With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

Leeds Festival 2019 – Day 3 – Sunday 25th August September 1, 2019


How do Festival weekends seem to go so quickly? This was by far the hottest of my three days at the 2019 Leeds Festival, well in terms of temperature at least. Were the bands as hot in terms of performance? Well, dear reader, you will need to read on to find out. One of the big rumours of the day was that Frank Turner would be playing a secret set. There was a gap on the Pit/ Lock Up Stage from midday to 1 o’clock, so I came in extra early to be there only to find that it was just a rumour based on the fact that Frank had played a couple of album launch sets at the Brudenell in Leeds the night before. Hopefully, Mr Turner will be playing at the festival next year. My first action of the day was to see Amsterdam’s Pip Blom on the BBC Radio 1 Stage. The band name is taken from the name of the bandleader who writes and produces all of the band’s fabulous indie-pop classics. They are like a reincarnation of the Breeders with a very strong power-pop direction. Check out their album ‘Boat’ on Heavenly Recordings.

Oddity Road

Next, it was a quick dash across to the Festival Republic Stage to see Sheffield’s Oddity Road. They hit you with harmonic, melodious rock songs that would grace the canon of many successful bands. The Foo Fighters and the Killers to name just a couple. Oddity Road are purveyors of finely crafted and intelligently performed power-pop classics in waiting. Remarkably they are currently unsigned, but I doubt that will last for too much longer. I made a dash across to the Pit/ Lock Up stage with great excitement and anticipation as it was time for Queen Zee. But our hopes were dashed as the band had to pull out for medical reasons. I hope that there was a speedy recovering and that this amazing band will be back next year.

Belako

The Festival Republic Stage next played host to Basque country rock band Belako. This band are incredibly hard-edged with a planet splitting volcanic shriek of a rock vocal and I mean that in a good way. I heard shades of peak-era Siouxse and the Banshees in Belako. Definitely a band to keep an eye out for. I made my first visit to the Main Stage today to catch Against The Current. This charming, talented and well-rehearsed band from Poughkeepsie in the USA smashed it with a great set. This bunch epitomise perfect high powered pop with vocal hooks and riffs aplenty accompanied by some really top tunes. They have more energy than Duracell’s finest products! Back to the Festival Republic for a band that has been highly recommended to me by quite a few people, Sophie and the Giants. The band hail from Sheffield and while I don’t believe that they are real giants they do have some gigantic tunes with huge sweeping choruses that attach to your neural network like a stubborn and persistent beanstalk. Sophie Scott’s voice has an incredible range and volume and a gorgeous tonal quality. She could easily match the vocal talents of Florence Welch.

Sophie and the Giants

I rushed over to the BBC Radio 1 Stage for rising British rapper Slowthai and oh boy was it worth running in that heat. After being so disappointed by Gunna and Juice WRLD over the past couple of days Slowthai. He singlehandedly restored my faith in rap as I thought that he might. He is a great performer and his words and cyphers are intelligent, challenging and at times works of genius. His album ‘Nothing Great About Britain’ is, for me, among the best releases of the year. The Pit/ Lock Up was home to Bad Nerves from Essex next. These boys play it hard and fast with 100 miles per hour riffery and spot on sneery punk vocals. Their tunes are reminiscent and worthy of early Strokes cuts. I sense influences from classic period Buzzcocks and Stiff Little Fingers. I heard them play their single “Radio Punk” here and that has since become one of my favourite songs of the moment.

Bad Nerves

The BBC Introducing Stage has been supremely good this year on my next visit to that stage I got to experience the delights of Charlotte, a 20-year-old from Hull, who possess one of the most soulful voices I have heard. Her style is at times similar to Adele, but with less of the shoutier elements. Charlotte has a really tight and funky band behind her too. This girl can go all the way and I hope that she does. The Japanese House were next up on the Festival Republic Stage. I am sure that they are not Japanese, nor are they a house, what they are is highly talented singer-songwriter Amber Bain from Buckinghamshire. She has songs with hypnotic harmonies and huge hooks. If you want to chill out on the hottest festival afternoon that I can remember then you need to do it to the Japanese House. The refreshingly beautiful symphonic flow of Bain’s songs is still washing over me.

Charlotte

I did not make too many trips to the Main Stage on Sunday but I wanted to be there to witness the first person born this century to have a US number one album with ‘When We All Fall Asleep, Where Do We Go?’ I am talking of course about the mercurial talent that is Billie Eilish. She is what a 21st-century superstar should be; an original talent, someone who does things her way and on top of that a truly engaging performer. She has sass, style and superb songs. I reckon she drew the biggest crowd of the weekend, the crowd went absolutely nuts for her. She will undoubtedly be back at this festival before too long. Have I been at the Pit/ Lock Up Stage more times than any other this year? It certainly feels like it, this time I was here for Blood Youth from Yorkshire. This bunch are heavier than Osmium and harder than Nuclear Pasta (a.k.a. the material that makes up a Neutron Star). Blood Youth wield the force to cause an earthquake in Hell by the power of their mountainous riffs alone. This band produced a wave of the heaviest hardcore heavy metal today and rocked the Pit/ Lock Up Tent almost out of its moorings! Take a listen to their current album ‘Starve’ it is something special and you will not be disappointed.

Blood Youth

I stayed in the Pit/ Lock Up tent for the next act, an artist I knew next to nothing about, but I was intrigued. Just when I thought I had seen pretty much all there is to see at gigs and festivals during the last forty-seven years up comes Poppy, once known as Moriah Rose Pereira. This completely original LA artist shares a birthday with me, she was born the day that I turned 36. If you thought Lady Gaga was a bit ‘out there’ and strange then you have never come across Poppy. Is she an android? Well, she could be. This was perhaps one of the most spectacular sets that I have ever seen at one of the smaller stages at the Reading/ Leeds Festival! Poppy is like the sproglet of Max Headroom and Gwen Stefani with added alien DNA. Her band look like players in a rock star zombie film. The music is full-on heavy glam rock with a heavy nod to classic 60s girl group choruses in the vocals. Almost certainly my favourite act of the whole weekend. What was yours? I might have left after Poppy as nothing could really follow her, but I felt that I needed to stick around a little longer. Well, long enough to at least catch Twenty One Pilots. The boys opened with “Jumpsuit” which set the bar pretty high for the rest of their set. They managed to include a piece of the White Stripes “Seven Nation Army” within the live rendition of “Morph”, so I guess you could say that “Morph” morphed. It was an electrifying set, highlights for me were “My Blood” and “Cut My Lip”. But the real crowd-pleaser was a cover of the Oasis classic “Don’t Look Back In Anger” for which they were joined on stage by fellow co headliner Post Malone. I was more than satisfied to end my festival with such a great set from Twenty One Pilots. Apologies to Post Malone, the heat pretty much wasted me and I am not a big Post Malone fan! Leeds Festival I will see you again in 2020.

I know that they didn’t actually play the Leeds Festival, but they are a great band, so here is a sneaky Queen Zee video. Get well soon and we’ll see you next time!

All the photos apart from the Festival Line Up poster were taken on my cheap android phone. The videos were all found on YouTube, if one of them is yours and you would like a credit or for me to remove it please let me know.

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Leeds Festival 2018 – Saturday 25th August 2018 August 29, 2018


Day 2 kicked off on the BBC Radio 1 Stage with Blackpool lass Rae Morris. Does she make pop music for dance people or dance music for pop people? Frankly who cares, she has some sublime tunes, she is a wonderfully absorbing performer whose energy and happiness on stage infects the whole crowd with a positive high on happy vibe. I wandered across to the Lock Up Stage after that for the wonderfully named Thunderpussy. These four wild women play their rock as hard and harmonious as it is possible to get. Some of their tunes are simply off the scale excellent. They also have a stunning array of costumes, some of which might have outdone Nona Hendryx and Patti Labelle in there 70s Labelle prime. This was a really gutsy performance. I was beginning to think that female bands were once again thin on the ground at this festival, and they almost certainly still are. But Thunderpussy have the ability and the power chords to make some of their male counterparts spontaneously combust. There were even a couple of Bowie Ronson moments between singer Molly Sides and guitarist Whitney Petty which woked staggeringly well.

Rae Morris

I was disappointed, actually totally gutted, to have missed Frank Carter’s secret set here on Friday. However I was over the moon to be in the audience for the much rumoured and loudly fanfared not so secret set from Bring Me The Horizon on the BBC Radio 1 Stage. They tore the roof off the tent and sent it into orbit around the sun. “Throne”, “Antivist” and “Drown” shone brightest for me in a powerful set that was over way too soon. I hope Bring Me The Horizon headline the Main Stage in 2019. In my opinion they are far better headline contenders than either the Kings Of Leon or Fall Out Boy this year. The Xcerts were on great form on the Lock Up Stage. Spectacular songs, immaculate playing and a in Murray MacLeod a vocalist who knows exactly how to put immense emotion into a song.

Thunderpussy

My first visit to the Main Stage on Saturday was for Post Malone. I had always felt that Post Malone was ok but somewhat over hyped. But now having seen this Texan in all his performing glory it is clear that he is way, way above average. But it still feels like there is a tad too much on the hype front. But whatever I think the crowd went ape-shit crazy for him. San Francisco’s I The Mighty hit the Lock Up Stage like a Panzer division laying waste to Europe. There is a little of everything here; prog rock, US pop punk and maybe a smattering of emo. I recognise that on paper that sounds like a mess, but it works almost effortlessly. Ms Banks proved that she is a woman totally in control with her edgy and insightful set on the BBC Radio 1 Extra Stage. This 22-year-old south Londoner really gets life and totally loves and understands her audience. Her put down of security when they wouldn’t let her bring a few fans on to the stage to dance was done very firmly, tastefully and even moderately politely. I definitely want more Ms Banks in my life.

Beach Riot

Over on the Festival Republic Stage it was time for Dream Wife. This is punk with a social conscience, but not in a po-faced kind of way. This band makes you feel that having a conscience is not only right but that it can be fun too. If Madonna had fronted Bowie’s Tin Machine back in 1989 it might have sounded like this. There was a disappointingly small crowd for Beach Riot on the BBC Introducing Stage. I suspect because people were at the Main Stage while the Wombats were on and maybe they stayed for the Kooks, well they missed out! What the crowd lacked in size they more than made up for with enthusiasm. I saw Nirvana at Reading in 1991/ 92 and I have also seen Blur at their punked up best. Beach Riot from Brighton reminded me of both. I stayed at the BBC Introducing Stage for the mighty Fizzy Blood from Leeds. This band is possibly the loudest and probably the maddest band to grace this stage in 2018. This is some of the most entertaining, guitar shredding rock that you will ever hear.

Fizzy Blood

It was three in a row at the BBC Introducing Stage for me because there was absolutely no way that I was going to miss Doncaster’s the Blinders. They are a politically charged force with front man, guitarist and full on perpetual psychedelic motion machine Tom leading the charge. He has the same level of starey  menace conjured up by Jordan of Avalanche Party. Bass player Charlie looks a little like Nick Cave and moves like Bruce Foxton in the early days of the Jam. Meanwhile Matty on the drums is a monumentally punktastic human metronome. If the Blinders do not become massive then there is something wrong with the world. Anything I saw next was probably not going to match the Blinders, but the day wasn’t over so I headed over to a totally rammed Pit/ Lock Up Stage for Utah’s the Used still going very strong fifteen years since their first album, they are now on their seventh, ‘The Canyon’. This was an emotional, gut wrenching journey through some timeless songs and included a great cover of Nirvana’s “Smells Like Teen Spirit”. That is a cover that only a few acts can pull off and the Used did Cobain proud.

Blinders

Bad Sounds were next on the Festival Republic Stage and obviously the name is amusingly ironic because every noise they make is great. Like a laboratory created hybrid of punk and hip hop with a side order of the Flaming Lips there are not many bands like this out there right now. The nucleus of Bad Sounds are brothers Ewan and Callum Merrett. Their songs are spectacularly hook laden and their core fans knew every word. “Zacharia” had the energy of a gallon of Red Bull. Death From Above (when did they drop the 1979?) have been around since 2001 although they broke up in 2006 before reforming in 2011. They aired six songs from their current album “Outrage! Is Now” and the set showcased their pile driving punk, electronica and modern metal credentials with a nod to Muse and Biffy Clyro. “Nomad” has the power cranked up to 11 and is designed to tear down walls. I am so glad that these Canadians are not only still with us but that they are still producing classy music. I was never a big fan of the Horrors but they have become something quite different over the years, their most recent album ‘V’ is a staggeringly good collection of songs, many of which were aired in their set which closed proceedings on the Festival Republic Stage. However while it was a good performance it didn’t rise to greatness for me. This was my last day at the Leeds Festival for 2018, I must apologise for this, but having seen the amount of rain forecast for the Sunday I decided to quite while I was still quite dry! But I will be back next year!

Public Service announcement: apart from the branded festival poster pics all the pictures were taken by me on my cheap Chinese phone. The videos are all sourced from YouTube. If the video is yours and you would like me to credit you or take it down please get in touch.

 

 
ACCREDITED SENIOR PSYCHOTHERAPIST,COUNSELLOR, CBT THERAPIST AND COMEDY WRITER -Dr.Fawzy Masaoud-LONDON, ENGLAND

NO DESPAIR WITH LIFE AND NO LIFE WITH DESPAIR . Email: dr.fawzyclinic2019@yahoo.com

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