The Guardian ran a great article about the history of the Pogues classic Christmas song “Fairytale Of New York“. Whilst there was a lot in there that I already knew, there were some real gems that I didn’t. Notably that before it was decided to duet with the late, great Kirsty MacColl both Chrissie Hynde and Suzi Quatro were considered. Personally I think that Kirsty was not only the right choice but also an inspired choice.
the video for the song was directed by Matt Dillon and as he couldn’t use the NYPD choir as it doesn’t exist he invited the NYPD pipe band to take part. The pipe band duly joined Dillon and the Pogues for the shoot, however none of them knew the song “Galway Bay” which is mentioned in the song as “The boys from the NYPD choir are singing ‘Galway Bay'”. So if you watch the video carefully you can watch them mouthing the words to the only song that they all knew, none other than the Mickey Mouse Club chant!
If you’d like to read the full Guardian article click here. And finally to celebrate “Fairytale Of New York”‘s tenth appearance in the UK charts, it is at number 15 this week (also it’s 8th consecutive year in the UK top 40), enjoy the song below.
Given the ubiquitous nature of text messages these days I find it hard to believe that it was only twenty years ago that the first ever text message was sent. The message was despatched from a PC to a mobile phone by an engineer using the Vodafone network in the UK; the message was simply ‘Merry Christmas‘.
The development of texting or SMS (Short message Service) actually goes back further than that. It began as an idea by Matti Makkonen a Finnish Civil Servant. It was during a pizza meal at a telecommunications conference in 1984. his idea became the standard for the SMS facility that we use today. Strangely it was never patented, a little unlucky for Mr Makkonen then!
I assume that there were a few more texts sent in 1992, however the rise has been incredible with an estimated 8 trillion sent last year. I wonder what percentage of those were illegally viewed by the UK tabloid press?
So how about a few text related (some very loosely) songs to celebrate?
Happy Christmas dear readers and good people of the blogosphere. This is the last post in my ABC of Motown Advent Calendar. It’s the 24th December and technically that means the letter Y, but I’ll throw in X and Z for free along with a couple of Motown Christmas songs. The big bearded dude in red arrives on his venison powered sleigh tomorrow. I hope that you get everything you want this Christmas and more importantly I hope that you have a really enjoyable Yule.
The first song for the letter X has been a tough one to find. But I have found one, I know hardly anything about it so if you have any information feel free to get in touch. I do feel like I’ve cheated you a little though, the song is called “Xmas Twist” although the chorus uses the proper phrase ‘Christmas Twist’. The song was released by a group calling themselves the Twisting Kings. So clearly no cynical tie-in with a popular dance craze then! The song was written by Berry Gordy and Barney Ales. Gordy was the producer for the song which was released in November 1961. It can be found on a couple of compilation albums to my knowledge; #A Motown Christmas Volume 2′ and ‘The Complete Motown Singles Vol. 1 1959-1961’ released in 2001 and 2005 respectively.
For the letter Y I have chosen a song from a superb act who haven’t yet appeared in this ABC of Motown. It’s Gladys Knight and the Pips with “You Need Love Like I Do (Don’t You)”. The most memorable line up from the Pips included her brother Merald ‘Bubba’ Knight and two of her cousins; Edward Patten and William Guest. Her first pitch at fame came when she won a local TV talent show aged 7 in 1952.Gladys and the Pips were the first Motown act to record the classic song “I Heard It Through The Grapevine” which they took to number two in the US charts. In their early Motown career they were the opening act for Diana Ross and the Supremes. It is alleged that Diana had them kicked off the tour because Gladys and the Pips were far more powerful a talent and probably a very tough act to follow. “You Need Love Like I Do” was an US hit in 1970 reaching number 25 in the Billboard charts and number 3 in the US R & B charts. It never charted in the UK. The song was another from the talented song writing partnership of Norman Whitfield and Barrett Strong. It was also recorded by the Temptations.
The final song from my ABC of Motown selection is a rather well-known album track from the Commodores who made an appearance in this Advent Calendar with the letter J on December 10th, click here to read it. The song is “Zoom” and should not be confused with the Fat Larry’s Band song of the same name. It was never released as a single in the US but made it to number 38 in the UK charts in 1978. The album it came from was released in 1977 and in the US it was called ‘Commodores’ whilst in the UK it was called ‘Zoom’. The song was written by Lionel Richie and Ronald LaPraed from the band. The album also included two other Commodores classics in “Brick House” and “Easy”. Fergie sampled “Zoom” on her ‘Duchess’ album on the track “All That I Got (The Make-Up Song)”
Finally let me wish you a Happy Christmas once again and to finish please enjoy two of my favourite Motown Christmas songs from the Jackson 5 and then Stevie Wonder.
Incidentally if you’d like to know the songs that came before in the ABC of Motown Advent Calendar, here they are;
ABC – Jackson 5
Bernadette – Four Tops
Cloud Nine – Temptations
Do I Love You (Indeed I Do) – Frank Wilson
Endless Love – Diana Ross & Lionel Richie
Farewell Is A Lonely Sound – Jimmy Ruffin
Gotta See Jane – R Dean Taylor
How Sweet It Is To Be Loved By You – Marvin Gaye
I’m In A Different World – Four Tops
Just To Be Close To You – Commodores
Keep On Truckin’ – Eddie Kendricks
Let’s Get Serious – Jermaine Jackson
Money – Barrett Strong
Needle In A Haystack – Velvelettes
Ooo Baby Baby – Smokey Robinson & the Miracles
Pops We Love You – Various
Quicksand – Martha Reeves & the Vandellas
Rockin’ Robin – Michael Jackson
Superstition – Stevie Wonder
Take Me Girl I’m Ready – Junior Walker & the All Stars
Up The Ladder To The Roof – Supremes
The Night – Frankie Valli and the Four Seasons (this is the only one based on artist name rather than song)
We’re easing down that Christmas road pretty fast now, it’s December 22nd and we’re at the letter V on my ABC of Motown Advent Calendar. I have a confession to make before I tell you what the song is. It doesn’t begin with V, it was so difficult to find a V song. So for today I have opted for an artist whose surname starts with a V. It is the one and only Frankie Valli and the Four Seasons with the Northern Soul classic, “The Night”
In 1970 the group signed to Motown subsidiary label Mowest and the single was originally released in 1971 in the UK with no success it was never issued in the US. When it was re-released in the UK in 1975 following a lot of interest in Northern Soul clubs it reached number 7 in the UK charts.
When the band left Motown in 1974 Frankie Valli wanted to buy the master tapes of everything they had recorded for the label. However when he heard the price he decided to buy just one song for $4,000. That song was “My Eyes Adored You” which Valli took to Private Stock records who wanted to release it as a Frankie Valli solo single. They did and it became a massive hit reaching number one on the US Billboard charts and number 5 in the UK.
I also found a couple of strange covers while looking for this song; firstly Pulp (sorry Jarvis it really isn’t very good mate) then Lene Lovich (a little weird) and finally Soft Cell (a faithful rendition). I prefer the original to all of these though. How about you?
It’s just a week to go to the big day folks, we’ve arrived at the 18th December and therefore day 18 on my ABC of Motown Advent Calendar. Seeing as yesterday was the letter Q by my calculations that must meant that today is the letter R. I have chosen a rather fun song for today. It’s “Rockin’ Robin which was a solo hit for a young Michael Jackson back in 1972.
The song was written by Leon Rene using the pseudonym of Jimmie Thomas and was originally a hit for Bobby Day in 1958. It was his only hit and it reached number two on the US Billboard charts. Jackson’s version was taken from his first solo album ‘Got To Be There‘ and also reached number two on the Billboard charts. The song went to number three in the UK.
The song has been occasionally included on a Christmas compilation album, which is a little strange to me as it was a hit in February 1972. I suppose it must be the Robin reference that makes it a Christmas related song to some people. The B Side of the single contained a cracking version of one of my favourite Supremes songs and another Holland Dozier Holland classic; “Love Is Here And Now You’re Gone“.
Regular readers of this blog know that I really do despise the X Factor and all it stands for. I chose not to watch it this year and a couple of people said to me “you have to watch it, you write a music blog” my response was “that is true, but first and foremost I am a music fan, not a Saturday primetime TV karaoke fan”
Anyway the festival for those of limited talent is over for another year and has launched a whole troupe of pop muppets on the world in the shape of Little Mix. Their first single is a truly awful cover of Damien Rice‘s “Cannonball”. But the good news is that it is not the current favourite for UK Christmas number one. That honour sits with “Wherever You Are” by the Military Wives Choir the new choir project put together by the immensely talented Gareth Malone. Whilst this is not my favourite type of music it is a really beautiful song and vocally it’s a million times better than Little Mix.
The next two favourites across the UK bookmakers are Nirvana’s “Smells Like Teen Spirit” and Damien Rice with the original version of “Cannonball”. So I think you know what to do don’t you? Go and buy the Military Wives song and if you must buy Little Mix make sure you buy Military Wives as well. Anyone who is a music fan should do whatever they can to keep the X Factor muppets from the Christmas number one spot. I hope I can count on you to do this!
It’s December the 14th, are you getting excited about Yuletide yet? Have you been good? Does Santa know what you want for Christmas? I hope the answer is yes to all those questions. It does mean that we have arrived at day 14 on my ABC of Motown Advent Calendar. Would you like to know what is behind the flimsy cardboard shield today? I’m sure you do; well it is the letter N and the song in question is “Needle In A Haystack” by the Velvelettes.
The song was written by William Stevenson and Norman Whitfield. The song was produced by Whitfield and was the groups first big hit in 1964 when it reached number 45 in the US Chart. It was released on the VIP label which was part of the Motown family. The group consisted of Bertha Barbee McNeal and her cousin Norma Barbee, Mildred Gill Arbor and her sister Carolyn (aka Cal) and Cal’s friend Betty Kelly when they formed in 1961. Cal became the lead singer.
The follow-up single was “He Was Really Saying Something” later covered by the less talented (in my opinion at least) Bananarama in the 80s. Betty Kelly left the group later in 1964 to join Martha and the Vandellas. The Velvelettes biggest UK hit was “These Things Will Keep Me Loving You” which reached number 34 in 1971, two years after the group had disbanded.
How often do you watch or listen to a TV or radio advert and cringe at the fact they’ve chosen some of your favourite music to soundtrack a terrible advert or a horrible product or a combination of both?
The new John Lewis Christmas ads, primarily there to promote a new range of Smiths pillow cases perhaps?
I suppose we shouldn’t get too precious about these kinds of things, after all the writers might need the money. If I’d written a piece of music that someone wanted to use on an advert and they were willing to pay me would I allow it? Of course I would, just as long as it wasn’t used to promote the likes of the BNP, the Daily Mail, Cheese on Toast or the Tory Party.
Morrissey refuses to get catty about the use of Smiths songs in adverts
I was pointed in the direction of the new John Lewis television advert by my good friend Nick Horslen. It is soundtracked by a cover version of the Smiths song “Please, Please, Please Let Me Get What I Want” by Slow Moving Millie. Personally I don’t think it’s a particularly bad cover, perhaps just a bit bland. Some songs just pass me by on adverts I think, but others are particularly annoying. It’s hardly a song, but I generally change channels if the Go Compare advert comes on, I can’t stand that obnoxious faux opera. However, whilst I am not a big opera fan I do love the music that British Airways have used on many of their ad campaigns; “The Flower Duet” from the opera Lakme composed by Leo Delibes.
For the record Morrissey refuse to wear clothes made from animal skins, which clearly means that his wardrobe is quite small!
As for songs that I love that have been used in disappointing ads, I have to say I was gutted (yes I too am very precious sometimes) when Marvin Gaye’s “Let’s Get It On” was used to advertise pizzas on TV a couple of years back. But equally Levi’s used some classic music in their brilliant series of TV adverts, including “I Heard It Through The Grapevine“. That same series made hits of many songs that hadn’t been around for years. My particular favourites were “Stand By Me” by Ben E King and “Should I Stay Or Should I Go” from my favourite band of all time, The Clash. But for every one of those there are plenty of awful selections; for example the new Christmas ad for Marks & Spencer uses a version of “When You Wish Upon A Star” by the 2011 X Factor finalists!
If you're ever invited to go for a walk with Morrissey please read this first
Which of your favourite songs have been used in adverts and what did you feel about it?
desperate to keep his testicles high up, JB uses the two hand clutch approach.....
Justin Bieber‘s balls have dropped according to his manager Scooter Braun (is that a made up name? Surely it is, isn’t it?) Yes the Bieber voice has broken, but I guess that it had to happen sometime didn’t it? Can we hope that this will spell the end of his career? Well sure we can hope, but somehow I think he’ll be around a bit longer. Even if his voice disappears there is so much you can do with crap in the studio. Just look at Boylife and Westzone for evidence. Yes I know I have mixed the names up, but frankly they are just identikit boy bands.
......clearly the two handed approach has failed and one of Bieber's monster cojones hits the deck
Incidentally the broken voice discovery was made while he recorded a duet with Maria Carey, a cover of her hit “All I Want For Christmas“. Yes the Biebertron has a Christmas album coming out this week. A Christmas album released in December? That’s not a cynical marketing ploy at all is it?
Justin confirms to waiting fans that indeed both of the Bieber bollocks have dropped
As for the Bieber balls I wonder whether the action figure of the little dude will now include a drop and retract testicles feature, maybe a bit like the Action Man Eagle Eye feature? What do you folks think?
Finally the realisation sets in that his career may be heading in the same direction as his testicles
I am pleased to see that someone has kicked off a Facebook campaign to make Nirvana’s “Smells Like Teen Spirit” the UKChristmas number one this year. I posted something of a similar sentiment a short while ago, click here to read it. This new Facebook campaign was kicked off in response to the X Factor naming one of this years crop of average karaoke singers, another insipid, bland girl group, Rhythmix. The name is also the name of a UK charity that uses music as and to help children and young people from difficult backgrounds. It gives many young people the opportunity to make music to help them develop and learn. Check out the charity website here.
Simon Cowell will do anything in his desire to rule the world, including throwing babies to sharks
When the charity contacted the X Factor team they were told to “get a lawyer”. Effectively because they didn’t have the rights to the name for use as a band, basically they held the rights for educational purposes only. That’s within the letter of the law I’m sure, but ethically and morally it suggests that Cowell and his cronies are emotionally bankrupt.
Nirvana's unused sleeve for their cover of the Commodores "Brick House"
So let’s get behind this campaign and spoil this years pop muppets Christmas. Click here to find the page on Facebook. In the meantime enjoy the band doing the song at the Reading Festival in 1992. They even insert a short burst of Boston’s “More Than A Feeling” a song fromwhich Kurt Cobain claimed to have ripped off the riff for Teen Spirit from.
With Just A Hint Of Mayhem 