With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

Access Creative College York Showcase – York Vaults – Thursday 24th June 2021 August 8, 2021


I attended this rather wonderful gig more than a month ago and it may well be my final socially distanced gig. I certainly hope so! Why is the review so late? Well I only went and lost my note pad, but now it is back and here comes that long overdue review. The show highlighted the immense talent that exists and is nurtured by the Access Creative College in York. First up was Kieran of excellent local band Tommyrot. He is a talented, idiosyncratic and original songwriter and performer who at times reminded me of Jonathan Richman in his prime. The ‘sad song’ was something special and the penultimate tune was a proper happy take on life even though, as we all know, life isn’t perfect. Kieran was joined by another member of Tommyrot, Felix for the final song.

The mega talented singer songwriter Ruby Addy took the stage next armed with just a keyboard and a heavenly voice. She brought a late night, smoky, New York City jazz club vibe to proceedings. Is anything more exceptional and extraordinarily stunning as Ruby’s songs? Well I can only think of one thing more exceptional and that is Ruby’s voice! Could anyone write a more heartbreaking song than “Lady Jane”? Possibly but not many could achieve that level of sadness in a song. Ruby played her gorgeous and ethereal new single “St Philomena” and that performance convinced me that I had seen the future of torch singers and that future is named Ruby Addy! Just to prove how multi talented she is Ruby was joined by her friend and fellow student Dyl and the pair performed some rather excellent children’s songs which they had written and for this part they are called Pickleshark. There was “An Agitated Shrew Sounds Like A Digeridoo”, who knew that? Along with a song about Tom The Lizard. I love the line “I know I’m a lizard, but I wish I was a cool guy”! It won’t only be kids who fall in love with these songs.

The rather excellent Alice Simmons was next and this was pretty much the same set as I saw her do at the Centre For Early Music for the Songs Under Skies series of shows. But that does not take anything away from it. Alice was again on top form vocally and her guitar work shines. But once again I have to mention the talented Tim Downie who provided some stunning funky fretwork, particularly on the cover of “No Diggity”. On paper and acoustic cover of that song should not work, but Alice and Tim take it not just to another level, but also in a completely and refreshingly new direction! “Bridges” and “Black Coffee” were particular stand outs for me.

Michelle Jade graced the stage next with more great guitar accompaniment from the talented Mr Dowie. I heard their soundcheck earlier of and I was quite excited as that included “Freefalling” and I was right to be excited Michelle performed a stunning cover of the classic Tom Petty tune. Apparently she used the John Mayer arrangement, which was new to me. Michelle performed some of her original songs along with a few more covers. Her original tunes showcase that she has a great future while the covers amplify and enhance that raw talent. The Shinedown cover was very special indeed. She has an incredibly powerful voice, I am definitely a fan!

Next up was another talented woman with a great voice, Lily Honey. Her delivery has a clarity that is on a par with Karen Carpenter. She opened with a song called “Now You’re Gone”, at least that is what I think it was called. I think it is a break up tune and it has the makings of an epic. Lily also treated us to an unfinished song which she only started writing a few days before this gig. It is an emotionally charged, yearning love song and I loved it. Lily’s choice of covers was smart and the highlight of those for me was Baby Queen’s “These Drugs”. She proved how broad her talent is by closing with a few house tracks, including a cover of Monica’s “Shoulda Known Better”. Lily’s hosue vocals have a lilting, lamenting feel of Tracey Thorn about them and that makes these tracks very special. She played a song, written during lockdown, and released last year called “Leaving All My Love” which I think is awesome. This whole gig was a magnificent showcase for the Access Creative College in York, which is clearly oozing with supremely talented people. A big shout out to the sound guy too, another student and this was his first big gig manning the sound desk, great job!

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Faux Pas – Vinyl Cafe, York – Friday 4th October 2019 October 8, 2019

Filed under: Review — justwilliam1959 @ 4:08 pm
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This date was a part of the Faux Pas autumn tour which includes support slots with LIFE and a number of in-store shows. This show was obviously one of the in-store sets, given the wonderfully intimate setting of the Vinyl Cafe in York. Faux Pas are considered by many, including me, to be among the finest young UK bands around at the moment. Did they live up to that accolade at this gig? You will have to read on to find out as there were also a couple of great support acts on the bill before the main attraction.

Will Dreyfus

First up was Will Dreyfus, a York-based singer-songwriter who has a talent for writing story songs with a flow and narrative of very early Springsteen. Some of his tales are truly epic and ooze with an abundance of emotion. Another obvious comparison for me was a more folk-based George Ezra, but Will is also much more than that. He also displays a great self-deprecating humour and for me, he inadvertently came up with the best accidental phrase of the night; “Life is a learning curse”! The songs that Will performed at this gig were all sad songs of some degree, but I spoke briefly with him afterwards and he tells me that he does have some happy songs and having checked him out online that is absolutely true. I recommend that you give this bloke a listen.

Lily Honey

Next, it was the turn of Lily Honey, another talented Yorkshire based singer-songwriter. She has a voice that conveys soul, passion, and honesty. I don’t know if Lily has the octave range that Karen Carpenter possessed (not many singers do), but the clarity of her intonation is very Carpenteresque. According to Lily, her own songs are “down and sad”, although some might say poignant. Based on her performance tonight that might well be true, however, her songs are full of class and suggest a maturity in songwriting way beyond her years. Her cover of EnVogue’s 1996 smash hit “Don’t Let Go (Love)” was powerful and stunning in equal measure. I definitely want to hear more from Lily Honey.

Faux Pas

This would be the third time that I have seen those magnificent punky noiseniks, Faux Pas. The first time was last November when they supported the Blinders at the Crescent in York and the last time was at the Fulford Arms in York as one of their TV Made Me Paranoid Tour shows. Both of those gigs allowed Faux Pas to showcase just how loud, proud and talented they really are. So obviously I was expecting a lot of them at the Vinyl Cafe last Friday, especially as it is a very small, intimate venue for which the volume would need to be turned down a notch. My expectations were exceeded as Ru, Lewis, and Joey proved that they can perform in any environment and that their songs work in quieter as well us loud mode. It wasn’t a full-on acoustic set with Ru adding some decent guitar to some songs and Joey keeping the beat with softer sticks throughout, giving a rich jazzy feel at times. But they were never too far from their indie-punk signature sound, especially with new single “That’s My Ego” where Ru’s vocals might well have melted some of the vinyl albums on display. On “Golden” Joey proved that he is more than just a damned good drummer with some skillful tinkling of the ivories. Perhaps the stand out for me though was Lewis’ guitar work he weaved his punk-jazz licks around every song and added layers to them that takes them to a different level completely. His axemanship was as good as a young Johnny Marr or Steve Mason for Gene in their mid 90s peak. Faux Pas wear their punk hearts on their sleeve, they could be this generation’s Placebo and they are on the same groundbreaking pedestal as contemporaries Queen Zee (who sadly announced their break up while I was writing this review). But wherever their influences may come from they are most definitely original and there is only one Faux Pas! Everything that I have seen and heard from Faux Pas makes me believe that beyond a shadow of doubt they have what it takes to go all the way and I hope they make it! If you haven’t caught them yet on their autumn tour either in support of LIFE or in-store shows promoting “That’s My Ego” there are plenty of opportunities left, go on you know you want to, actually scrub that, you know you NEED to see them!

All the photos apart from the gig poster were taken by me. (There are a few more below) The videos were all found on YouTube, if one of them is yours and you would like a credit or for me to remove it please let me know. I am also happy for you to use any of my pictures, all I ask is for a credit 🙂

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