With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

“I want to know who the men in the shadows are,I want to hear somebody asking them why” June 12, 2013


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This is not the first time I have posted about protest songs and I doubt that it will be the last. If you’d like to read my last protest post click here. My good friend Nick Horslen switched me on to the excellent work that one.org do; In particular a superb recent piece providing an extensive playlist of protest songs which range from the classic to the obscure. There are also some very interesting cover versions included. Click here for the protest playlist

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The protest song has been around for many years but for this post I’d like to focus on protest songs from the sixties onwards. The song in this genre that most people know is probably Bob Dylan’s “Blowin’ In The Wind”. The song has been covered by many people and remains a standard for buskers all over the world. The lyrics are essentially a set of questions which I am sad to say are still pertinent today. I recently watched the U2 documentary film, ‘Rattle And Hum‘ and was reminded of how powerful the song “Sunday Bloody Sunday” is. There is a heartfelt speech from Bono during that version where he berates Irish terrorists. This was filmed on the day the IRA murdered 11 innocent people at a remembrance day service in the town of Enniskillen in 1987.

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Whilst the early songs of the rock era, including Dylan, were rooted in folk music the fight for many causes has subsequently been taken up by almost every genre from rap to reggae and from soul to punk. I would like to focus on a few of my favourites in particular some that don’t get played too often and currently are not included in the one.org Agit 8 playlist. But before that I should mention two protest songs that I return to often; Marvin Gaye’s “What’s Going On” and Bob Marley’s “Redemption Song

I believe that Norman Whitfield and Barrett Strong, who wrote many classic Temptations songs for Motown were never recognised widely enough for their protest songs; The Temptations recorded “War” before Edwin Starr had a global hit with it. Whitfield and Strong also wrote “Ball Of Confusion” and “Take A Look Around”. But perhaps one of the bravest given when it was released was “Message From A Black Man” from their 1969 album ‘Puzzle People’

Many singer songwriters from Guthrie, Seeger and Dylan through to Neil Young, Billy Bragg and more recently Frank Turner have written and recorded some very strong protest songs. One of my favourites of that type is Jackson Browne‘s “Lives In The Balance”. In my opinion he was one of too few voices that were constantly critical of the Reagan regime in the 80s. This particular song focuses on America’s ongoing involvement in foreign wars which frankly they should not have been anywhere near!

My last song choice for this post is the very topical “Same Love” from Macklemore and Ryan Lewis. A slow hip hop style song about being gay. In my opinion this is one of the finest rap protest songs that has been released for some time. It also helps to prove that rap can handle gay issues. It is a long way removed from the Tom Robinson Band‘s late 70s gay anthem “Glad To Be Gay” but no less powerful. If any budding songwriters are reading this and you have a protest song you’d like me to air, you know where I am. I would also love to hear from you with your own protest song suggestions.

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“Oh man! Wonder if he’ll ever know he’s in the best selling show” David Bowie Is at the Victoria & Albert Museum 2013 May 5, 2013


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I am sure that by now you are all aware of the ‘David Bowie Is’ exhibition at the Victoria and Albert Museum in Kensington, London. It began on 23rd March this year and runs until 11th August. It is also the fastest selling and best selling exhibition the museum has ever done. It includes many Bowie artefacts and costumes from his archive; many of which have never been shown to the public before. I booked my tickets ages ago and finally made it here on 5th May. ( I was joined by Catwoman and my good friends the Horslens)

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There are handwritten lyrics from throughout his career and stage designs for most of his major tours from the Diamond Dogs US tour in 1974 to the Outside Tour of 1995 via 1983’s Serious Moonlight. The costumes range from those worn in all the aforementioned tours along with all the classic Ziggy outfits; including the classic one worn on that famous Top of the Pops performance of “Starman” from way back in July 1972.

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The whole thing is incredibly arranged, directed and curated. The interactive audio headphones which trigger when you are near a particular exhibit are brilliant. I feel sure that Bowie has played a big part in the whole thing. There are some video shots and audio that have never legally seen the light of day before. I particularly loved the version of “Sweet Thing” from the 1974 US tour. There was also an excellent mock-up 3D stage set design for those shows. Those were possibly my two favourite things from the day.

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Bowie has always been an artist and not just a rock star and this is clearly shown by the volume of his own paintings and sketches on display. Including a series of storyboard pictures for a ‘Diamond Dogs’ film that never got made. There were also some detailed notes showing that he had definitely intended for 1995’s ‘1: Outside’ album to be the first in a trilogy that would have ended in 1999. I wonder if he’ll ever make those other two? Sadly I think not.

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His set of oblique strategy cards used in the studio by Brian Eno are there along with the synthesiser used on the Berlin albums. Another room is dedicated to showing clips from his best known films including; ‘The Man Who Fell To Earth‘, ‘Labyrinth’, ‘The Prestige’, ‘Basquiat’, ‘Merry Christmas Mr Lawrence‘ and ‘Absolute Beginners‘. There is also a rare public outing for a clip from his 1967 black and white short ‘The Image’ (as a bit of a Bowie anorak I already have this on DVD).. Costumes and props from some of these films are also on show.

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The Bowie items in the shop are quite tasteful too, in the main anyway! I had previously bought the David Bowie Is hardback book and today I bought the Ziggyology book along with the set of postcards that relate to the exhibition. Obviously I needed more stuff to continue the pimping of my man bag so I bought a pin badge emblazoned with the phrase ‘David Bowie Is turning us all into voyeurs’.

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I was excited before the exhibition and that was well justified excitement in my opinion. It exceeded my very high expectations by a very long way. If you have been or are planning to go I’d love to hear your thoughts. If you are unable to attend then you have missed something really special. Now let me sign off with a few Bowie classics.

David Bowie Is at the V&A Museum

 

Reading Festival 2012 – Day 3 – Sunday 26th August August 27, 2012


So how did the last day of the festival arrive so quickly? Perhaps because two old rockers (that’s me and Mr Horslen) have had a fantastic jolly boys outing! Day 3 kicked off with the highly recommended (by Simon Pattinson) Deap Vally. They were fucking good; like an all girl White Stripes but with a much better drummer! We caught some of the Band Of Skulls set and they served up some pretty good blues rock. The Eagles Of Death Metal who on the previous occasions I had seen them were a superb party band. They were good this time but not as good as usual. I wonder whether the fact that the audience is now a bit further from the stage given the new safety barrier arrangement.

The Gaslight Anthem were next on the Main Stage. These guys definitely get better every time I see them, it must be something about the water in New Jersey because there is definitely at least an injection of Springsteen in their songs. Another comedy break came next and Stephen K Amos was bloody hilarious. His handling of hecklers was the best I have seen in a long while. Alberta Cross don’t sound like they’re from Alberta nor do they sound cross. But they do sound good.

The loudest band ever on the BBC Introducing stage has to be Marmozet. Are they Slipknot without the masks? I think I like them. Next it’s the Lock Up stage for Good Riddance, basically a bit derivative of many US punk bands and therefore not particularly original. Was that Johnny Cash playing guitar in the Mark Lanegan Band? Is Mark receiving messages from beyond the grave from Jim Morrison? We need to know! The Kaiser Chiefs were far better than I expected but I doubt that I’ll ever be a big fan of theirs. Every day I love you less and less; indeed. Everything is average nowadays; double indeed! The Black Keys rocked like motherfuckers; ’nuff said!

So just how good was the send off from Reading 2012? It was the Fucking Foo Fighters, that’s how good it was. Undoubtedly one of the best headline sets I have ever seen at Reading and I have been going since the late 70s. Sadly I haven’t been every year in that time, but I have only missed around two of the last twenty and Nick and me have headed to Reading together for around ten years now. The Foos played for two and a half hours and if the field had a roof on they surely would have blown it off. Dave Grohl is a talented genius and a true superstar. None of the rumoured special guest turned up but they weren’t needed. In the few hours before the Foos Nick and I both thought about toning it down or not going as often. But after the Foo Fighters we were completely fired up for Reading 2013. Bring it on!

 

Reading Festival 2012 – Day 2 – Saturday 25th August


 

We arrived a bit late for the secret set from Green Day which began at 11 o’clock, but by all accounts it was blisteringly good. So day 2 kicked off for us with a song from Los Campesinos. An excellent band and even the sun came out to enjoy them! Theme Park were very fresh and funky with a singer that looks like Mr Cole a.k.a Cashley. They sound like David Byrne on ecstasy and was that Prince Harry on guitar? Probably not as he had his kit on! We saw Citizens next. They have been produced by Alex Kapranos and seem to be channeling Edwyn Collins. A very good band.

The usual visit to the comedy stage gave us Jimmy McGhie and Reginald D Hunter. Both were very funny, especially McGhie’s mugging story about Ewoks in hoodies! Grimes was next and she gave us some wonderful ethereal trance tunes  and a topless blonde dancer too…. he was quite good! We made it to the NME/ Radio 1 stage for Dry The River. They have a very chilled US  west coast sound with added psychedelic wig outs and up until that point the weather was Californian too.

Santigold was pure class but what the hell had she made the band wear? Her set had everything; the audience on stage, costume change and a pantomime horse (probably the first time I’ve ever seen one of those on stage at Reading)! We went back to the Main Stage for late afternoon and the Shins were the perfect choice! After the Shins it was the mercurial Enter Shikari. It’s now 4 years in a row at Reading for the Shikari boys who in my opinion are one of the finest bands to grace the main stage. They owned the place!

Some vaccines cure but the Vaccines rock! They are future headliners I think. Florence & the Machine best so far by mile and she did it in heavy rain. Heavy is an understatement, it was pissing down! Not only talented but a trouper too. Ms Welch has a heavenly voice. I am sure that she will be back to headline in the next few years. We watched the first two songs from Kasabian. I think they are far better live than on record but I would still describe them as Leaden Zeppelin. We caught just one song from the bouncy Katy B before a mini tour of the remaining headliners; At The Drive-In were on supreme form and it’s good to see them back, Metronomy provided us with some laid back late night dance grooves and finally we caught a bit of the DJ set from Bassnectar. For that all we were missing were a couple of tabs of E and some glow sticks. And so ended a relatively chilled and slightly damp day 2.

 

 

Reading Festival 2012 – Day 1 – Friday 24th August


After what seemed ages the Reading Festival is here again and as usual I made the annual pilgrimage with my good friend Nick Horslen. The first band that we saw on day 1 was the Cancer Bats. I would describe them as hardcore heavy screamers from Canada and they were bloody good too! Dead to Me were on the Lock Up stage and they were rather good and certainly not dead to anyone! I wasn’t sire about the jaunty angled baseball cap though. Coheed & Cambria were on the main stage I found them a bit Biffy Clyro-like but not as good! I suppose you might describe them as 21st century prog rock.

Friends sounded good but sadly we missed most of their set. Spector came next with the first mobot of the day, spookily just after I said to Nick I wonder when we’ll see one from the stage. I like these guys a lot, they have some really anthemic songs especially “Never Fade Away”. Are the Hives the ultimate festival party band? Definitely! They have it all; top hats and tails, attitude, great songs and even a ninja stage crew! We saw the Blackout next, hmmmm seems to be a Shikari influence in there. But I would send the red-haired bloke back to Wales he adds nothing to them in my opinion!

I love Scroobius Pip but I thought that the sound mix for him was terrible. Wow the BBC Introducing stage has a mosh circle and the Attention Thieves worked it well. Very hard and very heavy. Next we were at the NME tent for Passion Pit from Boston. They do what it says on the tin; but with loads more passion than you can fit in a tin and far from the pits! A truly great band. But even after that things went up a notch or two with the great Graham Coxon, what a truly awesome guitarist he is. A little less stage presence than Damon but tons more than Liam Gallagher. A brilliant set and he even has a drummer that looked like a bewigged Mel Smith. We passed by Paramore on the Main stage to see the rather spiffing Bastille who closed with a great 90s dance cover.

The BBC introduced us to the Proxies; I think they’ll be back. The Courteeners were a bit identikit indie pop. I’m sure that if you’re a big fan of them you were in ecstasy watching them. For me they were pretty good but not the most exciting band I have ever seen. Then it was off to the Main Stage to round the day off with Bob Smith’s combo, the Cure. They last appeared at the festival in 1979 and I had never seen them before so the prospects were good. Whilst they are clearly a very tight band, featuring Reeves Gabrels on guitar I think, I don’t think I’d see them again. I am glad I had the opportunity this time though. I felt that the first hour was somewhat soporific but the second part really livened up. So that was the end of the first day and the rain held off too.

 

The Zimmer Twins are coming ………………. August 23, 2012

Filed under: Observation — justwilliam1959 @ 8:56 pm
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……………………….are you ready Reading?

Are you ready for the juxtaposed ancients of wu?

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Reading Festival 2012 – The Preview August 7, 2012


We are now just over two weeks away from the start of the 2012 Reading Festival. Since I moved north to York in 2007 this has become my annual pilgrimage back south where I meet up with my good friend and festival buddy extraordinaire Mr nick Horslen. Undoubtedly soon to qualify as the oldest rockers in a field in Reading (our combined age is definitely over one hundred!) we have attended the world’s number one rock festival for many years. Although I live nearer to the Leeds end of it I won’t be going there until I can only move by Zimmer frame as I have always seen Leeds as the snotty young brother of Reading.

I have mixed feelings about some of the headliners this year. The Foo Fighters are always awesome an I doubt that will change this year. The Cure, who headline the main stage on the Friday night haven’t played the Reading Festival since 1979 so I’d like to think they’ll have something special up their sleeves for this year. It’s Kasabian that really concern me, I find them a little predictable and almost Spinal Tapesque, like someone said today I’m going to invent a rock band. I may be convinced otherwise but for me they come across as Leaden Zeppelin, Slightly Dark Sabbath or Shallow Purple. I am sure that there are plenty of you out there that disagree with that opinion, so feel free to comment.

There are some great acts lower down the bill on the Main Stage that for me are ‘must see’ performers. Those are; Florence and the Machine, Paramore, Eagles Of Death Metal, Cancer Bats and the truly stupendous Enter Shikari. The Kaiser Chiefs are third on the Main Stage bill on the Sunday, which I find a bit surprising. They have been lacklustre at best lately in my opinion, what do you think?

I am disappointed that I will probably miss Justice in the NME/ Radio tent as they are on the same time as the Foo Fighters. But there are a number of other bands and artists that I want to see on the NME/ Radio 1 stage; notably the Horrors, the Joy Formidable, Hadouken, the Hives, At The Drive In (who are on at the same time as Kasabian) and most of all Graham Coxon.

On the other stages I will do my best to watch Less Than Jake, Me First and the Gimme Gimmes, Azealia Banks and Grimes. But of course I can’t ignore the often excellent BBC Introducing stage where Nick and I often pick a band with the wackiest name to see, but we are also open to recommendations too! So I’m currently considering Wet Nuns, Fish Tank, Dingus Khan and Attention Thieves.

Nick and I often meet some really interesting people at the festival and last year was no exception. In fact last year we met a great bunch of people, mostly South African, but with a smattering of Brits. One of the South Africans was a hilarious bloke called Jason Steyn. (Jason if you’re reading this let me know if you’ll be there this year). They shared their booze, we shared our food and supplied me with a Prince Charles mask! if those guys are back again this year and indeed if you want to meet me and Nick we will be just to the left of the front of the lighting/ mixing tower as you face the main stage, although obviously not if we’re at one of the other stages. You can’t miss us, Nick is very tll and grey haired and his festival nickname is Silver Dude. I am somewhat shorter, slightly older and have hardly any hair, my festival nickname is Billy Baldust. (Actually I just made that one up, but there will be a prize for anyone who comes up with a better one!

Anyway that’s enough wittering on from me. I would love to hear your comments on this post or indeed on any of my posts. I would also love to meet you at Reading and would be more than happy to give you a name check on my posts from the festival! Whetehr I see you or not I hope you enjoy yourself!

 

“I’m down on my knees, I wanna take you there” February 7, 2012


It would seem that Madonna’s performance in the US Superbowl half time slot was both spectacular and controversial. Her set at the not particularly exotically named Lucas Oil Stadium in Indianapolis included many of her biggest hits; “Vogue”, “Music”, “Open Your Heart“, “Express Yourself“, “Like a Prayer” and as expected her new single “Give Me all Your Luvin”. She arrived on stage in a chariot preceded by a whole legion of Roman Gladiators. To be fair Kylie has already done the chariot thing in concert.

Madge was joined at various times by Cee Lo Green, LMFAO, Nicki Minaj and of course MIA. That is where the apparent controversy has arisen. There was no Janet Jackson style wardrobe malfunction but simply a glimpse of MIA’s middle finger. Yes MIA flipped the bird on live TV. The reaction of the US press, who seemed to take great delight in pointing out that MIA, whose real name is Mathangi Arulpragasam, is British, would suggest that it was an international incident on a warlike scale. NBC apologised for her inappropriate and spontaneous behaviour.

oh dear, the shock, the horror!

In my opinion this is a great deal of fuss over nothing much a real storm in an espresso cup. It’s interesting (and thanks to Nick Horslen for reminding me of this) that whilst the broadcaster NBC didn’t like MIA’s middle finger they were quite happy to let Madonna perform a song with a not so hidden reference to fellatio; “Like A Prayer”. Patrick Leonard co-wrote the song with her Madgeness, claimed that at first he didn’t appreciate that the opening lines; ‘When you call my name, it’s like a little prayer, I’m down on my knees, I wanna take you there’ were effectively about oral sex. He asked Madonna to change the words but she refused. I wonder if she said ‘come on Patrick, let’s at least suck it and see!’ That quote from Leonard was included in J. Randy Taraborrelli‘s book  Madonna: An Intimate Biography.

Incidentally did you know that the middle finger insult was first recorded nearly 2,500 years ago. According to the BBC a public intellectual, expressing his contempt for a gas-bag politician, reaches for a familiar gesture. He extends his middle finger and declares: “This is the great demagogue”.This allegedly took place in Fourth Century BC Athens, when the philosopher Diogenes told a group of visitors exactly what he thought about the orator Demosthenes. Read the full BBC explanation by clicking here. Apparently it is a very phallic gesture with the middle finger representing the penis and the curled fingers on each side the testicles. So it was mostly just bollocks then.

Anyway the thing has had the desired effect. Madge has oodles of free publicity for a show which she took no fee for. Her album sales will rocket and she has just announced a world tour to support the release of her new album in March. If you arrived here looking for something about the sport and not the spectacle of the Super Bowl I can tell you that the 2012 game was won 21 – 17 by the New York Giants who beat the New England Patriots.

And finally Madonna acts out the offending lines from “Like A Prayer”

 

“Molars and fangs, the clicking of bones, spirits moaning among the tombstones” October 13, 2011


Thanks to my good friend Nick Horslen for directing me to this rather amusing story on the BBC recently. Apparently the latest movie in the Resident Evil franchise is being filmed in Toronto and when a number of actors in Zombie guise were moving from one stage to another there was an accident. There were no major injuries, just cuts and bruises. However the best part of the story is the surprise of the emergency services when they arrived. Can you imagine turning up to an emergency only to find that the victims were covered in blood; mostly fake blood as it turns out!

You can click here to read the story on the BBC. Obviously given the music nature of this blog I simply had to include some Zombie related
songs. Maybe you should consider including some of these on your Halloween party soundtrack later this month! Keeping up that Zombie theme, how many of you are fans of “The Walking Dead”? I think it’s a superb horror series, enjoy the trailer for series two by clicking here.

“Zombie” – Cranberries – Not really a Zombie song as it relates to the troubles in Ireland.

Pet Sematary” – Ramones – This is also not strictly a Zombie song but the classic Stephen King story centres around how things that are buried in an ancient native American burial ground come back to life. This song is the theme to the movie version. As I believe the strapline on the film poster and trailer said…….. ‘Sometimes dead is better’

“Call of the Zombie” – Rob Zombie – No Zombie song list would be complete without Mr Zombie himself would it. He recently made an appearance on the new Alice Cooper album “Welcome 2 My Nightmare” which is a sequel to, can you guess the title………… “Welcome To My Nightmare”. It’s rather a good album in my opinion.

“Zombie” – Fela Kuti & Africa ’70 – More of a tub thumping funky criticism of the Nigerian army than about zombies themselves. But an excellent song nonetheless.

“Thriller” – Michael Jackson – I guess this must be the Zombie song that everyone knows, especially the Zombie dance section. Did you
know that Vincent Price and Paul and Linda McCartney all appear as Zombies in the Zombie formation dancing section of the video.

I bet you can't guess who this fine looking Zombie is can you?

 

Reading Festival 2011 – Day 2 – Saturday 27th August August 28, 2011


Hello again people and here is the dispatch from the muddy fields of the Reading festival after day 2. Firstly I have to mention a rather funny comment I made on the way to the main arena today. Which strangely enough for me was said completely innocently. My feet were sticking in the mud quite a lot so I said; “If this mud gets any more sticky my boots will be sucked off”. It made Nick and me laugh and if you’re not laughing then maybe you had to be there or you have a much cleaner mind than ours. Or maybe you’re just too mature!

We only caught Funeral Party’s last song in the NME/ Radio 1 tent they sounded pretty good though. Yuck were in the NME/ Radio 1 tent next and were recommended by my friend John Hayhurst who is usually at the Leeds festival but unfortunately can’t make it this year. It was a bloody good tip as it happens! I would describe them as shoegazers with a young Bob Dylan lookalike as a singer. But a great band I will be downloading their album on Monday night. Oh and I almost forgot also the drummer looked like my old boss Bazza Hutton with added afro. Castrovalva were on the BBC Introducing stage, we didn’t see much of them but they definitely need to look at their audience more.

Next was our first visit to the Main Stage, where we spent most of the day eventually. Joined by a supporting cast of really nice and mad in a nice way people from all over the world; South Africa, Brazil and Brighton at least. It was hard to refuse the offer of a free beer from the South African blokes and even shhhhh…… whisper it; a small toke on one of their spliffs! The Pigeon Detectives were on for me they are  just bland identikit indie pop. Although Nick wouldn’t agree with that. In their favour they are very hardworking. Seasick Steve was next up on the Main Stage. What can I say? Well for starters he is a supreme talent with way more charisma and stage presence than Liam Gallagher even when sat down. Amazingly he was joined on stage for most of his set by none other than John Paul Jones off of Led Zeppelin. We saw a couple from Tribes who were pretty good. we then paid our daily visit to the comedy tent to see Michael Fabbri who was very filthy and very funny.

Madness or should that be Mudness (thanks for that one Nick) were next on the Main Stage. When I first read that they were on the bill some months ago I wondered whether they would be able to really pull it off. Well I am happy to report that they did in bucketloads. This was probably the best ever loved up party vibe I have ever seen in 20 odd years of going to this festival at Reading. It even included a mosh conga. Jimmy Eat World were next; they were very good but who could have followed Madness? The National were an excellent chilled out close to the afternoon session and a good precursor to Pulp. If the members of the Doors were born in the 80’s they may have sounded like the National and I will have to download some of their stuff soon too.

Pulp, who were sharing top billing at the Festival with the Strokes were next on the Main Stage; from the simply stated laser phrase show at the start to the brilliant and perfect closer “Common People” they were truly fucking awesome. Jarvis Cocker is a certified genius who has immense stage craft and worked the audience to perfection. Richard Hawley was also on stage with them.  The Strokes closed the day and as expected were very, very good, but for me not quite as good as Pulp. Jarvis joined them for a great version of the Cars’ “Just What I Needed”. So sadly only one day to go now but it looks like a good one!