With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

Float Tank #4 – The Arts Barge, York – Tuesday 6th August August 14, 2019


I was lucky enough to spend time in a flotation tank a few years ago and it was an incredible experience. For the uninitiated you float, for an hour in my case, in very salty warm water inside a pod with no light or sound. It is claimed that the relaxation you experience is better than hours of sleep. It sure felt like it and I will definitely do it again. But in the meantime, there was Float Tank #4 an experimental music session brought to us as a part of the Great Yorkshire Fringe 2019. The series started three years ago in the Railway Institute in York, this year Float Tank #4 (the following evening it would be #5) was held on the Arts Barge on the River Ouse at Tower Gardens near Skeldergate Bridge. It was a short show, just one hour, a similar length to the usual flotation tank experience. It began at 10 p.m. and ended at 11. So what exactly was it?

Well it was a very strange gig experience. Imagine, if you will, being at a gig in total darkness and only being able to hear the performers but not see them. Are you imagining that? Trust me the sensory experience goes way beyond what our little minds can imagine. The set began with Sam Griffiths of The Howl And The Hum playing a lounge-style piano take on Springsteen’s “Dancing In The Dark”, appropriately. Sam was visible for this as it was just background while we took our seats and the last vestiges of light were blocked out. Once we were truly plunged into darkness the fun began with a poem recited, presumably by the poet (apologies, I didn’t get her name). She was backed with some eerie sounds which were mostly keyboard-driven. After that, it was instrumental music which was guitar-based and might have included a number of tape loops. I believe that Kai West of Bull was responsible for much of this. It was a stunning psychedelic ambient drone and at times I was reminded of the sound bite and tape loop psych-out that was “Revolution No. 9” from the Beatles White Album. But however it was composed and performed it was a great sound that fitted the experience perfectly. Like many of us in the audience I completely lost track of time and a few times I tried to get my eyes accustomed to the dark, but it really was Eldritch black. If Float Tank returns next year then I will be first in line!

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“But I gotta get a bellyful of wine” March 2, 2014


14MAGICAL_SPAN-articleLargeHave you ever wondered what the shortest song recorded and released by the Beatles was? Well wonder no more while I bring you the top five shortest Beatles songs; As is customary they are in reverse order and you should imagine a Ringo drum roll while you are reading the list.

5 “Mean Mr Mustard” from ‘Abbey Road‘ (1:06)

4 “Wild Honey Pie” from ‘The Beatles’ a.k.a ‘The White Album‘ (0:52)

3 “Dig It” from ‘Let It Be‘ (0:49)

2 “Maggie Mae” from ‘Let It Be’ (0:40)

1 “Her Majesty”  from ‘Abbey Road’ (0:23)

While we’re at it do you know what the longest Beatles song to be released was? I bet you’re all thinking “Hey Jude” aren’t you? Well you’re wrong. The longest song the band ever released was “I Want You (She’s So Heavy)” which takes up seven minutes and 47 seconds of ‘Abbey Road’. “Hey Jude” sits just behind at 7:11. However the longest track the group ever released was the rather weird and sometimes scary sound scape “Revolution No. 9” from ‘The White Album’. It lasts a whopping 8 minutes and 22 seconds. For me that track is best listened too at high volume with headphones in a dark room late at night. What do you think?

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