazzard who wrote quite a few hits, including another smash from the Manfreds in “Ha Ha Said The Clown”
Fox On The Run – The Sweet – The same title as the Manfred Mann song, but definitely not the same song. This reached number 2 in the UK chart in 1974. It also hit number 5 in the US and was an Australian number one. The song is about groupies as in the women were foxy ladies.
Foxy Lady – Jimi Hendrix – Talking of foxy ladies, this is taken from the Jimi Hendrix Experience album ‘Are You Experienced’ which was released in 1967. The US and Canadian version of the album had the titled incorrectly spelled as “Foxey Lady”
Foxy Foxy – Mott The Hoople – This is one of my favourite songs from this fabulous British band. It reached number 33 in the UK charts in 1974 and never featured on a Mott The Hoople album, other than compilations. It ended a run of 5 top 20 hits in the UK for the band. The group took their name from a Willard Manus novel about someone who worked in a circus freak show.
Reynard The Fox – Julian Cope – This was the opening track from Julian’s 1984 album ‘Fried’. It is apparently a mix of an English folk tale and an incident where Cope had slashed his stomach on stage back in 1983.
Is it me or does Mr Humperdinck look a little 'plastic'?
The UK is taking a rather novel approach to this years Eurovision Song Contest. They have selected septuagenarian crooner Arnold George Dorsey aka Gerry Dorsey but better known as Engelbert Humperdinck. After years of poor results in the contest with the nadir arriving in 2003 with a first UK nul points score from the hapless Jemini. Last year boy band Blue were our entry with the song “I Can”. They could only muster and 11th place finish which suggests that the song would have been more appropriate if it were called ‘I Can’t’
Engelbert will be 76 when the contest takes place in Azerbaijan on 26th May this year. he was born in Madras, India in 1936 to a British father and an Indian mother. The song is apparently not written yet but will be composed, at least in part, by Sacha Skarbek, a Novello award winner who cowrote James Blunt‘s bloody awful dirge “You’re Beautiful”. Not a great omen then! Hump had his first major success in 1967 when his UK number one managed to prevent the Beatles from achieving another chart topper with the double ‘A’ side “Strawberry Fields Forever” and “Penny Lane“. His song “Release me” was also the best-selling UK single in 1967. All that at the height of the hippy movement and in the summer of love.
Vote for me and I'll make your economy this big (The Hump addresses the Greeks)
Some Eurovision experts (yes there are plenty) have suggested that with so many countries in the competition the ‘youth vote’ is split. However experts believe that the choice of the Hump to warble for Britain will pick up the pan European pensioners votes. He also took his name from the German composer who wrote an opera called ‘Hansel and Gretel’, so that’s the German vote in the bag as well. He has had four number one songs in Ireland and release me was number one in the Netherlands so that’s two countries that’ll vote for him as well, so it’s certainly shaping up not to be another nul points year.
Personally I think he may pick up a few votes from the hip community, as opposed to the hip replacement community, this would result from his appearance on the ‘Beavis And Butthead Do America‘ movie soundtrack. The song was not a big hit, but it was for many, including me, a classic. That song was “Lesbian Seagull”. On the subject of Beavis and Butthead, Jedward have been selected to represent Ireland in the contest for the second year in a row. I have a degree of admiration for their management for extend their 15 minutes of fame so far beyond their sell-by date. They did do better than Blue last year though! Anyway let me finish by showcasing a few Humperdinck classics.
It would seem that Madonna’s performance in the USSuperbowl half time slot was both spectacular and controversial. Her set at the not particularly exotically named Lucas Oil Stadium in Indianapolis included many of her biggest hits; “Vogue”, “Music”, “Open Your Heart“, “Express Yourself“, “Like a Prayer” and as expected her new single “Give Me all Your Luvin”. She arrived on stage in a chariot preceded by a whole legion of Roman Gladiators. To be fair Kylie has already done the chariot thing in concert.
Madge was joined at various times by Cee Lo Green, LMFAO, Nicki Minaj and of course MIA. That is where the apparent controversy has arisen. There was no Janet Jackson style wardrobe malfunction but simply a glimpse of MIA’s middle finger. Yes MIA flipped the bird on live TV. The reaction of the US press, who seemed to take great delight in pointing out that MIA, whose real name is Mathangi Arulpragasam, is British, would suggest that it was an international incident on a warlike scale. NBC apologised for her inappropriate and spontaneous behaviour.
oh dear, the shock, the horror!
In my opinion this is a great deal of fuss over nothing much a real storm in an espresso cup. It’s interesting (and thanks to Nick Horslen for reminding me of this) that whilst the broadcaster NBC didn’t like MIA’s middle finger they were quite happy to let Madonna perform a song with a not so hidden reference to fellatio; “Like A Prayer”. Patrick Leonard co-wrote the song with her Madgeness, claimed that at first he didn’t appreciate that the opening lines; ‘When you call my name, it’s like a little prayer, I’m down on my knees, I wanna take you there’ were effectively about oral sex. He asked Madonna to change the words but she refused. I wonder if she said ‘come on Patrick, let’s at least suck it and see!’ That quote from Leonard was included in J. Randy Taraborrelli‘s book Madonna: An Intimate Biography.
Incidentally did you know that the middle finger insult was first recorded nearly 2,500 years ago. According to the BBC a public intellectual, expressing his contempt for a gas-bag politician, reaches for a familiar gesture. He extends his middle finger and declares: “This is the great demagogue”.This allegedly took place in Fourth Century BC Athens, when the philosopher Diogenes told a group of visitors exactly what he thought about the orator Demosthenes. Read the full BBC explanation by clicking here. Apparently it is a very phallic gesture with the middle finger representing the penis and the curled fingers on each side the testicles. So it was mostly just bollocks then.
Anyway the thing has had the desired effect. Madge has oodles of free publicity for a show which she took no fee for. Her album sales will rocket and she has just announced a world tour to support the release of her new album in March. If you arrived here looking for something about the sport and not the spectacle of the Super Bowl I can tell you that the 2012 game was won 21 – 17 by the New York Giants who beat the New England Patriots.
And finally Madonna acts out the offending lines from “Like A Prayer”
With Just A Hint Of Mayhem 