With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

This is it, my 1,000th blog post! January 22, 2017


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Well blow me down with a feather, knock me down with an empty washing up liquid container, hit me on the head with a silk handkerchief or spank me with  a lollystick! This is my 1,000th post on this blog. It has taken eight years, but wow I am amazed that I have got this far with it. As a special offer to my blog followers and Facebook friends I opened this post up to you. I asked you to send me one song or artist and those songs and artists would form the content of this post. I did promise to say something nice about your choice and I will certainly try to stand by that, even if you have sent me a song that you know I do not really like, actually there were very few of those.  So here we go and there is no particular order or sequence to this by the way.

First up was suggested by a man who is exactly one year older than me, Vijay Ragoonanan. His choice is the first one that I received and it is a pretty classy one too. It’s “Train In Vain” by one of my favourite bands, the Clash. It was their first top 30 hit in the US and was largely called “Train In Vain” to avoid confusion with the Ben E King classic “Stand By Me” as the common refrain throughout the song is ‘stand by me’

Next up are three songs from the same family Caron Godbold Darbyshire Williams, John Williams and their wonderful daughter (who is also my Odd Daughter) Amelia. Caron chose “High” from the Lighthouse Family which was hers and John’s first dance song at their wedding. This remains the band’s most successful song, it reached the top ten in eleven countries, including number one in Australia back in 1998. John chose the timeless Don McLean song “American Pie”.  McLean has spoken very infrequently about the meaning of the song other than to confirm that the day the music died refers to the death of Buddy Holly in a plane crash on February 3rd 1959. However many people have speculated that it summarises much of America’s relatively recent history along with some related music history, for example ‘the quartet practised in the park’ is believed by many to refer to the Beatles. Amelia’s offering was One Direction with “History”. One Direction are one of the handful of acts that have remained a success long after their reality TV star burned out. This song gives a co writing credit to band members Louis Tomlinson and Liam Payne along with Julian Bunetta, John Ryan, Wayne Hector and Ed Drewett. Released at the end of 2015 it currently sits as the final single from the group now that they all appear to have gone their own way. It made it to number 6 in the UK and only hit 65 in the USA.

Sam Claypole has the next song and it’s American crooner Barry Manilow with “Could It Be Magic”. The lyrics were written by Adrienne Anderson and the music by Bazza himself. As with most Manilow songs the production is damned good. It was produced by Barry along with Ron Dante. It has been covered by many acts, notably by Take That and Donna Summer. My favourite version of the song is Donna Summer’s and I don’t really like the bombastic over production on the Take That cover.

The next offering is from someone who I went to school with back in the 1970s, Susan Norris. She has given us the sublime UK number one from 1968 by Fleetwood Mac, “Albatross”. This remains the band’s only UK number one, albeit with a very different incarnation of the group from the mega selling troupe that straddled the globe with ‘Rumours’ in the late 70s. Did you know that “Albatross” allegedly influenced a Beatles song? Apparently it was a strong influence on “Sun King” from 1969’s ‘Abbey Road’ album.

Top bloke Andy Copeland has selected the next track, I work with Andy and he sees me as some kind of old cockney geezer and provided me with the nickname Albert! Anyway as a result Andy proposed anything from Chas ‘n’ Dave, so in order not to disappoint I will treat you to “The Sideboard Song” from those cheeky London chappies. The song just missed out on a top 50 UK chart placing peaking at number 55 in 1979. It was taken from their very cockney titled album ‘Don’t Give A Monkey’s’

Someone else that I work with has the next song in the list and it is in my opinion an all time rock classic. Adrian Caines thank you for bring us Rush with “Spirit Of Radio”. Interestingly this is the only act that will feature twice on this list, more from them later. The song was released in 1980 and comes from what I believe is their seventh studio album ‘Permanent Waves’. It is still the band’s biggest UK hit having peaked at number thirteen. The song has been covered by the Catherine Wheel and sampled by Saint Etienne.

Simon Pattinson, a tireless promoter of new (and often local) music brings us York band Faux Pas who launched their first EP at Fibbers in York a few weeks ago. They have already performed at the Leeds Festival and have had some airplay on Radio 1. This teenage 4-piece have a very bright future I reckon, what do you think? The song is “I Hate Dancing”.

David Burr requested Barbara Thompson’s Paraphernalia with “Unity Hymn” which I have struggled to share with you as I can’t find a link that will play you any more than 30 seconds of this classy song. If you have a link feel free to share it. I have listened to the track on Spotify where it is credited to Barbara Thompson’s Paraphernalia (featuring John Hiseman, Peter Lemer, Malcolm Macfarlane, Paul Westwood, Anna Gracey Hiseman and the London Gospel Singers). I have added a link to a whole show from 1991 though. Barbara is a very experienced and skilled jazz saxophonist who has been playing professionally for many years. She received an MBE in 1996 and in the early part of this century she had to retire from playing for a while due to Parkinson’s Disease, but she is back now and is a permanent member of Colosseum for whom her husband Jon Hiseman is the drummer.

Among the liveliest of my Facebook friends is Katie Jane Hardy and she has chosen “Ain’t It Fun” by the Dead Boys. Originally fronted by Stiv Bators this band from Cleveland, Ohio were around at the first flush of punk from 1976 to 1979. Stiv sadly died in 1990 after being run over by a taxi, although the band did get back together in 2004 and 2005. “Ain’t It Fun” comes from their 1978 album ‘We Have Come For Your Children’.

Someone else that I went to school with in the 70s, Jane Price, selected the next song and it is a 70s classic; “Heart Of Gold” from Ole Shakey himself, Neil Young.  Taken from the album ‘Harvest’ in 1972 it is so far Neil’s only US number one single. Backing vocals on the track are courtesy of James Taylor and Linda Ronstadt.

I would like you to thank Shaun Flannery for the next song, it is “Angels” by Robbie Williams, who as Shaun pointed out to me is a Brits Icon winner, personally that just proves to me how meaningless the Brits actually are. Now many of my regular readers know that I am not a big Robbie fan and one of my least favourite songs ever is “Angels” (along with John Lennon’s “Imagine”). But I did say I would try to be nice. The song was co written by Robbie, Guy Chambers and Ray Heffernan. In 2005 a UK poll voted it the most popular song that was requested at funerals in the UK, I’m not quite sure what that says about it. Robbie has had seven solo UK number one hits in the UK, although “Angels” only made it to number four back in 1997.

I used to work with our next contributor and we have also been to a few gigs together too, Simon Hernaman has chosen “Rockwrok” by the John Foxx incarnation of Ultravox. It was released in 1977 and was taken from their ‘Ha! Ha! Ha!’ album. The B -Side of the single was an alternate version of “Hiroshima Mon Amour” from the one on the ‘Ha! Ha! Ha!’ album

Karen McPoland struggled to choose just one song, in fact she offered me three and asked me to choose. A couple of you gave me an initial choice and then changed your mind, so who knows, perhaps they might all appear on a future post, 1,001 perhaps? Anyway I chose the Eels from Karen’s list with “The Look You Give That Guy”. The Eels were formed in 1995 by Mark Oliver Everett also known as E or Mr E. His father Hugh was a physicist who was one of the first people to propose the potential existence of multiple universes or the Many Worlds Interpretation of Quantum Physics. The song is taken from their 2009 album ‘Hombre Lobo’ and was a big hit in Belgium.

My good friend and regular Reading Festival buddy wanted the Glass Animals to be included, so obviously they will be. They originate from Oxford where they formed in 2012. They have played a number of festivals around the world and released their second album ‘How To Be A Human Being’ last year. I have chosen “Youth” from that album.

Someone else that I used to work with many years ago picked the next song and it’s a bit of a Prog classic from Yes, thank your Graeme Card. It comes from ‘Yessongs’ which was the band’s first live album. The track originally appeared on the studio album ‘Close To The Edge’.

Jon Reeton is next up with “No Bravery” from James Blunt. I was never a big fan of Blunt, but I have great respect for his deftness at self-deprecation. I think he has an incredible sense of humour, but his music doesn’t do too much for me. However Jon pointed out how meaningful the lyrics are even now and I find it hard to disagree with that. The song was written by Blunt with Sacha Skarbek and can be found on his debut album ‘Back To Bedlam’ from 2005.

A little bit of reggae next with “You Don’t Love Me (No, No, No)” by Dawn Penn, thank you to Carl Rogers for this one. The song reached number three in the UK charts in 1994. Penn first recorded a song with this title in 1967 and it was based on a track by US R & B singer Willie Cobbs which in turn was heavily influenced by a Bo Diddley song. That is why the 1994 release from Dawn Penn credits both Cobbs and Diddley as writers.

Paul Terry offered me two choices and I wonder if he might be surprised that I chose Justin Bieber from the two? Anyway while I can’t say I am a Belieber I do like some of his more recent stuff. Especially “Love Yourself” which was written by Ed Sheerhan along with Benjamin Levin (a.k.a. Benny Blanco) and Bieber. It spent six weeks at number one in the UK chart.

Suzi Stacey my online witchy sister has picked a Rolling Stones classic “Mothers Little Helper”. Obviously this is not a drug related song, well ok it definitely is. Don’t do drugs kids otherwise you might live as long as Keith Richards. Hang on that sounds like a good thing though right? OK I sound like I’m high now, just enjoy the song ok.

I told you that there would be another entry from Canadian rockers Rush and I wasn’t lying. This time it is “Tom Sawyer” chosen by my mate Andy Golborne. It was the opening track on their 1981 album ‘Moving Pictures’. VH1 named it the 19th Greatest Hard Rock song of all time in 2009.

Now we have a track from the late, great Gary Moore which also features the late, great Phil Lynott. Thank you for Jacqui Parkin for choosing this one, I think it is a true classic. The song made it to number 8 in the UK singles chart in 1979. It was written by Moore and Lynott. Thin Lizzy drummer Brian Downey also plays on the track.

The next song is very much one of my favourites as it was the first dance after marrying my beautiful wife Catherine. In fact this is Catherine (a.k.a. Catwoman)’s choice. It is the truly sublime “Into My Arms” by Nick Cave. Just listen to it, is there anyone out there that doesn’t like this song? It is also the only song that I know that includes a reference to an ‘interventionist God’.

Sara Hayes has chosen the 25th song which spookily has the number 25 in the title, it s Edwin Starr with “25 Miles” a fabulous slice of Motown genius. It reached number 6 in the US chart and 36 in the UK chart when issued as a single in 1969. It was written by Johnny Bristol, Harvey Fuqua and Edwin Starr. This song was also a big hit on the Northern Soul scene in the UK.

Rachael Baines-Holmes picked the next song and it is a slice of punky class; the Dead Kennedys with “Holiday In Cambodia”. It was written by the band’s front man Jello Biafra and John Greenway and it was the second single to be released by the group when it came out in 1980. It followed “California Über Alles”. Both songs were included on the album ‘Fresh Fruit For Rotting Vegetables’.

So there you have it twenty-six songs provided by a selection of my friends. Thank you for being a part of this and for reading my blog and putting up with all the puns and shit that I post on Facebook. Finally though I will leave you with my selection. I have said loads about it on previous blog posts and it is without doubt my favourite song of all time. “No Woman No Cry” Bob Marley and the Wailers taken from the ‘Live At The Lyceum’ album from 1975

 

Apollo Festival – York – Saturday 25th June 2016 June 30, 2016


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I wonder how long it will be before folk start referring to the last weekend in June as Apollo weekend and not Glasto weekend. Well many people in York already do, and rightly so this relatively new festival is still very vibrant, friendly and fun even in its fourth year. I have now been three times and I enjoyed each visit immensely. If you like good music and a good day out for the family in Yorkshire then look no further than York’s Apollo Festival.

Anyway this year I was a bit of a lazy stage hopper in that I only visited one other stage apart from the Main Stage. I arrived at about 11.15 along with my beautiful wife Catherine a.k.a. Catwoman our good friend Caron and our amazing Odd Daughter Amelia. The first act we saw was the Ainsty’s Got Talent winner B Boy Swirl, aged just nine years old he is just three years older than Amelia. He proved himself to be a talented whirlwind of beatbox noise and break dance frenzy. What a brilliant start to the day.

Next up on the Main Stage was someone with a vocal talent that could easily compare and compete with Adele. The magnificent and truly soulful Kymberley Kennedy. Definitely check this lady out, she has a gorgeous voice. After that it was a quick dash to the Rick Witter Premier Stage for me to catch the final part of a stunning set from those magnificent scamps, the Mallrats. Just like the last time I saw them they were awesome!

I made my way back to the Main Stage for the second half of the Jackobins set. These scousers owe a debt to Brit Pop, but only a small one. Their talent goes much deeper than that. Ace mod covers band the outstanding 5:15’s were up next. What a party band these boys are, covers of the Jam, solo Weller, the Specials, the Yardbirds and so much more. They were followed by Chris Helme the former front man of the Seahorses. He is clearly a very talented and very chilled kind of bloke. But I’m afraid his music just doesn’t do it for me. But to each their own right?

I was disappointed that I had to miss the Supermodels this year. But I did have good reason,  I had earlier bumped into the fabulous Rachel Brown of Northern Exposure who has recommended the Velcro Teddy Bears for ages. So clearly I was not going to miss them. Rachel and her fella Ash were also in the audience in the Rick Witter Premier Stage for the Velcro Teddy Bears Apollo début. So what were this highly rated Sheffield four piece band like? The were bloody stupendous. They rocked the place hard. If you love Led Zep, the softer side of Sabbath and hard but soulful rock then you will become a fan of the Velcro Teddy Bears. An incredibly tight band with a vocalist who could probably make any song his own. Their songs have the hallmarks of future classics. For me they were the band of the day. Thank you Rachel! I was also pleased to see my mate Kevin Forth in attendance too.

Dave McCabe and the Ramifications were next to entertain us from the Main Stage. Dave in case you wondered is a former Zuton. The band was excellent from start to finish in my opinion although I really would have liked to have seen them close with “Valerie” but Dave was having none of that.

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Dodgy were the penultimate Main Stage band and it is fair to say that they were far more than just “Good Enough”. A stonking version of “Staying Out For The Summer” even managed to keep the rain at bay for a while. Sadly the rain really kicked in after Cast’s arrival, what a “Fine Time” for a downpour? So I must apologise to the marvellous Cast as we left about halfway through their set as we were soaked. But they are clearly still a great festival band. I saw them back in the 90s and if anything they have got even better.

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So once again I have had the pleasure of attending another wonderful Apollo festival. This is one small wacky step for Dad dancing but one giant leap for festival kind. If you’re not already thinking about getting your tickets for next year, well frankly you’re not well!

Public Service Announcement – None of the pictures or videos were taken or filmed by me. I ‘borrowed’ them all from t’interweb.

 

Apollo Festival York 2015 – Saturday 27th June 2015 July 2, 2015


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Sadly I missed the first Apollo Festival back in 2013 and then last year I had to leave early so I missed the headliner. However this year I was there for the day and what a bloody good day it was! With something like 50 acts across 5 stages I was never going to be able to see everyone but I did see a fair few acts. I was there with my wonderful wife Catherine ak.a. Catwoman and our great friends John and Caron who brought their daughter and our Odd Daughter (that’s another story) Amelia with them. Amelia proved beyond doubt that she is indeed a 5-year-old dancing dynamo of perpetual motion. Anyway enough of us, who did I see?

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First up it was 4 Pint Milk in the Rick Witter tent. They are from Huntington School and seemed all of 16 (apologies if you’re older than that lads!). But they rock like they’re much older. The part of their set that John and I saw was cover versions, but damned good cover versions. Jake Bugg’s “Green Man”, the Smiths’ “This Charming Man”, Stone Roses “I Am The Resurrection” and my particular favourite, “Brianstorm” originally done by the Arctic Monkeys. I hope these boys succeed, they play really well and they have an excellent dour and dry northern wit.

Back at the main stage I only caught Fat Spatula’s last song. On the evidence of that I thought they sounded pretty good and I wished I could have heard more of them. I should add that Catwoman didn’t like them at all. Next on the main stage was the winner of this years Ainsty’s Got Talent contest, Beth Bryers. She undoubtedly has a great operatic style voice which she used over a number of dancey beats including Bastille. I get the appeal to some, however for me Beth is an acquired taste that I unfortunately didn’t acquire.

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Rime Suspex though were something else, absolutely brilliant in my opinion. A relatively simple set up of a guitarist, singer and rapper. They were also accompanied by a number of samples I think. Imagine if South Africa’s Die Antwoord came from Blackburn and had better rhymes, well that is Rime Suspex in my view.My particular favourites from their set were “Money” and “Sick And Tired”. Given the lyrical content I almost certainly support their sentiments and politics. They didn’t hit the spot for my friend John, but he has never been a fan of white rappers. But I’ll work on him! Anyway I would definitely pay to see Rime Suspex again.

Our first visit to the Access Music stage brought us Matt Philpot. For me he was a pretty average singer songwriter singing 70s with a mostly laid back 70s vibe. The highlight of his set was a reggaefied arrangement of Aha’s “Take On Me” which I enjoyed. Next we saw the Rusty Pegs who are a bit alt. country and come across like a slightly more Nashville version of Fairground Attraction. I quite liked them.

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On our return to the main stage the Happy Daggers were on. I missed the first part of their set but what I did see showed me that these fellows  are funkin’ good and I want more! Rupert Stroud was on next, he and his band were very tight and well rehearsed. He is a rock influenced singer songwriter and he is bloody good. Imagine James Blunt with bigger balls, well that is Rupert Stroud.

After that it was a quick hop across to the Access Music stage for the magnificent Barcode Zebra. I saw them play at last year’s Apollo Festival and they were very good then. This year they were even better. Soul, funk, rock, jazz all in a musical blender supported by a really skilful band and an immensely powerful vocalist. I certainly hope to see more of them.

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Now it was time for the wonderful Crybabycry on the main stage. They had been caught in traffic on their way, but believe me it was worth the wait. I saw them earlier this year in a tiny venue during Live In Leeds. On their performance then and at the Apollo Festival I will stick my neck out and say that I believe that they are one of the finest bands in the UK at the moment. Along with my other favourite UK bands; Avalanche Party, Colour Me Wednesday and the Tuts. Powerful three-piece Crybabycry deserve to be on bigger stages and if you don’t like them then I suggest that you pop out and get your hearing examined. Can we have them at Reading and Leeds please?

Awesome covers band the Mothers followed Crybabycry onto the main stage and they rocked their socks off. I danced near the stage for their whole set which included storming versions of songs by the Beatles, Rolling Stones, songs from the Stax back catalogue among many others. They were fucking brilliant and I might try to book them for my 60th birthday party, although that isn’t until January 2019. After that I paid a final visit to the Access Music Stage where Catwoman and I saw Armonia. They played some really chilled and laid back acoustic songs including a wonderful cover of Lordes’ “Royals”

Classic 90s scouse indie pop band Space were next on the main stage and they were blooming amazing. I had forgotten how many great songs they have recorded. Favourites like “Neighbourhood” and “Female Of The Species” were there along with some new songs and stuff that I have never heard before. There wasn’t a duff song in their set. My favourite is one that I hadn’t heard before, the rather fabulous “Boy In A Body Bag” which is a bloody fantastic tune.

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Finally it was time for the head-liners the supremely talented Inspiral Carpets. I had seen them many years ago and they were always a band whose new release I would always check out. No other band of their generation rocks the Farsifa like these blokes do. The have some excellent songs in their canon including “Dragging Me Down”, “This Is How It Feels”, “Spitfire” and one of my all time favourite songs from any band or singer “Saturn Five”. Quite an appropriate song for the Apollo Festival don’t you think? The Inspiral Carpets used to refer to themselves as ‘cool as fuck’ and in my opinion they remain so. If you get a chance to see them you would be foolish not to.

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Finally let me say a big, big thank you to the organisers of the Apollo Festival especially Mr Apollo himself Stuart Kelly. Also a big shout out to my good friend Simon Pattinson who is on the organising team. Everything was brilliant folks, including the weather. If you change anything for next year then I suggest that you increase the food outlets and vary them a bit. Can I also offer to volunteer to help with organising Apollo 2016?

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This really is the final finally! If you haven’t done so already please click here to vote for the Apollo Festival in the Yorkshire Gig Guide Grass Roots Awards. I have!

Well given the weather it seemed somewhat appropriate :-)

Well given the weather it seemed somewhat appropriate 🙂

Public service announcement – none of the media contained in this post was filmed or photographed by me.

 

 

Apollo Festival 2015 – The Preview March 22, 2015


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Last year I enjoyed a great day at a small local festival here in York. The Apollo Festival, you can read my review of last years event by clicking here. This year sees this wonderful family friendly music festival enter its third year. It was started in 2013 by Stuart Kelly and he has grown the show really well. Last year more than 3,000 people turned up which was close to doubling the amount of music fans that were there for the inaugural festival in 2013. If things go to plan you could be among 4,000 happy Apollo punters this year. I certainly will be as I have already purchased tickets for myself and the delightful Catwoman.

If you live in or near to York, or even further afield,  then you have no excuse for missing this event in June. Prices are very affordable at just over £15 each ticket. Significantly less than what you’d pay for a day ticket to one of the major festivals. But even keeping prices low hasn’t affected the quality of the acts playing. Last year was great and I also experienced a few bands that I had previously never seen or heard of. One of the highlights from last year for me was And The Hangnails. We also saw the Entertainment Company and we liked them so much that we have booked them for Catwoman’s ‘significant’ birthday party next year.

The line-up for this year has two excellent bands that for one reason or another I have never seen before despite being a fan. Those bands are the fabulous Space and the headliners are the superb  Inspiral Carpets. The ticket price is worth it for those two alone. One of the stages for 2015 will be curated by Rick Witter of Shed Seven, so I reckon that might be quite interesting. Other acts appearing are CryBabyCry, Happy Daggers, Hello Operator, Kimberly Kennedy, The Mothers, Rime Suspex, Rupert Stroud and Kid Conventional. I saw Hello Operator recently at the Basement in York City Screen and they are were excellent; a very loud, very powerful and explosive British rock band. I will be there along with my wonderful wife Catherine (a.k.a Catwoman) and hopefully a few of the friends that I have been promoting the festival to; John, Caron, Amelia, Shaun, Tracey you know who you are! Simon P, I know you’ll be there too and it looks like once again your music recommendations to me will be spot on! Finally I would like to say a big thank you to Stuart Kelly for starting this festival and building it to an even bigger level. Look out for my festival review at the end of June. Now get off your arse and get yourself a ticket! I will see you at the 2015 Apollo Festival at the York Sports Club, Shipton Road, York on Saturday 27th June. If you fail to turn up after all I have said then I will have to send the boys round!

 

Apollo Festival 2014 – York – Saturday 21st June June 30, 2014


 

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Unfortunately I was unable to attend last years Apollo Festival so I was quite excited about this one. On another unfortunate note for various reasons I ended up having to miss the set from Reverend and the Makers who headlined the day. But I did get to see absolutely loads of great music and I do hope to be back next year. This time for the full day!

I spent the day with my wonderful wife Catherine (regular readers will know her as Catwoman and our good friends Caron and John and their beautiful daughter Amelia. Catwoman and me are Odd parents to Amelia. the first stage we visited was the Access To Music Stage. Ruby was playing when we arrived, she looked very young, but she was also very, very good. Her own material had some very mature lyrics for someone so young and she even made an Olly Murs song sound good when she covered “Troublemaker”. We stayed in place to see the next act; Laura. Does nobody bother with surnames any more? Laura has an excellent voice and some great songs of her own. She also played two well-chosen and extremely well done covers. The first was the Beatles “Blackbird” and she finished her set with a storming acoustic cover of the Gnarls Barkley modern classic “Crazy”.

 

We wandered over to the Main Stage next where we saw We Could Be Astronauts last song. It was a pity that we weren’t able to see more because these guys sound bloody good! Redstar from Huddersfield were next and it would be difficult to find any fault with this superb band. Their playing is on the button and really tight. The vocalist has all the traits of a great front man and he backs that up with a great rock voice. Their songs are pretty damned good too. I reckon there may be some Kasabianesque influences in there and they made me think of what Beady Eye could have been had Liam retained any talent. But that is small stuff, they are very much their own band. The free CD album they handed out to us punters is brilliant and has been on heavy rotation in my car since the show. Chris Helme former singer of John Squire‘s first post Stone Roses project the Seahorses was next. he is clearly a talented bloke with a good voice but I found him a little dull.

It was back to the Access To Music Stage next where we saw the fabulous Barcode Zebra. probably the funkiest band of the day. A truly stupendous rhythm section and a vocalist for whom a description of awesome might not be quite enough. They are playing in York at a launch of their new EP in July and sadly I will be away that weekend. I would definitely pay to see this band again. also if you’re reading this good people of Barcode Zebra I would love to do an interview with you for this blog!

The Entertainment Co Stage was our next port of call where we found it impossible not to dance and sing along to the curators of that stage; The Entertainment Company! They don’t just play cover versions they own them! Are they the best party band ever?  Very probably! shall we book them for Catwoman’s 50th birthday party (yes she doesn’t look even close to 50 does she)? I hope they do private party bookings because I’d love them to play for us in September 2016!

After that it was a return to the Main Stage where we saw the Black Delta Movement. We didn’t catch their whole set but they come across as very accomplished rockers with a swampy blues rock feel. Not bad at all. Former Bluetones frontman the ‘Legendary’ Mark Morriss was on next with a rather brilliant acoustic set. He is wonderfully self-deprecating and even his new songs have an air of classics about them.

Next it was a quick jog back to the Entertainment Co Stage where we were hoping to see the highly recommended And The Hangnails (thank you Mr Pattinson). before they took to the stage those wonderful people from the Entertainment Company had allowed a young singer from LA to play a few songs. His name is Ben Caron and he is soulful and funky. A bit like Bruno Mars but with more of an R & B edge. He has a truly great voice with which he wowed the all too small crowd. I bought his album, a steal at £7 and he struck me as a really good bloke too. You really should check him out. And The Hangails came on the stage and it is fair to say that for just two people they make a massive noise. I don’t mean that in a negative way either, this pair know how to rock. I sensed some influence from the likes of the White Stripes, the Black Keys and the Strokes. Would I pay to see this mighty duo again? Hell yeah!

Target By Numbers were next on the Access To Music Stage. Good musicians and some ok songs, but they really didn’t do it for me. The last band we saw on the day was the Supermodels on the Main Stage. They are a covers band, but to simply say that really doesn’t do them justice. They cover some classic rock songs with such verve and talent that you could almost imagine you were listening to the real thing if your eyes were shut. Their cover of the Who’s “Baba O’Riley” would give Daltrey and Townshend a run for their money. I really want to see them play again. Sadly we had to leave just before the Supermodels left the stage. But although we missed the headliners we had a fantastic day! well done to the organisers and for all the money raised for an excellent cause; the Smiley Riley Fund!

 

 

Happy Birthday Princess Amelia “My gift is my blog and this one’s for you” May 5, 2011

Filed under: Amelia — justwilliam1959 @ 7:50 pm
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Once upon a time in the Elven Forest there lived an Wise Old Bald Man (that’s me) with his beautiful fiance (that’s Catwoman). Some very good friends of theirs came into the forest having left a trail of breadcrumbs to ensure that they didn’t get lost in this dark and gloomy place. Those very good friends were known as King John and Queen Caron, they were from the country of Godderwil. Catwoman said “Why did they use breadcrumbs? Surely the birds of the forest will eat them and the King and Queen will be lost?” “I have already thought of this” said King John, who was very clever, “I have covered them all in Magic Glue so that they will stick to the floor”. He then looked at his hands and realised that they were covered in breadcrumbs. “Forsooth” he cried, which is completely meaningless, but it is what royalty does in any story that opens with the line ‘once upon a time’ Catwoman and the Wise Old Bald Man (that’s me) soon put King John and Queen Caron on the correct trail by consulting the magic oracle of Tom Tom Garmin.

But we digress, there was a very good reason for this Royal visit. It was to introduce the new member of the Royal Family; Princess Amelia who had been born on 5th May 2010 (which sadly prevents the use of any Star Wars jokes about May the Fourth be with you). Catwoman and the Wise Old Bald Man (that’s me) were very excited to meet this lovely young lady and were even more honoured to be asked to be her moral and spiritual guides. There was no religion in this part of the forest (Imagine, no religion. It’s easy if you try!) so they were not God Parents, but they were Odd Parents. Some would say very odd indeed. Catwoman and the Wise Old Bald Man made many commitments and promises to the young Princess Amelia.

One of the promises the Wise Old Bald Man (that’s me) made was to teach Princess Amelia all he knew about music (and superheroes, but that story will be saved for another time). To do this he decided to dedicate a series of scrolls to the Princess, outside the Forest these were known as Blogs. Which is strange really as the forest scrolls are made from logs which sounds like blogs doesn’t it?  Anyway he published the first of those scrolls on the advent of the first birthday of the young Princess and vowed to publish a new one each month, provided the Trolls (If these creatures scare you simply shout “TROLL” at the top of your voice and they will disappear!) he worked for released him for a few hours. You can read these soon to be famous scrolls by clicking here.

Odd bless Princess Amelia who lived happily ever after in Godderwil with King John, Queen Caron and her two stepbrothers and one stepsister; Prince Joseph, Prince Matthew and Princess Rebecca. Strangely enough none of them were known to be wicked or evil as step brothers and sisters often are in these stories.

THE END (or is it?)

Amelia gets ready to dance to the music!

See not even this post is finished yet. It is Amelia’s birthday today so let’s give her a birthday song to celebrate. here are the Beatles with “Birthday” from the classic White Album.

 

 
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