With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

The 12 Days Of, Mostly, Punky Christmas – Day 7 December 19, 2020


Day 7 of the With Just A Hint Of Mayhem, mostly, punk themed 12 days of Christmas series I hope you’re enjoying it so far. What plans do you have for a socially distanced Chrimbo? Todays choice might upset some punk purists, but frankly I don’t give a shit! This thrown together band includes 50% of the Sex Pistols (Cook and Jones) plus Phil Lynott and Scott Gorham of Thin Lizzy. Lynott had a great punk attitude and he associated with many punk luminaries. They were originally called the Greedy Bastards but for this release they were the Greedies. Put on your Christmas trousers and strut your stuff to “A Merry Jingle”.

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“Darning his socks in the night when there’s nobody there” January 6, 2014


beatlesDid you know that the Beatles released one single that none of the band played on? It’s kind of obvious when you think about it. The song is “Eleanor Rigby” which was released on the same single as “Yellow Submarine” in 1966. It reached number one in many countries including the UK, Canada, Germany, Netherlands, Belgium, Norway, Australia and Austria. The musicians who played on the track were;

On Violin – Tony Gilbert, Sidney Sax, John Sharpe and Juergen Hess.

On Viola – Stephen Shingles and John Underwood

On Cello – Derek Simpson and Norman Jones.

beatles pantoIt makes you wonder how many other bands didn’t play on their big hits. It would be fair to assume that the likes of the Bay City Rollers, Westlife, Boyzone, the majority of X Factor muppets and many others didn’t play on any of their hits wouldn’t it? But then again even Ringo didn’t feature on the Beatles initially released version of “Love Me Do” in 1962. Sid Vicious‘ bass playing featured on hardly any Sex Pistols recordings, most of those were completed by Glen Matlock or Steve Jones. Listening to some bootlegs of the band from late 1977 to the ill-fated US tour of January 1978 suggests that there was a good reason Sid didn’t contribute bass to many songs, he just wasn’t very good at it!

eleanor rigby headstone

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“Ronnie Biggs was doing time ’til he done a bunk” December 18, 2013


ronniebiggs_460x276OK I know he was a criminal and I know that a man died as a result of the violence used in the Great Train Robbery back in 1963. But if only the gang had not coshed the driver of the train they would surely have become folk heroes for taking so much without really hurting anyone. Anyway I thought I would mark the passing of Ronnie Biggs the most obvious way I can given that this is a music blog. Here is Ronnie from 1978 as guest vocalist for the Sex Pistols. McLaren never shied away from bad publicity did he?

Sex-Pistols-Punk-prayerRonnie died earlier this week aged 84. He recorded a track with the Pistols while he was holed up in Brazil and they were in free fall after the departure of Johnny Rotten/ John Lydon. The B Side of the “No One Is Innocent (A Punk Prayer By Ronnie Biggs)” single was the Sid Vicious version of “My Way”. The single made it to number 7 in the UK charts.

RIP Ronnie Biggs

 

“We don’t care about long hair” – Advent day 17 December 17, 2013


advent-day-17_2084082aIt seems like just days since I started this years With Just A Hint Of Mayhem Advent blog posts and yet here we are at Day 17 already. More than two-thirds of the way through. So not only is it December 17th it is also the day that you get two songs with seventeen in the title. I’m getting a little concerned that I’ll be able to find two at least half decent songs for each day up to 25th December. But I think I can!

At_seventeen_(Janis_ian_single_cover)Anyway enough of my mindless prattling, what is the first song for today I hear you cry. Well it is a beautiful song from 1975; it is Janis Ian with the Grammy winning “At Seventeen”. The song failed to chart in the UK although I seem to recall that it got a lot of airplay in 1975/ 76. It went to number three on the US Billboard chart and remains her biggest hit. Janis didn’t want to release the song at first as she felt it was too personal. The song has been covered by Celine Dion for her current album ‘Loved Me Back To Life’. In addition to piano and guitar Janis also plays organ, harpsichord, French horn and flute. She had mastered all of these by the time she reached her teens. Janis also writes science fiction and has had a number of short stories published.

4541100486The second song today comes from punk icons the Sex Pistols and is called “Seventeen”. The song was the first track on side two of their only studio album; the timeless punk classic ‘Never Mind The Bollocks Here’s The Sex Pistols’. The bass on the album was played by either Glen Matlock or Steve Jones as Sid Vicious was not a particularly competent bassist. However it seems that Mr Vicious may have played his bass on the album’s eighth track; “Bodies”. “Seventeen” was one of 15 songs that the band played at their final gig (not including reunions) at the Winter Ballroom in San Francisco on January 1978. US hardcore punk band Total Chaos have covered the song for the ‘Never Mind The Sex Pistols, Here’s The Tribute’ album in 2000.

 

“Hindsight done me no good standing naked in the back of the woods” January 4, 2012


I'm not sure what Steve Jones is doing behind Glen Matlock, but Glen doesn't seem to mind does he?

There has been a few snippets of Sex Pistols and PiL related news on-line recently, particularly in the NME. Firstly Steve Jones has said that Glen Matlock a ‘middle-class mommy’s boy” in a recent interview with Hustler magazine. Jones appears to have a bee in his punk bonnet about original Pistols bass player Matlock’s attitude. Jones said that he preferred Sid Vicious because he ‘looked the part’. Which is all very well but he couldn’t play bass could he? Click here to read the NME article.

Matlock may be a Mummys Boy but what the fuck is Jones in a top like that?

The new series of Grumpy Old Men had got off to a great start

John Lydon has famously claimed that ‘If you want to know why PiL don’t have a record label, look at the X Factor’. he goes on to say that artists who want to be cutting edge and challenging wouldn’t get past the first round of reality talent shows such as American Idol and X Factor. He adds ‘Unfortunately there’s some fantastic singers that come out of that, but they’re karaoke’. I couldn’t agree more. Not so much has pop eaten itself, more like it has just bored itself into soporific oblivion. Hopefully Lydon and his PiL cohorts can shake things up with their new album ‘This Is PiL’ which is due out later this year. They will also be reissuing all of their previous albums during 2012. Read the article on the NME website by clicking here.

Lydon takes a dump on the world

 

YHR Radiowaves Gig @ Stereo in York 12th August 2010 August 13, 2010


I had the pleasure of attending yet another great gig promoted by Mr Simon Pattinson from York. It was another benefit for York Hospital Radio and £300 was raised. As usual Simon promoted a brilliant gig, you can’t really beat four excellent bands for £5 can you? But firstly let me apologise for missing Rosie who were the first on the bill. But all the people I spoke to that saw them rated them very highly.

The first band I saw on the night was the Paper Tigers. A great band name in my opinion and whilst their name says paper their sound is so much stronger. A female singer with a great rock vocal ability, a superbly tight rhythm section and a guitar sound reminiscent of Steve Jones aural attack with the Pistols. I’m sure from a visual perspective they might be compared to the likes of Paramore. But believe me these guys are bloody good in their own right. They can rock out and they can be mellow. I particularly loved their song “Rebellion” and frankly anyone who writes a song called rebellion is more than alright with me! I hope they go on to bigger things.

The next band up were the Shadracks, how good a name is that? A really exciting band who I suspect really know how to party. They’re from Scarborough and even have a song in their repertoire about that very town, which they referred to as a shit hole. But then don’t we all think the town we come from is a shit hole. Hillingdon, where I came from certainly is. The Shadracks sound was reminiscent of the Arctic Monkeys before they got a bit pretentious and up themselves. They also carry a great dose of superb northern wit with them. They had, sadly, run out of CDs ( a real shame, because I definitely would have bought one!) but to make up for it they brought along a load of hand-made party goody bags containing sweets and tied up with a glow in the dark wrist band. All this was hand crafted by the singers Mum. Now that is a brilliant touch! I absolutely loved their song “Lucy Locket”. Their disco Bomb activity worked well, getting everyone to crouch down and then, on the count of four, jump up and pogo. I have seen the Streets do this at Reading, but that audience was far more sedate than the Shadracks audience! I would definitely pay to see these guys again.

The headliners were Surprise Fire, these guys really know how to rock and how to work the audience. I bought their EP before they had finished their third song! A really powerful guitar sound and a great heavy drummer. This is a band with a social conscience (check out their song “Coal”) and a great sense of fun (they had us all join in a rendition of Happy Birthday for their friend Daniel). The singers vocal wasn’t mixed very well for the first couple of songs, but even then they were still very good and just got better! I can see them working really well as part of a support package to someone like Rage Against The Machine. They would go down a storm at the Reading Festival given the chance.

So after my last gig it seem that normal service has been resumed. Regular readers will know that my last gig review contained a view of probably the worst band I have ever seen. This gig was excellent and I would definitely seek out all the bands again given the chance. I will also check out Rosie, seeing as how working late made me miss them.

Finally, if Simon can fill Stereo, how come whenever my son’s band Steal The Smile play at the FaceBar in Reading there is hardly anyone there? It’s all about promotion in my opinion, some promoters promote and many others don’t!

 

 
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