With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

PERCY – Fulford Arms – Thursday 23rd June 2022 July 3, 2022

Filed under: Review — justwilliam1959 @ 3:31 pm
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This was the launch gig for the rather spiffing new album ‘Monorail’ from PERCY (check out our review of the album here). But before that, there were a few support bands to consider. Were the support bands good? Read on to find out! First up was What Fresh Hell a York band which combine power pop, indie, and hard rock. Vocalist Mollie has a great melodic pop voice but when she lets rip it is a voice that can compete with the fiercest metal howlers. The band is incredibly tight; in particular, the drumming was spot on! One of the guitarists looks a little like Graham Coxon and plays like Coxon or Johnny Marr had they been in a metal band. “Girls Don’t Fight” was a great highlight for me.

Fat Spatula

Kelter was next on stage. They are purveyors of jerky, dirty, angular, funky punk. A little like early Talking Heads on speed. Lead singer/ guitarist Tim nails the thousand-yard rock frontman stare perfectly. You would certainly struggle to beat him in a staring contest! Sadly he will be leaving the band later this year. I hope that Kelter will bounce back quickly and that Tim produces more great music himself. The music is dark and magnificent and is perfectly suited to a small, sweaty venue like the Fulford Arms, and oh boy was it sweaty that night! The penultimate band before PERCY was Fat Spatula. I am sure that I have made a Jonathan Richman comparison about them before and it still stands. But where they surpass Mr. Richman is that their lyrics, which enhance their wonderful story songs are even more warped and off the wall than Jonathan Richman’s finest. Stylistically Fat Spatula are post-punk, pop, humourous horror, and even country music in a punky style. “Wankers” is a brilliant song! This is a band with something for everyone!


Finally, it was time for PERCY and as a live band these self-proclaimed West Yorkshire Super Heroes are a hard-hitting powerful musical force packed full of passion, humour, and talent. Off the back of two great albums over the last few years ‘Seaside Donkeys’ (2019) and the album launched at this gig, ‘Monorail’ they have proved themselves to easily be one of Yorkshire’s finest bands. Given the chance to play dates beyond the boundaries of the fabulous White Rose County I think the rest of the country will love them too. The new songs are great on the album but absolutely stratospheric when played live. Especially “Chunks”, which is perhaps one of Colin’s best lyrics to date, and “ICU”. “Will Of The People” from the last album remains a towering tour de force and sadly still so very relevant. But for me, the highlight of this set was the moody, mad, magical, mighty, magnificent, and masterful “What Lez Said”. PERCY are definitely one of my favourite bands right now, if they are not one of yours then I want a letter from your parents on my desk Monday explaining why!

Click here to check out What Fresh Hell smashing their epic tune “Meat Machine”

All pictures, except the gig poster, were taken by me using my very cheap Chinese Android phone. The videos were found on YouTube (and one on Facebook). If the video is yours and you would like a credit or for it to be removed please let me know.

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Bull – The Crescent, York – Friday 24th September 2021 September 27, 2021

Filed under: Review — justwilliam1959 @ 11:03 pm
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A sell out gig at the Crescent in York? Yes I kid you not, the first sell out I have been to since before Covid and it feels damned good to be back to proper gigs. This was a delayed album launch tour from local heroes Bull who released their fabulous debut album ‘Discover Effortless Living’. But before the main attraction there were a couple of support bands that I need to tell you about. First it was the wonderfully named Fat Spatula. They put on an intense and powerful performance and they are clearly a tight band. But what are Fat Spatula actually like? Well the recipe for me was a few ounces of Talking Heads from David Byrne’s oversized jacket peak, a couple of fried Devo stock cubes. a hugely rich Modern Lovers sauce all served with the funkiest condiments you could imagine. I guess it was all mixed nicely using a fat spatula, right? Anyway, I like this band a lot and I will definitely be queueing up for second helpings sometime in the future.

Next it was the turn of a Hull band who are clearly not particularly enamoured by vowels, they are called bdrmm. They are a kind proggy shoegazey style but with extra added industrial sound and drone at times. Maybe there was even a bit of a Cure influence in there too. I think bdrmm are clearly accomplished musicians and they also feel like the sort of band I might listen to while smoking a fat one! I particularly liked the drums, although the drums on one track were very reminiscent of Toni Basil’s “Mickey” (thank you for pointing that out Eddie P).

Finally it was time for the main attraction, Bull. They are a 21st century Byrds with a distinctly heavier psych vibe than Roger McGuinn’s gang. Bull are a band that really know what they are doing and they do it supremely well. This was a local crowd for them and we were captivated by every note. Someone that I spoke to before the show described Bull as ramshackle, I disagree, I would say intense and informal, while never hiding their sense of fun. If this band do not become huge then the matrix or the multiverse (pick your cinematic universe) is broken. They were joined by an awesome brass section towards the end of the set which included singer Tom Beer on trombone. Get out and see this band and buy or stream their debut album, you need Bull in your life!

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Apollo Festival York 2015 – Saturday 27th June 2015 July 2, 2015


Sadly I missed the first Apollo Festival back in 2013 and then last year I had to leave early so I missed the headliner. However this year I was there for the day and what a bloody good day it was! With something like 50 acts across 5 stages I was never going to be able to see everyone but I did see a fair few acts. I was there with my wonderful wife Catherine ak.a. Catwoman and our great friends John and Caron who brought their daughter and our Odd Daughter (that’s another story) Amelia with them. Amelia proved beyond doubt that she is indeed a 5-year-old dancing dynamo of perpetual motion. Anyway enough of us, who did I see?


First up it was 4 Pint Milk in the Rick Witter tent. They are from Huntington School and seemed all of 16 (apologies if you’re older than that lads!). But they rock like they’re much older. The part of their set that John and I saw was cover versions, but damned good cover versions. Jake Bugg’s “Green Man”, the Smiths’ “This Charming Man”, Stone Roses “I Am The Resurrection” and my particular favourite, “Brianstorm” originally done by the Arctic Monkeys. I hope these boys succeed, they play really well and they have an excellent dour and dry northern wit.

Back at the main stage I only caught Fat Spatula’s last song. On the evidence of that I thought they sounded pretty good and I wished I could have heard more of them. I should add that Catwoman didn’t like them at all. Next on the main stage was the winner of this years Ainsty’s Got Talent contest, Beth Bryers. She undoubtedly has a great operatic style voice which she used over a number of dancey beats including Bastille. I get the appeal to some, however for me Beth is an acquired taste that I unfortunately didn’t acquire.


Rime Suspex though were something else, absolutely brilliant in my opinion. A relatively simple set up of a guitarist, singer and rapper. They were also accompanied by a number of samples I think. Imagine if South Africa’s Die Antwoord came from Blackburn and had better rhymes, well that is Rime Suspex in my view.My particular favourites from their set were “Money” and “Sick And Tired”. Given the lyrical content I almost certainly support their sentiments and politics. They didn’t hit the spot for my friend John, but he has never been a fan of white rappers. But I’ll work on him! Anyway I would definitely pay to see Rime Suspex again.

Our first visit to the Access Music stage brought us Matt Philpot. For me he was a pretty average singer songwriter singing 70s with a mostly laid back 70s vibe. The highlight of his set was a reggaefied arrangement of Aha’s “Take On Me” which I enjoyed. Next we saw the Rusty Pegs who are a bit alt. country and come across like a slightly more Nashville version of Fairground Attraction. I quite liked them.


On our return to the main stage the Happy Daggers were on. I missed the first part of their set but what I did see showed me that these fellows  are funkin’ good and I want more! Rupert Stroud was on next, he and his band were very tight and well rehearsed. He is a rock influenced singer songwriter and he is bloody good. Imagine James Blunt with bigger balls, well that is Rupert Stroud.

After that it was a quick hop across to the Access Music stage for the magnificent Barcode Zebra. I saw them play at last year’s Apollo Festival and they were very good then. This year they were even better. Soul, funk, rock, jazz all in a musical blender supported by a really skilful band and an immensely powerful vocalist. I certainly hope to see more of them.


Now it was time for the wonderful Crybabycry on the main stage. They had been caught in traffic on their way, but believe me it was worth the wait. I saw them earlier this year in a tiny venue during Live In Leeds. On their performance then and at the Apollo Festival I will stick my neck out and say that I believe that they are one of the finest bands in the UK at the moment. Along with my other favourite UK bands; Avalanche Party, Colour Me Wednesday and the Tuts. Powerful three-piece Crybabycry deserve to be on bigger stages and if you don’t like them then I suggest that you pop out and get your hearing examined. Can we have them at Reading and Leeds please?

Awesome covers band the Mothers followed Crybabycry onto the main stage and they rocked their socks off. I danced near the stage for their whole set which included storming versions of songs by the Beatles, Rolling Stones, songs from the Stax back catalogue among many others. They were fucking brilliant and I might try to book them for my 60th birthday party, although that isn’t until January 2019. After that I paid a final visit to the Access Music Stage where Catwoman and I saw Armonia. They played some really chilled and laid back acoustic songs including a wonderful cover of Lordes’ “Royals”

Classic 90s scouse indie pop band Space were next on the main stage and they were blooming amazing. I had forgotten how many great songs they have recorded. Favourites like “Neighbourhood” and “Female Of The Species” were there along with some new songs and stuff that I have never heard before. There wasn’t a duff song in their set. My favourite is one that I hadn’t heard before, the rather fabulous “Boy In A Body Bag” which is a bloody fantastic tune.


Finally it was time for the head-liners the supremely talented Inspiral Carpets. I had seen them many years ago and they were always a band whose new release I would always check out. No other band of their generation rocks the Farsifa like these blokes do. The have some excellent songs in their canon including “Dragging Me Down”, “This Is How It Feels”, “Spitfire” and one of my all time favourite songs from any band or singer “Saturn Five”. Quite an appropriate song for the Apollo Festival don’t you think? The Inspiral Carpets used to refer to themselves as ‘cool as fuck’ and in my opinion they remain so. If you get a chance to see them you would be foolish not to.


Finally let me say a big, big thank you to the organisers of the Apollo Festival especially Mr Apollo himself Stuart Kelly. Also a big shout out to my good friend Simon Pattinson who is on the organising team. Everything was brilliant folks, including the weather. If you change anything for next year then I suggest that you increase the food outlets and vary them a bit. Can I also offer to volunteer to help with organising Apollo 2016?


This really is the final finally! If you haven’t done so already please click here to vote for the Apollo Festival in the Yorkshire Gig Guide Grass Roots Awards. I have!

Well given the weather it seemed somewhat appropriate :-)

Well given the weather it seemed somewhat appropriate 🙂

Public service announcement – none of the media contained in this post was filmed or photographed by me.



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