With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

Mayhem’s Top Songs Of 2024 December 28, 2024


A couple of weeks ago you will have read all about Mayhem’s Top 20 albums of 2024. Well here are our top 10 songs of 2024. What were your favourite songs this year? Some of these artists also featured in the top 20 albums list too.

1 Life’s A Fucking Miracle – James
2 Maverick – Delilah Bon
3 My Drummer’s Girlfriend – ALT BLK ERA
4 Two Years This May – Molly Rymer
5 Ipecac – Cassyette
6 Millions Of Heartbeats – Kate Nash
7 I Really Fucked It Up – girli
8 Best Junkie You Adore – Jazmin Bean
9 Age Of Stupid – Jellybricks
10 Collateral Damage – Avalanche Party

You can find them all on a playlist below too 🙂

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Mayhem’s Top 20 Albums Of 2024 (Part 2) December 11, 2024


Here it is, we are finally ready to reveal part 2 Mayhem’s Top 20 Albums Of 2024. Yes this is the top ten! Who is number one? Read on to find out. Have any of your favourite albums made the Mayhem cut? It was very close at the top with Mr. Cave just scraping it Check out the list below and feel free to let me know what you think via comments, socials or email. You will find a Spotify playlist below which contains one track from each album that made the top 20. If you would like to check out positions 11 to 20 click here!

1 Wild God – Nick Cave and the Bad SeedsHow does this man produce so many masterpieces?
2 Evil Hate Filled Female – Delilah BonNo sophomore slump from Delilah, this is magnificent
3 9 Sad Symphonies – Kate NashOne of the most beautifully sounding albums of 2024
4 Wake Up, Shut Up, Work – Millie Manders and the ShutupMillie is not afraid to open her heart
5 Hot Singles In Your Area – Scene QueenThis album made me smile from start to finish
6 Yummy – JamesThis is one of their best and they have been around for ages
7 Songs Of A lost World – The CureI have never been a huge fan of the Cure, but this is sublime
8 BRAT – Charli XCX BRAT ruled the world for a bit this year, and rightly so, this is damned good
9 The Mess We seem To Make – CrawlersA stunning record
10 Traumatic Livelihood – Jazmin BeanWeird, wonderful and everything in between

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Wow That’s What I Call Mayhem – Volume 3 September 17, 2024


With humble apologies to the creators of the iconic NOW series of compilations that began in 1983, I posted and compiled the first WOW That’s What I Call Mayhem collection back in March, with volume 2 following just a few weeks ago. So are you ready for volume 3? I certainly hope so, because here it is! This includes the third 20 singles we reviewed in 2024 in another maniacal eclectic playlist for your listening pleasure! With 70 minutes of music, click here and lose yourself in the music!

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Mayhem’s Parental Advisory Playlist (The Tipper Gore Mix) August 8, 2024


Sometimes it is hard to shake off a great earworm of a song even if that song drops regular F-bombs and other profanities. Well, it certainly is hard for me at times, particularly with the first ten songs to appear in the new Mayhem’s Parental Advisory Playlist (The Tipper Gore Mix). Let me know if any songs like this get you singing along, although maybe not in the vicinity of your Nan! Click here to check it out!

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The Mayhem Charts – June 2024 July 11, 2024


Here is the Mayhem chart for June 2024, albeit a tad late. Regular and constant readers know that the chart is based on my Spotify listening habits over the last month gathered by obscurify.com. Apparently, my tastes have fallen to 96% more obscure than the rest of the UK! A drop of 2% from last month. The chart remains contemporary-ish (but if a classic artist releases something new they might feature in the chart). However, the top three “Legacy” artists for last month are David Bowie, Sparks, and R.E.M. Obscurify also suggests the most obscure artists I have listened to and for June those were Hawksley Workman, Jenny Don’t And The Spurs, and The German Art Students. There is a top ten artists chart and a top 5 songs chart. There is the usual eclectic mix of artists, including three that were in the top ten last month, Taylor Swift, Paul Weller, and Delilah Bon! Delilah is one of only two artists to feature in the artist chart and the song chart for June, with her current single “The Internet” making it to the top of the song chart and May’s number one “Evil, Hate Filled Female” falling to number 5. Delilah has been in the artist charts for seven consecutive months. The other artist to appear in both lists for June is Kate Nash, who also tops the artist chart. Female artists make up 50% of the artist chart and 80% of the song chart! So without further ado here are those charts in full! Click on the header of the song chart for the playlist on Spotify.

Mayhem Artist Chart June 2024

1 Kate Nash
2 James
3 Charli XCX
4 Scene Queen
5 The Streets
6 Delilah Bon
7 John Grant
8 Me First And The Gimme Gimmes
9 Paul Weller
10 Taylor Swift

Mayhem Song Chart June 2024

1 The Internet – Delilah Bon
2 My Drummer’s Girlfriend – ALT BLK ERA
3 Millions Of Heartbeats – Kate Nash
4 No Calories In Cocaine – The Howl and the Hum
5 Evil, Hate Filled Female – Delilah Bon

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James – Leeds First Direct Arena – Saturday 8th June 2024 June 9, 2024


Aside from festivals, this is one of the biggest gigs that With Just A Hint Of Mayhem has had the pleasure of reviewing. I arrived quite early and was pleasantly surprised to find out that I had a great seat. I made a couple of initial posts on social media saying that I was in Leeds to review James and that I had to sit through Razorlight first, with hindsight that was a little mean, shabby, cheap and sarcastic. Razorlight in their time attracted a degree of bad press thanks to Johnny Borrell’s outspokenness. A favourite of mine was “Compared to the Razorlight album, Dylan is making the chips, I’m drinking the Champagne” from 2004. But he was still a young man back then and the arrogance of youth and success can negatively impact many people. This is largely the classic line-up of Razorlight with Borrell as a charismatic and energetic frontman, Björn Ågren on guitars, keys, and percussion, Carl Dalemo on bass guitar and keys, and Andy Burrows on drums and backing vox. The band is strengthened further by keyboard player Reni Lane. So did I just have to sit through Razorlight? No, I didn’t, they were on top form and Borrell played to the crowd faultlessly. They played their set as though they were headlining and it was more glorious and reslpendent as a result. Newer songs like “Scared Of Nothing” hinted at a slightly poppier Velvet Underground influence. But it was the canon of hook-laden hits and classics from three top 4 albums and 5 top-ten singles. Opening with the 2006 top 3 hit “In The Morning” set the scene perfectly for an impeccably played and well-structured set. The crowd was singing along noisily from the first chorus. “Stumble And Fall” was good, but the closing three songs set the bar incredibly high, and Razorlight knocked it out of the park. “Before I Fall To Pieces” and “Somewhere Else” were stunning while the final song “America”, surprisingly their only UK number one, was stirring, emotional, and had all of us singing once again. I completely take back what I said about Razorlight before their set. This was nonpareil and sublime from a band that is back on it in a wonderful way! But I would like to say to the hundreds of people filming on their mobile phones, particularly during “America”, what the fuck are you doing? Live the moment, take in the gig, appreciate the music. You cannot appreciate a live show through a tiny screen on an electronic device. Make memories, not videos!

Finally, it was time for the main course of the evening from James after a splendid and tasty starter from Johnny Borrell and the boys. How many other bands formed back in 1982 are still selling out arenas and releasing stylish new original music regularly? Tim Booth and Jim Glennie have been a part of the band since it was formed 42 years ago, while four of the other members have been a part of James since the late eighties. The band has been an influential and important part of British music since its inception and has been ever-present apart from a short hiatus at the start of this century. I have seen James a few times over the years, and they always put on a show, so I was expecting something good at the Leeds First Direct arena. The band started modestly enough with a song that is nearly 40 years old and is about a character from Iggy Pop’s “Lust For Life”, “Johnny Yen”. The set was nicely littered with songs from the new album ‘Yummy’, eight tunes from the album were included in the 20-song set. The highlights from those were for me “Our World” and a spectacular stomp through “Life’s A Fucking Miracle”. Tim Booth made his first of many crowd-surfing excursions during that one. Booth’s own brand of dancing was clear throughout the show. No one dances with such unbridled fun and bendiness as Mr. Booth. He dances like nobody is watching but he absolutely knows that we are! “Butterfly” was beautiful, and this was the first time the band had performed it live. Before they took the stage there was an announcement saying that James would rather you did not use your mobile phone during their show. I wholeheartedly agree with that! But Tim Booth did make a concession when he introduced “Mobile God”, although I am not sure many in the crowd appreciated the irony in that. The older songs were, obviously, well received, especially the final two pre-encore tracks “Come Home” and “Sometimes”. The huge back-of-stage screen used some kind of AI (I assume) to turn the band into weird robotic characters, the really entertaining part was when they did the same to the crowd. Booth orchestrated the crowd singing an acapella take on “Sometimes” with an almost heavenly and ethereal crowd choir singing “Sometimes when I look in your eyes, I can see your soul” in almost perfect unison and harmony, with occasional support from the band and the four obscenely talented members of the Manchester Voices Inspirational Choir. The band left the stage very briefly before returning for a four-song encore beginning with “Way Over Your Head” from ‘Yummy’ and “Beautiful Beaches” from ‘All The Colours Of You’. Then it was time for “that song”, yes, the perennial anthem of the ages, “Sit Down” and clearly no one did sit down for it. We all sang along as loud as possible though. The song was stopped shortly before the end to help security and venue staff deal with a medical emergency in the crowd, with a compassionate and empathetic Tim Booth telling us what was happening. After they restarted most of the band sat on the front of the stage to listen to the crowd continue to sing this timeless tune. Booth then informed us that we were now on ‘Fergie Time’ which meant another song could be played. That song was “Laid”, perhaps my favourite James song. What a magnificent way to end an epic and dazzling set from a band that goes from strength to strength, even after all this time. I left Leeds an incredibly happy man after this show, I suspect everyone left with smiles on their faces. Roll on the next tour!

All photographs by John Hayhurst of snapagig.com

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The Mayhem Charts – March 2024 April 2, 2024


Here is the Mayhem chart for March 2024. Regular readers know that the chart is based on my Spotify listening habits over the last month. The chart remains contemporary-ish, rather than just an oldies chart However, the top three “Legacy” artists are Kate Bush, David Bowie, and Steve Harley/ Cockney Rebel. David Bowie returns to the chart after missing out for three months. Obscurify also suggests the most obscure artists I have listened to and for March those are Liz Davinci, The Apocalypse Disco and The Chinaskis. There is a top ten artists chart and a top 5 songs chart. There is the usual eclectic mix of artists, including four that were in the top ten last month (Crawlers, Bambi Thug, Delilah Bon, and Frank Carter and the Rattlesnakes). Four of the artists in the artist’s chart also appear in the song’s chart. Delilah Bon has been in the artist charts for four consecutive months and now she tops the song chart with the mighty “Maverick”. Drunk Mums crash straight to the top of the artist chart! So without further ado here are those charts in full! Click on the header of the song chart for the playlist on Spotify.

MAYHEM ARTIST CHART MARCH 2024

1 Drunk Mums
2 Caity Baser
3 James
4 Crawlers
5 Delilah Bon
6 SAHRA
7 Bambi Thug
8 Scene Queen
9 Mortimer Nyx
10 Frank Carter and the Rattlesnakes

MAYHEM SONG CHART MARCH 2024

1 Maverick – Delilah Bon
2 Wailing Night – Mortimer Nyx
3 Life’s A Fucking Miracle – James
4 Finger – Scene Queen
5 Celestial – Dying Habit

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“Life’s A Fucking Miracle” – James March 29, 2024

Filed under: Review — justwilliam1959 @ 3:01 pm
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Iconic Manchester band James who formed more than 40 years ago have released a new single, “Life’s A Fucking Miracle“. The song is the third single to be released from their forthcoming album ‘Yummy’. I listened to it a few times when reviewing the album and it really is shaping up to be a classic James song. This is the ideal festival sing-along song! In the album review, I said “The way that “Life Is A Fucking Miracle” evokes the work that Brian Eno did with David Byrne, with added bird noises is rather wonderful. The melody and beat have a Talking Heads feel about it too. But what raises this song above so many is the way the melody plays tag with the beat and Booth’s voice. He is right, life is indeed a fucking miracle. I love the injection of a pronoun refrain towards the end too“. I stand by everything I said then, yeah lazy reviewing, right? This will be one of my go-to songs for the foreseeable future and is highly likely to feature on the Mayhem Chart soon. I had wondered if this would be released as a single, given that radio stations won’t play songs with fuck or any variants of it in their lyrics or title. Then I thought, could you blank it, bleep it, or change it to fluffing? The band has gone for the option of changing the title and lyric to “Life’s A Shocking Miracle”, if it gets this great tune on the radio then I am behind it all the way. Check out “Life’s A Fucking Miracle” which is a Fucking (or perhaps Shocking) Order!

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‘Yummy’ – James March 28, 2024

Filed under: Review — justwilliam1959 @ 6:26 pm
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James have a new album out on 12th April, their 18th studio record. That number makes me feel old, how about you? But one thing I love about James is that there is never a reliance on resting on tried and tested success from the past, this is not a collection of “Sit Down” clones, nor is it a rehash of my favorurite James album ‘Laid’ (1993). ‘Yummy’ is the work of a band that is still vibrant and most definitely relevant. Not bad for a band that formed in 1982 and released their first album in 1986! The lyrics throughout are sharp, incisive and full of the whole range of human emotion. There is nothing nubilous in Tim Booth’s lyrics. ‘Yummy’ was produced by Leo Abrahams (Brian Eno, Jarvis Cocker, Jon Hopkins, Imogen Heap, Regina Spektor) and mixed by Cenzo Townsend (Courteeners, The Specials, Everything Everything).

The album opens with the single “Is This Love” where musically, lyrically and vocally the band is firing on all cylinders. How could you not love lyrics like “Love is a bomb, a Tsunami that rolls over our life as we cling to the wreckage of our peace of mind”. This stands, for me, as one of James’ finest singles to date. The way that “Life Is A Fucking Miracle” evokes the work that Brian Eno did with David Byrne, with added bird noises is rather wonderful. The melody and beat have a Talking Heads feel about it too. But what raises this song above so many is the way the melody plays tag with the beat and Booth’s voice. He is right, life is indeed a fucking miracle. I love the injection of a pronoun refrain towards the end too. The backing vocals on “Better With You” evoke a slightly more subdued Fabulous Wealthy Tarts (Paul Young’s backing vocalists from the early 80s) performance. The song feels like a love song, but not an obvious love song, so some wonderfully typical James obliqueness then, right? “Stay” is a song that oozes hope and is a call to arms to the younger generation to stay and fight for the planet and themselves. Well, that is what I took from words like “Life’s a struggle of love, and often a struggle to love“.

Photo by Paul Dixon

If this album is a universe, then it has as its sun “Shadow Of A Giant”. This is an elaborate and yet simple epic tune. From the orchestral and piano driven overture through to the almost gospel-like refrain of the chorus. Who is the giant that Tim Booth is singing about? Honestly, I am not sure, could it be God, government, Gaia, parents or Booth as a rock god? Whatever you feel the subject of this anthemic, and beautiful tune is you cannot deny that it is beyond special and for me the best song on this stunning collection. In case you were wondering I think the song is about Gaia, or the living planet. The protagonist of “Way Over Your Head” appears to be someone who has found it hard to handle life and succumbed to addiction, maybe alcohol or drugs. I think it has a message that shows how close we probably all are to a horrendous break down if our luck and circumstances changed quickly or catastrophically. Sometimes all we need are friends and perhaps we all need “a simpler life, a spit of land, community“. Booth takes a shot at AI and the modern curse of technology in “Mobile God” and how we are all controlled by that slim little box of apps made of plastic, metal, and glass. The lyrics are incredibly dark and in contrast the music and chorus hook make you feel instantly happy. I think Tim Booth speaks for all of us and our electronic device addiction when he sings “I’m the last thing you stroke in the evening before bed, I’m the lover you touch in the morning“. Talking about AI Booth says, “It’s shocking the way we’ve given up our responsibility to AI, We are already cyborgs“.

James take issue with the corporations that see themselves as running the world in the OMD-like “Our World”. I love the positivity in the message that perhaps the human family will come good, and we will learn to share not spoil. In my heart I long for that to happen, but I fear that it never will. In a message to the greed mongers the lyrics state “Our world isn’t your world, you just stole the world“, that is the truth in my view. I don’t believe that ageism is as bad as it might have once been, but we need to embrace the knowledge and experience that age brings to many of us (not everyone though!). When Booth sings “I’ve been a punk, a saint, a fool, Vishnu” I think to myself that in my own head I have been two of those and in a fashion sense one of them! The introduction to “Hey” suggests a real dance vibe and like many of the songs here it would be a prime candidate for a really good dance mix. It deals with our world and its conspiracies, notably the UFO stories. When Tim sings “my UFO’s landing soon” he means it. He says this of the whole UFO conspiracies, (or are they just hidden stories) “In the past the government has ridiculed/threatened anyone who said anything about UFOs. The two CIA whistleblowers have now provided us, with the Government’s blessing, with radar and cockpit pilot footage. [Theoretical physicist] Michio Kaku has said the burden of proof is now with the sceptics to prove UFOs don’t exist because we have the proof that they do. And yet no one, in the mainstream is looking at it. It’s fascinating to me how in denial we can be now that very strong physical evidence is being produced, and that this hasn’t become the biggest story of the century“. “Butterfly” perhaps discusses the fragility of the current generation but continues to believe in the power of the youth and their ability to change the world. The orchestration and harmonies on “Butterfly” will send shivers down your spine, in a wonderfully, quasi-religious way in which you can imagine rock ‘n’ roll actually having the ability to save the world. This is the song from which the album draws its title (the “yummy, yummy, yummy” lyrical refrain) and the inspiration for the record’s cover. As artists get older, they often deal in songs of death, notably David Bowie and Leonard Cohen on their final albums. On album closer “Folks” James confront the reaper and they don’t fear him. Musically the song is 100% James, but it has a mood of both Richard Hawley and the Arctic Monkeys at times. ‘Yummy’ showcases a band that is firing on all cylinders musically, lyrically and vocally. Many of James’ contemporaries are showing signs of being past their prime, but Booth’s band of merrie men (and women) are still on an upward trajectory! You can catch the band live around the UK in June and if you are a James mega fan the deluxe 2 CD release of ‘Yummy’ contains a second CD called ‘Pudding’ and that incorporates demos produced by the four songwriters in the band. Another twelve tracks! Finally, Tim Booth has written a novel called ‘When I Died For The First Time’ Apparently it is “A dark comedy musing on the music industry, addiction, racism, altered states, creativity and love, written from the point of view of a fucked-up singer coming back from rehab” The book is published on 28 March 2024.

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Wow That’s What I Call Mayhem – Volume 1 March 11, 2024


With apologies to the creators of the iconic NOW series of compilations that began in 1983, I felt it was time to do something similar with Mayhem! This includes the first 20 singles we reviewed in 2024 in a delightfully eclectic playlist for your listening pleasure! More than 70 minutes of music, click here and lose yourself in the music!

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