With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

This is it, my 1,000th blog post! January 22, 2017


208040xcitefun-1000

Well blow me down with a feather, knock me down with an empty washing up liquid container, hit me on the head with a silk handkerchief or spank me with  a lollystick! This is my 1,000th post on this blog. It has taken eight years, but wow I am amazed that I have got this far with it. As a special offer to my blog followers and Facebook friends I opened this post up to you. I asked you to send me one song or artist and those songs and artists would form the content of this post. I did promise to say something nice about your choice and I will certainly try to stand by that, even if you have sent me a song that you know I do not really like, actually there were very few of those.  So here we go and there is no particular order or sequence to this by the way.

First up was suggested by a man who is exactly one year older than me, Vijay Ragoonanan. His choice is the first one that I received and it is a pretty classy one too. It’s “Train In Vain” by one of my favourite bands, the Clash. It was their first top 30 hit in the US and was largely called “Train In Vain” to avoid confusion with the Ben E King classic “Stand By Me” as the common refrain throughout the song is ‘stand by me’

Next up are three songs from the same family Caron Godbold Darbyshire Williams, John Williams and their wonderful daughter (who is also my Odd Daughter) Amelia. Caron chose “High” from the Lighthouse Family which was hers and John’s first dance song at their wedding. This remains the band’s most successful song, it reached the top ten in eleven countries, including number one in Australia back in 1998. John chose the timeless Don McLean song “American Pie”.  McLean has spoken very infrequently about the meaning of the song other than to confirm that the day the music died refers to the death of Buddy Holly in a plane crash on February 3rd 1959. However many people have speculated that it summarises much of America’s relatively recent history along with some related music history, for example ‘the quartet practised in the park’ is believed by many to refer to the Beatles. Amelia’s offering was One Direction with “History”. One Direction are one of the handful of acts that have remained a success long after their reality TV star burned out. This song gives a co writing credit to band members Louis Tomlinson and Liam Payne along with Julian Bunetta, John Ryan, Wayne Hector and Ed Drewett. Released at the end of 2015 it currently sits as the final single from the group now that they all appear to have gone their own way. It made it to number 6 in the UK and only hit 65 in the USA.

Sam Claypole has the next song and it’s American crooner Barry Manilow with “Could It Be Magic”. The lyrics were written by Adrienne Anderson and the music by Bazza himself. As with most Manilow songs the production is damned good. It was produced by Barry along with Ron Dante. It has been covered by many acts, notably by Take That and Donna Summer. My favourite version of the song is Donna Summer’s and I don’t really like the bombastic over production on the Take That cover.

The next offering is from someone who I went to school with back in the 1970s, Susan Norris. She has given us the sublime UK number one from 1968 by Fleetwood Mac, “Albatross”. This remains the band’s only UK number one, albeit with a very different incarnation of the group from the mega selling troupe that straddled the globe with ‘Rumours’ in the late 70s. Did you know that “Albatross” allegedly influenced a Beatles song? Apparently it was a strong influence on “Sun King” from 1969’s ‘Abbey Road’ album.

Top bloke Andy Copeland has selected the next track, I work with Andy and he sees me as some kind of old cockney geezer and provided me with the nickname Albert! Anyway as a result Andy proposed anything from Chas ‘n’ Dave, so in order not to disappoint I will treat you to “The Sideboard Song” from those cheeky London chappies. The song just missed out on a top 50 UK chart placing peaking at number 55 in 1979. It was taken from their very cockney titled album ‘Don’t Give A Monkey’s’

Someone else that I work with has the next song in the list and it is in my opinion an all time rock classic. Adrian Caines thank you for bring us Rush with “Spirit Of Radio”. Interestingly this is the only act that will feature twice on this list, more from them later. The song was released in 1980 and comes from what I believe is their seventh studio album ‘Permanent Waves’. It is still the band’s biggest UK hit having peaked at number thirteen. The song has been covered by the Catherine Wheel and sampled by Saint Etienne.

Simon Pattinson, a tireless promoter of new (and often local) music brings us York band Faux Pas who launched their first EP at Fibbers in York a few weeks ago. They have already performed at the Leeds Festival and have had some airplay on Radio 1. This teenage 4-piece have a very bright future I reckon, what do you think? The song is “I Hate Dancing”.

David Burr requested Barbara Thompson’s Paraphernalia with “Unity Hymn” which I have struggled to share with you as I can’t find a link that will play you any more than 30 seconds of this classy song. If you have a link feel free to share it. I have listened to the track on Spotify where it is credited to Barbara Thompson’s Paraphernalia (featuring John Hiseman, Peter Lemer, Malcolm Macfarlane, Paul Westwood, Anna Gracey Hiseman and the London Gospel Singers). I have added a link to a whole show from 1991 though. Barbara is a very experienced and skilled jazz saxophonist who has been playing professionally for many years. She received an MBE in 1996 and in the early part of this century she had to retire from playing for a while due to Parkinson’s Disease, but she is back now and is a permanent member of Colosseum for whom her husband Jon Hiseman is the drummer.

Among the liveliest of my Facebook friends is Katie Jane Hardy and she has chosen “Ain’t It Fun” by the Dead Boys. Originally fronted by Stiv Bators this band from Cleveland, Ohio were around at the first flush of punk from 1976 to 1979. Stiv sadly died in 1990 after being run over by a taxi, although the band did get back together in 2004 and 2005. “Ain’t It Fun” comes from their 1978 album ‘We Have Come For Your Children’.

Someone else that I went to school with in the 70s, Jane Price, selected the next song and it is a 70s classic; “Heart Of Gold” from Ole Shakey himself, Neil Young.  Taken from the album ‘Harvest’ in 1972 it is so far Neil’s only US number one single. Backing vocals on the track are courtesy of James Taylor and Linda Ronstadt.

I would like you to thank Shaun Flannery for the next song, it is “Angels” by Robbie Williams, who as Shaun pointed out to me is a Brits Icon winner, personally that just proves to me how meaningless the Brits actually are. Now many of my regular readers know that I am not a big Robbie fan and one of my least favourite songs ever is “Angels” (along with John Lennon’s “Imagine”). But I did say I would try to be nice. The song was co written by Robbie, Guy Chambers and Ray Heffernan. In 2005 a UK poll voted it the most popular song that was requested at funerals in the UK, I’m not quite sure what that says about it. Robbie has had seven solo UK number one hits in the UK, although “Angels” only made it to number four back in 1997.

I used to work with our next contributor and we have also been to a few gigs together too, Simon Hernaman has chosen “Rockwrok” by the John Foxx incarnation of Ultravox. It was released in 1977 and was taken from their ‘Ha! Ha! Ha!’ album. The B -Side of the single was an alternate version of “Hiroshima Mon Amour” from the one on the ‘Ha! Ha! Ha!’ album

Karen McPoland struggled to choose just one song, in fact she offered me three and asked me to choose. A couple of you gave me an initial choice and then changed your mind, so who knows, perhaps they might all appear on a future post, 1,001 perhaps? Anyway I chose the Eels from Karen’s list with “The Look You Give That Guy”. The Eels were formed in 1995 by Mark Oliver Everett also known as E or Mr E. His father Hugh was a physicist who was one of the first people to propose the potential existence of multiple universes or the Many Worlds Interpretation of Quantum Physics. The song is taken from their 2009 album ‘Hombre Lobo’ and was a big hit in Belgium.

My good friend and regular Reading Festival buddy wanted the Glass Animals to be included, so obviously they will be. They originate from Oxford where they formed in 2012. They have played a number of festivals around the world and released their second album ‘How To Be A Human Being’ last year. I have chosen “Youth” from that album.

Someone else that I used to work with many years ago picked the next song and it’s a bit of a Prog classic from Yes, thank your Graeme Card. It comes from ‘Yessongs’ which was the band’s first live album. The track originally appeared on the studio album ‘Close To The Edge’.

Jon Reeton is next up with “No Bravery” from James Blunt. I was never a big fan of Blunt, but I have great respect for his deftness at self-deprecation. I think he has an incredible sense of humour, but his music doesn’t do too much for me. However Jon pointed out how meaningful the lyrics are even now and I find it hard to disagree with that. The song was written by Blunt with Sacha Skarbek and can be found on his debut album ‘Back To Bedlam’ from 2005.

A little bit of reggae next with “You Don’t Love Me (No, No, No)” by Dawn Penn, thank you to Carl Rogers for this one. The song reached number three in the UK charts in 1994. Penn first recorded a song with this title in 1967 and it was based on a track by US R & B singer Willie Cobbs which in turn was heavily influenced by a Bo Diddley song. That is why the 1994 release from Dawn Penn credits both Cobbs and Diddley as writers.

Paul Terry offered me two choices and I wonder if he might be surprised that I chose Justin Bieber from the two? Anyway while I can’t say I am a Belieber I do like some of his more recent stuff. Especially “Love Yourself” which was written by Ed Sheerhan along with Benjamin Levin (a.k.a. Benny Blanco) and Bieber. It spent six weeks at number one in the UK chart.

Suzi Stacey my online witchy sister has picked a Rolling Stones classic “Mothers Little Helper”. Obviously this is not a drug related song, well ok it definitely is. Don’t do drugs kids otherwise you might live as long as Keith Richards. Hang on that sounds like a good thing though right? OK I sound like I’m high now, just enjoy the song ok.

I told you that there would be another entry from Canadian rockers Rush and I wasn’t lying. This time it is “Tom Sawyer” chosen by my mate Andy Golborne. It was the opening track on their 1981 album ‘Moving Pictures’. VH1 named it the 19th Greatest Hard Rock song of all time in 2009.

Now we have a track from the late, great Gary Moore which also features the late, great Phil Lynott. Thank you for Jacqui Parkin for choosing this one, I think it is a true classic. The song made it to number 8 in the UK singles chart in 1979. It was written by Moore and Lynott. Thin Lizzy drummer Brian Downey also plays on the track.

The next song is very much one of my favourites as it was the first dance after marrying my beautiful wife Catherine. In fact this is Catherine (a.k.a. Catwoman)’s choice. It is the truly sublime “Into My Arms” by Nick Cave. Just listen to it, is there anyone out there that doesn’t like this song? It is also the only song that I know that includes a reference to an ‘interventionist God’.

Sara Hayes has chosen the 25th song which spookily has the number 25 in the title, it s Edwin Starr with “25 Miles” a fabulous slice of Motown genius. It reached number 6 in the US chart and 36 in the UK chart when issued as a single in 1969. It was written by Johnny Bristol, Harvey Fuqua and Edwin Starr. This song was also a big hit on the Northern Soul scene in the UK.

Rachael Baines-Holmes picked the next song and it is a slice of punky class; the Dead Kennedys with “Holiday In Cambodia”. It was written by the band’s front man Jello Biafra and John Greenway and it was the second single to be released by the group when it came out in 1980. It followed “California Über Alles”. Both songs were included on the album ‘Fresh Fruit For Rotting Vegetables’.

So there you have it twenty-six songs provided by a selection of my friends. Thank you for being a part of this and for reading my blog and putting up with all the puns and shit that I post on Facebook. Finally though I will leave you with my selection. I have said loads about it on previous blog posts and it is without doubt my favourite song of all time. “No Woman No Cry” Bob Marley and the Wailers taken from the ‘Live At The Lyceum’ album from 1975

 

“You can make all the moves, you can aim all the spotlights” – my 999th post! January 19, 2017


bundesstrase_999_number-svg

So after nearly eight years of blogging I am approaching my 1,000th post on here. This one you are reading is post 999. But for post 1,000 I made a little offer to my Facebook friends, I asked them to name one song (or one artist) that they wanted me to include in post 1,000. So before I get there I would like to extend that offer to any of you in the blogosphere that would like their song added and receive a name check. I promise to try to say something nice about your song choice! Just message me or add a comment.

999-roadshow-web-fi-290x155

Anyway now for post 999, I went through a whole range of ideas for this one; songs about or related to the emergency services was a favourite until I thought of doing a sum. So what follows is a list of twenty songs with numbers in their title. If you add all those numbers together they total 999. Trust me they do, I used a spreadsheet 🙂 I hope you enjoy them and that you exercise your brain with a bit of mental arithmetic while you do!

 

 

Absolute Bowie – Fibbers, York Friday 13th January 2017 January 15, 2017


9ec5f1_b548d25a888f476b96f7011a34be92c9

I have often seen myself as a bit of a Bowie purist, particularly as I saw the Dame himself ten times from 1976 to 2004. I have also never been a big fan of tribute acts. However I had heard some very good things about Absolute Bowie. But I do believe that this might have been perhaps one of the first gigs I had ever been to where I set out to not really enjoy myself. However I had a little word with myself about not being such a miserable git and to get on and enjoy the show and indeed that is what I did!

absolute-bowie-the-guide-liverpool

The first set focused on the Ziggy period, John O’Neill is a very convincing Bowie in both vocals and mannerisms. How much more authentic can you get than a 12 string guitar on a marvellous set opener “Space Oddity“. Those early songs were all nailed down perfectly, my particular favourites were “The Man Who Sold The World“, “Moonage Daydream“, “All The Young Dudes” and “Starman”. The band is clearly a very talented bunch, Chris Buratti is a stunning Mick Ronson with supreme guitar skills. There was even time for the obligatory Bowie of old costume change from the glittery jumpsuit into what was a very good approximation of one of Bowie’s Japanese outfits. The audience was in full vocal flow throughout the evening and Fibbers was rocking to the rafters. Close your eyes and you could imagine that you were at Friars in Aylesbury in 1972 or the Hammersmith Odeon in 1973. By now all my doubts had disappeared and I was looking forward to the second set with relish.

absolute-bowie

I had wondered which Bowie era would be next on the agenda. I felt that it might jump straight to Serious Moonlight (more of that later!) but we were treated to classic Thin White Duke. The set opened with stupendous and rumbling work out of “Station To Station”. So great that it wasn’t just the all the usual hit singles, although there were plenty of those too. My favourite track from the second set was easily “Stay” which in my opinion never gets played enough. That said though “Fashion”, “Ashes To Ashes” and “China Girl” were all brilliant. “China Girl” is not even one of my favourite Bowie songs! We were even treated to another costume change during the second set, this time from Thin White Duke to the Serious Moonlight Bowie from 1983. Strangely I felt O’Neill looked more like Bowie in the Serious Moonlight segment, which is pretty special given the lack of make-up compared to his take on Ziggy. “Rebel Rebel” was a massive encore moment and the crowd went totally wild at this point.

tumblr_inline_oftgsl9boz1tgsjp4_540

If like me before this you consider yourself a bit of a Bowie purist (actually maybe snob would be better) just lose that attitude and lose yourself in the Absolute Bowie experience. I will definitely go and see Europe’s finest Bowie tribute act again. You will never see the real thing again, but this is as close as you’ll get without it being the real thing to paraphrase Woody Woodmansey.

1200x800_fitbox-657a5d4efc407c8ce3415f5ec09e333f-1442599794

Public Service Announcement: Obviously none of these excellent photographs or videos were taken or filmed by me, just so you know!

 

Happy Christmas to all of you! December 24, 2016

Filed under: Christmas — justwilliam1959 @ 7:43 pm
Tags: , , , , ,

peanuts

I would like to say a big thank you to all of you who read my blog and to wish you a wonderful Christmas and a fab 2017 for you and all of your family and friends!

rock-christmas

dj-christmas-function

 

 

Martha Reeves & the Vandellas – Fibbers, York – Tuesday 13th December 2016 December 21, 2016


martha-reeves-and-the-vandellas-thmb-lrr

I last saw Martha Reeves many years ago, maybe late 70s or early 80s I guess. Probably in some cheesy nightclub in Luton or Dunstable. No doubt it was accompanied by chicken in a basket. While my memory of that night is not too clear I do recall that her singing voice was superb. So the opportunity to see her again in my adopted home town was not one that I was going to miss, especially at Fibbers which is a fantastic little venue. But before I talk about the magnificent Miss Martha Reeves let me tell you about the very talented support act. Eve Simpson is a singer songwriter from Newcastle with a collection of heartfelt, heartwarming and powerful songs. She sang them beautifully accompanied just by her acoustic guitar. I was captivated by this exceptionally bright performer. She put on a great show in spite of some of the audience being more interested in talking throughout her set. I always find it strange when people ignore a support act, but hey to each their own. Those talkers missed a treat! I was lucky enough to speak to Eve and her Mum and they are both lovely ladies. I bought a copy of Eve’s EP ‘Shelter’ and I have played it at least a dozen times already. You really need to check out Eve.

newrisher-jpg-w300h400

Anyway so the main event is clearly what everyone was here for Martha Reeves and the Vandellas. Martha was making music from around the time that I was born and had their first chart action when I was still only four years old. If I have half the energy that Martha has when I am 75 I will be ecstatic. She was on stage for around 90 minutes, with the Vandellas who are now made up of two of her sisters; Lois and Delphine Reeves. The band was a really tight and skilled unit too. Martha really knows how to work an audience and her between song chat was highly entertaining.

martha-reeves

All the classic Motown hits were on show including; “Come And Get These Memories” and “Nowhere To Run”. My particular highlight was a stunning version of my favourite Martha and the Vandellas song, “(Love Is Like A) Heatwave”. But “Dancing In The Street” was a very close second. To hear Martha sing that song live really exposes how embarrassing the Bowie and Jagger version was in 1985. The audience pretty much danced the whole night long, I certainly did, spending most of my time right in front of the stage. The song that brought out the best ‘dance like nobody is watching’ moment in me was definitely “Jimmy Mack” and their superb run through of the Jackie Wilson classic “Higher And Higher”. Their version of Marvin Gaye’s gorgeous “What’s Going On” was beautiful in its extended jazz jam style too. The most emotional point was, I think, the stunning and soulful “No One There” which was written by Johnny Bristol.

20140730-082804-257449

At the end of the show Martha, Lois and Delphine came out to meet the fans and sign some photographs and CDs. Obviously I wasn’t going to miss that. I had them all sign the two CDs and group picture that I bought. I was also able to have a little chat with Martha herself. I thanked her for the show and told her how impressed I was that she was drinking a pint of Guinness. I also told her that I have always felt that her version of Van Morrison‘s “Wild Night” is in my opinion the best ever cover of a Van Morrison song. She gave me a big smile for that! I for one will definitely being going to see Martha the next time she tours in the UK and I suggest that you do the same. You will not be disappointed!

 

Frank Turner and the Sleeping Souls – The Refectory, Leeds University – Thursday 1st December 2016 December 6, 2016


download

Let me make a very bold statement right at the start of this post. Right now I believe that this is almost certainly the best gig I have ever seen in just over 44 years of gig going, it is a close run thing with Bowie at the Phoenix Festival in the 90s, but Frank just about shades it. In fact I have now seen Frank Turner more times than I saw David Bowie, I saw the Dame ten times. Including one show with Million Dead I have now seen Francis Edward Turner eleven times. The majority of those were at Reading and Leeds Festivals. For me he just seems to get better every time that I see him.

frankturner_academy_2015_preynolds_3-800x445

This show, at the venue where the Who recorded the classic live album ‘Live At Leeds’ was stunning. Frank and the Sleeping Souls powered through a non-stop barrage of excellent tunes with incredible energy and soul. They were on stage for just about two hours. If anyone in the audience was disappointed then they must have been really unwell. The mix of songs ranged across Frank’s career with “Worse Things Happen At Sea” and “Nashville Tennessee” being my particular favourites from those early days. He played both of these along with “Ballad Of My Friends” during an emotional acoustic interlude in the middle of the show.

frank-turner-irving-plaza-9-28-ben-kaye-11

The show kicked off with the rousing and anthemic “I Knew Prufrock Before He Got Famous” and after that he had the crowd eating out of his hand and singing along to everything. It is great to see how quickly the newer songs have begun to sound like Frank classics in a live setting; “The Next Storm”, “Love Forty Down” and “Glorious You” to name but a few. The latter is my gig buddy for the nights favourite, good choice Rachel!). But the older classics hold even more power and emotion especially three of my favourites; “Photosynthesis”, “I Believe” and the one that always brings a tear to my eye (and yes it did that night), “Long Live The Queen”.

frank-turner-irving-plaza-9-28-ben-kaye-16

There was the obligatory circle pit, at my age I am sad to say that I sidestepped that. Crowd-surfing, with a particularly excellent performance by Frank’s friend Steve during “If I Ever Stray” and from Frank himself towards the end of the night. There was a repeat of the stupendous wall of hugs as opposed to the wall of death and yes I do believe that everyone hugged a stranger, I certainly did. Frank gave a big shout out to some causes close to his heart, notably Safe Gigs For Women. His sentiments are the same as mine on that one, like why the fuck should we need an organisation like that in 2016? I don’t know why, but it is wonderful that they do exist. All of this adds to the feel of a Frank Turner crowd being a real community.

maxresdefault

At one point Mr Turner played an electric guitar and not one of his familiar acoustics. He said that whenever he did he felt the urge to play a riff and boy did he riff well. I recognised it but can’t quite place it, I reckon it sounded a little Satrianiesque. The Sleeping Souls as y=usual were on top form too; Ben Lloyd (Guitar and mandolin), Tarrant Anderson (bass), Matt Nasir (Keyboards) and Nigel Powell on drums. The talented support acts also made an appearance in Frank’s set. Felix Hagan came on to play the harmonica break on “I Still Believe” and Esmé Patterson sang the Christa McAuliffe lines in “Silent Key”. That song gets better every time that I hear it.

60369a

Finally there was the usual who is the best crowd on the tour competition and up to Leeds it was bizarrely Reading the night before who had been best. Did we beat them, well obviously we did. But on top of that the usual chant of “Yorkshire, Yorkshire, Yorkshire” accompanied by fist pumping was changed somewhat when Frank had us all replace the fist pumping with jazz hands and of course we all did just that. It was possibly one of the strangest things that I have ever seen at a gig, but very bloody funny too. I don’t know quite how many gigs that I have been to, probably not as many as Frank has played (this was his 1,988th show) but as I said earlier this is the greatest gig I have ever seen. Thank you Mr Turner!

Public Service announcement: All the pictures are via Google searches, no way was I going to take any with my phone and spoil this magnificent gig and the same goes for the videos which are all from YouTube.

 

Hamburg Demonstrations – Pete Doherty November 21, 2016


covernoresize

I was given the opportunity by those lovely people at subba-cultcha to review the upcoming Pete Doherty solo album. I think the album is……… well you’ll have to click here to read my review to find out what I think won’t you?

 

“I’m a hot air balloon, I could go to space” November 18, 2016


Pharrell Williams in Adidas

Did you know what Pharrell William’s had in his mind for his modern classic “Happy”? I love the song but I never knew what his tune recipe was. Apparently he asked the mix engineer to make it sound like a combo of three distinct things;

  • Tamla Motown
  • “Hey Ya” by Outkast
  • Phil Collins

Did he achieve that? Personally I think that he did, how about you?

happy-pharrell-williams_o_3098207

 

“Everybody hazy shell-shocked and crazy screaming for the face at the window” November 16, 2016


normal_joeguy1

Mick Jones was also a big Mott fan

Guy Steven’s is seen by many as some kind of rock evangelist. he had an incredibly broad R& B record collection and he was also the man who ran Chuck Berry’s UK fan club. He was also a bit of a bad boy who served eight months in Wormwood Scrubs for drug possession. It was during his incarceration that he formed the idea for his next master-plan. He had a vision of a band who could mix the Rolling Stones raunchiness with Bob Dylan’s electric folk take on life with a hint of the wild path taken by Jerry Lee Lewis. While he was in the infamous ‘The Scrubs’ he even thought of a name for this up to now mythical band. It would be called Mott The Hoople after the Willard Manus novel about a ‘Hoople’  (effectively an eccentric loser) called Norman Mott. On his release he met various future Mott members and the rest my friends is history!

Mott The Hoople

maxresdefault-1