With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

With Just A Hint Of Mayhem – Singles Round-Up 2021 Part 4 March 30, 2021


It’s very close to the end of March and this is our fourth singles round up of 2021. This roundup once again features a special guest reviewer. I was joined for this mega online listening shindig by an ace Radio DJ, check out his Indie/Alternative Show on Jorvik Radio (Sundays 5pm to 7pm). Let me introduce you to the one and only Jake Cartledge!

We listened to ten quite different tunes from ten clearly talented bands and singers, two of whom (Moodbay and Elkyn) have featured on With Just A Hint Of Mayhem before, but I am confident that all ten will appear here again in the future. This bunch come from Sheffield, Leeds (two of them), North-East UK, the South Coast of England, Lincoln (two of them), Newport, North-West UK and one from outside the UK, San Francisco!  Inject this eclectic selection of tunes deep into your lugholes! Click here to check out the Spotify playlist with all ten songs on it!

“Once Or Twice” – Caroline and the Lights

Bill – Dark, late-night jazz. I love her voice. A proper chanteuse, a real torch singer. In a few years I can imagine Caroline being a contender to record a James Bond theme. It has a 60s feel and possibly my favourite of this particular singles roundup.

Jake – An old school, vintage 60s vibe, but with a slightly more modern twist. Maybe Nancy Sinatra with some Kate Bush thrown in. Really good track and different from everything else in this batch of singles.

“Happy” – Bad Idea

Jake – Definitely one of my favourites from this review session. A song of two distinct sides. It starts off with a dreamy, atmospheric, laid-back late-night listening vibe and then moves into a much more manic and urgent sound for the second half.

Bill – Chilled and even a little lo-fi at the start. Parts of the instrumentation rather weirdly made me think of George Michael’s “A Different Corner”. I love her voice and the harmonies are great. Strangely she didn’t sound very happy in the chorus, but maybe that was wonderfully performed irony. It moved into something really loud and “out there” for the second part.

“Psycho” – Moodbay

Bill – A great vocal from Anna. Like something that All Saints might have done if theye were new to the scene now. Great hooks and I love the way the synths build and then drop to a great keyboard refrain.

Jake – I love this, very atmospheric with great vocals. Anna’s voice sounds a little like Kat from Leeds band Polo.

“Go Back” – The Death Of Pop

Jake – A nice, chilled start, this reminded me of Tame Impala and towards the end some of the more recent MGMT releases. A wonderful galloping bass sound!

Bill – A new take on early 80s jangly indie sounds. Great harmonies and instrumentation and as Jake said, wonderful bass. This lot are more likely to be a defibrillator to pop rather than be the death of it!

“Something” – Elkyn

Bill – Chilled electro style. For me Elkyn get better with each release. Great vocals and I like the slightly less acoustic direction.

Jake – Really nice tune, it makes me think of sitting in the garden on a sunny day during the first Covid lockdown. A great summer song

“No Sympathy” – Duccbod

Jake – This really got going in the final 45 seconds or so. The vocal reminds me of Hozier and there is a great lyrical flow.

Bill – A dark tune where the lyrics are not just dark but bitter too. I love the way that it moves into a quasi rap sound and it builds really well to a fabulous end. I like this one a lot.

“The Last Call” – Finding Aurora

Bill – Great pop punk riffs for a tune that has mosh action written all over it. The singer has a great rock voice. Perhaps a little too Foo Fighters at times, but some definite promise.

Jake – The riff was good, but this one didn’t really stand out for me. But perhaps that is because I am not a huge fan of that pop punk style.

“Eternity” – Seagoth

Jake – This reminds me of something from the 90s, an obscure singer whose name escapes me for now. An androgynous vocal over a chilled 90s dance sound, it becomes a little “ploddy” at times though.

Bill – The name Seagoth suggested something heavy and dark, it wasn’t. This is much more of a dance pop vein. At times like a rare Stone Roses remix. I was not hooked at first, but it did begin to grow on me.

“1983” – MAN ON MAN

Bill – Clearly an ode to gay sex, sadly the sexual nature of some of the lyrics mean it will miss out on airplay. I love his voice and the swirling synths that underpin the track. I think this could be transformed magnificently with a decent dance mix.

Jake – I kind of felt this was a little predictable, the drums were pretty much the same all through. Not entirely sure what to make of it, but I don’t think I would listen again.

“Sabotage” – Arcade Fortress

Jake – A bit self-deprecating, with a “feeling sorry for myself” lyric, but that didn’t take anything away from it. Like Bill I felt some Depeche Mode in there. I really did not expect that vocal, very distinctive. The vocals were also very nicely layered which worked really well.

Bill – A late 80s, early 90s shoegaze vibe. I like the lyrics, especially the line “abusive relationship with myself” and that deep, dark bass line. A little feel of Depeche Mode.

I couldn’t find Bad Idea’s “Happy” on YouTube so here’s a bonus 🙂 their video for “Winter”. But don’t forget to click the Spotify playlist link in the first part of this post!
Another bonus for you, I couldn’t find Moodbay’s “Psycho” on YouTube so check out “Like Nobody Else” but don’t forget to click the Spotify playlist link in the first part of this post!

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With Just A Hint Of Mayhem – Singles Round-Up 2021 Part 1 January 16, 2021


Welcome to our first singles round up of 2021, this time I am once again joined by a guest co-reviewer. This time it is the turn of one of the newer members of the With Just A Hint Of Mayhem Team, Paul Bamlett. Paul is a self confessed music nut, so he fits in well over here at Mayhem Towers. We kick off this years singles round up series with eight cracking tunes from eight supremely talented artists and bands which found their way into the world during the last few months. Elkyn and Millie Manders and the Shut Up are the only ones to have featured here at WJAHOM before, but I am confident that all eight will be back again sometime. We have artists from all over the UK; Norwich, London, North East England, Leeds, York, Sheffield and Manchester

“Panic” – Millie Manders and the Shut Up

Paul – This is great, they don’t sound like anyone else. Danceable and very current given the powerful message. This song is the perfect package topped off with Millie’s excellent voice. A very, very impressive song and performance.

Bill – A planet saving anthem that is also in possession of a brilliant earworm of a chorus. A wonderful underlay of perfectly played guitar and the use of voice clips is interesting and adds to the gravity of the message. A heavy sound full of passion, especially Millie’s vocals. This is a song that proves Millie Manders and the Shut Up are much broader than ska punk. Like Paul I bloody love Millie’s voice!

“Raison D’etre” – Stolen Dead Music

Bill – Hard, heavy, bluesy and very, very long. Vocals at times reminiscent of Kings Of Leon. Great hooks and riffs and a very 70s rock guitar breakdown at the end.

Paul – Very interesting, a very good song, a touch on Nirvana at times. Why such a long instrumental break? That said this sounds like it will be a great song played live.

“Little Cheryl” – Not Now Norman

Paul – A real old fashioned sound with an incredibly strong chorus. Good double tracking of guitars and some excellent snappy riffs.

Bill – Reminiscent of the Go-Go’s at their peak. A good pop hook and melody, a kind of subdued power pop. Taylor Mitchell has a great voice and at times the guitar underlays the tune in a Johnny Marr kind of way. I want to hear more from this lot. A great band name in my opinion, too.

“We Eat The Buffalo” – Radio Aftermath

Bill – Immense riffs coupled with a great rock vocal. Are there two drummers on this, or has John Bonham been resurrected? This is very punky metal which I think will be ace in a live environment.

Paul – This reminds me of the Misfits or the Damned or maybe early Metallica. Great vocals are definitely in the same vein as early recordings by Dave Vanian and James Hetfield. This is a great song

“Drag Me To The Light” – Miles and the Chain Gang

Paul – Some Joe Strummer style on the vocals. The horns and Dexy’s style brass were a great addition to the track. I felt that the guitar sound reminded me of A Certain Ration or Talking Heads. One of my favorites from this batch.

Bill – Nicely British with a touch of ska, while the harmonies add an almost US West Coast vibe. Funky, choppy Billy Whizz guitar and fantastic production.

“Everybody Used To Love You” – Silverjet

Bill – Tumultuous opening riffage with a classic 70s rock vocal style. I love the guitar solo and the drumming. It feels a bit post punk but heavier and will probably be awesome live.

Paul – A great opening riff with some Kiss style in there. Maybe they should have used that same riff for the chorus. Hats off to them they sound like a great band and I get the feeling that they know how to strut their stuff like Motley Crue or Hanoi Rocks.

“Message From God” – M30

Paul – Great tune, the drums come in perfectly. There were a few moments where the backing vocals made me think of the Arctic Monkeys. I like this one!

Bill – Organ intro was like some kind of religious horror film theme. Very different and understated instrumentation. A very British vocal, none of that affected American style here! I also love the backing vocals on the chorus. One of my favourites of this round up.

“If Only It Was Alright Now” – Elkyn

Bill – A soft chilled acoustic guitar track at the start which builds into a spectacular peak with a sound that emulates bells ringing. Great harmonies too

Paul – Ambient, folky and very original. I like the track but I would like to hear it in a much more basic “unplugged” style without the drums.

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Songs Under Skies – No. 6 – Elkyn and Fawn – NCEM, York – Thursday 17th September 2020 September 22, 2020

Filed under: Review — justwilliam1959 @ 10:57 pm
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Thanks to this vile bastard Covid-19 I went to my last gig more than half a year ago on Saturday 14th March, now 187 days later I am finally got to another gig. It is the sixth and final in the Songs Under Skies series of acoustic shows in the grounds of York’s National Centre for Early Music (NCEM). I had planned to attend two earlier shows the previous week, but illness, not Covid-19 thankfully, put paid to that. These shows were masterminded by the NCEM, the Crescent and the Fulford Arms with support from the Music Venues Alliance. I would like to say a huge and heartfelt thank you to everyone involved, of all the things I have missed during lock down and beyond, it is live music that I felt the most. It was also great to meet up with so many great people from York’s fabulous music scene. Thank you Zac, Chris, Harkirit, Mikey and Marc to name just a few!

There were two acts on each of the six nights. Gates opened at 6:30pm and the first act was on at 7pm with a 30 minute break at 7:30pm while the final act took the stage at 8pm for a 30 minute set. My evening was kicked off by the delightful Elkyn with their weird, wonderful and warm folky sounds. Set opener “Seventeen” was built on Simon and Garfunkel style harmonies, soft acoustic guitars and a harmonic drone in the background. Is it even possible to have a harmonious drone? I don’t know, but this bloody well was! All of Elkyn‘s songs were quite special, “Change” was underpinned by a more harmonic almost orchestral drone. It is a new song that had never been played live before, it is a truly gorgeous melancolic chill out tune. They played the lead single from their new EP ‘Beech’ it is called “Yue” (I think). This sublime song, which rippled with raw emotion, was probably my favourite Elkyn performance. There was an extended guitar tuning session, which the band should have introduced as a strange avant garde classical guitar movement, we would have been impressed. After this we arrived at “Stupid World” which was overshadowed by the noise from the bottle bank next door being emptied. But Elkyn did not let that get them down, they are real troupers, and, wait for it, they didn’t bottle it! Lyrically the song is very powerful, with lines like “where can I go from here, I can’t flee from that” which for some reason made me think of the hardships so many of us have endured in the past six months. Check out Elkyn on Spotify by clicking here, you will not regret it.

In a rather nice twist of fate the second and final act tonight were Ilana and Crispin better known as Fawn. Why was that a nice twist of fate, well Fawn were on the bill at my last gig on March 14th. That was at the Fulford Arms where they were supporting Julia Bardo. Kitty VR was also on the bill that same night and she made her own Songs Under Skies appearance the previous week. Ilana’s vocals throughout were exquisite and very Joni Mitchellesque on the first song. “I Know Nothing” is a song all about making dumb decisions in your youth. Ilana’s voice carried a supreme range of emotion on this song, the same breadth and depth that a young Linda Rondstadt could do so well. In the middle of the set headless guitarist Crispin (he was a little tall for the small stage) left Ilana alone for a stunning, immensely beautiful song about uncertain times, a perfect theme for 2020. Her yearning vocal and deep lyrics took the evening to a real peak. “Romans, Vikings And Knights” is a song that Ilana wrote about her then home city, York. This was many years ago when she worked at the Fulford Arms. Crispin provided some spot on slide guitar on this track. Another song was an ode to another former hometown of Ilana’s, “Sleeping Giant” tells of a mountain near her old home town in the US. The story of this particular peak is that it is in fact a giant taking a very long sleep. The legend says that if the giant wakes up the world will end. But as Ilana pointed out despite the apocalyptic feel of 2020, the giant is still asleep. Click here to get some Fawn in your life, you know it makes sense!

All photographs were taken by the hugely talented Marc McGarraghy of Yellow Mustang Photography

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