With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

Mik Artistik’s Ego Trip – The Crescent, York – Saturday 5th March 2022 March 8, 2022


I was able to attend this gig with our newest writer, Juan Brooks, and just before the gig over a couple of hot coffees (we’re proper rock ‘n’ roll) we decided to do this review as a collaboration. So while it is written in the first person the thoughts and words are from both of us. This is a different approach for us and we hope that you like it! being back at the Crescent (a first-time visit for Juan) was great and Joe, Head Honcho of Please Please You, and one of the Crescent’s Kingpins had lined up a great show. Sadly one great band, Cowgirl, had to pull out thanks to that bastard Covid. First up were the Surfing Magazines a relatively new garage-rock group from Leeds. They are made up of two-thirds of The Wave Pictures and one-half of Slow Club. Their surf-style instrumentals were spectacularly good and on these the Surfing Magazines really came into their own. The Dick Dale guitar licks were brilliant. Their cover of Jonathan Richman’s “Egyptian Reggae” transformed the tune into something that would be perfect on a Tarantino soundtrack. In fact, the Surfing Magazines would make an excellent choice as a bar band in a Tarantino film. Their country rock vocal harmonies were incredibly powerful and at times were reminiscent of the Everly Brothers, Crosby, Stills, Nash & Young, and even Beatlesesque in some parts. The guitarist was supremely versatile going from the aforementioned Dick Dale, some Bo Diddley riffs, and the intricacy of Television’s Tom Verlaine. Even the broken guitar string didn’t phase the ace axeman. A powerfully good band!

We had both listened to some tracks from the headliner, Mik Artistik’s Ego Trip before the gig and neither of us could put them into any specific genre. Mik has elements of observational comedy across a great rock sound. But that is only part of what and who he is. Both of us had perma grins for the whole set, if you failed to smile during Mik’s set then you need your happy muscles checked. Mik is a very funny bloke and a great observer of the minutiae of human life. Almost every song has some everyday references from Dad muscles, playing horsey, betting shop pens, stuff you find down the back of the armchair and libraries. Indeed “Libraries” is an awesome track. Mik appears to be completely chaotic, but clearly knows what he is doing and that just plays to him putting on a great performance and a wonderful show. His energy is boundless, is he really 66? While he uses the spoken word approach a lot he does possess a fabulous singing voice that flits from punk, to rock, to folk, and onto ballads. There were so many highlights, “The Zumba Sign’s Come Down” and “Acoustic Synthesiser” are weird, wacky, and wonderfully hilarious. Meanwhile “DB Was A Funny Man” is a song of genius about the Dame himself, Mr. Bowie. Mik weaves in a few excerpts from Bowie hits into it too, notably “run for the shadows, run for the shadows” and “whop whop whop” from Bowie’s “Golden Years”. He also manages o get some Van Morrison elements in there too. The main highlight for both of us was “Sweet Leaf Of The North”, the whole introductory preamble and story, and then the song itself. Apparently Iggy Pop chose this as one of his highlights of the last decade. Sounds like he’s a big fan. Mik creates a sense of northern belonging and togetherness with his followers and has great fun with the audience. His affectionate and heartfelt mickey take of Vinny the sound guy was excellent too. It is worth pointing out that his band, particularly the guitarist Jonny Flockton are blessed with huge musical talent and are the perfect foil for Mik’s performance. Juan perhaps summed up Mik in one sentence by saying “for me, he is a modern-day Northern Ian Dury“! So difficult to argue with that. Both Juan and I have become Mik Artistik evangelists and will be telling everyone we meet that they need to see Mik Artistik’s Ego Trip live!

Written by Bill Adamson and Juan Brooks

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Pennine Suite – The Crescent, York – Friday 21st January 2022 January 30, 2022


This was a rescheduled show from that slack period between Christmas and New Year and I was so pleased it was rescheduled as otherwise, I would have missed it. It was also amazing to catch up with so many old friends, maybe, just maybe, we are getting back to some kind of normal. This was going to be my first opportunity to see the headliners, Pennine Suite. But before I talk about them there were three support bands who were rather spiffingly good!

The first band to take the stage was Honeytrap who I first saw back in November 2021 at the Fulford Arms when they supported Seagoth. Back then I described their set as fucking awesome! I stand by that for this show too, although I will add one word to the original two and say that they were super fucking awesome! I can sense an ancestral link with some of the finest British bands, including the Verve and the Small Faces. Kell Chambers’s vocals suggested he could give Steve Marriott and Richard Ashcroft a run for their money. His voice is soulful, passionate and at times shows he can make delicate sounds just like Kurt Cobain in the quieter Nirvana moments. Will Daniels’s guitar work is among the finest of his generation and has at least some roots back to Jonny Greenwood, John Squire, and Bernard Butler. Bassist James Butterworth kept the band ticking over with his finely tuned Rolls Royce bass lines. Meanwhile, drummer John Gilbert was absolutely on fire. This was a near-perfect set, but if you made me pick my favourite part under threat of death then I would plump for “Renegade” which was stunning. If you haven’t seen or heard Honeytrap yet then you need to rectify that immediately!

Next, it was the turn of Trueman and the Indoor League who I first saw back in October at the Crescent when they were supporting Avalanche Party. In those few months, the band has upped their game even further. Trueman is a real showman who puts across his kitchen sink, soap opera, everyday life stories like Jarvis Cocker on speed. Lyrically they are perhaps bedfellows with early Suede, the Arctic Monkeys, and Pulp, which is good company in my opinion. The band has a saxophonist this time and that broadens their sound wonderfully. As a result, they came across like a Poundland E Street Band (and I mean that in a good way) with a shot of 80s live Bowie!

 Tonight’s penultimate band was Pavilion. I last saw them back in those heady pre-Covid days of February 2020 at the Victoria Vaults in York when they supported the Golden Age Of TV. They were good then and they are even better now. Definitely one of York’s finest bands. The set tonight sounded at times like a stripped-down Cream with the odd injection of Inspiral Carpets. Olly’s guitar was at times sublime, while Noah’s vocals were first class. Even more impressive was that Olly and Noah had also played as a part of the Indoor League just before.

This was my first opportunity to see Pennine Suite live, I had seen their previous incarnation the Receivers, who are sadly no more. The band retains Nick, Louis, and Harry from that band and now they have become a five-piece with the addition of Louise and Moses. Would they just be the Receivers 2.0? Most certainly not, the expansion to a bigger band has enhanced the sound magnificently. Nick was a good frontman in the Receivers and now he is a great frontman his confidence, swagger, and voice have grown at an explosively exponential rate! There were some Receivers songs in the set, “Only Human” and “Impatience” were particular standouts. The band showed their added versatility with Louise taking vocal duties for one tune. Pennine Suite have hit the ground running and tonight they played with the firepower of a Saturn V rocket. Particularly Louis who played the drums like the fate of the planet depended on it! The Receivers are dead, long live Pennine Suite!

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Katy J Pearson – The Crescent, York – Saturday 5th June 2021 June 22, 2021

Filed under: Review — justwilliam1959 @ 9:29 pm
Tags: , , , , ,

This Covid bastard has been hanging around too long, but we will get to the other side. Anyway there is still the occasional socially distanced gig to attend and this was one of those, from the wonderful Joe Coates of Please Please You. This would be my first experience of Katy J Pearson. But before that it was the turn of support act Elkyn. I have seen Elkyn, a.k.a. Joey perform before and I have also previously reviewed a couple of Elkyn singles. I am most definitely an Elkyn fan and I was looking forward to this set. However I was somewhat disappointed, there was a real lack of clarity on the vocals, particularly on the bottom end. It felt like the sound wasn’t mixed well for Joey’s voice. Did he get a sound check? Was he singing too close to the microphone? Was it just where I was sitting? I don’t think it was the latter because the sound for Katy J Pearson was great. I don’t know what it was, but I really felt for him, the crowd, as expected, were very polite. But overall I felt it didn’t really work. So sorry Joey, this is simply my opinion and I remain a fan. The next time will work better I am sure! But regardless of my opinion do check out Elkyn’s music, some other reviews of the night paint a very different picture. (If you want to check out my previous reviews of Elkyn click here, here and here!)

As I said I knew next to nothing about Katy J Pearson, other than she is from the West Country. This date was among a number that were lined up to continue to promote her rather excellent album ‘Return’. If you like US West Coast country rock from the early 70s, or Americana and alt. country nowadays then I reckon you will love Katy J Pearson. She has the slightly warped pop sensibility that Nick Lowe possessed in abundance. On the first song she rocked like a folk rock Clare Grogan. I suspect that for some her voice might be a little Marmite, in that you’ll probably love it or hate it. Personally I love it! “Beautiful Soul” was definitely a highlight for me, a stunningly gorgeous song. “Tonight” also has the makings of a great classic. The US West Coast vibe was most apparent on “Hey You” where Katy channelled Linda Ronstadt with a small vein of Imelda May. The band were incredibly tight and really seemed to be enjoying themselves. Give her album a listen and catch her live when you get the chance.

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The Howl And The Hum – York Minster – Tuesday 25th May 2021 June 4, 2021


With proper gigs still a few weeks away I guess I will take live streams and socially distanced shows just to get my music fix. This particular show was of great interest to me for a number of reasons. The Howl And The Hum are a great band from my adopted city, York, their debut album is stunning and the venue was York’s truly iconic Minster. That building was completed around 550 years ago, even if I added my age to the combined age of the band it wouldn’t even come close to that number! Apparently the whole idea of the band playing the Cathedral and Metropolitical Church of Saint Peter in York a.k.a York Minster, began as a joke. Initial suggestions were for the band to drop from the rafters or arrive via jet packs. I guess health and safety rules sadly put paid to that!

Sam Griffiths the Howl And The Hum’s venerable front man, nicely decked out in a cowboy style shirt adorned with skulls and roses, kicked off with a solo rendition of “Hostages”. He sounded like Thom Yorke playing to a tiny audience in an intimate venue. Well if you don’t count those of us watching via the stream it was a small, and I am sure very happy audience. Even watching via the live stream, which unlike Live At Worthy Farm was truly live and not “as live”, I could sense this was a very special show. The sort that people will speak of in reverential hushed tones for many, many years. Griffiths’ vocals were heavenly throughout, perhaps none more so than on “Remedy To Rust”. He was joined by a string section for this tune and I was also entranced by the Neil Young vibes that showed strongly. One of my favourites of the whole set was “A Hotel Song” which deals with suffering existential crises in hotel rooms. This was followed by “Until I Found A Rose” on which the celestial strings enhanced the song to levels even higher than the venue roof.

“Hall Of Fame” deals with the fall out and complexities of a faded, but perhaps not ended relationship. A tune that oozes sadness in a way that not many songs are able to. A lament that would moisten the tear ducts of anyone with even half a heart. For “Terrorforming” we were treated to stunningly beautiful choral support from a women’s choir led by Gina Walters. The song has become one of my most favourite tracks ever. It never fails to instil in me huge confidence and love for life, while at the same time shines a light on the inevitable fact that I now have less years left on this planet than I have spent on it so far. Is that what was intended for these lyrics? I have no idea, but that is how deeply it gets to me! Drummer Jack Williams joined Griffiths and guitarist Conor Hirons for a great run through of one of the Howl And The Hum’s classics, “The Only Boy Racer Left On the Island”. Next “Sweet Fading Silver” built towards a magnificent crescendo before a beautiful melancholy close. Sam Griffiths dedicated a new song, “Thumbs Up” to the bands bass player Bradley Blackwell who sadly missed the gig as he was unwell, I really feel for him, but this band will play huge gigs one day and he will be there for them. Does this song have the only lyric that has ever mentioned ‘Predator 2’? Either way it is a great song and once again I was reminded of Thom Yorke in Sam Griffiths incredible vocal style. I believe that even people who claim to have never heard, or heard of, the Howl And The Hum will know the song they closed the set with. It was “Godmanchester Chinese Bridge” and this was a full on mountainous performance with the band, strings, choir and pretty much everything but the kitchen sink! This is almost certainly the greatest live streamed gig ever! We really need a physical, especially vinyl, release of this monumental gig!

None of the videos are from the gig, but enjoy them anyway. Also click here if you want to see the show, it is only available for a very short time (until 23:59 UK time Sunday 6th June, and it will cost you hardly anything, just £5!

All the photographs and videos were found on line if one of them is yours and you would like me to credit you or remove it please let me know!

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Miles – The Crescent, York – Thursday 18th October 2018 October 22, 2018

Filed under: Review — justwilliam1959 @ 4:03 pm
Tags: , , , , , ,

Miles (ex Epilogues)

No excuse for not living the moment tonight, I forgot to take my mobile phone with me, but that means that there won’t be any shitty out of focus pictures from me! Anyway this gig was another great line up put together by the Magical Mr Coates at Please Please You. Headlined by Miles (ex Epilogues) the night also included three other acts. Excellent value for a fiver I reckon! First to hit the stage was Elk who gave us spaced out folk music backed by acoustic guitar and often by an almost hypnotic keyboard drone. The latter was provided by Mikey off of Miles. There was clearly a whole bundle of emotion in these songs although it sounded like the vocals were mixed a little too low in the quieter moments. The crashing, crescendo like harmonies on some tunes were truly epic. If there is ever another series of ‘True Detective’ some of these songs would fit perfectly.

Wounded Bear

Wounded Bear was second up. He has warm, rich, sublime vocals with a hint of sweetness. Perhaps the aural equivalent of Jack Daniels with honey. This troubadour tells intricate stories with his songs of love and loss. New song “Civil War” is shaping up to be something very special. Alexander Carson was the nights penultimate performer. He has almost angelic vocals on some truly ethereal songs, many of which deal with death. On paper that might sound like a depressing way to spend an evening, but trust me it is not! Alexander’s use of looping and layering his sounds is honed to perfection. On top of that he is one of the most accomplished keyboard players that I have seen in a while. There were some immense piano flourishes that ran the gamut from classical to jazz and back again. This guy is well worth checking out.

Alexander Carson

Finally it was time for Miles. I had seen main man Mikey in a previous acoustic guise as Epilogues. He has come a long way since then and he was good when I saw him as Epilogues, he is even better now and the more powerful sound of a band performance suits him well. Most of the tunes seem to have an ambition to be cinematic in scope and most achieve that ambition. The solo tunes seem to carry a great sadness in their ambient parts and this couples so naturally with the soul baring lyrics. “Me” is an absolute killer of a sad lament. While the emotion in “Two Weeks” was palpable to the point where Mikey was moved to shed real tears. Nigel the drummer took on a spoken interlude to thank everyone who supported and worked on the show. Nigel you are a fucking excellent drummer, but stick to that and not stand up comedy. If you love really open heart outpourings in song then Miles are a must for you. This band needs to be heard more widely. Make it happen!

Miles – ex Epilogues

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Cabbage – The Crescent, York – Wednesday 11th April 2018 April 13, 2018


Well isn’t the Crescent turning into a fab venue. Tonight in a show put together by the talented Mr Dean Shakespeare of Under The Influence we had one of the most hyped bands in ages headlining ; those delightful lads from Cabbage. This would make it four times that I had seen them live, so what did I think of them this time? Well dear reader you will need to read on to find out, because I need to tell you about the excellent support acts first. The Grimm Twins took to the stage before anyone else and sadly the early crowd held back for far too long for such a stunning band. They are punk and post punk rolled into one. They contain a pinch of the Fall and a dash of the Buzzcocks which given that their DNA is close geographically, they are from Macclesfield, I am not surprised. Their song “Generation Z” is a venerable and honourable anthem for this bands generation. After hearing this I would be happy to hand over the mantle as my baby boomer generation have royally fucked things up. Their closing number “Theme Of The Grimm” is a top tune, it is deep, meaningful, powerful, special and anthemic. Definitely a band to watch out for.

The next band up were She Drew The Gun who to me appeared to be influenced by everything and nothing at the same time, this is no criticism they are a wonderful and truly original band. They are a band with a conscience and bucket loads of passion. Imagine Dick Dale backing a torch singer or Kate Tempest fronting early Roxy Music and this will give you just a small insight into exactly how good She Drew The Gun are. If you saw them at the Crescent tonight and you didn’t become a fan then I seriously believe that you need to have your musical taste examined!

Finally it was time for the main attraction and one of your five a day, it is only the mighty Cabbage! This is the fourth time that I have experienced the band known as Cabbage and this was the first time that I had seen them outside of a festival. So this was very much their own crowd and oh boy did they whip us into a frenzy. Cabbage play punk, funk, pop, post punk and many other styles in between but they are nigh on impossible to drop into a genre. They are bombastic, lovingly chaotic and they carry off a healthy dollop of arrogance too. We were treated to some proper choice cuts from their new album ‘Nihilistic Glamour Shots’ and some of the finest songs from their ever-expanding repertoire. They were at their explosive best for “Arms of Pleonexia” and “Gibraltar Ape” was a towering masterpiece that shook the room, but to be fair I was standing right next to the speaker stack! From their earlier songs “Uber Capitalist Death Trade”, “Terrorist Synthesizer” and “Dinner Lady” were particular highlights for me. On top of that who can resist the genius that is “Necroflat in the Palace”. After seeing them at the Latitude Festival last year I made a prediction that they would headline a major festival in three years. I stand by that and hopefully it will be by or before 2020! Get yourself out to see Cabbage now before they start playing just the enormodomes!

It was also great to catch up with Simon P; kingpin of Northern Radar, Joe Coates; Head Honcho of Please Please You and Joe and Jared from one of my most favourite bands the rather awesome Avalanche Party! so as gig nights go this one was among the very best!

Public service announcement – all photographs emanated from by cheap little android phone and the videos were all discovered on YouTube.

 

The Big Boss Caine Album Launch Show – The Crescent, York – Saturday March 24th 2018 March 27, 2018


Earlier this month I was delighted to get the chance to review ‘Loved By Trouble, Troubled By Love’ the extraordinary new album from the mighty Boss Caine. (Click here to read that review) So given that I thought it was such a darned good album I was excited and filled with great expectations for the album launch show. Did I enjoy the show? Well dear reader you will have to read on to discover that. The gig was at one of York‘s finest venues, The Crescent and was promoted by talented and discerning promoter Joe Coates of Please Please You. First on the bill and all the way from London were the Swamp Stomp String Band an act that frankly it was impossible not to enjoy. They played some top tunes, many about booze and death, and had the audience a boppin’ and a rockin’ for their whole set. Their music is simple but oh so infectious and enjoyable, the between song banter is highly entertaining too. Essentially the Swamp Stomp String Band is two blokes, a Double Bass, a Guitar, A Banjo and a kazoo! You really ought to see them if you get the chance, I will definitely check them out again sometime.

The Swamp Stomp String Band

The second and final support act were the Snakerattlers who at one point claimed to come from hell, but actually they are from York. This is the second time that I have seen the Snakerattlers and they are a potentially very exciting live band. Their new album ‘This Is Rattlerock’ showcases their sound well and it will be interesting to see how they are able to develop that in future releases. The almost menacing thunder of Naomi’s drumming and the rumble of Dan’s psyched up rockabilly style guitar seemed to really hit the spot for many in tonight’s audience. I think that this is a very good band with the power and ability to become something much bigger. However one thing that is lacking for me is the engagement with their audience. Dan did make a couple of audience invasions but for me spending most of your set with your back to the crowd or side on to them doesn’t help when looking to interact with the punters. But apart from that this is clearly a talented band who are worth checking out if you haven’t already.

The Snakerattlers

Finally it was time for the main event the first live showcase of what I believe to be the finest Boss Caine album to date, ‘Loved By Trouble, Troubled By Love’. I have lost count of how many times I have played the album since receiving my link for review a few weeks ago, but pretty much every song gains an even more expansive life and sound scape when heard live. “Champagne” pulled the crowd in from the off and we were all completely mesmerised by a stunning full band performance. My favourite song from the record is still “Lonesome Crow” in which the build to a wrought emotional crescendo which hits your heart and your brain in equal measure surely cannot fail to move even the hardest of souls. Second track on the album “Evidence” has, for me, some of the best lyrics in a song for some while. I have found that “Where Good Things Go To Die” leads me down a winding lane of memory back to the town where I was born and grew up. Listening to this tune seems to dredge up a new memory of my teens every time that I hear it and standing in the crowd Saturday night I was swept with more recollection of all those now long distant pangs, pains and dilemmas of teenage angst. Dan had all of us singing along with absolute gusto to album closer “Smoking In My Backyard”. While that song meant that the ten tracks from this fine collection had been handsomely put to bed there was room for a couple of extra songs one of which was the soulful lament of “Leaving Victoria” from 2010’s Boss Caine album ‘The Ship That Sailed’. Tonight’s performance was the perfect way to launch a great album with all the potential to become a true classic. For me and many of the other lucky folk in the crowd this gig will live long in our heads. Boss Caine bossed it!

 

John Murry – The Basement, City Screen, York – Wednesday 20th September 2017 September 22, 2017


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I chanced upon John Murry’s “Wrong Man” a few weeks back on a cover mounted CD probably from Uncut magazine. I listened to all the tracks but had “Wrong Man” on repeat for half of my journey home from Hull to York. Later I checked this very talented artist out on Spotify and absolutely devoured everything Spotify (other streaming services are available) had to offer from Mr Murry. So I was incredibly excited to find out that John Murry, courtesy of Please Please You (nice work Joe) would be playing a show in York. I booked my ticket immediately!

Boss-Caine-750x500

I was doubly pleased when I found out that the support act was to be the marvelous Boss Caine. Daniel Lucas (Boss Caine Main Man) played an acoustic set consisting mainly of songs from his upcoming album, which now looks likely to get a release in November. Based on hearing a clutch of songs from that album I really believe that it will be something special. Daniel asked us to imagine the brass and string arrangements that would be applied to the songs in the studio. Frankly I could imagine all of that, but these songs are so damned good they work really well in an acoustic format too. For most of the set counter point vocals and harmonies were handled by the exquisitely talented Amy Greene The acoustic duo set up was at times reminiscent of Paul Heaton and Jacquie Abbott, but with a Boss Caine twist. These songs are classy story songs and who doesn’t love a story song? Mr Lucas is a great storyteller via the medium of his songs. Check out Boss Caine, you will not be disappointed.

John-Murry-1

As for John Murry, wow what can I say? Well back in the early 70s Jon Landau having witnessed Bruce Springsteen playing live said something along the lines of “I have seen the future of rock ‘n’ roll and its name is Bruce Springsteen”. Well John Murry isn’t Springsteen but he is a damned genius. If you like Nick Cave, maybe even Tom Waits, rock with a dark side and an immensely dry wit you will love this guy. The band is a bunch of highly talented musicians and it is set up in quite an interesting way. One of the keyboard players switches to drums on some songs and on those numbers the drummer switches to bass guitar. So not just a multi talented group but also a group of multi instrumentalists too. Murry’s guitar playing channels a power source from a parallel dimension where David Lynch is President of the USA.

DOYDa5XN

When I first heard John Murry I had no idea of his nationality. In my head he sounded a little Celtic, maybe Scottish or Irish, but in fact he hails from Tupelo, Mississippi. Although he now lives in Ireland. I am not yet familiar with all his songs but the previously mentioned “Wrong Man” was stunning. I also loved the psyched version of Smokey Robinson’s “Tracks Of My Tears” that was woven into the opening song. “The Ballad Of The Pajama Kid” taken from his first album ‘The Graceless Age” has a haunting, ageless, grace (apologies for that hint of plagiarism on my part) that hangs around in your head like a long lost friend. I bought John Murry’s new album ‘A Short History Of Decay’ from the merch stand and I have played it six or seven times already. For me this is a contender for album of the year. I urge you to check out John Murry if you haven’t already, in fact I don’t urge you, I bloody well order you to find him and check him out live, on record or both.

 

 

Hurray For The Riff Raff – The Crescent, York – Tuesday 15th August August 15, 2017


Having really loved Hurray For The Riff Raff‘s album ‘The Navigator’ on first hearing it earlier this year I was hoping to get the chance to see them live. Well that chance came around at a fabulous little venue, the Crescent, in my adopted home city of York. Were Hurray For The Riff Raff good? Well you will just have to read on to find out, but first let me tell you about the rather splendid support act, Alex Golisti. He played a great acoustic set including some of his own songs, one of which was an old banjo tune that he played on the guitar and had written his own lyrics for. He has a voice that at times shows similarities with both Tom Waits and George Ezra. He plays a style that evokes bluegrass and roots music with a modern twist. On top of all that he has a great self-deprecating sense of humour.

I was accompanied by my beautiful wife Catherine a.k.a. Catwoman this evening as she enjoyed ‘The navigator’ too. We were both very excited to be here and from the opening salvo of “Life To Save” and “Nothing’s Gonna Change That Girl” we were not disappointed. The energy shown by Alynda Lee Segarra and indeed the whole band never let up for the whole night. There were plenty of highlights notably for me the haunting rendition of “Fourteen Floors” with Alynda on keyboard. Then just when you think it couldn’t get better the band hit us with one of Segarra’s excellent protest songs, “Pa’ lante”. It has vision, power, heart, soul, deep emotion and an uplifting message. I understand that it is Spanish slang and that it means to “go ahead” or “go for it”. Alynda is very proud of her Puerto Rican roots and that shows on the current album and in her stage performance. The encore included a rousing cover of Springsteen’s “Dancing In The Dark” which had absolutely everyone on their feet. This is a band on top form and one who were really enjoying themselves. I will definitely be seeing them again! This was another great show from Please Please You, thank you Joe Coates.

 

 
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